Ashtray fashioned from the base of an American 76mm shell fired from a tank - Vietnam War. Part of the Cooper Collection.Trench art ashtray made from the base of a 76mm shell. Central post is a remnant of a detonator fuse.Stamped on the base of the ashtray: '76mm ARMD, O,RW175, LOT 6, MF, 1969'. Stamped on Percussion cap on base: 'ERL 43 ^, BE8, 2/1 MF, ^, AG, 9QMY5.70'.cooper collection, souvenir, trench art, vietnam war.

Ashtray, brass, decagon in shape, with two cigarette trays, 3 round metallic legs. Palestinian coins inlaid around side, some dated 1927,1935, 1937, 1939. Marked 4604 A, 1941.ordnance, trench art, memorabilia

Trench Art ashtray with matchbox holder made 1939-45. Base is a 25 pdr. shell dated 1942Ashtray with matchbox holder. Made from shell casing. A decorative half-billet has been cut to fit on base (two others missing)smoking accessories, military history, trench art

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It is typical of the range of souvenirs used to promote Falls Creek in the 1950s. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. In 1981 he graduated in sport psychology and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is representative of souvenirs used to promote Falls Creek in the 1950s.A green ceramic ash tray with gilt trims and printing. A typed display card is included.Across centre in gold - Falls Creek Makers Mark underneath: C. R. Hose within a map of Australia On Card: ITEM No. 127 Ceramic Ash Tray - green and gold - 3" X 3" - inscribed in gold "Falls Creek" Purchased by the donor in 1953george shirling, falls creek souvenirs

Miniature bath shaped metal ash tray. On one side there is a rest for a cigarette. The bath shape rests on 3 ball shaped legs. Has been painted blue by the donor. Originally metal unpainted. The head end is higher - sloping down to the foot end. Presumably made by POW's during WW2. Found in 1956 in a tunnel by a Dhurringile boy.ash tray, metal work, dhurringile pow camp, presbyterian church, orphans, orphanage

This is an ash tray sold to tourists as a souvenir of a visit to Warrnambool. It would have been relatively cheap to buy. Souvenirs such as this were mass-produced for the tourist market and a relevant photograph inserted on the base to suit the town or settlement where they were sold. As cigarette-smoking is no longer so socially acceptable, items such as this one are no longer sold as tourist souvenirs. This item is of interest as an example of the type of souvenir sold to tourists in Australia in the first half of the 20th century, probably in the 1940s or 1950s. It is of particular local interest because it contains a photograph of Warrnambool during that time. This is a souvenir tin ash tray circular in shape. It has a colour photograph of Warrnambool inserted into the base of the dish (Flagstaff Hill showing part of the fortifications, the Lower Lighthouse, a camping ground and Warrnambool Bay). The ash tray has three lips on the side of the dish for resting a cigarette. The base is gold-coloured and is slightly tarnished. ‘Warrnambool Victoria’ tourism in warrnambool

These two trays appear to have been made as souvenirs, perhaps to commemorate the end of World War One, as the halfpennies date from 1914 to 1918. They may have been used either as ash trays or trinket trays.These trays have no known local significance but are retained as mementos of the souvenirs produced for the Australian tourist market after World War One.These are two circular-shaped brass ash trays or dishes. One has five English halfpennies affixed to the edge of the tray and one has the Rising Sun emblem of the Australian Army affixed to the centre of the tray. Both trays are slightly stained.‘English made’world war one, history of warrnambool

This ash tray is a souvenir of the City of Geelong and has been inscribed and used in 1927 as a presentation piece by the Southern Union Insurance Company of Australia. It has been presented to an employee of the company, N. Robilliard. He is possibly the son of James and Ellen Robilliard, De Jersey Norman Robilliard, who died in Warrnambool in 1973. This ash tray is of interest as an example of the type of gift given to employees in the 1920s. It is believed that the recipient was a resident of Warrnambool. This is a circular clear glass ash tray with a silver-coloured metal rim around the top edge. There are four metal scoops and a metal badge affixed to the top rim. There is also an inscription engraved on the metal rim. The silver rim is tarnished. Badge: ‘Souvenir City of Geelong’ Inscription: ‘Presented by the Southern Union Ins Co Ltd to N. Robilliard in recognition of his service as agent 7.2.27’ norman robilliard, southern union insurance company of australia

Match Holder & Ash Traymiscellaneous, ww1

Kriewaldt’s Pharmacy Stawell - Souvenir Ash Tray stawell

This ash tray is a souvenir of the Olympic Games held in Melbourne in 1956. This was an important event in post World War Two Australia and the first time the Olympic Games had been held in the Southern Hemisphere. The Opening and Closing Ceremonies, the athletics events and some other events were held at the Melbourne Cricket Ground. These were the first televised Olympic Games. To mark the occasion many souvenir items were produced for tourists and collectors.This item is kept as a memento of the 1956 Melbourne Olympic Games, an event that interested and affected all Australians as it made Melbourne and Australia via press and television coverage etc. the centre of attention in the world at the time. It is also a memento that would no longer be made or sold today as cigarette smoking in general is no longer socially and medically acceptable. It will be useful for display.This is a plastic circular ash tray. It has a blue base with a multi-coloured image in the centre of the base of a map of Australia, an Olympic Games torch and the Olympic Games ring motifs. The printing is in white and the name of the maker is embossed on the back of the tray. There are three indents around the base for stubbing out the cigarettes. ‘Olympic Games Melbourne Australia 22 Nov. - 8 Dec. 1956’ ‘British Plastics Pty Ltd Melbourne Reg. Des.’ olympic games melbourne, 1956 olympics

Ash Tray made from 40mm Bofors shellmiscellaneous, ww2, army

Ash Tray metal "HMAS Sydney" stamped on body.ephemera, ran

Triangular ash tray Twin engine bomber on stand

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Ash tray Spitfire piston head Model Spitfire over head on wire

Made by Cpl. Jack Neilson 7th Division Papua New Guinea 1943Shows how many of our defence personnel "unwound" from the stress of war by creating a useful and or decorative item from the waste products of war. The creative aspect was important in a time where their lives were governed mainly by destruction. By creating such things they were partially able to restore their own humanity. This restored item shows the skill that some had, and the Aussie way of using whatever came to hand..Brass ashtray showing Lightning aircraft model made from cartridges and shell casetrench art, lightning aircraft, ash tray

Square glass ashtray, souvenir of Bendigo showing photograph of Lake Weeroona.personal effects, smoking accessories, ash tray

The Sarroff family were one of the earliest Lebanese families to arrive in the area of Albury-Wodonga in the 1890s, originating from Kousba, Lebanon. They opened a drapery business in Townsend Street, Albury. Father Carl and Nassim (Charles) were naturalised in 1897. Carl died in 1926. By the 1950s his grandsons were operating dry cleaning businesses in both towns. In 1970 their business was located in Wodonga Mall on the corner of High Street and Stanley Street.Sarroff's Dry Cleaning was operated by the family of one of the earliest Lebanese migrant families to the Wodonga area in the 1890s.A blue metal ash tray bearing the name SARROFF's Dry Cleaners in a white disc in the centrePrinted on the white disc in the centre "SARROFF'S/Wodonga/Dry Cleaners/ Phone 639/ 2 Hour Service"lebanese migrants, wodonga businesses, high street wodonga

Brass shell based cut down into an ash tray. Three semi-circular cut-outs on the rim support cigarettes. "trench Art"4.5x13.5ashtray, trench art

Solid fuel stove, with stovetop cooking device, ash tray and oven, with two opening doors. Fire flu at back which extends up the chimney.Lux' on fuel cabinetdomestic items, cooking, stove, lux, fire, kitchen

This ornamental Sphinx is a memento of the founder of Melbourne Legacy, Lieutenant General Sir Stanley Savige, K.B.E, C.B., D.S.O., M.C., E.D.O The Sphinx was presented to the then Sergeant Stanley Savige as the 24th Battalion Musketry Prize, whilst he was serving in that unit in Egypt, during the First World War.Sir Stanley Savige founded Melbourne Legacy in 1923. This item is significant as it was awarded to him during his war service, prior to the foundation of Legacy. Brass sphinx trophy. The Sphinx is mounted on a plinth, which is decorated in hieroglyphics made of copper and lead. Sphinx's head opens to reveal an ash tray and a decorative necklace.24th BATTALION MUSKETRY PRIZE SERGT. S.G. SAVIGE EGYPT. Aug. 1915stan savige, trophy, 24th battalion

This trench art ash tray was made by Ray Rintoule from Nhill while stationed at Port Moresby in 1942.Brass ashtray made from 40 mm Bofors shell base.AG/C 40 MM 1942 C.F. LOT 30 G^15trench art, world war 11, 40mm, shell case

Picture of Carinya GuesthouseWhite vitrified china oblong ash tray , with indentations on two sides to rest cigarettes on, with red sketch of Carina Guesthouse with writing underneath “A new Happiness, A new outlook on life, a new circle of friends.”Makers mark on base is Grindleycarinya guesthouse, guesthouses, souvenirs

From the collection of Margaret ScarlettTriangle shaped cream crockery ash tray. Fine green line around top edge. An indentation to hold lit cigarettes in each corner. Transfer of a bulldog sitting on Union Jack with warships and planes in the background on bottom of ashtray. 'Britain's Challenge' written on top of illustration and 'Come On..' below.'Britain's Challenge' Come On.. Empire England Ivory 741personal effects, smoking accessories, civic mementoes, souvenirs