Showing 363 items
matching braid
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Whitehorse Historical Society Inc.
Accessory - Evening Purse, circa 1920
From the estate of Jenny Lang, 11 Pearcedale Grove, NunawadingHandmade from manufactured, embroidered braid. Braid is Jacobean style in browns, cream, orange shades. Braid manufactured in India. Cotton stitching design on beige cotton base. Glass and pearl beads on flower centres. Metal frame and chain handle, lined in cream satin.costume accessories, female -
Federation University Historical Collection
Object, World War One Calico Bag Belonging to Driver H.S. Holmes (7983). Harry and was from the Ascot, Victoria. He enlisted with others from the Ascot district including his cousin, Gordon Spittle, and other school mates, 1917
This bag was sent to Driver Harry Holmes during World War One.Calico bag with braid to pull the bag closed at the top. No 7983 Dvr H.S. Holmes 18th A.A. S. Corps Australian Imperial Forces Abroad On active Service 4.1.17world war one, harry holmes, h.s. holmes, 18th a.a.s. corps, active service, chatham-holmes collection -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, US Army, Garrison Cap
US Garrison Cap. Dark green and braid in colourGarrison AG-434 US Army certified No. 1-2197-Agarrison cap, united states army -
Kew Historical Society Inc
Clothing - Black Jersey Caftan with Turquoise Braiding & Matching Hood, Grace James, 1972
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Black caftan decorated with aqua braid and matching capgrace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pink and white cotton apron highted with blue braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Creswick Museum
Officer's Uniform Creswick Volunteer, Circa 1880
Uniform used by Major Philip Ketch, Commanding Officer Creswick Volunteers (1883). Was on display for many years at Ballarat Ranger Barracks but at the families request returned to Creswick MuseumOnly known uniform on display of the Creswick (Ballarat) Volunteers.Creswick Volunteers Officer's Dress Tunic. Main body in black wool fabric with rounded red stand up collar and braid. Sleeves end with red wool pointed cuffs with braid. Braiding on main body of uniform. Froged with 5 rows of braid ending with netted button. On sleeve badge with crossed rifles year 1883 and above years 1880, 1881, & 1882. Leather belt across shoulder with whistle attached.volunteer uniform, creswick, philip ketch -
Nhill Aviation Heritage Centre
Blanket
These blankets were made for service issue, common complain they were too thin an coldBlanket was purchased at the Nhill base clearance sale.Woollen blanket Grey colour with cotton braid on two side blanket, bedding, woollen, grey -
Kew Historical Society Inc
Clothing - Pinafore, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Olive green and white pinafore decorated on the bodice with yellow braid. protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Bendigo Historical Society Inc.
Photograph - BANDSMAN WITH CORNET, approx,. 1890's ?
black and white photograph, mounted on grey board. Adult male bandsman with cornet. Jacket with braid, epaulettes, buttons. Cap with peak, braid. Waxed moustache. Printed on board 'The Royal/Eaglehawk''The Royal/Eaglehawk'person, individual, bandsman -
Villa Alba Museum
Collection of curtains and curtain accessories
In the nineteenth century, Australian interiors reflected European styles and models. In the second half of the century opulent hanging and free-flowing curtains were augmented by elaborate pelmets, fringes, braids, and tie-backs with tassels. In wealthier homes, imported silks and bullion were the fabrics of choice. This set of curtains and curtain accessories, probably originally fromn a drawing room, are believed to have adorned a mansion in Brighton. The curtains are significant for their comparative rarity of survival in Melbourne, and at the same time, are highly representative of opulent colonial taste in interior decor in the boom period. The curtain panels are of high quality materials and in unusually good condition, indicating they were used in a window with relatively little sunlight shining on them. They can be imagined in a grand room with one or more matching dressed windows.Collection of 7 panels of a sky blue and gold figured silk/wool damask curtain set; 6 tiebacks (3 pairs) with bullion tassels; padded and braided silk "rope" for draping; and 2 cards wound with detached braids and bullion fringe from further curtains and decorations which have not survived. The items appear to be the remains of very fine bay window decoration of the later 19th century, almost certainly used in a Melbourne mansion of the boom period, likely in the 1880s. The 3 sets of curtain tiebacks are particularly grand, featuring tassels made with gold ? bullion fringe. The original bright gold ? finish is still evident in the card on which many metres of detached fringe are wound - the inner layers have been protected from oxidation by the outer layers and are still bright. It is not known on what curtain part this fringe was used (it is clear that nothing has been removed from the 7 damask panels surviving). There may have been pelmets or further sets of curtains decorated with the fringe. The materials and workmanship of all items are of high quality, and would have looked magnificent, fulfilling the tastes of the richest inhabitants of Marvellous Melbourne.curtains, curtain furnishings, 19th century, tassels, window furnishings, gold boom melbourne, interior decoration - melbourne, upholstery trimmings, colonial taste-victoria -
Whitehorse Historical Society Inc.
Clothing - Apron
Apron was used during 1950's by donor's aunt, Myrtle BennettCirca 1950 floral cotton button through coverall. Has 2 pockets trimmed with purple braid. Sleeveless, trimmed at arm holes and neck edge with purple braid. Six white buttonscostume, female working -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, US Army, Cap
US officer's hat featuring US military badge and gold braidingLt L. Etschappat 05262500 Ft Knox 3734, 4118officers cap, united states - military -
Uniting Church Archives - Synod of Victoria
Clothing - Regalia - Tri-corn hat, Presbyterian Moderator
Black tri-corn hat with plaited braid and button on one side.presbyterian moderator, regalia -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1895
Black Braid Lace Collar, Extension Front. Manufactured Clark Family.stawell clothing material -
Federation University Art Collection
Work on paper - Printmaking, Deborah Klein, 'Ideaopsis Gaura (Dainty Paperwing)' by Deborah Klein, 2015
Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni -
Whitehorse Historical Society Inc.
Clothing - Pyjamas
Two piece pink pyjamas Top and pants. Top has 'Chinese' collar, two soft ties at neckline and a 2cm wide silver embossed braid around the collar and a down deep centre opening. Silver braid outlives sleeveless openings. Side seams have 17cm splits bordered with silver braid. Pants are short and have elastic waistband.HILTON Lingeriecostume, female nightwear -
Nhill Aviation Heritage Centre
Memorabilia - US Navy MK18 Aircraft Computing Turret Gunsight
Used in military aircraft by US Navy Black metal box with lens sights, and steel braid cord and plug connections..U.S. NAVY. B U of ORD. GUN SIGHT MK 18 Mod SIGHT UNIT SERIAL No 501 Eastman Kodak Co ROCHESTER NY -
Mont De Lancey
Shawl, Circa 1905
Worn by Mrs. Quayle's niece in 1905. From home of W.J. Sebire, WandinLight green embroidered silk evening shawl with plaited braid and long tassels.shawls, clothing accessories -
Bendigo Military Museum
Uniform - LANYARD
Different colour lanyards denote different corps or regimental affiliation. Often will be attached to an item to be accessible and available and part of uniform.Long Bright yellow lanyard with a loop at both ends, made of braided material rope.uniform, lanyard -
Bendigo Military Museum
Accessory - WIA UNIFORM STRIPE, 1916-1919
Instituted in 1916, one issued each time a soldier was WIA. Worn on the left arm below the elbow. Item relates to Gilbert Turner MM No 1410 45th Batt AIF. Refer Cat No 1038 for his service details.Empire Wounded Stripe, metal backing plate with stripe representing Russian gold braid. numismatics-badges-military, metalcraft, wia stripe, turner -
Bendigo Military Museum
Accessory - WIA UNIFORM STRIPE, 1916-1919
Instituted in 1916, one issued each time a soldier was WIA. Worn on the left arm below the elbow. Item relates to Gilbert Turner MM, No 1410 45th Batt AIF. Refer Cat No 1038 for his service details.Empire wounded stripe, metal backing plate with stripe representing Russian gold braid.numismatics-badges-military, metalcraft, wia stripe, turner -
Kew Historical Society Inc
Clothing - Beaded and Sequinned Pink Satin Cocktail Dress, 1950s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This cocktail dress is one of a number of items donated to the collection by Rosemary-Vaughan Smith.Pale pink satin embroidered evening dress with ruched hem and heavy gold braid.women's clothing, australian fashion - 1970s, evening wear, cocktail dresses, rosemary vaughan-smith -
City of Greater Bendigo - Civic Collection
Functional object - Ice bucket, c 1960
George Kyriakides migrated to Australia on the 1 January, 1948, leaving his home country of Cyprus for the promise of new opportunities in Australia. His silversmith skills were learned from a young age, working with his father to supplement the family income. The Saracen Plate Company was founded in 1952, from small beginnings in the garage of his family home in the Melbourne suburb of Malvern. The business grew quickly and facilitated the purchase of the property at 152 Lygon Street, Carlton. This original dwelling on the site was demolished and rebuilt as both a workshop and living space for the growing Kyriakides family. The business was primarily a wholesale manufacturer and supplied prominent Victorian department stores and Jewellers, such as Myer, Dunklings and Prouds. The Saracen Plate Company specialised in a style of silver plate known as 'Sheffield Reproduction', which featured in many homes as commemorative gifts or serving ware. (Hunter, A. (2017) Saracen Plate Company - Lygon Street Carlton 1952-1974 in Museums Victoria Collections https://collections.museumsvictoria.com.au/articles/15804) The origins of this item is unknown although it was possibly either a gift or purchased by the City for use. Silver plated ice bucket with lion head handles and braided trim. Missing insert.On base; Saracen reproduction. Silver plated. city of greater bendigo corporate gift, george kyriakides -
Ballarat Diocesan Historical Commission
Irish Hibernian collar, Hibernian ceremonial collar
Ceremonial collar from Derry (Londonderry) Ireland in Northern Ireland for the Ancient Order of Hibernians and belonging to John Duddy donated in 2013 by the Macalinden family Port Fairy.A rare example of Irish Hibernian regalia in an Australian collection brought to Australia by the immigrant owner and later donated to the Diocesan Archive by his family. The object is significant in its embroidery and applique work and as an example of the importation of an Irish form contrasting to Australian variants of such collars. Significant in its representation of the contribution of migrants and the Irish to Australian culture.applique red hand of Ulster, Shamrock, Harp, Celtic cross with stars on each shoulder. Fringed in gold metal braid.port fairy, hibernian, derry, londonderry, northern ireland. -
Bendigo Military Museum
Award - RIBBON BAR
Item awarded to David Dixon, RAN, R112262, refer Cat No 5215.5 for his service details.Ribbon Bar - Cotton braid, Navy and Yellow Vertical stripes. Defence4 Force Service Medal.ribbon bar, award, ran, navy -
Bendigo Military Museum
Instrument - BUGLE, c.1914 possible
Bugle, copper with pale old coloured mouthpiece & braided green lanyard, tied around tubing.Stamped on flare with decorative line work above & below: “London Made”musical instruments - wind, metalcraft - copperware, military history - army, bugle -
Tatura Irrigation & Wartime Camps Museum
Champion Sash, Tatura Show, 1932
One of many champion sashes won at Tatura Agricultural Shows. No section printed so it could be used throughout show sections. Tatura was one of the GV's premier shows in that time.Tatura Show champion sash, green material with gold writing and gold braid at each end.Champion Tatura Show 1932agricultural shows, tatura agricultural show -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1945
Brass Band Hat/Cap. Navy in colour with gold braid. Lyre leaf and crown emblem.stawell clothing material -
Clayton RSL Sub Branch
Tag, Dog tags
BARRY, William Robert Claude DOB 31/10/1919 VX 829442 dog tags on leather braided lanyard 1 tag round 1 tag octagonalBARRY, WRC PO VX 82944 (Reverse side of each tag - 04) -
Waverley RSL Sub Branch
Menu Farewell dinner at the Hotel Lotte in honour of Korean Veterans
Paper Menu with gold braid tie and tassel for Farewell dinner at the Hotel Lotte in honour of Korean Veteranshotel lotte, farewell dinner korea, korean war, hotel lotte, farewell dinner korea, korean war