Printed in French, in Amsterdam 1729. First Family entry 1731. Mr. B. Janes is great-grandson of Mrs. Henry Sebire (nee Rihoy). The Bible was restored by members of the Sebire family. It is understood to be 'rag' paper.Brown leather bound Family Bible."The Rihoy Family Bible 1732. This Bible has been restored by the 3rd and 4th Generation Descendants of Martha "Rihoy" Sebire 1835-1909. April 10, 1983 Law Bindery-Melbourne.religious books, bibles

Ida Brown is interviewed by June Hall. They discuss memories of growing up in Greensborough and Ida's blended Richards - Angland family.1 audio cassette in plastic caseSide 1: "Ida"; Side 2 "Blank".june hall, oral history, ida brown, richards angland family

Ida Brown shares photographs and information about the Richards-Angland family. Includes a copy of a page from the Woods family Bible. Ida Brown's family is describes in the oral history "Richards-Angland Family"A collection of photos and information about Ida Brown's family.Copies of photographs and part of family tree. 6 pages.Photographs are named.wood family, richard angland family, ida brown

People - "Ellis Family; Townsend Family; Brown, L (Photographer)" Associated with - Thelma Studio (Photographer)

The photograph was taken at one of the Ithacan Philanthropic Society's picnic some time in the 1930s.A sepia photograph in a brown folder of families and friends at a picnic. The children in the group are standing in front of the adults. There are wooded hills in the background.

Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white photo of Mr Hugh Brown.hugh brown, mordialloc, pioneer, market gardener, farmer, pine vale

Zillah Brown (nee Baxter), was the wife of a pioneer of the district, Mr Hugh Brown. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of Mrs Zillah Brown and her son.University Studios 306 Lygon St. Carltonhugh brown, mordialloc, pioneer, zillah brown, zillah baxter, pine vale

Doris, Alex, George and Jean are the grandchildren of Mr Hugh Brown. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of the Brown children standing on a tee-tree in Attenbourgh Park, Mordialloc.Doris, Alex, Jean, Georgehugh brown, mordialloc, jean brown, zillah brown, doris brown, alex brown, attenbourgh park

A cricket game in the paddocks of Mr Hugh Brown farm. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of a cricket game in the paddock Mr Hugh Brown's farm. Farm houses and sheds in the background. A biplane flying overhead.hugh brown, mordialloc, pioneer, pine vale, farm, cricket, biplane, paddock, farm house

Zillah Jean Brown, known as Jean, was the granddaughter of a pioneer of the district, Mr Hugh Brown. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white photo of Miss Jean Brown in highland dress with bagpipes.University Studios 306 Lygon St. Carltonhugh brown, mordialloc, jean brown, highland dress, costumes, bagpipes

Zillah Jean Brown, known as Jean, was the granddaughter of a pioneer of the district, Mr Hugh Brown. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of Miss Jean Brown with a doll.The Yeoman Studioshugh brown, mordialloc, jean brown, zillah brown, doll

Mr Hugh Brown farm, collecting logs for fence and preparing the ground to grow fruit trees. Mr Brown planted 8 acres of fruit trees. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of Mr Hugh Brown's farm. Gum trees and cleared land.hugh brown, mordialloc, pioneer, pine vale, farm, orchard, fruit trees, cattle, wagon track, fence

Zillah Jean Brown, known as Jean, was the daughter of Frederick Brown and the granddaughter of a pioneer of the district, Mr Hugh Brown. Jean married Francis Anderson in October 1930. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of the wedding of Miss Jean Brown and Mr Francis Anderson on the verandah of the house.The Yeoman Studioshugh brown, mordialloc, jean brown, zillah brown, francis anderson, wedding

This card depicts the pond near Eltham Park (later Eltham Lower Park) circa 1910. The view is taken from Maria Street (Main Road) opposite Dalton Street looking northwest across the Dalton Street road extension reserve (now Wingrove Park Trail) and Jarrold farm. A haystack is visible. Also visible is a gas streetlight and White Cloud cottage which belonged to the Jarrold family From the same collection as accession no. 00778, (Yarra at Eltham) - sent from Eltham and addressed to "Mr J. L. Brown, "Elthamville", Tinning Street, Brunswick" "with love from Nellie" who was most probably a member of the extended Brown family, and no. 00780 (Eltham, J.H. Clark Photo - dated 20 May 1911). Sending postcards to family and friends including short messages was a common form of communication in the early 20th century. Part of a slide show presentation "Bridges & Waterways of the Shire" by Russell Yeoman to the 13 September 1989 Society meeting. The presentation included slides of historic photos from the Shire of Eltham Pioneers collections as well as several recent views.Sending postcards to family and friends including short messages was a common form of communication in the early 20th century.Sepia postcard in very poor condition which has been removed from an album. Glue residue and album page adhering preventing information being readFront: Pond near Eltham Parkpostcard, eltham, pond, dalton street, duck pond, eltham park, elthamville, gas lamp, haystack, jarrold cottage, jarrold property, main road, maria street, white cloud cottage, wingrove park trail

From Left to Right: Margaret Watson, Hugh Brown, Frank Anderson, Jean Brown, Mary Anderson, Bill Armstrong Zillah Jean Brown, known as Jean, was the granddaughter of a pioneer of the district, Mr Hugh Brown. Jean married Francis Anderson in October 1930. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of the wedding party of Miss Jean Brown and Mr Francis Anderson.hugh brown, mordialloc, jean brown, zillah brown, francis anderson, wedding, margaret watson, mary anderson, bill armstrong

This postcard depicts the view down Bridge Street from east of Maria Street (Main Road) circa 1910. A man on a horse stands in the foreground. J.H. Clark Photo is stated under the title. From the same collection as accession no. 00778, (Yarra at Eltham) - sent from Eltham and addressed to "Mr J. L. Brown, "Elthamville", Tinning Street, Brunswick" "with love from Nellie" who was most probably a member of the extended Brown family, and no. 00779 (Pond near Eltham Park). "Dear John, As you see " can be ascertained on the reverse of this card. Sending postcards to family and friends including short messages was a common form of communication in the early 20th century. Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April !957 (513/387) records his occupation as "X Photographer".Sending postcards to family and friends including short messages was a common form of communication in the early 20th century. Original sepia photo postcard hand dated 20 May 1911 in very poor condition which has been removed from an album. Glue residue and album page adhering preventing information being read Eltham J.H. Clark Photoeltham, bridge street, j.h. clark photo, main road, maria street, horse rider

Brown's Self-Interpreting Family Bible. London: Blackie and Son 1862. A thick dark brown volume with a tiny embossed diamond shaped self-pattern on both covers. All edges of pages are gilt, The title, Holy Bible is printed in gold lettering at the top of the spine and it has five raised bands across it. The black and white decorative title page has Brown's Self-Interpreting Family Bible with many Additional notes, References and Readings, also Index of subjects printed at the top. Underneath in a semi-circle shape is a black ad white illustration of Ruth and Naomi, with publisher details below. The following Title Page has full details and explanations of the contents. There is a Publisher's Preface and Attestations to this Edition. Following this is a Memoir of The Rev. John Brown, closing with his final words upon his death on 19th June 1787. He was buried at Haddington Churchyard 24th June A.D. 1787, aged 65 years. Following this is an Introduction to the Right Understanding of the Oracles of God. There are many black and white plates included throughout the Bible. Pp. 1157 (Bible) At the back are many additional inclusions such as: Alphabetical Index, A Collection of Similies contained in the Scriptures, Complete Index, and Concise Dictionary, The Psalms of David in Metre, Translations and Paraphrases and more. There are missing pages of the Hymns. In all a most complex Bible for the family. Included are four loose pages with details of some of the Sebire Family Tree as noted in the Inscriptions section below. non-fictionA late Victorian family Bible— the beloved King James text, augmented by the late Revd John Brown of Haddington’s Comprehensive Bible study aids which was well bound. First published in 1611, the King James Version of the Bible has exercised an incalculable impact on piety, language and literature throughout the English-speaking world. "Other translations may engage the mind, but the King James Version is the Bible of the heart" (Campbell, 275). It is probably the text most commonly found in decorative family Bibles such as this one, which has several black and white plates. The Rev. John Brown of Haddington was "a tirelessly faithful pastor"—"For eight months of the year he delivered a lecture, two sermons, and an exercise each Sunday"—and also a prolific author. He is best remembered for his Self-Interpreting Bible, first published 1778, which became "as familiar in Presbyterian households as John Bunyan's Pilgrim's Progress and Thomas Boston's Human Nature in its Fourfold State" (DNB). Without Apocrypha. There is a Separate New Testament title page dividing the bible. Opposite page 832 is The Family Register fully handwritten in black ink Old English script commencing with Peter Sebire born 14th June 1835 Sen Died 20th September 1902 (67 years). Many other entries are listed. bibles, religious books, religion, genealogical charts, genealogy, genealogical documents, family trees

Document. Greeting Cards. Small white card with green & gold border top, bottom & right. Dark black/brown scene with a family around a camp fire in the bush. The scene is framed by a gold border which has an uneven outer edge. Green ivy vines to the right and bottom left. Kind Thoughts printed in dark green with gold decoration around the first letters of the words. Card and insert held together with a pale green ribbon.person, greeting cards, malone collection, malone collection, greeting cards

Brown's Self-Interpreting Family Bible. London: John G. Murdoch, circa 1875. Thick folio, full dark brown morocco, beveled edges, all edges gilt, brass trim, clasps and catches. The title, Holy Bible is printed in an indented star shaped decorative surround, around the edges of the letters in the middle of the front cover. The spine has four bands across it with Holy Bible printed in gold lettering at the top. The beautifully coloured Title Page is very decorative all over with tan, pale green, dark green and white patterns. Opposite is a black and white plate depicting Moses in his basket in the bulrushes with his mother hiding behind him. There is a plain black and white title page too with full details, including publisher and other details. At the front, information about the Reverend John Brown is included over several pages as well as details of his Monument Inscription in Haddington Churchyard 19th June A.D. 1787, aged 65 years. Following this is an Introduction to the Right Understanding of the Oracles of God. There are many black and white, plus coloured plates included throughout the Bible. Pp. 1123 (Bible) At the back are many additional inclusions: Alphabetical Index, A Collection of names given to Jesus Christ and others, The Psalms of David in Metre, Hymns and Passages of Scripture Paraphrased. In all a most complex Bible for the family.non-fictionIllustrated late Victorian family Bible— the beloved King James text, augmented by the late Revd John Brown of Haddington’s comprehensive Bible study aids— with a total of 36 plates (25 in color) handsomely bound. First published in 1611, the King James Version of the Bible has exercised an incalculable impact on piety, language and literature throughout the English-speaking world. "Other translations may engage the mind, but the King James Version is the Bible of the heart" (Campbell, 275). It is probably the text most commonly found in decorative family Bibles such as this one, which has a total of 36 plates, including an engraved title page, a 12-page family register, the Lord's Prayer, two maps and nine other plates all printed in color. The Rev. John Brown of Haddington was "a tirelessly faithful pastor"—"For eight months of the year he delivered a lecture, two sermons, and an exercise each Sunday"—and also a prolific author. He is best remembered for his Self-Interpreting Bible, first published 1778, which became "as familiar in Presbyterian households as John Bunyan's Pilgrim's Progress and Thomas Boston's Human Nature in its Fourfold State" (DNB). Without Apocrypha. After page 302 at the end of the Old Testament is a highly colourful and decorative page of 'The Lord's Prayer' after which is a separate New Testament title page. bibles, religious books, religion

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra

The Grey-headed Woodpecker is a medium-sized woodpecker of the Picidae family, that is sometimes mistaken for the similar-looking Green Woodpecker. The species is known to have a grey face, neck, and underparts, with green wings and back, and underwing feathers that are a dark brown to dark grey-black with white dots. Although this can vary depending on location, with European and Northeast Asian birds having overall paler colours, to mainland Asian birds being darker overall. The species has a distinctive black mustache-like stripe on both sides of the face and the mature males have a red patch on the top of the head. These tree-clinging woodpeckers usually feast on ants, insects, and berries. This specimen differs in appearance from the common Grey-headed Woodpecker as its back feathers appear a dark grey, where in the wild these birds have sometimes quite vibrant green feathers. The eyes of the grey-headed woodpecker are also usually red with black iris, not white with black iris as in this specimen. The beak is also a pale yellowish colour on this bird, whereas commonly the species has a grey upper beak and pale yellow lower beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Grey-headed Woodpecker has a bright red head patch and distinctive black mustache-like stripes on both sides of the face, with additional black stripes running from the pale yellowish beak to the inner corner of the eye. The underbelly is a light grey and the back is a slightly darker grey. The underwing feathers are a light rufous-brown with white dots. The specimen is mounted on a sloping vertical wooden cylindrical stick attached to a mount. There are also two paper swing tags, one of which is torn in half.149a. / Unnamed / Catalogue page 60 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, woodpecker, grey-headed woodpecker, gray-headed woodpecker

The Tawny Frogmouth, although often mistaken for an owl, is a nocturnal Australian bird of the Podargidae family that is more closely related to the nightjars. They are widespread in terms of distribution and can be found all across mainland Australia and Tasmania in a diverse variety of habitats from woodlands, forests and urban areas. Masters of camouflage, the Tawny Frogmouth sleeps during the day on tree branches in a stiff upward facing position (as with this specimen) to mimic broken tree branches, their feathers assist in this deception as the mottled grey and brown colours blend into the environment seamlessly. This specimen differs in colours from the usual appearance of a Tawny Frogmouth, as the beak is usually a olive-grey to blackish tone and the plumage is generally more dominantly grey all over the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Tawny Frogmouth has a broad head and a creamy beige coloured wide triangular beak with a hooked tip. The plumage on the head and back of the bird is a combination of darker and rufous browns, mottled with streaks of cream and grey. The underside of the bird from the bottom of the beak to the tail tip is a lighter cream colour with streaks of rufous-brown. The feet are an orange-brown colour. This specimen is adopting the skyward looking pose associated with the species, mimicking dead tree branches.1a. / More-Park / See Catalogue, page 7 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tawny frogmouth, frogmouth

The Nankeen Kestrel, also known as the Australian Kestrel, is a common native to the open country's grasslands and farmlands, preferring agricultural areas. They are drawn to animal pests like mice, insects, small animals, reptiles, and birds. Due to the shape and ability of their tail feathers, which allows them to hoover over their prey, they do not rely on speed to catch their meal like most falcons in their family group. These birds are among the smallest raptors in the Falcon family, having well-known face characteristics and body shapes. The females of the species are distinguished by their darker patterns and red-brown (rufous) tones, as well as their larger size, whilst the males are more greyish. The yellow markings around the eyes and top of the beak, as well as the noticeable black dipped wings, distinguish each species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Kestrel is a small raptor in the Falcon family. It has a stockier appearance, with the upper parts of its body, such as the head and the tops of its wings, being a light red-brown (rufous) colour and the tips of its wings appearing dipped in black. The top of the beak and the eye rings are both yellow, and this bird's falcon appearance shows its inherent dark streak markings visible near the eyes and on the chest. The underparts are pale, with a tail feather that spreads out to help it hover and is ornamented with fine black decorations.20. / Unnamed / Catalogue page 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen kestrel

Child-size rocking horse made and sold by a patient of Mayday Hills Asylum. Purchased in 1978 and used by a family for generations.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A small wooden rocking horse painted in green, white and brown, with carpet lining on seat.beechworth, burke museum, mayday hills asylum, rocking horse, children's toys

This is a short study of Princess Elizabeth and Lieutenant Philip Mountbatten, written expressly to coincide with their wedding. It tells some of the stories behind the Royal romance as well as sketching the personalities and characters of the young Royal couple. The book probably belonged to Mary Gilbert, a prominent member of the Orbost community - a teacher and historian who was the first curator of the Orbost Museum. This book is a useful reference tool.A 64 pp dark blue hardback book with gold print on the cover - ELIZABETH and PHILIP and underneath a gold line - LOUIS WULFF, M.V.O. It contains b/w photographs and stories of Princess Elizabeth and Lieutenant Philip Mountbatten. It is authored by Louis Wulff, M. V. O.Inside front cover - in brown pencil - Gilbertsroyal-family princess-elizabeth gilbert-mary

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who maed all of Marjorie’s clothes, hats and outfits. This item is an example of a handcrafted item and reflects the handcraft skills of women in the first half of the 20th century.A cap style hat made of dark brown ribbed material and edged with leopard print material.hat millinery burton-marjorie clothing

Hair nets were a popular hair accessory in the 1940’s for both daytime and work. They were a rayon or cotton crocheted net fitted with a headband. The band was worn around the top of the head and all of the hair would be encased in the snood. The band would have to be pinned in place. Many women of the 1940s and 1950s went to the beauty shop once a week to have their hair "done," then slept in hairnets every night to keep their "do" in place until the next visit. These hair nets were worn by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class working church-going family. Her mother was a milliner who made manyof Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. These items are examples of women's hair fashion during the mid 29th century.Five women's hair nets. One is pale green and the others are brown.accessories hairnets-snoods burton-marjorie

This is the second edition of "Personalities and Stories of Early Orbost which was collected and compiled by Mary Isabelle Gilbert. Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert, and had seven sisters and one brother. Four siblings died at a young age. .She was a teacher historian loved and respected by her family and the wider community.This is a useful research tool on the history of Orbost.Two copies of a 141 pp soft covered book titled "Personalities and Stories of the Early Orbost District". It has a light brown cover and is stapled. On the front cover below the title is a sketch of the Orbost Bean Factory in dark brown print. It contains personal reminiscences of early Orbost. There are also some b/w photographs and sketches.2267.1 - "Len and Mary Best Wishes Mary Gilbert" hand-written in blue pen. 2267.2 - in pencil on front cover "Ron Cameron".history-orbost gilbert-mary book-personalities-and-stories-of-early-orbost