Hardback book with attractive art-nouveau 'rose' design on cover in brown, cream and green. "Decisive Battles of the World" by Sir Edward Creasy. Published by Blackie and Son Limited

Probably used by staff in the PavilionBrown iron and tin electric foot warmer with art nouveau decorative design surrounding branding inscription 'Hecla Foot Warma,' in centre. Electric cord and plug attached."Hecla Foot Warma" on front. "230/250 volts, 80 watts, cat. no. F28. Hecla Australia" on back.hecla, foot warmer, footwarmer, hecla foot warma

Established: Worcester, Worcestershire, England in 1751 by Dr John Wall and William DavisArt NouveauLedger Bequest, 1993Cream vase with two gilded handles and top and bottom gilded rims. Floral decoration.Verso: green inscription with Royal Worcester makers mark above "RdNo 5434" in a rectangular box , above "1021". "X4" stamped to the left of mark and "10" stamped to the right. Initials "L.D" at lower left.ceramic, vase, gilded, worcester

Blue book with Art Nouveau floral decor by Charles Nordhoff (1830-1901) found in the mission's library in 2018. Published by W.P. Nimmo, Hay and Mitchell, Edinburgh. The National Library of Australia has an holding mentioning 1876fictioncharles nordhoff (1830-1901), travel, seafaring, adventure, sailors' home

Trove contains one newspaper reference to a firm called Ballard & Bowsers. This is in a report on the International Exhibition of 1862. So the company predates the English firm of Callard & Bowsers. Perhaps it is a late Victorian example of piracy of trade names. Old lolly tin with an art nouveau design in a darker metal on the lid. The interior contains a floral spray of lily of the valley made from pressed metal. The title is definitely Ballard & Bowsers rather than Callard and Bowsers. tin, international exhibition 1862

Certificate of Merit presented to Mr. A. Maher Junior of Sandhurst for collection of roses and pansies by the Bendigo Miners' Association Flower Show Eaglehawk October 22nd 1888. Printed on stiff card in red and blue with a border of Art Nouveau Designs.person, individual, a maher

This book is a guide to eyecare for the intelligent lay-reader, not so different from books still published today. It appeared in a number of editions until about 1900. This one is edited by George Black MB(Edin) as part of the Long Life Series. As this book is a guide to eyecare for the lay-reader it is socially significant. It is not rare, but being somewhat ephemeral it would not be expected to see copies of this book surviving in the very good condition of our copy. No other copies are listed on WorlCat for Australia.Small hardback book in original printed green cloth covers, 139 pages and 21 figures with 20 pages of book advertisements. The decorative Art Nouveau cover is visually attractive. It is a late nineteenth century guide to eyecare for the intelligent lay-reader. It was priced at one shilling.Signature of J B Shattock on half title page.ophthalmology, eye, eyesight, eyecare

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring a gold-bordered art nouveau style heart within a green wreath, surmounted by a yellow seven-pointed star, all on a brown background. The words ‘Discharged Soldiers’ Fund For Our Returned Soldiers’ feature within the heart, on a buff background. A gold and white border encloses the whole design.first world war (1914-18), patriotic buttons, badges

Bendigo Advertiser ''The way we were'' from 2000. Royal Bank: located at 17 View Point, Bendigo, the red-brick bank with 'art nouveau' influences, made an interesting contribution to the View Point streetscape. Formed in 1889, at the height of the land boom, it survived the crash of 1893, unlike many other banks during that time. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Anisa Sharif is a Melbourne based artist who specialises in glass mosaic. Much of her art is utilised in art-activated initiatives working with marginalised and underprivileged communities. Anisa draws her influence from Moroccan, Indian, Persian and the Art Nouveau​ genres.Mosaic art glass mosaic featuring twin peacocks. The peacock is a repeating theme in Anisa's work and is the artist's way of acknowledging and appreciating the great diversity of wonder and humour in creation. Visitors are encouraged to touch this piece — facilitating a tactile experience of the picture and the mosaic surface.mosaic, peacock, glass, gems

4 Errard Street South was owned by Miss Jessie Gillett, who can be seen in photo 377. Features shown include timber panelling, Art Nouveau design leadlights in the door, ceiling rose and arches. The veranda has iron scalloped frieze.building, private dwelling, errard street south, jessie gillett, architecture

This carriage forms part of a matching set of the W classification which were built to match each other around 1914Second class railway carriage red in colour with a white clerestory roof. It has 7 compartments each with two green vinyl bench seats. Pressed metal ceilings with a light in the centre and racks above the seats. There is a men's toilet at one end of the carriage and a ladies toilet at the other end, with a double seat outside both toilets as a waiting area. In these areas there are several Art Nouveau pressed metal panels. The outside of the carriage has the numbers 2 BW painted on the side.

Personal postcard album with letters on reverse from a soldier and relatives.Cardboard and paper post card album containing souvernir cards sent during the First World War and later to Gertrude (Gertie), (Mrs C Hodgett). Cards range from scenes of Egypt, England, country Victoria and France. Also cards written by family members to Gertie. Back page of album contains abituaries and newspaper cuttings for Hodgetts, Burton, Atkinson, Cam. Cover is embossed with art nouveau decoration.Inside front cover Cards, Sent to Gertie/ From Cazzie Hodgett/Year 1916

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Faded monochrome snapshot of 'Ellesmere'Annotation verso: "Porch of Ellesmere"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the verandah of 'Ellesmere'Annotation verso: "Ellesmere. Princess Street. Now Presbyterian Girls Hostel"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the verandah of 'Ellesmere'Annotation verso: "Ellesmere. Princess Street. Now Presbyterian Girls Hostel"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the a section of the verandah of 'Ellesmere'Annotation verso: "Ellesmere, Princess Street (Kew)."dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.View of the front veranda of Ellesmere in Princess Street (now demolished). Ellesmereellesmere, kew, princess street, dorothy rogers

An olive green hardcover children's fiction book, The Water Babies by Charles Kingsley with Art Nouveau decorated covers, and the title and publisher printed on the decorative spine. It has Pp. 264 plus 32 S.W. Partridge and Co.'s Catalogue Pages of Popular Illustrated Books classified according to price. There are six black and white illustrations by HLB. It has brown discoloration with age throughout. A Bookplate is glued onto the front right hand endpaper.fictionThe story deals with the moral education and Christian redemption of a young chimney sweep called Tom, who after drowning is transformed into a clean 'water baby' or sprite. This second chance allows him to evolve into a strong and worthy man, capable of engaging with the modern world. It is considered a moral fable and a satire on Victorian attitudes to child labour and religion.fantasy books, children's books, religious books

Object. A beautiful chocolate box consisting of white reinforced cardboard and mushroom silk backing, surrounded by 2 borders of braided string in mushroom and beige in a stylised oval. Inlaid with a sepia photograph of a young lady 18 cm x 13 cm also with a beige string border. Inscription Tag: To HM The King By Appointment. T.S. Fry & Sons Limited Bristol London inside lid and on the back Bristol England. On the border of the Art Nouveau and Art Deco Periods items favoured natural stylised forms, geometric shapes, cool sophistication and luxury and celebrated living in the modern world.T.S. Fry & Sons Limited Bristol London.domestic equipment, food storage & preservation, container chocolate box

Boyd discusses Graeme Gunn's Plumbers & Gasfitters Employees Union Building; indicates it is unusual for Australian trade unions to be a patron of the arts; discusses the angular design and its raw concrete, which Boyd praises as internationally fashionable; suggests that the last great piece of union-commissioned architecture was the Wharf Labourers' Union building, a 1916 Art Nouveau building by Robert Haddon.Original manuscript of an article published in "The Sunday Australian", 06.06.1971 (Review of Graeme Gunn’s Plumbers and Gas Fitters Building, Victoria Parade, Carlton).Typewritten (c copy), quarto, 7 pagestrade unions, plumbers and gasfitters employees union of australia, graeme gunn, brutalism, concrete, robert haddon, wharf labourers' union building, flinders st, robin boyd, manuscript

Album is a personal collection of postcards with letters written on the back of each.Bound 'Post Card Album' dated inside 1907. Cardboard with green textured paper cover decorated with scroll and red flowers in art nouveau style. 24 green thin cardboard double sided pages, 15 with cards and photographs attached. Post Card collection sent to 'Marg' as souveniers of soldiers travels and postings around 1917/1918. Sights include Egypt, Paris, Marseille, London, Edinburgh. Mix of coloured and black and white postcards, with photographs at the back. Inside cover ' To dear Harry with love from Marjorie - July 27th, 1907'.

A large souvenir publication containing photographic images depicting key attractions around Bendigo. Each photograph is surrounded by a decorative art nouveau style border. The Bolton family founded a printing business in Bendigo in 1885. Benjamin Bolton was a prominent businessman and on this death in 1901 William Bolton (Mayor 1936 -37) and his brothers took over the business. Bolton's remains a well known office and printing suppliers in Bendigo today.Sixteen page publication with black and white photographs of buildings, parks and gardens, statues and gold mines around Bendigo. Album has a green front and back cover. Title printed in gold ink.Bendigobolton brothers printers, city of bendigo tourism, making a nation exhibition, city of greater bendigo commerce, city of bendigo mayor, mayor bolton

Monochrome postcard titled lower right: “RIVER YARRA AT STUDLEY PARK, MELBOURNE”. The postcard was produced by ROBERT JOLLEY, MELB, (active 1900-1904). The photo is positioned to the left of the card and framed by an art nouveau design. A handwritten annotation on the front reads “BUT WITH THE MORNING / COOL REFLECTION CAME / BLANCHE STEPHENS”. On the reverse, there is a handwritten address in black ink to: MISS L STEPHENS / 26 WEST TERRACE / ADELAIDE. There is no division on the reverse of the postcard, dating it to before 1905. It lacks a postage stamp and postmark. Monochrome postcard of the River Yarra in Studley Park. The view is of the Yarra and its banks, with Kew on the left and Abbotsford on the right, as it appeared in the years 1900-1904. On the Abbotsford side of the river, there are a number of weeping willows lining the banks and houses on the hillside. The Studley Park side of the river includes some remnant vegetation and meandering walking tracks. Three very small figures are sitting on the Kew side. "RIVER YARRA AT STUDLEY PARK, MELBOURNE"river yarra -- kew (vic.), postcards -- kew, postcards -- studley park, robert jolley

Red cloth hard cover photo album with Art Nouveau design on cover and green paper pages, containing black and white photographs from the World War One era of soldiers abroad and family. Some formal studio photography. Subject matter includes: Middle East, France, Egypt, Horses, Zoo visit, well digging, horse in a hammock, hotels and souvenir cards, North Africa, camels, camps, tents, donkeys, ships, portraits, sports teams, Ypres in Belgium, Folkestone UK, Camp at Burrumbeet 1913 and another dated photograph reads 30th May 1916. Photographs are stuck down onto pages. Cover reads: SCRAP ALBUMwwi, world war one, soldiers, aif, anzac, portraits, photo albums, grand continental cairo, jb ballardie, william harrigan, ypres, cairo, 54th bn, t.s.s. borda, la rue au beurre, leas bandstand & parade folkestone

The mark on these items indicate that they are Gouda pottery. Gouda is a style of Dutch pottery named after the city of Gouda, where it was historically manufactured. Gouda pottery gained worldwide prominence in the early 20th century and remains highly desirable to collectors today. Gouda pottery is diverse and visually distinctive in appearance, typically illustrated with colourful and highly decorated Art Nouveau or Art Deco designs. Pieces were mass produced but painted by hand by many individual artists. The dating mark system used and the small house represent the pottery of Plateelbakkerij Zuid Holland (PZH). This is a simplification of the "Lazarus-poort" (the Lazarus Gate). It stands for a building in the town of Gouda that dates back to 1609 where they assisted people who suffered from leprosy. The PZH produced pottery from as early as 1898 until 1965.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. Hand painted pottery cup and bowl in art deco designs. These items are examples of Gouda pottery.Underneath cup : "LQ4/HENLY/A.R.J.T/HOLLAND" with 2 Vertical diamonds representing 1923 and house which is stylised image of the Gate of Lazurus. Underneath Bowl: "401/PEGGY/2 Vertical Diamonds 3 W v V/HOLLAND"domestic items, gouda pottery, ceramics

This simple rear cottage door at Hymettus built 1900-1901 has been the back door since the early 1900s. Photos in the family collection however, reveal that it was originally the return front verandah door to the dining-room and the transition seems to have occurred about 1910 when a new door was installed for the front verandah to complement the art-nouveau lead light transom and surrounds to the main front entrance. A similar simple glass and two panel cottage door closes off the passage from main passageway to the kitchen and service end of the home so that the home presents as more simple in the service area fittings with more decorative features to the more important front rooms of the home reflecting the progression of style as the family had more money to spend on the home.

This honor board was made by Robert Prenzel (1866–1941) who was born and trained in Prussia, and migrated to Australia arriving in Melbourne on 24th November on the steamer Habsburg. In Melbourne Prenzel first worked for the German sculptor and modeller Otto Waschatz, decorating private homes and public buildings. From 1891-1901 Prenzel worked in partnership with another German, Johann Christian Treede, after which he continued in business on his own. He also participated in the activities of Melbourne’s Deutscher Turnverein. During the first quarter of the current century he became the major exponent in the field of furniture and woodwork of the cult of nationalism, and was renowned for his carvings, many of them in the art nouveau style, of Australian animals, birds, trees and flowers. The two most common types of Australian timber in his work are mountain ash and blackwood.Colour photographs of a beautifully carved World War One Honour Board carved by Robert Prenzel.world war one, kalimna, kalimna honour board, h. clements, w.a. fish, d. mcdougall, j.a. rowe, c.c. sandford, c.d. somerville, l.j. cowlishaw, l.c. fish, t. hanson, c.a. innes, a.c. lester, j.a. lake, g.j. ward