'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Staircase at Tara Hall, circa 1957. An angled view of the main hallway and staircase of Tara Hall (previously named Byram, Goathland and Lowan). To the right of the staircase in this Studley Park Road mansion, a large inglenook fireplace was located, which was surrounded by stucco decoration. The latter was a characteristic of E. G. Kilburn’s late style.Typed inscription on reverse: "The Staircase at Tara Hall. Above the ornate fireplace is the legend 'Come When You Mind, A Welcome Find'. (Royal Women's Hospital, Melbourne)." byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Drawing Room, Tara Hall, circa 1957. A reception room in Tara Hall (previously named Byram, Goathland and Lowan). The room is presumed to be the original drawing room. In the La Trobe collection, there is a drawing by Charlie Hammond, depicting a group of painters who are gilding the elaborate stucco ceiling of this room. The drawing is dated 16 September 1889. The elaborate stucco decoration is characteristic of E. G. Kilburn’s late style. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "A sitting room, one of many handsomely decorated rooms at Tara Hall.( Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. Porte-cochere, Tara Hall, circa 1957. The main entrance to Tara Hall (previously named Byram, Goathland and Lowan). The entrance, through a porte-cochère, was located on the side of the house facing east. During construction, commentators described the house as being in the ‘Elizabethan style’. The architectural style of the exterior, with its innovatory use of red brick and Italian tiles was more influenced by American models. Edward George Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Goathland, also known as Tara Hall (Royal Women's Hospital, Melbourne)."goathland -- kew (vic), byram -- kew (vic), tara hall - kew (vic), studley park road

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Tara Hall, Studley Park Road, circa 1957. The front of Tara Hall (previously named Byram, Goathland and Lowan). This triple-storey mansion with its elaborate gabled, steeply-pitched roofs and verandah was set back from Studley Park Road and concealed by a high brick fence. E. G. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Tara Hall at the time it was a home for nurses from the Royal Women's Hospital, Melbourne. (Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Central Hall, Tara Hall, circa 1957. The central hallway and grand staircase of Tara Hall (previously named Byram, Goathland and Lowan). This photograph provides the clearest evidence of the scale and building materials selected by Edward George Kilburn, of Ellerker & Kilburn, for the industrialist George Ramsden in 1888. These include the murals on the second floor, the use of skylights, and the vaulted wooden panelling. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.A detailed photograph of the main gable on the front of Tara Hall (previously named Byram, Goathland and Lowan). The façade included detailed terra cotta mouldings. The Kew Historical Society was gifted a remnant of this façade (ie. ‘East or West’) in 2013. The use of applied terra cotta decoration by the architect Edward George Kilburn, of Ellerker & Kilburn, is typical of his style of the period. Mark Strizic (1928-2012), photographer. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.The Vestibule, Goathland', 1901-11. The vestibule of Tara Hall (originally Byram, and later Goathland and Lowan). The vestibule was entered through a porte-cochère on the east side of the house. Visitors entered the mansion through the vestibule before progressing to the main hallway. The main rooms of the house were accessed through the latter on the ground and first floor. The photograph gives some idea of the decorative style of furnishings during this era. The Vestibule - "Goathland"byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

Guide book for Australian War Museum Exhibition Building, Melbourne.book, guide, museum

Colour slide in a mount. Demolition of heritage building, possibly AustraliaFile No / Title / Encircled 33 (Handwritten)slide, robin boyd

Early photograph of a railway line heading West towards the city. Australian Tesselated Tile building on the background.railways, australian tesselated tile co. pty. ltd.

The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock.The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.An early photograph of Goathland (also known as Byram, Lowan and Tara Hall). The photo shows the front of the building during the period of Sir Malcolm McEacharn’s occupation of the house (1901-11). Edward George Kilburn, of Ellerker & Kilburn, had originally designed the house for the industrialist George Ramsden in 1888. When Sir Malcolm McEacharn purchased Byram, he was to rename it as Goathland. This has led to some confusion, as Goathland was also the name used for McEacharn’s other home in St. Kilda. The period of McEacharn’s ownership represented the high point of the mansion’s history. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author."'Goathland', The Residence of Sir Malcolm D McEacharn"byram, goathland, tara hall, lowan, studley park road -- kew (vic.), melbourne mansions, e g kilburn - architect

Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3803, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. Also has a number of interesting motor vehicles in the background. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Vernal Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. tramways, trams, bridge st, stones corner, tram 17

A series of scripts for film/video promoting Australian building materials for export to Singapore. Script on pink foolscap is a different script. The double-sided blue carbon copy script is a slightly different version of the first two pages of the 4-page carbon copy on foolscap script.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, 1 double-sided page blue carbon copy on foolscap, 1 page carbon copy on pink foolscap, 4 pages carbon copy on foolscap. 6 pages totalbuilding materials, henry wilckens, singapore, malaya, export, advertisement

Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3802, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Verna Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. Also the signal for incoming trams from Main St, on the post with the tram stop. tramways, trams, bridge st, signals, stones corner, tram 17

A set of architectural drawings of additions to Goathland (originally Byram, and later Goathland and Lowan). The drawings, by the architect William Pitt represent additions to the size of Goathland. Pitt had previously worked with the original architect of the house, Edward George Kilburn, of Ellerker & Kilburn, who had designed Byram for the industrialist George Ramsden in 1888. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Six black and white architectural drawings by the architect William Pitt for additions to the home of Sir Malcolm McEacharn in Studley Park Road. The original is in the collection of the State Library of Victoria."Sir Malcolm D. McEacharn, Kew"william pitt, malcolm mceacharn, architects -- melbourne (vic.) -- william pitt, architectural drawings, byram, tara hall, goathland

Sets of scales similar to these were very common in households throughout Australia. Between 1960 and 1988 Australia gradually adopted the SI units (Standard International) or metric units. In 1970 the Australian parliament passed the metric conversion act, and the Australian building trades made it the standard in 1974. This information helps to date the set of weights to before the1970s.Domestic scales such as these were common throughout Australian homes. They are now primarily superceded by plastic items, often electronic.Metal table scales with 6 weights graduated in sizes including 1 oz., 2 oz, 4oz, 8oz, 1lb and 2 lbs. Each weight marked "MACK/ MADE IN AUSTRALIA"domestic appliances, weights and measures australia

Sets of scales similar to these were very common in households throughout Australia. Between 1960 and 1988 Australia gradually adopted the SI units (Standard International) or metric units. In 1970 the Australian parliament passed the metric conversion act, and the Australian building trades made it the standard in 1974. This information helps to date the set of weights to before the1970s.Domestic scales such as these were common throughout Australian homes. They are now primarily superceded by plastic items, often electronic. Metal table scales with imperial weights weights and measures australia, table scales, domestic appliances

This photograph is an enlarged section of another photo where all the workers were lined up on the railway siding to welcome home their managing director, Edgar Edwards Walker on his return from overseas. Unfortunately their good intentions backfired as there was deduction in their wages for the time spent away from their work.Black and white photograph of a group of men in front of the Australian Tesselated Tile building. Name of the company behind with name of manager/owner E. E. Walker.australian brick and tesselated tile co tile factories

The green holder for the weights was hand made by cutting recesses out of a single piece of wood. The wood was painted green. Between 1960 and 1988 Australia gradually adopted the SI units (Standard International) or metric units. In 1970 the Australian parliament passed the metric conversion act, and the Australian building trades made it the standard in 1974. This information helps to date the set of weights to C. 1970s.These weights have local and social significance to indicate the weights used in many homes or small businesses in the 1970s.Set of 5 small metric weights in wooden holder. Measurements are difficult to decipher but "Gram" can be identified around the edge of some weights. Holder has been created by cutting round recesses into a block of wood.metric system, weights and measures australia

Book review of Australian Council of National Trusts, 'Historic Homesteads of Australia' (Historic Buildings of Australia Vol. 1), Cassell, Melbourne, 1969. A collection of photographs and essays by different authors on Australian homesteads. Boyd describes development and key features of Australian homestead design.Original manuscript of an article published as 'Hinterland heritage' in "The Age", 11.10.1969.Typewritten, quarto, 3 pagesaustralian homesteads, colonial heritage, robin boyd, manuscript

Discusses 'Domus' (an Italian architecture and design magazine) as visually exciting and trend starter; compares recent international opinions on Australian architecture and culture (Charles Eames on Sydney Opera House, J. M. Richards on Australian architecture as primitive and vulgar). Boyd indicates international opinions of Australian architecture as important because many Australian buildings are being designed by overseas architects; argues for greater promotion of Australian architecture and architects.Typewritten (c copy), quarto, 5 pagesLast page: no image attached but this inscription "caption to illustration"; appears that Boyd wanted image of St James Building, AMP Tower and Shell House by Skidmore, Owings & Merrill attached.domus, sydney opera house, charles eames, jm richards, australian culture, globalisation, robin boyd, manuscript

Two views looking across the rear of properties on View Street Taken 28/08/1997 B8A looking across to the Bendigo Bank from the veranda of the Sandhurst Club Bendigo Bank building at Charing Cross 8Brear of the National Australia Bank building and into the entrance of the Samdhurst Club, on View StreetEdith Lunn

This photograph is of a two storey bank on the corner of Wimmera & Main St's Stawell. It was used by the Commercial Bank of Australia. The building was originally built as Langford's chemist and now privately owned. Black & White photograph of a brick two storey building situated on a street corner. The building has a decorative parapet. CBA bank is written on the building but has a Westpac Bank neon sign on the side of the building.stawell shops

This photograph is of a two storey bank on the corner of Wimmera & Main St's Stawell. It was used by the Commercial Bank of Australia. The building was originally built as Langford's chemist and now privately owned. Black & White photograph of a brick two storey building situated on a street corner. The building has a decorative parapet. CBA bank is written on the building but has a Westpac Bank neon sign on the side of the building.stawell shops

Cover of booklet describing the Australian Estates Company building in Portland, Victoria, as well as a background on Portland."Estates at Portland"wool stores, australian estates company ltd