Strings of beads were a common fashion accessory for women in the early to mid 20th century. They were usually made from glass beads but other natural item such as seeds or shells were also popular.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short necklace of 60 uniform sized beads or possibly shrub seeds. They are strung on thick twine with a metal catch. The catch has worn over time.decorative items, fashion accessory, women's jewellery

This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices

This metal frame opens from the side to allow paper to be placed between the two pieces and held into place with a metal clasp on the side. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing hand written notes.1 japanned metal frame with elastic and beadsassociation for the blind, assistive devices

Beading examined and classified by the Embroiderers' Guild of VictoriaPiece of black beaded fringing attached to a narrow band flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, beaded fringing, beaded, embroiders' guild

Early settler women were skilled craft workers and crocheted doilies and other napery for their household. This Doiley is a cover for a jug or cup, with the glass beads providing the weight to secure it, to protect the contents from flies, insects and dust while on the kitchen table.Early settler women were skilled in dressmaking, crochet, knitting as they made clothes, furnishings, drapery and tableware for their families c1900A cotton, crocheted doily with a teapot pattern and green beads at edges to keep it in place when protecting contents of a jug or cupkitchen equipment, crochetwork, napery, doilies, milk jugs, early settlers, market gardeners, cooking utensils, kitchenware, castiron cooking pots, blacksmiths, slow cooking, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,

The bag belonged to Dorothy's mother who resided in Canterbury Road, Vermont, Unit 1, next to Steven Reserve for 20 years until she died. Information from Dorothy Meagher re bead bag:-Dorothy Mavis Don (owner of bag) was born in Cowangie, S.A. in Mallee country in 1907. She married Douglas William Stewart on 22-1-1927 in the Presbyterian Church in Cowangie. Dorothy (known as Mavis) was an accomplished designer and sewer who made clothes etc. up to her death.Multicoloured wooden beaded handbag with handles and zipper. Fan shape.costume accessories, female

This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Camp 3 was one of the Tatura Group of civilian & prisoner of war internment camps during World War 2. Camp 3 was a civilian 'family' camp. The abacus was made by a German internee, for his son in the camp. It was made from scrap materials found in and around the camp & the beads & other wooden parts of the abacus were turned on a lathe also constructed by the internees. Wood & metal abacus with wooden base, sides & beads (100), & metal rails. Wood painted red & black. camp 3, tatura, internment camps, civilian internees

This dress was worn by Brighton model Coral Triplett when she married John Knowles at St John's Church, Toorak, on 18 June 1966. Made from beaded wool lace, it was commissioned by the Australian Wool Board for the Gown of the Year competition and made by Jinoel, a high-end Melbourne fashion house run by husband and wife team Jill and Noel Kemmelfield.White French wool lace wedding gown with low neckline and high empire waist. Bodice embroidered with beads.wedding dress, 1960s, coral triplett, coral knowles, john knowles, jinoel, australian wool board, gown of the year, wool lace

The abacus has been used by many civilisations, and is still in use today. Its origin is masked in the depths of time, but it is believed to have originated in crude form around the years c.2500 BCE. It is interesting to note that this abacus, although in use in Australian schools, contains ten rows, each containing ten beads, suggesting that it was heavily influenced by the decimal system. The number 12 was quite prominent in Australia, no doubt introduced by the British during the first settlements. It's use, as in dozens, twelve shillings in the pound and twelve inches in a foot, was widespread until decimalisation in 1966. Even today, many items are sold in dozens or sixes.Before more sophisticated adding machines and then calculators were developed in the 19th and 20th centuries, the abacus would have been in worldwide use.Abacus or counting frame with ten rows, each containing ten wooden beads.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood, abacus

Makers of Snakebone Necklaces Two local women who made these necklaces were: Minnie Blucher (nee Wanke) (c.1891-1976) who lived at Briagolong in the 1940s. Highly artistic, she eagerly sought out snakes, killing many around Noble's Bridge. Peter Mills of Briagolong remembers that she would hang them on fences for maggots to eat away the fresh, and painted and dyed the bones. She also used spine bones from cattle for ornaments. Bella Buttsworth (1882-1951) was the daughter of Thomas and Rachel Mills of Briagolong, and the aunt of Ina Worseldine of Maffra. Ina remembers her making these necklaces in the 1920s, and that she placed beads in between the bones. The comment was also made that she often put large bones at the front and smaller ones to the back. Bella obtained the bones by boiling the dead snakes down, and then left the bones out on logs in the sun to bleach.A circular necklace made of spine bones from snakes and red beads, threaded onto copper wire. It contains 20 bones, each with a red bead between it and the next, with five red beads near a rough hook catch. The bones appear painted, possibly with calcomine.craft, handcrafts

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strap often decorated with pearls, sequins, beads and embroidery. A lady's black velvet, silk lined, evening bag with draw-string and hand made tassels. The bag is decorated with beads in a floral designmoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, dressmaking

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

This item is from the Temple estate. George Temple (1832-1916) started Temple's store opposite Post Office. Packed stores to Bendoc area gold fields.Jet beaded belt . Large and small beads. Large jet bead fastener (Paris Jet).belt beads costume-accessories jewelry jet-beads temple-george

Diana Trewenack is the youngest daughter of Cedric Hirst and great granddaughter of Godfrey Hirst. Her father was Managing Director and Chairman of Directors of Godfrey Hirst Woollen Mills until its takeover in the 60’s. Diana was married at St David's Church in Geelong in May 1954. The material for the wedding gown was made with very fine cream wool woven at the Godfrey Hirst Woollen Mill. From discussion with Diana, the dress was put together by a local dressmaker in Geelong. It is fine pure wool and beaded on the edge of the wrap over skirt and on the long train.Cream coloured woollen wedding dress with long sleeves. Decorative beading pattern around cuffs and up the front edge of the dress. Zippers at each sleeve and back of dress. - 7825.1 Train, made with same cream woollen material as dress, with matching beaded edging. Attaches with clasp around waist of dress. - 7825.2 Veil made of cream tulle, with beaded headband. - 7825.3wedding dress, ceremony, godfrey hirst and co. pty ltd, woollen mills, textiles, fashion, dressmaking, diana trewenack, viel, gown

These bobbins were given to donor by her aunt and were part of the set on which the donor learned to make Nine Pin edging when she was 8 years old. (approx 1911) 2 wooden lacemaker bobbins, decorated on ends with coloured glass beads attached with wire. Bobbin one has 4 red beads, 4 clear beads, 2 black beads and 1 white bead with green and red colour band. Bobbin two has 2 brown beads, 2 blue beads, 1 black bead and 1 clear bead. Bobbins have shaped and turned shafts. bobbins lace, wood turning, hand craft

Black beaded tassel with white beads on end.tassels, textiles

Textiles. Semicircular beaded purse. Blue beads and tassel at bottom of purse. Top section has mauve beads with coloured beaded flowers. Letters in brown beads ''TREU ,,,, TMER''. The top opening is edged with pearl beads with gold cord threaded around the opening.textiles, domestic, semicircular beaded purse.

Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. In the first half of the 20th century women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food. Small square milk jug cover that has been hand crocheted with crown, flag and date patterned into centre. It has a red, white and blue beaded fringe.cover milk-jug-cover handcraft tableware

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Fashion (or clothing/costumes) in the collection was largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This short, beaded 'flapper' dress was worn by Mrs Udora Freame to a ball at the Hawthorn Town Hall in the 1920s. Donated by her daughter, the dress is the earliest item of fashion in the collection where provenance can be linked to a local civic event.Sleeveless black chiffon 'flapper' evening dress with v-neck. The dress is embroidered with silver thread using chain stitch and glass beads simulating Parisian jet.women's clothing, australian fashion - 1920s, evening dresses, udora freame, evening wear, flapper dresses, mayoral balls -- hawthorn (vic.)

These items are from the Temple estate. George Temple (1832-1916) started Temple's store opposite Post Office. Packed stores to Bendoc area gold fields.One long rope of jet beads and a pair of bobble jet beads. One jet bead applique piece.beading jet-beads costume-accessories haberdashery

Black beaded bag (evening) beaded handle . Lighter beads make up pattern. Six pearl beads on centre of bag. Patterned both sides. zip fastenerMade in Czechoslovakiacostume accessories, female

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Blue frit and faience cylinder beads, frit double spacer beads and faience disc and ring beads. Majority of frit bead medium blue with pale blue and turquoise green faience beads. Disc and ring beads of faience in blues, reds, greens, yellow, white and very dark brown or red. Some ring beads in blue frit.rev. james dodgson, aquila dodgson, flinders petrie, collar, faience, frit

Pyott's Ltd., was an merchant and novelty shop in Vancouver, Canada during the early-20th century. An advertisement for the shop was published on February 9, 1922 in the Ubyssey News (issued Weekly by the Publications Board of the University of British Columbia. It reads: 'We carry one of the largest lines of Indian Burnt Leather Goods, Moccasins and Baskets in the city; also Beads, Purses and Hand Bags; View Books, Post Cards and Novelties of all kinds. Your inspection invited, 524 Granville St. Vancouver B.C'. History of shopping bags: Before the late 1800s, shopping bags didn’t exist. Shoppers would either carry their goods home in baskets, or have the merchant deliver them to people's homes, until 1852 when Francis Wolle, a schoolteacher in Pennsylvania, invented a machine to produce paper shopping bags. This invention would allow customers to carry items home in disposable paper bags. Soon after, owners of department stores and retailers began to realise that paper shopping bags could be used to help market their brands, and as such custom shopping bags with printed logos became common place. Carrying a shopping bag from certain shops became a type of status symbol for consumers, providing evidence that one was well-off, had good taste, or both. The paper shopping bag is a rare survival of ephemera related to a retail store that existed in Vancouver, Canada during the early-20th century. The arrival of waves of more than ten million migrants by boat is one of the major themes in Australia’s history. The paper shopping bag is representative of personal items purchased for migrant journeys as markers of domesticity, warmth and making oneself at home in a new land that speaks of the transnational lives embedded in threads of migration. A brown paper shopping bag with a printed logo and store information in black inkPyott's, Indian Souvenirs & Novelies. 524 Granville St, Vancouver- B.C. On the reverse side in handwriting: 'Red + dark red beadsshopping bag, marketing, ephemera, pyott's, vancouver, canada, migration, flagstaff hill, merchant

Ruth Woodward was the daughter of Alan Richardson a sawmiller at Tabbara. Richardson Helped build and held ticket for paddle steamer "Curlip". Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Small handmade star-shaped milk cover with a white tulle centre and beading coming down to points off the centre. Beads are clear and black.milk-cover handcrafts needlework beading richardson

Bought by Valda Arrowsmith during 1980sBeaded handbag. Background beading is in small grey beads. There are four square sections on each side with coloured beads forming geometric patterns in red, green, pink and white beads. There are two handles which are beaded in small grey beads with grey silk lining. The bag is lined with grey silk. There is a zipped compartment inside and a metal clip to close it.costume accessories, female

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about George Davis is he and his successors made planes in Birmingham, England, from about 1821 to 1876. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals who worked in wood and needed a tool that could produce a ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve a decorative finish. This item is a significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Moulding plane centre bead, also called Single Bead Reeding Plane. Stamped maker G Davis Has GM inside W (owner) flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane, moulding, single bead reeding plane

Bag was bought as a present for the owner, Margaret Skey, to wear to an evening at the Calvin Club, which is in Collins Street Melbourne.Black beaded evening purse with gold frame and long gold handle. Front and back of bag is beaded with black seed beads and small navy bugle beads. A pattern on both sides has pink bugle beads with gold and silver forming an oval design. Black silk lining.CLAUDIA BARNES. MADE IN CHINAcostume accessories, female

From the estate of Jenny LangEvening bag of -hand beaded oval shape attached to tortoise shell frame. Beads are royal blue, gold, blue and brown seed beads forming pattern front and back of peacock tail. Base has five bead tassells in brown and royal blue. A beaded handle is attached to the frame.costume accessories, female