20 p. : ill., map ; 21 cm.Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.1. aborigines, australian -- victoria -- swan hill -- history -- juvenile literature. 2. aborigines, australian -- victoria -- swan hill -- social life and customs -- juvenile literature. i. baxter, bruce. ii. title., other: wemba wemba tribe -- wathi wathi tribe -- aboriginal educators.

90, iii pages : illustrations ; 22 cm.Contents: Life of Buckley; James Morrill; Blacks of Victoria; Early Stories of the Blacks; Physical Appearance; Intelligence; Character; Clothing & ornaments; Homes & food; Hunting; Songs & dances; Women and children; Marriages; Infanticide & Cannibalism; Weapons; Religion & Superstition; Missions; Diseases; Death & Burial; Language; Origin of our Natives; Conflicts of Whites & Blacks; Native rights & British rule; Protectors & Native Police; Government of Tribes & numbers; Civilisation; Decline; Appendix.buckley, william, 1780-1856. | aboriginal australians -- victoria -- social life and customs. | victoria -- social life and customs.

xiv, 130 p. : col. ill. ; 20 x 22 cm.Three Faces of Love brings to readers the richness and originality of traditional Aboriginal erotic song-poetry. In Professor Berndt's sensitive renderings the poems conjure up the haunting atmosphere of muted eroticism of the north-eastern Arnhem Landers' traditional songs conveying in a very real sense a people's affection for, and oneness with, nature. They open up a whole new world of indigenous Australian literature, part of Australia's literary heritage...australian aboriginal song cycles. special subjects: love. english texts | poetry in australian aboriginal languages. special subjects: love. english texts | aboriginal australians -- poetry. | aboriginal australians -- music. | song cycles.

Colour photograph of group of young people at Break dancing Hip Hop and Song writing workshop at Youth Recreation Hall Lakes Entrance Victoriaaboriginals, people

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu