We acknowledge the Traditional Owners of the place now called Victoria, and all First Peoples living and working on this land. We celebrate the history and contemporary creativity of the world’s oldest living culture and pay respect to Elders — past, present and future.
Please be aware that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Aboriginal and Torres Strait Islander people are advised that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Some material may contain terms that reflect authors’ views, or those of the period in which the item was written or recorded but may not be considered appropriate today. These views are not necessarily the views of Victorian Collections.
Users of this site should be aware that in many areas of Australia, reproduction of the names and photographs of deceased people is restricted during a period of mourning. The length of this time varies and is determined by the community.
Reuse of any Aboriginal or Torres Strait Islander material on this site may require cultural clearances. Users are advised to contact the source organisation to discuss appropriate reuse.
This work was designed by Marlene Drysdale and Lynne Holten, and was created by a large group of artists made up of Aboriginal students from the Morwell KODE school, campus staff and students at the CAIS Centre, and elders and community members from the region,
An exterior mural in the ampitheatre at Gippsland Campus. The theme of the mural is 'Reconciliation through Education'.
Focusing on personal memories, the Creatures of Change series is a collection of sculptures and objects that depict and embody memories of change. The works are stylistically and thematically divided into two groupings: one focusing on memories of growth, the other on death. Utilising organic shapes and lines, the works aim to express the need for life, death and change within our lives as these natural forces shape and mould us into who we are. Influenced by organic shapes, textures and colours, the two groupings are characterised by specific physical attributes. The growth works exhibit shapes of seeds or blossoming flowers, they grow outwards representing the outward growing we experience throughout life. They exhibit signs of expansion and movement through cracked surfaces and exude life as signified by the colour green. The death shapes are represented by tree stumps, a common gravestone symbol. The dead shapes are textured with broken and crumbling edges and sharp corners, symbolic of the feelings those in mourning experience. The death works are decorated with a deep, moody blue, conjuring up sadness and thoughtfulness. Accompanied by small hanging pieces which represent fragmented memories, the two sets of sculptures share a sense of druid creation. These creatures, with jointed legs, have a sense of life and movement. Born of memory, they embody a sense of willingness to change and respect for nature. Change as brought by life and death is a force beyond our power, these works endeavour to show the grasp change has on us and the power of our memories.
Sarah MISCHKER (1996- ) Born United States Arrived Australia 2017 In 2023 Sarah Mischker completed a Bachelor of Visual Arts at the Federation University Arts Academy. Her final folio focused on the 'Creatures of Change' series, a collection of sculptures and objects that depict and embody memories of change
ceramics, dvc art award, alumni, sarah mischker
This building was officially named the E.J. Barker Library by the Council of the Ballarat College of Advanced Education on 13th December 1989 In recognition of Mr E.J. Barker Principal School of Mines and Industries Ballarat'1964-76 Foundation Director Ballarat College of Advanced Education 1976-1987 President Director Mr E.T. Oppy Dr J.R. Sharpham
e.j. barker library, library, ballarat college of advanced education, jack barker, e.t. oppy, john sharpham
Wendy WHITFORD (1942- ) Born Ballarat, Victoria Wendy Whitford'swork has an Her emphasis is on texture and colour., and she paints in acrylic and produces limited edition prints on an etching press. She attended evening Life Drawing classes with Geoffrey Mainwaring at the Ballarat School of Mines, and undertook group srudies with artist Edward Heffernan. Undertaking full time formal art training inher thirties,, she completed a Diploma of Art at the Ballarat College of Advanced Education (later Federation University in the early 1980s. During this time she was introduced to Printmaking by Satish Sharma,and has alternated printmaking with painting until the present day. Wendy Whitford is a members of the Soldiers Hill Art Collective, a group of practicing artists who all live in the Ballarat suburn of Soldiers Hill.
wendy whitford, printmaking, satish sharma
horse, gippsland art collection
Abstract painting
abstract, available
katherine douglas, landscape
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
Signed Irena Sibley lower right below image
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, mirka mora
honeyeater with gum leaves and flowers in oval liner framework with raindrops and plants external.
Irena Sibley
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
Signed Irena Sibley in pencil lower right below print.
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust
Signed Irena Sibley in pencil lower right beneath print.
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust
Signed Irena Sibley in pencil lower right
Signed Irena Sibley in pencil lower right beneath plate
Signed Irena Sibley in pencil lower right below print
Signed Irena Sibley in pencil below print.
Signed in pencil Irena Sibley
Irena Sibley
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
pencilled 14/100 PmcCann
printmaking, australian bookplate design award, keith wingrove memorial trust, drawing, computer
An abstract painting on canvas.
horsham student collection, abstract, available
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
printmaking, australian bookplate design award, keith wingrove memorial trust, drawing, computer
Typed letter with list of this ewho were attending a reunion to be held in Ballarat on 23 August 1937.
ballarat teachers' college, ex-students' association, reunion, t.j. ryan, m.c. campbell, j.m. tomlinson, a.m. kerr, d. millman, j.c. warrick, c.v. merlin, k.s. clarke, l.e. krause, p.g. law, philip law, g.g. mitchell, a.h. bryant, r.r. watson, h.j. parker, r.p. warriner, e.o. jones, m. skene, j.h. mcnaughton, j. heard, e. mcinerney, w.i. young, l. merlin, n.v. cocks, g.c. ingpen, r. mclean, t.m. stuart, r.s. southwell, g.c. mcleaod, v.t. bellingham, r. row, a.m. giles, n. larkan
5 handwritte letters on George Ruffle letterhead.
george ruffle, the international company
Letter on J.W. Banfield letter head (Ararat Advertiser)
j.w. banfield, ararat advertiser, printer
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
roundal of Kookaburra on branch
pencilled in 3/10 with P.J.Webb
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, linocut,
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
Image of dancing woman with headset incorporating name and Ex Libris
2/4 signed V Stanic
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust
I'm a Year 11 student ... want to be a graphic designer.
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
Image of a contorted person.
2/4 Signed T Evers
print, linocut, ink on paper
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.
3/4 signed S Gillespie
bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work.
