Showing 51 items
matching aboriginal art on display
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Federation University Art Collection
Painting, [Water Creatures], 2014
Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile -
Federation University Art Collection
Painting, Diana Nikkelson, 'My Family, My Life Goes On' by Diana Nikkelson
Diana NIKKELSON (c1943-30 December 2022) Diana Nikkelson is a Ballarat-based Gunditjmara elder. Her grandfather was Watchobaluk. A part of the stolen generation, Diana Nikkelson was one of 10 children, and she had nine children of her own. A founding member of the Ballarat and District Aboriginal Co-operative in the late-70s, Diana Nikkelson was a board director for 16 years and chair for six years. She worked on the Bunjil the Eagle installation at the Koorie Playground at Lake Wendouree, and designed the goanna which was etched into the paving along Police Lane in 2006, and has painted murals across Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 000 works and was listed as a 'Ballarat Treasure' in 2007.AboriginalThis work by Ballarat-based Gunditjmara elder Diana Nikkelson was commissioned by the University of Ballarat (later Federation University) for use on the Aboriginal Employment Strategy brochure. The central figures in this painting represent the artist and the fathers of her children. The outer groups are Diana Nikkelson’s children and their families. art, artwork, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara, aboriginal employment strategy -
Federation University Art Collection
Acrylic on canvas, [Title Unknown]
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you are able to assist with identifying this work or the artist who created it please leave a message via the 'comment' link below. art, artwork, aboriginal, kangaroo, echidna, turtle -
Federation University Art Collection
Charcoal on paper, 'In Our Own Backyard' by Michelle Nelson, 2009
Winner of the 2008 Lucato Peace Price, a University of Ballarat art prize promoting peace over war sponsored by George Lucato. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing.art, artwork, michelle nelson, nelson, lucato peace prize, aboriginal, aborigine, available -
Federation University Art Collection
Painting - Acrylic on canvas, 'Kookaburras' by Harry Taylor, 1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of two kookaburras. If you can provide information on this artist or artwork please use the email link below.art, artwork, aboriginal, kookaburra, bird, harry taylor, horsham campus art collection -
Federation University Art Collection
Painting - Acrylic on Board, Stuart Harradine (Wudja Waran), 'Tandurrum Jukuprrpa' by Stuart Harradine (Wudja Waran)
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A stretched painting on canvas with Aboriginal motifs and colouring. If you can assist with information on this artist or artwork please make contact via the 'comments' link belowart, artwork, stuart harradine, wudja waran, aboriginal, horsham campus art collection -
Federation University Art Collection
Painting - Artwork - Painting, Newton, Tim (T'Bone), 'Tribal Land - Jukurrpa' by Tim Newton, 1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you can assist with information on this artist or artwork please make contact via the 'comments' link belowart, artwork, tim newton, t'bone, aboriginal, horsham campus art collection, horsham available -
Federation University Art Collection
Ceramic - Artwork-Ceramic, Johnstone, June, 'Large Carved Mortar and Pestle' June Johnstone, 2010
This item is part of the Federation University Art Collection. The Art Collection features over 1200 works and was listed as a 'Ballarat Treasure' in 2007.A ceramic mortar and pestle paying homage to the rock mortor and pestles used by Aboriginal people.art, artwork, june johnstone, ceramics, aboriginal -
Federation University Art Collection
Pwerle, Minnie, 'Untitled' by Minnie Pwerle
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, minnie pwerle, aboriginal -
Federation University Art Collection
Pwerle, Minnie, 'Untitled' by Minnie Pwerle
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, minnie pwerle, aboriginal -
Federation University Art Collection
Printmaking, Pascoe, Nicholas, c1996
Nicholas PASCOE (1967- ) Country: Maningrida (Burarra) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print by Nicholas Pascoe.art, artwork, nicholas pascoe, aboriginal, printmaking, maningridia, burarra -
Federation University Art Collection
Gouache on paper, Larwill, David, 'On the Picks' by David Larwill, 2003
David Larwill was a founding member of Melbourne’s Roar Studios. His work is influenced by movements as diverse as tribal art, Aboriginal art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david larwill, larwill, gouache -
Federation University Historical Collection
Book, Victorian Indigenous Art Awards Catalogue, 2015
Black covered book with illustrations of the artworks displayed during the 2015 Victorian Indigenous Art Awards, includinf Try Firebrace, the winner of the Federation University Acquisitive Awardvictorian indigenous art awards, aboriginal, troy firebrace, elizabeth, liddle, glenda nicholls, marlene gilson, pitcha makin fellas, josh muir, deanne gilson, vicki couzens, cariline martin -
Orbost & District Historical Society
money, 1853 - 1910
These items were on display in the Slab Hut (Orbost Visitor Information Centre).These items are examples of pre-decimal Australian currency and British coins no longer in use.Three decimal notes and nine coins. There are two $2 notes and one $1 note in a plastic sleeve. The nine coins are separate in small white cardboard frames with black print descriptive labelling. 2366.1 is an Australian $1 note with the queen's head, coat of arms and Aboriginal art. 2366.2 and .3 are $2 notes with John McArthur and sheep and William Farrer with wheat. There are seven coins dating from 1853 - 1897 with the head of Queen Victoria on them. There are two coins, 1902 and 1910 with the head of Edward V11 on them.currency bank-notes-australian-decimal coin-british -
Ballarat Apron Festival
Art Apron, The Yarning Circle by Marlene Gilson, 2019
Created for Ballarat Apron Festival to present Ballarat's Aboriginal history, to be displayed along side the Festival's Ballarat Apron. Oil painting on handmade treated canvas apron. Two large thick cotton ties at waist and loop for neck. marlene gilson, ballarat, wadawurrung, aboriginal -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 33, October 1987 to January 1988
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 22 July to 3 October 1987.Book with green cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, indonesian school chiefs visit, dana street safety issue, appeal to help radio station relocate, inskill program enables cost savings, tiffany parker second in hair colouring competition, trish bishop and averil macklin, booklet 'wednesday's words, better deal for small business, how to speak without words, gift of toys to smb creche, jenny leviston, photograph display at smb, historical photo query, counselling skills graduation, aboriginal women students, play tunnel designed by women's trade and technical program, 100-year-old book returns to ballarat, wither's history of ballarat volume one, lower aim beats stress, dr bob montgomery, tertiary orientation program art show, smb will 'sell' courses to new apprentices, competition between tafe colleges, sovereign hill cottages to be opened, metal trades course begins, cfa unit prepared by smb students, nance jeffries gold medalist, drake international world veteran games melbourne, geoffrey mainwaring painter of portrait, barker portrait to college council, gail snowden, memories of early schoolong, peter mansfield, numbers drop for training courses -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 9, August 1980 to January 1981
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 09/08/1980 to 15/01/1981.Book with white cover back, front, spiral bound. staffing advertisements, courses available, metal trades industry association award, stephen jackson, unemployed youth program, majority didn't like school, motor mechanic apprentice brendan nunn, racv award, women's conference, secretarial careers day at smb, department of labor and industry, safety award to sec apprentice ross homberg, theatre group needs more members, challenging forum-ballarat melbourne rail link, role of councillors, bricklaying apprentices given tool kits, sir redmond barry, the man who sentenced ned kelly to death, bricks sale to aid smb building, ballarat sandblasting, o'flaherty, smb recreationbuilding appeal, smb link with barry centenary, smb art display, smb 110th birthday, bcae is 10 years old today, decade of growth at smb repeated 100 years later, intensive course for apprentices, priceless relics gather dust, aboriginal world war 1 collection, smb land laboratory opening, lee anton wins photo prize, students moving from tafe college to tertiary education, smb council move for tafe centre, engineering course change defended -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
The Beechworth Burke Museum
Animal specimen - Wombat, Trustees of the Australian Museum, 1860-1880
Wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper
... and Mrs Corn Gilsenen Waters of Metung displaying Aboriginal... Waters of Metung displaying Aboriginal artwork at Art Gallery ...Black and white photograph of Rachel Mullett Ricky Mullett and Mrs Corn Gilsenen Waters of Metung displaying Aboriginal artwork at Art Gallery Bairnsdale Victoriaaboriginals, arts, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper
... and Rachael Mullett at a display of Aboriginal photographs at Art... at a display of Aboriginal photographs at Art Gallery Bairnsdale ...Black and white photograph showing John Atkinson, Val Heap and Rachael Mullett at a display of Aboriginal photographs at Art Gallery Bairnsdale Victoriaaboriginals, arts, exhibition