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Bendigo Historical Society Inc.
Photograph - WEDDING PHOTO, GROOM IN MILITARY UNIFORM
Black and white photograph of wedding couple. Bride has trailing bridal bouquet. Groom in military uniform, leather leggings, Sam Brown felt hat? Leather armchair on left. Pole on left. Inscriptions: 'Bourne & Shepherd, India'Bourne & Shepherd, Indiacottage, miners -
Flagstaff Hill Maritime Museum and Village
Furniture - Arm Chair, Later half of the 19th to early 20th century
A gentleman's chair, gent's chair or grandfather chair is a term usually applied in Australia to a deep upholstered Victorian easy chair, often button-backed and with upholstered arms. The chair generally stood on short cabriole legs and had a 'spoon' or a wide balloon back. The 'show wood', that is, the polished frame, was usually mahogany or walnut, although many examples in Australian red cedar have survived. There are Australian versions of the gentleman's chair, ladies chair and matching settees, usually made from cedar, and occasionally from blackwood. As cedar is a softer timber than walnut, mahogany and rosewood, from which the English versions were made, the carving is usually not as crisp as in the imported version. However the Australian blackwood gentleman's chair is often difficult to distinguish from a good quality English walnut example. The Edwardian form of the gentleman's chair is much squarer in outline, with short turned legs and the arms are often supported by spindles. There was sometimes a row of spindles, like a gallery, beneath the top rail. The chairs were frequently upholstered in leather.An item probably made in Australia during the latter half of the Victorian era and is significant as it was made in Australia at a time when furniture and many other household items were imported from either America or England.Cedar Gentleman's armchair, upholstered and buttoned in brown leather, scalloped and carved with Prince of Wales Feather on back, arms are scrolled and carved with Acanthus leaf design and finished on tulip turned legs with brass and porcelain castors. circa 1870 Australian made. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, furniture, chair, armchair -
The Beechworth Burke Museum
Photograph, c. 1960
Depicted in this photograph is a religious minister or priest dressed in a dark suit with a clerical collar. He is seated in an armchair holding a small suitcase or a briefcase. A group of adults (mainly women) dressed in formal attire are standing behind him, while a older women holding a bouquet stands beside him.Black and white rectangular reproduced photograph printed on matte photographic paper Reverse: 6952 (in pencil)/ B62K091 (stamped in black ink)/entertainment album, beechworth, burke museum, religion -
Tatura Irrigation & Wartime Camps Museum
Photograph, Sisters sitting room, Original 1943, copy 1989
WW2 internment camp 1 hospital nursing staffTwo A.A.N.S. sisters. Off duty nurses sitting room, local stone fireplace. Centre left wall with low white bowls of flowers. Books in book case. L/coffee table (round) with tray, teapot, etc. centre. Large armchair, right foreground.nursing staff, internment camp 1, a.a.n.s. -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, c. 1970
Large b & w photograph. Two men sitting in armchairs and chatting. On the coffee table between them is an issue of the newspaper The Telegraph (maybe from Brisbane) with article in front page: "Oil cuts go to ballot" so we can date the picture to early 70s. Another article says: "British ? is killed by missile".mission to seafarers, mission to seamen, telegraph magazine, welfare -
Mission to Seafarers Victoria
Furniture - Dining Chairs, 6, 1920-1930
This set of six original chairs (2 armchairs + 4 chairs) along with the dining table was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. chair, dining, manse, heritage listed, dining suite, arts and crafts -
Mission to Seafarers Victoria
Furniture - Table
This table along with the set of six original dining chairs (2 armchairs + 4 chairs) was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when the dining suite was purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay between 1926-1929.Extandable rectangular dining tabledining, manse, heritage listed, arts and crafts, dining suite -
Halls Gap & Grampians Historical Society
Newspaper - B/W, 03/02/1933
This is an article about Gus Knight. It does not refer to him by name, but calls him "Man of Crooked Sticks" , who he had watched making an armchair out of twisted gum-tree boughs. The author also mentions Gus's home, which was constructed of timber cut a hundred yards away. The article appeared in "The Herald" newspaper on 3 February 1933, in the "in Town and Out" section.Newspaper article titled "Man of Crooked Sticks"people, knight -
Bendigo Military Museum
Book - BOOK, CHILDRENS, Kerry BROWN et al, "LEST WE FORGET", 2015
"LEST WE FORGET" "100/YEARS OF/ANZAC/ THE SPIRIT LIVES/ 2014-2018" THIS IS A STORY BOOK FOR CHILDREN.Hard cover book. Cover - cardboard with adhered white paper cover. Gold, blue, red and black print on front, spine and back. Illustrated, front in colour of elderly person with a child surrounded by red poppies. Back, elderly person seated in armchair with a child seated on his knee. No page numbers, cut, plain white paper. Illustrations in colour.books, anzac day, children -
Emerald Museum & Nobelius Heritage Park
Booklet, University of the Third Age, (U3A), Emerald, A History 1992-2013, 2012 - 2103
The book was written to describe the 21 year history of Emerald U3A from its inception in 1992 until 2013. The third age refers to mature age people, homemakers of retirees aged 55 years and over. And the group offers classes, discussion groups and physical activities, generally from tutors who are members of the group. Memoirs were written by a number of Emerald identities, regarding bushwalking, gardening, language and literature, local history and armchair travel and book discussion. Soft back booklet, white cover.Signed by the author; Brenda E. Webbu3a emerald, brenda e. webb, emerald -
Bendigo Historical Society Inc.
Drawing - NORMAN PENROSE COLLECTION: ART FOLDER, 1953, 1954, 1955
Artwork. Norman Penrose collection: brown art folder with darker brown spine. Contains notes on Painting Schools and art. Also pronunciation of artists names. Also contains cuttings from magazines & papers relating to women's and men's fashions. Also some cuttings of armchairs. Some drawings of women and notes and illustrations of proportions of the head for fashion drawing. Some of the cuttings are pages from the Australian Women's Weekly.drawing, pencil, norman penrose collection, australian women's weekly, painting schools, women's and men's fashions. -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: MAN PLAYING ACCORDION
(1) An older man seated in an armchair with an upholstered back with a carved top playing an accordion? He is wearing shirt, cardigan, trousers, lace up boots and a cap. His walking stick is hanging on the back of the chair. (2) A middle aged man sitting in front of a brick fireplace playing an accordion. The instrument has a plate near the keys with 'The Grand Organ' printed on it. It has decorative scroll work on the corner near the keys.photo, individual, male, peter ellis collection, accordion/concertina players -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, KODAK, The Mission to Seamen, Melbourne - Central Hall, Celia Little Lounge, c. 1950
... armchairs ...One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. The other reason for creation could be the 1956 MTS centenary celebrations. The photograph was take before 1957 as the bell from the SS Morton Bay is not on the wall yet.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne mid 20th C.Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sidesclub, celia little room, sailors, literature, armchairs, flowers, artworks, magazines, reading, seamen, mission to seamen, mission to seafarers, seamen's mission -
Bendigo Historical Society Inc.
Photograph - LUCY HILL
Lucy Hill (nee Bobotham) Photograph. This photo of a smiling suited lady sitting in armchair in a library is Lucy Hill journalist for the Advertiser. (photo is in this collection). Lucy Hill published childrens stories and poems under the pen-name of Aunt Evelyn. She won the competition for writing the words for The Centenary Song. As Lucy Bobotham she was presented the First Prize for the Gravel Hill State School Choir competition. Mr & Mrs Hill also published in the Advertiser under "In the Spot Light". Lucy Hill has written extensively for many metropolitan papers and magazines, short Stories, verse, series (An Unexpected Achievement), song lyrics (The Centenary Song) and children's pages. She was also noted as a Bendigo historian.person, individual, lucy hill, journalist, advertiser, aunt evelyn, the centenary song, gravel hill state school, in the spot light, an unexpected achievement, bendigo. -
Warrnambool and District Historical Society Inc.
Document, Illuminated Address H. H. Smith esq
This illuminated address was given to H.H.Smith, the Warrnambool Mayor, for his work with soldiers returning to Warrnambool and district during and after World War One. On the same occasion Smith was also given an armchair by the mothers, sisters and wives of Warrnambool returning soldiers. Henry Huntingdon Smith (1857-1941) started his own bakery business in 1885, firstly near the corner of Fairy and Koroit Streets and later building his own shop at the corner of Lava and Fairy Streets (Monaghans Pharmacy today). Smith was one of the most admired men in Warrnambool in the first half of the 20th century. He was a Warrnambool Councillor from 1918 to 1937 (Mayor for two terms) and served continuously on the Warrnambool Hospital Committee for 39 years. He visited patients at the Hospital twice a week. He took a particular interest in the welfare of returning soldiers and it was said that there was not a returned man or woman whom Smith did not greet on his return to the district. Smith also was a tireless worker for the Methodist Church as an office bearer and a Sunday School teacher. Smith was also Vice President in 1937 of the first Warrnambool & District Historical Society. This document is of particular interest as it is a good example of the type of illuminated address produced during the early years of the 20th century. It also shows clearly the respect and love that Warrnambool people had for Henry Smith, a great volunteer worker in the community. This is a piece of cream-coloured parchment paper with a margin ruled in black ink and handwriting in blue and black ink surrounded by red ornamental scrolls and flourishes. The paper has an address to H.H.Smith and is followed by 74 names and the date (1920). The paper is inserted into a piece of red leather cloth. This has folded edges and an ornamental gold pattern around the front edges and a gold border around the back edges. There are two holes at the top of the folder and these have metal surrounds. The backing folder is rounded at the top edges. ‘Warrnambool, 6th December 1919. To H.H. Smith Esq., Mayor of Warrnambool – We, the Mothers, Wives and Sisters of the Returned Soldiers of this City and District wish to express to you our deepest gratitude for your unswerving devotion to Our Boys interests during your long term as Secretary of the Welcome Home Committee’ (etc etc)henry huntingdon smith, world war one, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1897-1921
These cane chairs are one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897. It went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century. The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker furniture is a fine example of late 19th and early 20th century light weight domestic furniture that are today very collectible items and quite rare and valuable.Pair of wicker armchairs, painted dark brown. The open wicker weave pattern extends from the seat up to the armrests and completely over the backrest, plus across the front of the chair below the seat. The seat is very firmly woven and fitted into a timber frame. A reinforcing pattern of wicker work covers the top edges of the armrests and backrest in one piece and folds around to the underside, referred to as ‘rolled serpentine arms and back’. The hollow ends of the armrests are filled with a circular knob of wicker work. The back legs are also completed with decorative wicker knobs. One chair base (3788.01) has been strengthened with metal bracing. The other chair (3788.02) has the remnants of an orange manufacture’s tag fixed to the base. The chairs were made 1897-1921 by Heywood Brothers & Wakefield Company, USA. These chairs are part of the Giles Collection.Printed in black on an orange tag “MANUFA - Heywood B – GARDNE”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, giles collection, giles family, henry and mary jane giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture, wicker armchairs, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company -
Federation University Historical Collection
Photograph - Photograph - black and white, Sarah Wright and family, 1928?
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. As Sarah is in her dressing gown and slippers these photos could refer to a note on an envelope left by Frank which says 'Mother taken on the first day up out of bed - at Lauls on 13th May 1928'. .1) black and white photograph of a man and a woman sitting on a wicker chair which is on a tessellated floor of the front porch of a brick building. The woman is wearing a dressing gown and slippers. The man is Frank Wright and the woman is Sarah Wright, his mother. .2) black and white photograph of a woman sitting on a wicker armchair with a pillow behind her back. The chair is on a tessellated floor on the front porch of a brick building. The woman is Sarah Wright. .3) black and white photograph of a man, two women and a child sitting on a wicker chair which is on a tessellated floor on the front porch of a brick building. The man is Frank Wright and the older woman is his mother Sarah Wright. The younger woman is his sister Laura and her son, Frank Ritchie is sitting on Frank's lap.On the left hand side of the porch are ornate columns and on the right hand side is a potted plant.frank wright, sarah wright, laura wright, tessilated floor, wicker chair, ornate column, child -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 5/2/1910
Coloured picture of an elderly man & lady. The man is wearing a grey suit. He has grey hair and beard. He is sitting at a table with a red cloth on it. He is reading a book and has some others on the table. The lady is wearing a black dress and a gold medallion necklace. She is wearing a lace cap which extends past the medallion. She has an open photo album on her lap. She is sitting in a green armchair with a brown cushion. Beside her is a brown table and in front of her is a small table with a green cloth. It has two large books and a tall green vase of pink roses on it. The view outside the window is of a stream with two people in it. One man is standing up and using a pole to guide the boat. At the top is printed 'Horner's Penny Stories 'River of Life' Series No 4. 5. 2. 1920. The picture is titled 'Threescore Years and Ten'. On the back is written 'MP277.MP277personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's penny stories 'river of life' series no 4 -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 1955 - 1965
... armchairs ...Photograph taken in the Celia Little Room at Mission to Seafarers Melbourne. The Celia Little Room was named in honour of the aunt of one of the serving (and resident) chaplains. The room is a multi-function room, being used at times for banquets or, as the photograph shows, for relaxation, by visiting seafarers.The age of the photograph consolidates the history of the Mission to seafarers. The people in the photograph are drinking hot beverages, sitting and chatting in a relaxed environment which is significant to the services provided by the Mission.Black and white photograph of two men and one woman seated in the Celia Little Room at the Mission to Seafarers.The man on the far left is wearing a light coloured sports coat and trousers, holding a cup and saucer. The man in the middle is wearing a dark suit, holding a cup and saucer. The woman is on the right and also seated, wearing a dress. Pin holes have been placed in the top corners of the photograph. Dated between late 1950s and early 1960s."8940" faded stamp on back of photograph.dress, suit, 1950s, 1960s, victorian-seamens-mission, cup-and-saucer, sports-coat, armchairs, seamen's mission, mission to seafarers, seamen, seafarers, sailors, lhlg, flying angel, celia little room, flinders street, melbourne, men, woman, social -
Warrnambool and District Historical Society Inc.
Book - Book: The Puzzle Picture Book, Ernest Nister, The Puzzle Picture Book, 1900
The book, awarded to Ethel Henderson in 1903, from Christ Church, Warrnambool is an example of a Sunday School prize given to children attending Sunday School at the time. Christ Church Anglican Church was one of the early churches in Warrnambool.The Puzzle Picture Book is a rare 'movable' children's book from 1900. It contains 6 chromolithic dissolving scenes (also called slats/transformations). It is unusual due to its educational content. It was published by Ernest Nister in London, E F Dutton & Co in USA and is also thought to have been published in German under the title 'Ueberraschungen Aller Art'. [source: The Little Book Store]Child's picture book with full colour cover depicting a mother dressed in long white spotted dress, white apron, white bonnett and black button-up shoes, sitting on a wooden armchair while dressing a young girl's hair with pink flowers. The girl is dressed in a pink frock with puffed sleeves and frill around the hem, and cream apron. She is looking in a brown wooden-backed hand mirror. A woven straw basket with pink roses sits on the floor. A framed silhouette picture is on the wall. The title is in a display typeface mimicking rose stems; a swag of pink roses decorates the top right hand corner. The publishers' names are printed on the bottom left and right hand corners at the bottom, and the printer in the centre. The inside cover has a book plate. The title page shows two boys arguing over the book. The verses are by Clifton Bingham, the pen and ink illustrations by Hilda K. Robinson. The story has a monochrome page with rhymes opposite a colour page with cut-out boxes showing four small pictures, each with a question. By pulling the tab at the bottom of the page the answer to the questions is revealed. There are six chromolithic 'dissolving scenes'.Book plate: Christ Church. Sunday School, Warrnambool. 1st Prize Girls Class II. Awarded to Ethel Henderson. S M George Vicar. Warrnambool, May 1903children's picture books, ethel henderson, children's picture books, puzzle books, christ church anglican church, sunday school prizes, ernest nister london, warrnambool, ethel henderson, e f dutton & co new york -
Southern Sherbrooke Historical Society Inc.
Typescript|Photograph - copy
Single page typescript composed by Jill A'Vard, and single page with four copies of photographs. -Micawber Park Picnic Ground Belgrave c. 1934 shows a forest scene, a creek with a large tree fallen across it, a wooden footbridge, and a man in a hat standing on the bridge. Black and white photo. -Micawber Tea Rooms Belgrave shows a group of two men and two women standing on the verandah of a building which bears the signs "Refreshments", "Hot water" and "Micawber Tea Rooms". Black and white photo. -Ted & Lil A'Vard sitting in their lounge room at Micawber Park c. 1935 shows a middle-aged couple in armchairs in front of a brick fireplace. The mantelpiece holds several items including a clock. Behind the woman, on the right side, is a wooden stand with a green vase holding an arrangement of autumn-coloured flowers and foliage. The man is holding a book and there is possibly a dark dog at the woman's feet. Black and white photo which has been coloured in the top right corner (flower vase and edge of mantelpiece). -Alf & Maggie A'Vard's "The Valley" is a Rose Series postcard P. 1488, showing a house in a forest setting with a group of people on the verandah.albert a'vard, a'vard family, micawber park, alf a'vard, the valley -
Eltham District Historical Society Inc
Newspaper, Diamond Valley Mirror, Tuesday, August 31, 1965
Includes Newspaper article on page three "Living Memorial Is Trust's Gift To A Shire" a second clipping of which is also attached to cardboard for display purposes. Article includes text and photographs. Living Memorial is Trust's Gift To A Shire Bathed in bright sunshine and now at its best, the Memorial Garden of the Eltham War Memorial provided a perfect setting for the handing over of the Memorial to the people of Eltham last Saturday afternoon. Speaking for the War Memorial Trust, Mr E. P. Harmer, chairman paid tribute to the unselfishh service given by its members , some for more than 20 years. Special tribute was paid to the late Mrs Ada Lyon, a foundation member who, Mr Harmer said, made the Trust her life. A memorial plaque to Mrs Lyon was unveiled by foundation members Mr N. Kerr. Facilities. An infant welfare centre, a pre-school cente and a children's library are built within the memorial. Funds for the buildings were raised by the Trust and theh women's auxiliary. Accepting the Memorial on behalf of the people of the Shire, the Shire President, Cr. L. C. Docksey, assessed the value at beyond £50,000. To make the transaction legal, Cr. Docksey paid the sum of £1 to the Trust. Many foundation members of the Trust and councillors of the Shire were among the official guests. The Shire of Eltham Brass Band provided suitable background music for the ceremony and at. (remaining part of article is missing) Photo: Mrs C RAINS signs the agreement on behalf of the Eltham War Memorial Trust, transferring the Memorial to the Shire of Eltham, as Mr L. Virgo, secretary of the Trust, affixes the seal and Mr. E. P. Harmer, chairman, accepts payment of £1 from Cr. L. C. Docksey, Shire President. In the background are Mrs Harmer, Cr. T. Collins and Mr S. Addison. Accepting the Memorial on behalf of the people of the Shire was Cr. Docksey's last official duty as President. Separate article on the clipping includes the heading: President Rests in Comfort with a photograph and text: A Tribute to Cr. A. K.Lines, first President of the Shire of Diamond Valley, was paid by fellow councilors last Tuesday night. Acting on behalf of all members of the council, Cr. George Upton, in presenting Cr Lines with an armchair, expressed gratitude for his guidance and assistance to the new shire. Newspaper, 12 pages with four holes punched through near centre margin.eltham war memorial building,eltham war memorial trust,eltham pre-school,e. p. harmer,mrs ada lyon,mrs n. kerr,cr. l. c. docksey,shire of eltham brass band,cr. a. k. lines,diamond valley mirror,1965,cr t. collins,mr. s. addison -
Halls Gap & Grampians Historical Society
Magazine - B/W, C 1915
Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren -
Mission to Seafarers Victoria
Article, A Woman's Melbourne Letter
A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1855-1900
Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897 that went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century. The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The chair has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker nursing chair is a fine example of late 19th century light weight domestic furniture that today are very collectible items and quite rare and valuable.Nurse wicker chair, wood, cane and rattan with round rushed seat. The one left arm being that to support the infant during feeding. 1870s-1890s. Believed to have been made by Heywood Brothers & Wakefield Company, USA. flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, great ocean road, 19th century furniture, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company, feeding chair, nursing chair, mother's chair, nursery furniture -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Your Memories Association Inc, Armchair Memories, 2011
This is a auto biography of Mary's life from birth 1920 till her 90th. birthday in 2000.A soft covered book dark blue book, dark blue pages with white writing on each page. Also on the cover is a photo of Mary Henshelwood Davenport ( in her latter years) sitting in a chair (which has a brightly coloured patchwork quilt over it) looking towards the camera.non-fictionThis is a auto biography of Mary's life from birth 1920 till her 90th. birthday in 2000.history, memories, stories, auto biography, tasmania, caulfield, elwood, bentleigh, school days, myers, clothes, birthday party. -
Churchill Island Heritage Farm
Furniture - Armchair, 19th century
Large wooden rockingchair. Woven wicker back and arms. Rattan seat. Legs made of carved wood with insets of slats, circular patterns. Probably made by Rocke. churchill island, rocking chair, rocke -
National Vietnam Veterans Museum (NVVM)
Book, Appy, Christian G, Patriots: The Vietnam War Remembered From All Sides, 2003
Of all the works on the Vietnam War - fiction and nonfiction - this is the big one. Witness is borne from all sides, theirs and ours: the soldiers, the resisters, and the armchair warriors.Of all the works on the Vietnam War - fiction and nonfiction - this is the big one. Witness is borne from all sides, theirs and ours: the soldiers, the resisters, and the armchair warriors.vietnamese conflict, 1961-1971 - personal narratives. -
Bendigo Art Gallery
Furniture, UNKNOWN, Armchair, 19th Century
No marksdecorative arts, furniture, woodwork, carving, carved, interior, asian, lion, bird, sitting -
Merri-bek City Council
Painting - Oil on canvas, Jarmila Hava, Armchair, 2000