Showing 52 items
matching back saddle
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Ballarat Tramway Museum
Book, Australian Tramway and Motor Omnibus Employees Association (ATMOEA), "Tramway Board/ The Australian Tramway Employees' Association Agreement", 1919
Sixteen page booklet, off white paper, saddle stapled, with additional dark brown paper cover titled "Tramway Board/ The Australian Tramway Employees' Association Agreement". Dated on cover 1919. Agreement dated 28/7/1919 to apply from 28/7/1919 to 5/5/1922. Defines track repairers, ropeman, gripman and students. Details work hours, meals, time between shifts, payment for wase work (running between one line and another), Sunday sheets, overtime rates, call back, overtime, holidays, payment for 'sleeping in office', passes, uniforms, seniority, misconduct, Board of Reference and penalties. Defines minimum rates of wages and temporary allowances. Signed by Colin Templeton Chairman, Fred Thos Hickford Member and W.O. Strangward Secretary and John Abfalter President and T. Jewell Secretary for the Union. "Ballarat Tramway Preservation Society Catalogue No. 215" in ink on top of first page.trams, tramways, melbourne, tramways board, atea, unions, agreements, mmtb -
Ballarat Tramway Museum
Book, Australian Tramway and Motor Omnibus Employees Association (ATMOEA), "Commonwealth Court of Conciliation and Arbitration / A.T.E.A. 1927 Award Melbourne Conditions as from 8th / 9th December, 1934", 1934
Twenty page booklet, off white paper, saddle stapled, with additional dark green paper cover titled "Commonwealth Court of Conciliation and Arbitration / A.T.E.A. 1927 Award Melbourne Conditions as from 8th / 9th December, 1934". Details wage increases for various classes of workers, probationary staff, junior labour, hours of work, minimum wage, shifts, rosters, spread of hours, overtime, Sunday and holiday work, meal hours, training, promotions, attending office, medical examinations, holidays, punishments, travelling time, calls back, days off, preference to unionists and Boards of Reference. On page 10 has a small sheet of paper pinned in, with pencil writing re uniform issue periods."Ballarat Tramway Preservation Society Catalogue No. 216" in ink on top of first page.trams, tramways, melbourne, atea, unions, agreements, mmtb, uniforms -
Ballarat Tramway Museum
Book, WA Government Printer, "Between Fremantle Tramways Employees' Industrial Union of Workers, Applicant and Fremantle Municipal Tramways and Electric Lighting Board, Respondent", 1933
Thirty four page (page 33 and 34 adhered to back of book as a single sheet), saddle stapled, off white paper, titled "Between Fremantle Tramways Employees' Industrial Union of Workers, Applicant and Fremantle Municipal Tramways and Electric Lighting Board, Respondent", agreement, No. 2 of 1931, extract from the Government Gazette of 15/9/1933. Details definitions of all workers covered by the award, hours of work, roster duty, duty hours, days off, meal relief, reports, uniforms, one man car, shorts and overs, Sunday and overtime, hours of work for carbarn staff, tradesmen and electrical, annual leave, holidays, change of shifts, absences, Board of Reference, wages schedules for various employees, juniors and apprentices, apprenticeship ( a lot of detail on this - about half the book)."Ballarat Tramway Preservation Society Catalogue No. 218" in ink on top of first page. Wage schedule has been updated in ink.trams, tramways, fremantle, fremantle, unions, agreements -
Trafalgar Holden Museum
Functional object - Cart/van tree, Circa 1900
as used on horses to pull a variety of heavy equipment Ca 1900as manufactured and sold by Holden and FrostShaped to fit on horses back with two straps that fit around horses belly Two metal rings for reins two brackets for strapping and a metal buckle on end of belly bandPatent etched on saddle surfacecart / van tree, equine -
Trafalgar Holden Museum
Functional object - Saddle cart/ van tree, Circa 1900
used circa 1900 in agriculture and on draught horsesAs manufactured and sold by Holden and FrostShaped to fit on horses back with two straps that fit around horses belly two metal rings for reins two brackets for strapping and a metal buckle on the end of the belly bandPattern etched on backsaddle cart, equine, agriculture -
Trafalgar Holden Museum
Functional object - Saddle cart
Used on horse drawn vehicles, agricultural and social Ca 1900Manufactured and sold by Holden and FrostShaped to fit horses back with two straps that fit arond horses girth . Two metal rings for reins Two brackets for strapping and a metal buckle on end of Girth strapPattern etched on saddle surfaceequine, saddle cart, agricultural -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Pack Saddle
Believed to have been made 1939/43. In 1904 the British Army adopted a new General Service (GS) pack saddle with an adjustable tree, known as the Mark V pack saddle. The main innovation was the adjustable tree created by having the front and back steel arches jointed to the wooden sidebars, which allowed them to turn to adjust to the size of the back of whatever animal carried the saddle, from the largest horse to the smallest donkey, and eliminated the need to manufacture saddles in different sizes. The saddle could be adapted, by the addition of hanging bars, or universal slats, to carry a wide variety of stores, tools and equipment, and also wounded men. The GS pack saddle was used in both world wars by both the British and Australian armies. The use of pack saddles was especially important in the campaign in Palestine during the First World War where wheeled transport was often not an option. Each machine gun carried by light horse units was transported on a pack saddle, and was accompanied by a second pack animal carrying spare ammunition. During the Second World War pack animals were routinely used by patrols, and larger units such as Norforce, in remote areas of northern Australia. The saddle shown here has two separate girths, which crossed under the animal's belly. Most later versions of the saddle used a shorter single girth buckled to a 'V' attachment, which was in turn buckled to the sidebars. Use of the 'V' attachment gave greater strength and stability to the saddle, and decreased 'rocking' of the load. -
Rutherglen Historical Society
Photograph - Image, 1900s (Approximate)
Mounted Sepia photograph of a group of people in front of Albury Saddlery ShopSign on top of shop: "Yoxall & Strangman | Saddle Harness & Collar Makers" On back of photo: "Albury"horse equipment, saddlemakers -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph, Sydney Whillams, Silver Trophies, Est mid 20th Century
Lloyd Lindsay Competition In 1873 Colonel Loyd Lindsay introduced a prize for mounted riflemen. The initial experimental competition was a great success and it was for many years a feature of the various shooting programs. The conditions in 1873 required that sections of four mounted men were to ride about three quarters of a mile, taking two flights of hurdles in the course, and were, while dismounted and their horses either linked or held by alternate files, each to fire five shots at 200 yards standing, and the same number at 400 yards in any position. There was a time limit of twelve minutes, and the rifle, of any Government pattern, had to be carried on the back or slung to the saddle. 13TH GIPPSLAND LIGHT HORSE HANDSOME TROPHIES ON VIEW Thery are on view in the window of Mr. A. W. Bennett, Jeweller, some handsome trophies which were pre sented to the 13th (Gippsland) Light Horse, and which are worthy of the admiration they have elicited. A handsome pair of solid silver candal abra, presented to the officers mess of the Regiment by Mrs. Norman Mc Lean in memory of her husband, the late Lieut. Norman McLean, who for many years was a member of the re giment, are a fine piece of workman ship and valued at £200. The silver cup donated by the same lady for competition amongst the Regimental troops, is also very handsome. The late* Hon. .William - Pearson, M.L.C., who was Honorary Colonel of the 13th (Gippsland) Light Horse Re giment, presented a handsome silver cup. for competition amongst the' troops of the 'regiment, Iand teams will compete 'for it annually at the camp of continuous training. The ar ray of trophies is a most interesting one. Gippsland Times 19 Jan 1925 HUTTON SHIELD Stratford Troop Beaten After winning the Hutton Shield for four years in succession, the Stratford Troop of the 13th. (Gipps land) Light Horse was defeated in this year's competition last week, Scottsdale Troop (Tasmania) beating Stratford by 17 points. Gippsland Times 22 May 1933 Black & white photo of 17 silver Light Horse trophies on a British flag draped display stand. Trophies include: Lloyd Lindsay Competition for best section & lance and sword events, Foster Cup for best troop in Australia, Machine Gun Troop, Pearson Cup, Digger Trophy for best Regiment in Australia, McClean Cup and donated candelabra, Hutton Shield for best Light Horse Troop in Australia, Brigade Cup for sports in annual camp.Sydney Whillams. Sketch on back identifying objectslight horse, trophies, photo -
8th/13th Victorian Mounted Rifles Regimental Collection
Booklet - VC/NVA Mine Indicators, 1967 circa
Notes of this type prepared in Vietnam by US Intelligence Center and commonly used for counter-revolutionary warfare training in Australia.Representative example of training material used in training of officers and NCOs of CMF units such as 8/13 VMR.White paper booklet 56 pages folded saddle-stitched and stapled. Prepared by Combined Intelligence Center Vietnam from reports from units in the field of methods of mine marking by Viet Cong and North Vietnamese Army to indicate locations of mines to enable local villagers to avoid them. Ink stamps on front and back covers "Tactics Wing" and "To be returned to Tac Wing"south vietnam, mines -
Glenelg Shire Council Cultural Collection
Poster - Poster - Boots and Saddle at the Crown Pictures, n.d
Full colour poster, advertising showing of the movie 'Boots and Saddle' at the Crown Pictures, presented by the Co-operative Film exchange Ltd. Depiction of a young woman and a mountie. Printed on butcher's paperFront: 'Afternoon & Evening Crown Pictures SAT. OCT 20th' - handwritten, black crayon Back: Portland rifle club statistics, handwritten, pencil -
Marysville & District Historical Society
Book, Colourtone Pty Ltd, Walt Disney's Brer Rabbit Rides the Fox, 1948
Walt Disney's Brer Rabbit Rides the Fox as told by Marion Palmer. The story was adapted from the original Uncle Remus story by Joel Chandler Harris.The front cover has a drawing depicting Brer Rabbit riding on the back of a fox that is wearing a saddle. Behind them is a line of different animals chasing Brer Rabbit and the Fox.fictionWalt Disney's Brer Rabbit Rides the Fox as told by Marion Palmer. The story was adapted from the original Uncle Remus story by Joel Chandler Harris.walt disney, brer rabbit, fox, fiction, uncle remus, joel chandler harris, marion palmer -
Federation University Historical Collection
Booklet - Catalogue, Advanced Diploma of Graphic Design, 2014
In 2014 University of Ballarat took responsibility for a campus at Churchill, Gippsland, and rebranded as Federation Univeristy Australia. Page one introduction by Paul Mah, Teacher/Co-ordinator. Staff listed as James Baker, Roberta Crisci-Richardson, Jason Grace, Peter Grziwotz, Sam Harmer, Alister Heighway, Dr Jennifer Jones-O'Neill, Damien Lentini, Paul Mah, Ewen Ross. Page three lists 6 graduates for 2014. Students have double page spread each. Inside back cover features sponsors.Promotional catalogue for graduating students of the Federation University Australia (TAFE), Advanced Diploma of Graphic Design, 2014. 16-page + 4-page cover, saddle-stitched booklet, full colour offset throughout plus silver foil on outside cover.federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Federation University Historical Collection
Booklet - Catalogue, Once upon a time… The Land of Design, Advanced Diploma of Arts (Graphic Design), 2008
Storybook/fairytale themed promotion of student work on completion of the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2008. Page one features student names and photographs, plus "character" names. Pages 2-3 fairytale map. Subsequent pages include folio examples, one student per double page spread. Inside back cover notes sponsors, Sovereign Press and The Image Company. Teaching staff for duration of the two-year course listed as: James Baker, Peter Lambert, Jill Hyatt, Ben Sanders, Travis Price, Sam Harmer, Trevor Tagliabue, Alister Heighway, Sarah Lloyd. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 32-page + 4-page cover saddle-stitched booklet. Full colour offset throughout.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Federation University Historical Collection
Booklet - Exhibition catalogue, EYE, End of Year Exhibition, Arts Academy Catalogue, 2022
Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy, Institute of Education, Arts and Community. Notes a return to face-to-face teaching. Catalogue includes students from Diploma of Graphic Design (9), Advanced Diploma of Graphic Design (4), Bachelor of Visual Art (6), Bachelor of Communication Design (2), Graduate Diploma of Ceramics (4), Bachelor of Fine Art (2). Publication design by Angas Dorsett, Jack Trevey, Ashleigh Freeman, Susan Stanley and Jason Grace. Last page lists acknowledgements of staff and supporters. Inside back cover lists sponsors.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2022. 48 page + 4 page cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye -
Melbourne Tram Museum
Book, Geoff Stewart, "Urban Transport and the MTT", c1981
Fifty six page book, A5 landscape format, saddle stapled, titled "Urban Transport and the MTT", c1981, privately published, looks at the activities of the Perth WA, based Metropolitan Transport Trust. Includes sections on Ferries, Buses, Trams, Train, Trolley buses and the MTT itself. Has many black and white photographs. Inside back cover has the credits.trams, tramways, perth, mtt, transport -
Kiewa Valley Historical Society
Spurs and Stirrups x8 pieces
The spur is used in many equestrian disciplines.Most equestrian disciplines have rules covering spur design and use. Spurs are usually held on by a leather spur strap that goes over the arch of the foot and under the sole in front of the boot heel. The stirrup is a light frame or ring that holds the foot of a rider, attached to the saddle by a strap, often called a stirrup leather. Stirrups are usually paired and are used to aid in mounting and as a support while using a horse.E. Fisher grew up and lived at Mongan's Bride in the Kiewa Valley. Horse riding was common in the Kiewa Valley especially before the introduction of motorised vehicles.A spur is a metal tool designed to be worn in pairs on the heels of riding boots foe the purpose of directing a horse to move forward or laterally while riding. It is usually used to refine the riding aids and to back up the natural aids eg. the leg, seat, hands and voice. A stirrup is a light frame or ring that holds the foot of a rider, attached to the saddle by a strap, often called a stirrup leather. Stirrups are usually paired and are used to aid in mounting and as a support while using a horse. The spurs and stirrups are made of steel and the straps of leather.horse riding, spurs for horse riders, stirrups for horse riders, e.fisher -
Flagstaff Hill Maritime Museum and Village
Clothing - Riding Habit, jacket, Early 20th Century
The Manifolds were a significant pioneering pastoral family in Western Victoria. The donated riding jacket originally belonged to Mrs Edward Manifold, formally Beatrice Mary Synnot Anderson. Beatrice was Edward Manifold’s cousin once removed whom he married in 1900. Edward, the son of John Manifold, was born on 15 November 1868 and educated at Geelong and Melbourne Grammar schools and at Trinity Hall, Cambridge (B.A., 1891). He chose the Danedite portion of land at Purrumbete, and on the death of his bachelor brother Thomas Peter (1863-1895), after a hunting accident, he took over his allocation, Wiridgil. He also owned Boortkoi, near Hexham and on these properties, he ran merino sheep, a Lincoln stud which dated back to 1870, and Shorthorn cattle. 3000 acres were also leased to dairy farmers. Edward was a member of Hampden Shire Council in 1909-31 and three times president at Camperdown. The town was largely bordered by Manifold land and partly dependent upon the local pastoral dynasties, which benefited the local area from the families’ various business interests. Though an offer to build public baths to commemorate the Queen Victoria Jubilee in 1897 was not proceeded with, the town acquired a hospital, a reserve on Mount Leura, a clock tower and a cricket pavilion, as well as notable donations from the Manifolds to St Paul's Church and the grammar school. Edward was a keen polo player and racing man. He was also a successful owner of steeplechasers and a committeeman of the Victoria Racing Club for many years. He was also a member of many Western District racing clubs. On the 16 July 1900, Edward had married his sixteen-year-old cousin Beatrice Mary Synnot Anderson by whom he had three sons Thomas Peter, Andrew and Robert Edward Manifold. Edwards's estate at his death was valued for probate at nearly £500,000. Edward died following an operation on 14 February 1931 at a private hospital in Yarra Vale Melbourne. Beatrice passed away in 1954, aged 79 in Ballarat where she was born in 1874. Contextual historic Family background: The Manifold brothers Thomas (1809-1875), John (1811-1877) and Peter (1817-1885) were the fourth, fifth and sixth sons of William Manifold and Mary, nee Barnes, of Courthouse Farm, Bromborough, Cheshire, England. The family had decided to emigrate to Van Diemen's Land. Thomas was sent ahead, arriving in Hobart Town on 23rd January 1828 with £1500 and a letter of recommendation from the Colonial Office. Thomas acquired 1280 acres on the west bank of the Tamar River. John and Peter, with their parents and three sisters, arrived on 8th July 1831. Land grants by then had finished but William brought ninety acres next to his son Thomas’ land and on the combined properties the family built Kelso House. The Manifolds’ properties were comparatively poor and when news of the Port Phillip District, in Victoria reached Thomas, he lost no time in coming to see for himself in February 1836. He was impressed with what he saw and hurried back to Tasmania to buy lambs and ewes. With one of his brothers, on July 9th he landed his stores at Point Henry and proceeded to occupy both sides of the Moorabool River. Thomas, at the end of the year, returned to Tasmania and left Peter and John to run the new property. Thomas, however, returned to Victoria for several visits and on one of these visits he, along with his brothers, examined the country near Ballarat. In December 1838 they managed to penetrate the Stony Rises, and Peter and John reached Lake Purrumbete and the Mount Leura country. During this time, on 4th July 1838, Thomas married Jane Elizabeth, eldest daughter of Captain Walter Synnot, formerly of Ballinate, County Armagh, Ireland, and then of Van Diemen's Land. Thomas joined his brothers, and they occupied the Purrumbete run in January 1839. On the journey to Purrumbete they could not take their stock and drays through the Stony Rises, so went north of Lake Corangamite, to the neck of land between it and Lake Gnarpurt. By April the move from Moorabool area was complete. As yet they had no hut and were working day and night, but their delight in their new run was unbounded. John wrote to his mother: “We are at last got to the land we wished for it is a beautiful place, and cannot be surpassed by any I have ever seen”. The three brothers occupied Purrumbete together, breeding both sheep and cattle until Thomas went to Grassmere run on the Merri River near Warrnambool in 1844. John and Peter soon gave up breeding sheep but retained the well-known '3M' brand for the cattle. These were Shorthorns, derived from four bulls originally imported by the Boldon brothers and later improved by further importations, and were renowned for size and quality. By the time of the gold rush in 1851, John and Peter were breeding over 1000 head a year, as well as fattening stores. The diggings at this time had disorganised Grassmere by drawing away Thomas's men, and his wife decided to take her two sons and two daughters to Europe for their education. Thomas gave up the property next year, went to England to join his family, and eventually brought the family back to live in Melbourne. At Purrumbete things were different. The brothers, John and Peter, preferred black stockmen to white, so the discovery of gold upset them very little while providing the very market they required. John was on his second visit to England when the rush started, and Peter went in his turn soon after John returned. On 2 September 1856 John married Marion Thomson, at Cormiston, Van Diemen's Land. They had four daughters and five sons, from three of whom, William Thomson, James Chester and Edward, the later generations of the family descend. Through the years the brothers had to contend with the scab, fluke and footrot, depression, rabbits, bush fires and pleuro-pneumonia. In 1861 they appointed as manager Henry Manifold Matson, their nephew, who had already been with them for five years. Thomas died in Melbourne on 7 November 1875, John at Purrumbete on 3 January 1877 and Peter at Purrumbete on 31 July 1885. Devout members of the Church of England, John and Peter, during their lives, gave generously towards building St Paul's Church, Camperdown, and guaranteed part of the vicar's stipend. Peter was a member of the Hampden and Heytesbury Roads Board from 1859 and carried on into the Hampden Shire Council when it was formed in 1864. However, it was not for public works that they were known, but for their personal example. In a new land where speculators and adventurers were all too common, the Manifold brothers were among those who intended it to be their home and their children's home. Industrious, unpretentious and hospitable, they were respected in their community as men of the highest integrity. This riding habit is a characteristic example of the type and style of riding clothes that well-dressed ladies wore in the 1920s. It highlights the changes that were beginning in society for women. Prior to 1918 ladies still had to ride side-saddle with skirts over Jodhpurs. Society of the time regarded women riding astride as unseemly and just not done. This riding habit is particularly significant on a number of levels, it shows the beginnings of change in society's attitudes through women's fashion after the First World War. A change that was to bring a start to a more liberating societal attitude towards women after the successful establishment of the Representation of People Act 1918 that gave women the right to vote. This garments provenance is linked to one of Victoria's important pioneering families the Manifolds, one of the first families that came from Van Diemen's land to settle the Western District of Victoria in 1844. Originally the garment belonged to the wife of the great-grandson of pioneer William Manifold, Edward Manifold who married Beatrice May Synnot Anderson, Edwards Cousin in 1900. The garment was made by the Mayfair tailors J. Busvine & Co. in the early to mid-1920s (estimate) who at the turn of the century were tailors to the Courts of Europe. Their clothing is highly collectible today and examples can be found in a number of significant museum collections around the world, notably the Metropolitan Museum of Art in New York and the FIDM in Los Angeles. A riding jacket, part of a three-piece, side saddle riding habit tailored for Mrs Edward Manifold. Knee length English woolen jacket black in colour, seamed and fitted to the female client's figure, fastening from the waist with three bone buttons to rather high lapels. The sleeves are long with closely fitted cuffs and one button and lined with cream satin. The jacket is fitted to the waist and flared to below the hips with a 35 cm vent to the back. Lower back to the jacket is reinforced with removable fabric and the jacket is lined with black twill cotton, there is a cream satin label, with makers' emblem Busvine. Circa 1920s Label to Jacket Embroidered in gold with a Royal logo on a Cream Satin label “By Special /Appointment” “To Her Majesty/The Queen”, “Busvine / Ltd / London 4 Brook St. W. / No” “hand written in purple ink 315 / Mrs Edward Manifold”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, side saddle riding habit, mrs edward manifold, edward manifold, busvines, shipwreck coast, flagstaff hill maritime village, great ocean road -
Trafalgar Holden Museum
Accessory - Belt buckle
Belt buckle used to advertising Properts soapSold by Holden and Frost Brass circular disc belt buckle, horse and rider etched on front. Wire clip and hook on backProperts specially prepared leather and saddle soapbuckle, belt -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: HANRO AUTUMN-WINTER 1960 CATALOGUE, 1960
Hanro Autumn-Winter 1960 Catalogue: Red coloured card with black and white print is a scene of the Swiss Alps and two Swiss Chalets on the top half of the Cover with *Autumn - Winter 1960 Catalogue* printed in white. At the centre is a white rectangular banner with *Hanro Quality Knitwear For Men* printed in black. The bottom half is three men one sitting on a chair, two standing in front of a wrought iron balustrade wearing Hanro garments sketched in black ink. The first has a V necked ribbed pullover with raglan sleeve and contrasting stripe on the sleeve, neck and waist band. Next is a Crewe necked, saddle shoulder Pullover with fold over neck, knitted bands on sleeve and waist. The third is a V necked patterned cardigan with four buttons, saddle shoulder and pockets either side. Inside the cover on white card with black print is advertising to the left and the Index is on the right. The first page of the catalogue outlines the qualities of their garments. Inside are sketches of their Pullovers, Slip-on's, Cardigans and Sleeveless Cardigan's along with the Style number, Name of Garment, colour and size. The back has the price list to the left and on the right is a list of advertising materials. At the bottom printed in black is *This year, go along with Hanro - for Handsome Profits in Knitwear! Inside the back cover on white back ground with black, grey print and sketching is *Here Now! The very latest Continental Wool knits Styled in Switzerland*. Sketched is a Swiss Alps and village scene. In the foreground on a balcony are two men and a lady wearing Hanro Knitwear. In the centre printed in black is *Permasized & Mothproofed for life with 'Mitin'. A black Banner with white print is *by Hanro. At the bottom is a sketch of the Liestal Switzerland factory The Home of Hanro* The back cover, red with white and black print. A 5cm black strip vertically from top to bottom of the page. 5cm from the top on a white banner is *Hanro (Aust) Knitting Mills Limited* printed in black. Under that is the address and phone number of the Bendigo and Melbourne Sales offices. Down to the right is the details Representing other states is Queensland, Western Australia, South Australia and Tasmania. At the bottom left in a white box is a sketch of the Hanro Factory in Liestal Switzerland. On the button is *The Home of world-famous Hanro in Liestal, Switzerland. Box 116Abook, magazine, catalogue, hanro. catalogue -
Bendigo Historical Society Inc.
Letter - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS, 1995
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters from Maery Hall (Gabriel). 6 December 1995 To: Merle Hall Arts Bendigo From Maery Hall Content: Outline of what is involved in the design and working of the project. Enclosed are three page of the design outline, one page of tool drawings, three sheets of sketches, photograph of small mosaic sketch using rocks I brought back from my last visit. The letter also contains: Materials, Tools, labour, Other needs, Time, Costs and the Council’s role. 6 November 1995 To: Merle Hall Secretary Arts Bendigo From Maery Hall Content: Contains a rough sketch of the project. Note that the sketch is missing. 29 January 1997 To: Merle Hall Arts Bendigo From Maery Gabriel Content: Contains a drawing for the remaining pavement areas that I submitte before and measurements for the actual slabs for 22 square m. for the two. The result will be 2 (saddle reefs) in style. Also mentioned are two options for payment. Receipts also included for the last two payments and the saw. Thank you for sending the form of transfer for the saw. (Note the drawing is missing) 10 April 1997 To: Merle Hall Arts Bendigo From Maery Gabriel (artist in Mosaic) Content: Thank you for your letter of 9 March and further discussions on costs and layouts. 25 Feb 1997 To: Maery Gabrel, ‘Morningswood’ Pterson’s Road Ellinbank 3821 From Merle Hall Secretary Arts Bendigo Content: Apologies for the delay in not answering last letters and drawings. Mentions the need to meet with the Council to discuss the completion of the project and the need to enquire about funding from the Premier’s ‘community support fund’ 9 March 1997 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Followup letter from 25 Feb 1997 concerning the last sections of the mosaic project. Outcome of meeting with Bernard Smith of the City of Greater Bendigo One local business sponsor prepared to donate a small amount towards completion of the project P.S. Sharon Hackett; the painter would love to receive her questionare from you. 22 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Enclosed is a form to cover transfer of ownership of the diamond saw as reccomended by an adviser. P.S. the transfer is made out to ‘Hall’ - your name under our contracts. I’ve used your name for the address. 20 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Arts Bendigo Inc. of P.O. Box 563, Bendigo, 3552, agrees to the transfer of ownership to Maery Hall of ‘Morningswood’, Peterson’s Rd., Ellinbank, 3821 of one ‘Stubbie electric Bricksaw. Purchased from DEMBICON on May 25th 1996 Diamond Blade for $1650, now valued at $1200 Part payment for the contractr of a mosaic pavement around the poppet lookout in Rosalind Park Bendigo. 30 Nov 1995 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: The enclosed survey sketches just arrived. Formal approval from the commissioners. Early next year the poppet head will be re-painted and have scaffolding there for a time, but shouldn’t be a problem. 9 January 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Summary of discussions with the John Little V.A.C. and Roni Schell from ‘Future Connections’ re her DEET submission and Bernard King from the City and one of the Commisioners. A non-specific plan for being ‘contracted and not employed’ An expectation the ‘Future Connections’ would then offer youseparate contract to conduct workshops for their clients and develop tutorials. 9 November 1995 To: Maery Hall From Merle Hall Secretary Arts Bendigo Content: Sketches enclosed for the poppet head site and comments on them from the City Council. 20 January 1997 From: MaeryGabiel Artist in Mosaic (formerly Maery Hall) To: Merle Hall Secretary Arts Bendigo Content: Receipt of $5000 plus one ‘Stubbie Electric Bricksaw, with stand, serial number 0002056 being payment under contract no. 2 for work on mosaic payments in Bendigo. 20 May 1996 Lisf of Materials and euipmemnt required for Mosaic and tools to be made -
Bendigo Historical Society Inc.
Photograph - GUINEY COLLECTION: NORTHERN SEED SUPPLY CO. INVOICE TO MRS GUINEY
B & W Photograph of adult male in uniform stanging beside a pony, holding the reins. Three children in the photograph. A boy is standing in front of the pony holding th ebridle. A younger boy si standing near the back of the pony. A small child is seated on a saddle on th epony. In the background is a picket fence in front of fruit trees.recreations, pets, pony