Showing 881 items
matching australian landscape
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Ballarat Heritage Services
Ceramic - Ceramics, Lidded Ceramic Canister by Echuca Wharf Pottery, c1995
... australian landscape pottery...@N21/discuss/72157629662786291/) landscape ceramics australian ...in 2009 Echuca Wharf Pottery was located at Murray Esplanade and Little Hopwood St, Echuca. Lindsay Chandler was a potter at Echuca Wharf Pottery from 1989-1994. Robert Henderson left Redbyrne to work at Echuca Wharf Pottery and then went not to work as a demonstration thrower at Bendigo Pottery.(https://www.flickr.com/groups/1281707@N21/discuss/72157629662786291/)Hand thrown lidded stonewarw canister with 'Gum Leaf' design by Echuca Wharf Pottery. landscape, ceramics, australian landscape pottery, echuca wharf pottery -
Ballarat Heritage Services
Ceramic - Ceramics, Pottery Jug
... australian landscape pottery...Ceramics Ceramic Pottery Jug Hand thrown jug.. australian ...Hand thrown jug.. australian landscape pottery, landscape, gilbert buchanan, sheparton, graham wood, redbyrne pottery, ceramics -
City of Whittlesea Art Collection
Painting - Acrylic on canvas, Bushfire, 2020
... Bushfire in the Australian Landscape... in the Australian Landscape Michael Von Roehl ...Acquired from the artist for Council's Cultural Collection in June 2022MVRbushfire in the australian landscape -
Ballarat Heritage Services
Ceramic - Ceramics, Ceramic Sugar bowl by Wartook Pottery, c1990
... australian landscape pottery.... australian landscape pottery les macleman ceramics landscape graham ...Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: 'OUR ART: WELL HOUSED IN BENDIGO.'
... Australian landscape... recreation landscapes Australian landscape history R.H.S. Abbott ...A Bendigo Advertiser supplement titled 'Our Art: well housed in Bendigo.' The Education Officer of the Bendigo Art Gallery, Geoff Paynter, gives an insight into some of the acquisitions purchased by, or donated to, the gallery. There is also an article imbedded within this article on 'Woman of the franchise era.' 14/5/1969.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, bendigo, bendigo art gallery, gallery, art, art work, recreation, landscapes, australian landscape, history, r.h.s. abbott prize , john rowell, 'mountain road, ' 'gums, ' sir hans heyton, alfred sisley, 'canal scene, ' dr. and mrs. j. a. neptune scott, impressionism, 'the derelict, ' sali herman, bendigo art prize, emmeline pankhurst, victorian women's franchise league, print, photograph, porcelain, porcelain study design no. 599, w. j. strauchair, 'bondi 1961, ' william dobell, william beebe, arthur boyd, 'pinchin's farm, ' 'the clearing, ' louis buvelot, george bell, 'farm buildings, ' franz kempf, 'burnt orange fern at the wind's return, ' 'old bendigo art gallery, ' kenneth jack, 'the digger and his log, ' sir arthur streeton -
Bendigo Historical Society Inc.
Painting - WES HARRY COLLECTION: EMIGRANTS TO SOUTH AUSTRALIA, Mid 1800's
... australian landscape... PRINT Watercolour australian landscape Watercolour Paintings ...A print from a water colour by Robert Alexander Hillingford called ' Emigrants to south Australia '. Original is from The Rex Nan Kivell collection, National Library of Australia.Robert Alexander Hillingfordprint, watercolour, australian landscape, watercolour paintings, early colonial life. emigrants, south australia -
Ballarat Heritage Services
Photograph, Ceramic Bottle by Maldon Pottery
... design depicting an Australian landscape in the 'continuous trees... an Australian landscape in the 'continuous trees' pattern. Maldon ...Maldon Pottery was established in 1973 by Neville Wilson (1946-1996), Tom Metcalf (1948- ) and Graham Masters (1950- ) on Barringhup Road, Maldon, Victoria. Tom Metcalf and Graham Masters Masters graduated from Bendigo College of Advanced Education all Bendigo graduates. Wilson ) He was a skilled drawer and did all the brushwork. Metcalf (1948- ) graduated in 1968, did two years' work experience at Non-porite in Melbourne, then worked as a thrower and decorator at Bendigo Pottery from 1971-73. He is T.M. on Epsom ware. Masters (1950- ) graduated in 1973 and established the Enterprise Pottery at Myers Flat with Morris Hesse in 1974, so must have joined the partnership later than the others. He left in 1984 to set up his own Sweenies Creek Pottery. Metcalf left in the late 1980s, leaving Wilson to operate the pottery by himself until his death in 1996. As well as using the Maldon Pottery stamp, Wilson signed some of his work with his name or an impressed 'N'. Photograph of a hand thrown ceramic bottle, with glaze design depicting an Australian landscape in the 'continuous trees' pattern.maldon pottery, ceramics, australian studio pottery -
Nillumbik Shire Council
Painting: Piers BATEMAN (b.1947, Perth - d.2015, NSW), Piers Bateman, Blackboys, 1989
... depicting the colours and light of the Australian landscape. ... the colours and light of the Australian landscape. Hand written, low ...Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape -
Nillumbik Shire Council
Print (Lithograph) Clifton Pugh, Clifton Pugh, Untitled (Black Birds) from the Bodford Terrace Suite 1978, 1978
... of composition, cropped elements of Australian landscape in blue and red... of composition, cropped elements of Australian landscape in blue and red ...Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin -
Bendigo Art Gallery
Painting, Penleigh BOYD, Morning Light, 1922
... australian artist landscape cow cattle gumtree rocks Penleigh BOYD ...l.l., brown oil "Penleigh Boyd/22"painting, australian artist, landscape, cow, cattle, gumtree, rocks -
Bendigo Art Gallery
Work on paper, Robert BUGG, Macedon Foothills, c.1930
... macedon ranges central goldfields victoria australian artist ...watercolour, work on paper, macedon, macedon ranges, central goldfields, victoria, australian artist, landscape, mountain -
Bendigo Art Gallery
Work on paper, John WOLSELEY, The Language of Lizards, 2007-2008
... , 2008, John Wolseley australian artist landscape lizards murray ...l.r; Murray Sunset Wilderness, 2008, John Wolseleyaustralian artist, landscape, lizards, murray river, tree, flower, flora, abstract -
Warrnambool and District Historical Society Inc.
Book, Sacred Places
... Memorials in the Australian Landscape’, ‘K.S.Inglis’ Spine... Places’, ‘War Memorials in the Australian Landscape’, ‘K.S.Inglis ...This book looks at the war memorials in Australia and traces the development of the Anzac cult and the reasons that the war memorials are increasingly cherished in Australian society. It is an important treatise on a unique aspect of Australia cultural life.The book has relevance to all Australians as an exploration of an important aspect of our lives today. It is of some relevance specifically to Warrnambool as there are several references to the Warrnambool War MemorialThis is a paperback book of 521 pages. The cover is multi-coloured with an image of an Australian soldier on the front and spine.Front cover – ‘Multi Award Winner’, ‘Sacred Places’, ‘War Memorials in the Australian Landscape’, ‘K.S.Inglis’ Spine – ‘Sacred Places’, ‘Inglis’ Back cover - Critics’ comments on the book and publication details war memorials in australia -
Whitehorse Historical Society Inc.
Article, The new offices - City of Nunawading|Open office space for new Civic Centre|Australia's first landscaped office|Office landscaping, 1968
... - Australia's first landscaped office.... sources of the new civic centre - Australia's first landscaped ...Descriptions from several sources of the new civic centre - Australia's first landscaped office.Descriptions from several sources of the new civic centre - Australia's first landscaped office.Descriptions from several sources of the new civic centre - Australia's first landscaped office.city of nunawading, nunawading civic centre, brown, john henry, black, malcolm charles -
Greensborough Historical Society
Article, Lucy Grace Ellem, Picturesque and panoramic: English landscape traditions and the Plenty Valley; by Lucy Grace Ellem, 1995
... Conference paper comparing the natural Australian landscape... and panoramic: English landscape traditions and the Plenty Valley ...Conference paper comparing the natural Australian landscape with the influence of English landscape traditions.Photocopy of transcript of conference paper, 15 pages.plenty river, plenty valley, flora, landscapes -
Federation University Art Collection
Sculpture, 'Mungo Moon' by Don Barrett, 2015
... coloured oxides to portray the feeling of the Australian landscape... the feeling of the Australian landscape. Barrett focuses on concepts ...'Mungo Moon' by Don Barrett is the first sculpture erected on the Churchill Art and Culture Pathway. It was officially unveiled by Professor David Battersby on 15 April 2015 From Churchill & District News 16 October 2014 The Churchill Art and Culture Walking Pathway will have its official public opening on Saturday October 18, with a walk finishing at Federation University Australia’s Switchback Gallery at the Federation University Gippsland Campus. ... An important link on the newly developed pathway was recently completed with a path south of the FedUni Student West Residences. The path now allows walkers to turn off the Eel Hole Creek path before reaching Glendonald Estate and to follow a picturesque, tree lined walkway to join up with the footpath on the Eastern side of Northways Road. From there the footpath joins into Federation University’s network of walking paths that proceeds past the Switchback Art Gallery, down through the pine plantation and along Lake Kretlow and the Churchill Golf Course. Project Manager Mike Answerth, said the opening of the West Residences section of the path means there is now only one short link to complete. “We’re now very close to realising the project’s objective to join up all these walking paths to provide a continuous pathway that encompasses town, campus and parkland. The next stage of the project will be the completion of Latrobe City’s East West Link and the enhancement of the walking path with artistic and cultural features.” said Mr. Answerth. Head of Federation University Australia Gippsland Campus, Dr Harry Ballis, said the project had been made possible through the contributions of the five former Gippsland Education Precinct (GEP) partners. “The Art and Culture Pathway represents another important step in joining the Churchill township and the university campus as a physical and social entity,” Dr Ballis said. “This was an initiative of the GEP and it is pleasing to see it coming to fruition.” The path now reaches as far as the golf driving range but plans are already under way to connect with the Mathison Park board walk and pathway, which surrounds Lake Hyland in Churchill. When the loop is completed, residents and visitors will have an approximately 5km circular walking path which links up the Churchill town centre, Federation University Australia and Mathison Park. There are already art features along this route, including primary schools’ Bug Blitz totems near the Kurnai College school crossing, native vegetation and history panels near the Hare Homestead in Mathison Park, and outdoor sculptures in the pine trees near the Federation University Switchback Gallery. contemporaryA large sculpture in five pieces set in an external location. It is part of the Churchill Art and Culture Walking Pathway. Don Barrett’s work is mainly in concrete with added coloured oxides to portray the feeling of the Australian landscape. Barrett focuses on concepts of Australia’s short history and indigenous history. churchill art and culture pathway, barrett, don barrett, gippsland campus, federation university, churchill, sculpture -
Whitehorse Historical Society Inc.
Clothing - Gloves
... Rees, a famous Australian landscape artist...., was a cousin to Lloyd Rees, a famous Australian landscape artist ...Gloves belonged to the grandmother of the donor, Jessica Rees. The daughter of Jessica, Angela, was a cousin to Lloyd Rees, a famous Australian landscape artist.Black kid leather gloves with cuffs and white stitching.costume accessories, glove accessories -
Bendigo Historical Society Inc.
Book - LOUIS BUVELOT CENTENARY
... A book titled ' Louis Buvelot. The Father of Australian... landscapes paintings Australian painters Australian art work art ...A book titled ' Louis Buvelot. The Father of Australian Landscape Painting.' Bendigo Art Gallery, 31 March - 30 May, 1988. This exhibition is assisted by the Ministry for the Arts under the Victorian Government Exhibitions Indemnification Scheme. Bottom left corner of the front cover has a number sticker, 0136 THO.artwork, landscape, book, books, louis buvelot, artist, person, male, landscapes, paintings, australian painters, australian art work, art, david thomas, jocelyn gray, exhibition, catalogue, colonial art.bottom left corner of the front cover has a number sticker, 0136 tho. -
Benalla Art Gallery
Painting, Abram Louis BUVELOT, The Barwon, 1870
... Boat River Animals House Colonial landscape Australian art ...Born Morges, Vaud, Switzerland 1814; Arrived Australia: 1865; Died: Victoria 1888ColonialLedger Gift, 1986Sailing boat on river in middle of landscape and sheep are grazing. Gold painted timber frame.Recto: Signed " L Buvelot/ 1870" in brown paint l.r.c of composition; Not titledwaterscape, boat, river, animals, house, colonial, landscape, australian art -
Federation University Historical Collection
Newsletter, Genesis: The Dynamics of the Developing Campus Ballarat Institute of Advanced Education Mount Helen, 1971, 07/1971
... landscape australian natives association ballarat institute ...Two photocopies of July 1971 edition of 'Genesis'.mount helen campus, wendouree charitable fund, timken international fund of canton, ohio, e.j. barker, student housing, student residences, student housing precinct stage 1, e.j. barker library, buildings, applied science building, student union building, wlaker and jackson, history of the mount helen site, l.h. vernon and associates, r.n. and j.e. greenbank, landscape, australian natives association, ballarat institute of advanced education, computer centre, i.c.l. 1901a computer system, chemistry acquisitions, metallurgy acquisitions, physics acqiusitions, electrical engineering acquisitions, mechanical engineering acquisitions, centenary appeal, new courses -
Eltham District Historical Society Inc
Newspaper Clipping, Australian Landscapes; Walter Withers' works; The Daily Mail (Brisbane, Qld), p4, December 14, 1918
... AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail...AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail ...AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail (Brisbane, Qld. : 1903; 1916 - 1926), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article215454911Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers -
Eltham District Historical Society Inc
Newspaper Clipping, Landscape Art; The Withers Exhibition; The Telegraph (Brisbane, Qld), p7, December 16, 1918
... AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail...AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail ...AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail (Brisbane, Qld. : 1903; 1916 - 1926), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article215454911Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers -
University of Melbourne, Burnley Campus Archives
Article, The University of Melbourne Landscape, 1980
... Reprint from August 1980 issue of "Landscape Australia". 17... Landscape Reprint from August 1980 issue of "Landscape Australia ...Reprint from August 1980 issue of "Landscape Australia". 17 pp.university of melbourne, landscaping, australia -
Nillumbik Shire Council
Painting: Tony Harkin (b.1938 Aus), Bush Study, 1982
... Australian bush landscape. May be a reference to the Black Dam near..." and its surrounding Australian bush landscape. May be a reference ...Landscape painting of "a pool of water" and its surrounding Australian bush landscape. May be a reference to the Black Dam near Dunmoochin, Cottles Bridge.Signed and dated lower right corner "Harkin 1982"landscape, eltham, dam, cottles bridge, water, bush -
Nillumbik Shire Council
Painting: Walter WITHERS (b.1854 Warwickshire, UK — d.1914 Eltham, Aus), Trestle Bridge, Eltham, c.1903-10
... Walter Withers was a significant Australian landscape... of the bridge. The golden hues typically represent the australian... was a significant Australian landscape artist and a member of the Heidelberg ...Walter Withers was a significant Australian landscape artist and a member of the Heidelberg School of Australian Impressionists. In 1903 Withers bought 'Southernwood', a house on 2½ acres (1 ha) at Eltham, to which he added a studio. Because of ill health, he lived during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham until his death in 1914. The Eltham rail bridge is a unique and valuable historic relic of an earlier steam locomotive transport era in the Diamond Creek Valley and has long formed an important part of a magnificent Eltham landscape. When built in 1902 it was close to the terminus point of the Heidelberg-Eltham rail extension, on the route of the proposed Diamond Valley Railway that was then planned to continue much further up the valley towards Kinglake. This bridge is situated in attractive river-valley parkland amidst the tall and spreading manna gums and candlebarks of the Diamond Creek Valley. The Alistair Knox Park river-valley landscape, of which the timber trestle bridge is an important visual component, has been classified by the National Trust. Large manna gum and candlebark trees adorn the adjacent creek banks, and historic Shillinglaw Cottage is also part of this much-prized Eltham landscape. Eltham is home to a historic wooden railway trestle bridge. Mainly of timber-pier and timber-beam construction, but varied by a few longer steel-joists spans on timber piers at the main stream channel, this substantial bridge has almost two hundred metres of timber deck. Built in 1902, it is the only railway bridge of predominantly timber construction that is still in regular use as an integral part of Melbourne's metropolitan electric railway network and one of extremely few timber rail bridges in the State that still carry trains. Apart from its important continuing social function as a carrier of rail transport for the Hurstbridge line, this impressive bridge and its beautiful parkland environs contribute much to the character of Eltham township and that town's special reputation as an historic centre of environmental and conservation concerns. This section of the Diamond Creek Valley was the subject of a Walter Withers painting in the earliest years of the twentieth century and has strong historic links with our Heidelberg School of painters. Watercolour painting on paper of Eltham's Trestle Bridge in the middle of the day. A small section of the wooden bridge is located to the left of the painting. The focus is predominately on the wattle, manna gum and candlebark trees that is to the right of the bridge. The golden hues typically represent the australian sunlight and landscape. "W.W" in gothic script on the lower right side of the painting. Not dated. withers, eltham, trestle bridge, railway, watercolour -
Federation University Art Collection
Drawing, Stratford, Noella, 'Avenue of Desire' by Noella Stratford, 2005
... Dr Noella Stratford explores Australian landscapes... Stratford explores Australian landscapes, and considers ...Dr Noella Stratford explores Australian landscapes, and considers their contextual systems in her personal interpretations. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A framed drawing of agave plants along an isolated place in southern Spain. art, artwork, noella stratford, flowers, flora, spain, agave -
Tatura Irrigation & Wartime Camps Museum
Folder - biography, Gustav Pohlig, 27 June 1945
... and on the back page addressed envelopes, Australian landscape... addressed envelopes, Australian landscape and pastoral landscape ...forwarded by Mr Gustav Pohlig: University exam results and on the back page addressed envelopes, Australian landscape and pastoral landscape, typical of the Christmas post cards mailed from Australia. Mailed from No 16 POW group in Marrinup WA to Germany.a clear plastic envelope with many pages written in German of Obergefreite Gustav Adolf Pohlig, geberen 6 November 1916. gustav pohlig -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Back Doors to Toorak, 1964
... and affects the romantic visions of the Australian landscape.... of the Australian landscape. Original manuscript of an article titled ...Boyd reflects on the increasing growth of apartments built in the urban fabric. The growing demand for flats also contributes to the increasing number of developers who, to Boyd's dismay follow the bare minimum in the Code of Buildings that ultimately contributes and affects the romantic visions of the Australian landscape.Original manuscript of an article titled 'The Flat Revolution' published in The Australian, 13.11.1964.Typewritten (c copy), quarto, 5 pagesflat building, developer, building code, urban living, robin boyd, manuscript -
Whitehorse Historical Society Inc.
Article, Heritage or heresy, 1/12/1993 12:00:00 AM
... Landscape Australia Consultants... prepared for Nunawading Council by Landscape Australia consultants.... Council by Landscape Australia consultants. Schwerkolt Cottage ...Article on the management plan for Schwerkolt Cottage being prepared for Nunawading Council by Landscape Australia consultants.Article on the management plan for Schwerkolt Cottage being prepared for Nunawading Council by Landscape Australia consultants.Article on the management plan for Schwerkolt Cottage being prepared for Nunawading Council by Landscape Australia consultants.schwerkolt cottage, city of nunawading, gray, bill, cox, george, landscape australia consultants -
National Wool Museum
Quilt, Carolyn Sullivan, Out There, 2012
... Australian landscape which I find thrilling"... Australian landscape which I find thrilling" Wool quilt in landscape ...Entered for, and winner of, 2012 Expression: The Wool Quilt Prize. Artists statement: "Out there" refers to the wide view of the undulating land extending from our home acreage towards the escarpment and the coast. There are also the millions of small organisms that live out there. As well, out there is the vast Australian landscape which I find thrilling"Wool quilt in landscape orientation with three distinct design patterns, primarily orange/brown/red in colour. Top panel is a light brown background with paler circles inset. Middle panel is an ochre colour with horizontal uneven lines. Bottom panel is an orange colour with pale bordered square shapes. Artists panel on back bottom right corner.