Material collected and donated Material relating to Camp 3 and the Internees from Palestine. Sketch map of Camp 3 Memorium to Dieter Ruff, former Head of the Temple Society. Photo of steam passenger train at Rushworth Station. Various group photos. Copy of sketch of hut by Winkler. "in the Internment Camp Tatura" by K.M. Pfander Copy of talk given to her former pupils by Gudrun Gollong, in 1978. Poem written in Camp by Annie Lorenz. Poem by unknown writer "Life's Daily Routine" Interview with Babette Kirsch. Copy of children's learning book in German. Photos of toys and craft made for Kaltenbach family. Copy of Kaltenbach barracks by Cesare Vagarini. Story of Wilhelm Kuebler. Photos of wooden boxes made for Sgt. Cubbin. Copy of letter in German confirming the death in Camp of the two Stuerzenhofecker children. Copy of records Theo Stoll. School records Waltraud Doster Copy of Marriage Certificate Vollmer/Zollinger, August 1946. Recollections of Private Ashworth, guard at Camp 3. Photo taken 2001 by John Wepner of pump which supplied water to Camps 3 & 4 from No. 9 channel. Sketch of canoe made in camp from a sheep drinking trough by the Haering family. "From the Holy Land to the Home of the Kangaroo", by Hedwig Schnerring, translated by Peter Hornung, donor- Guenther Schnerring. "The Long Arm of the Third Reich" by Christine Winter. Photocopied extract of Walter Odorich Stenner's diary account of the transportation from Haifa to Australia. Research - Tatura WW2 Internment Camp 3, Annie Leschen Copy of map showing pump sites for water for Camps 3 and 4 Copy (laser) of a painting donated by Frieder Vollmer, artist "D 1943"? Adalbert Stern, Sir Nicholas - Son of Dunera boy "Adalbert Stern Copies of photos (4) of 2 cakes of Lux soap with pictures of "Roll Call, Tatura 1941" on one side and "Lux Toilet Soap" on the other Newspaper Article from "The Age" 14/04/1999 re Vagarini Exhibition Camp 3TaturaBlack 3 ring folder with printed matter and photos in plastic sleeves.documents, reports

sketch of jp davis, garrison member, camp 3

The flowers in this painting were grown and tended to with love by Hans Beck in Tatura Camp 3.A glass vase containing orange, white and yellow flowers. The vase half filled with water and is sitting on a wooden table. The background is a mustard colour. The painting has a gold frame and with linen matt.C Rippertstill life, oil painting, flowers

The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape

This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting on Board (framed) - painting is of a farm scene with a large yellow-green tree in the centre-left with four other green trees and a farm and fence - in the background are hills against the skylineBack: 'Oil painting believed to be by Charlotte Rippert. Wedding gift to Otto Lobert in Camp 3, WW2. (One of a pair C3505) DONOR: Otto Lobert, Nov. 1993' charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, queen elizabeth, camp 3 artwork

Oil painting of German internee, Cesare Vagarini and POW graves at a Cemetery. A large tree - left foreground - overlooks the grave plot and the white crosses - portion of a tree. Fawn coloured framepainting - oil, hoopmann l, camp 3, tatura, illustrations, oil

Painted by internees C Vagarini at Camp 13.B. FrankBrown wooden frame. 3 huts and the end of a 4th hut in front of which are attractive gardens with a large barrel. Flower pot behind which is a blue cylinder.Casare Vagarinipainting oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, oil

The painting was bought from Cesare Vagarini by Herr Wennagel for "Weihnachten" 1941 (Christmas) for his wife Johanna (Hanno) Wennagel. It was their first Christmas in the Camp. Herr Wennagel made many of the frames for Vagarini's paintings.A large Eucalyptus Tree surrounded by four huts - one on the left, three to the right. Green grass between the huts. A sunflower is growing at the side of the front left hut and a woman wearing a white shirt and blue skirt is seen entering the hut. Two women, one in pink and one in yellow are standing on a pathway between the huts. Clothes hanging on a washing line can be seen behind the tree near the last hut on the right. Bright blue sky and more trees in the background.Vagarini Ctatura, ww2, internment camp, camp 3

Painted by Cesare Vagarini at Camp 3.Painted on 3 ply. Framed in light wood. 2 huts. garden, tree above and between hutsLuise Imberger, 12 Phyllis Ave. Boronia, Tatura Camp 3. C Compound Vodere Baracke - Ernest Swatzky USW Hintere Baracke - Wilfred Imberger USW on the back Vagarini 1944. Bottom right cornerillustrations, oil

Vagarini - "who painted pictures every day" according to the children in Camp 3Brown wooden frame with gold inner band. 5 large posts in front of hut which has a decorative entrance. and attractive gardenVagarini - Tatura 1943painting - oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, illustrations, oil

Original painting by Vagarini given to Mrs. Beinsenn who also was interned in Camp 3. : Vagarini, an Italian artist interned from Palestine, Camp 3.Copy of water colour painting in simple black frame depicting internment camp huts with dividing compound fencing.nilinternment camp 3, tatura, vagarini, artist, tatura internment camp3, cesare, illustrations, reproductions

Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini

Presented to Gerda Decker for her outstanding performance in a Camp 3 theatrical production.Oil painting - tree on left of centre, short post on right and to its right another short post with stay. 2 long posts right side, several huts in centre below the horizon. Black frame.painting - oil, vagarini c, camp 3, tatura, ww2 camp 3, illustrations, oil

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture. writing not legable.tatura, camp 3, vagarini

In the possession of internee at Camp 3.Oil painting of a hilly landscape with a lake in the distance and winding stream and fir tree centre right. Gold frameBottom right hand corner (in red) "Vagarini 1924"painting, oil, vagarini c, baer dr t, ww2 camps

Donated by Gunther Schnerring in memory of his mother - Matron Hedwig Schnerring. Painted by Cesare Vagarini. The painting was commissioned by Matron Schnerring.oil painting of 2 rows of huts. 5 one side, 6 on the other side. Garden beds in between the rows of huts. In a wooden framematron hedwig schnerring, gunther schnerring, cesare vagarini, camp 3 artists

The painting is of Camp 3 painted by internee Glunkler.Water colour of two huts with the windows open. Another hut is partially in the picture. An item of washing is hanging on a clothes line between two of the huts. A garden of red flowers in is the foreground and two gum tree are in the paddock behind a wire fence. Wooden frame behind glass with dark green matt.Glunkler 1942glunkler, camp 3, huts, watercolour

Built by artist and cartoonist Percy Leason in 1927 in what was then New Street but renamed Lavender Park Road in the late 1950s/early 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p121 Said to be a genius, cartoonist Percy Leason’s career was at its peak when in 1925 to 1926 he built his home at New Street (now Lavender Park Road) Eltham. The Herald newspaper owner, Sir Keith Murdoch, had hired Leason for his newly acquired Melbourne Punch magazine at a salary of £1750, making him ‘one of the highest paid cartoonists in the world’.1 With this salary and financial help from Murdoch, Leason was able to build his lovely home in Eltham. At the crest of a sweeping drive, the home now two-storey in white brick with a gabled grey slate roof and dormer windows is flanked by an extension built by another owner in the 1980s. Leason lived in the home with his wife, Isabel and children, until 1937, when he left for the United States of America, where he lived until his death in 1959. The four-bedroom house and garden would have been well-suited to bringing up his family and to entertaining their friends in style. Large airy rooms have high ceilings with moulded plaster, timber floors and several are brightened with bay windows. Leason made friends with many of the artists and personalities who gravitated to Eltham. Around 1931 Justus Jörgensen, founder of the Montsalvat Artists’ Colony, helped Leason build his large studio at the back of the house. Another friend was journalist Mervyn Skipper, father of jeweller and sculptor Matcham, and artists Helen and Sonia. Leason’s teacher, artist Max Meldrum, also visited and rented accommodation in Eltham, opposite Wingrove Park. Punch folded in 1925, but Leason continued as cartoonist for Table Talk. In 1926 Leason began the cartoons of a mythical Australian town Wiregrass, which were inspired by Kaniva, his home town. The art gallery in Main Road Eltham was named Wiregrass in Leason’s honour. Leason completed 1000 drawings from 1919 to 1937, which author Garrie Hutchinson claimed, were technically unsurpassed and had regional and universal interest. Leason’s acute observations of country life stemmed from his childhood in Kaniva in Victoria’s western Wimmera, where he was born, the son of a selector, in 1889. Meldrum claimed that Leason could name every plant and the habits of every animal.2 Leason also painted 28 portraits of the last full-blooded aboriginals in Victoria at Lake Tyers in Gippsland, most of which are in a private collection. In Sydney Leason illustrated Henry Lawson’s Selected Poems and worked for The Bulletin. Leason had begun his career at 13 as an apprentice lithographic artist at Sands and MacDougall. He attended night classes at the National Gallery and the Victorian Artists Society. Leason first visited Eltham in 1910 to paint with fellow artist William ‘Jock’ Frater. They camped near Bible and Pitt Streets and along the Diamond Creek on the site of the present Eltham Retirement Centre. Despite his success as a cartoonist, Leason wanted to be recognised as a serious painter and for his anthropological work.3 He was also conservative and felt uncomfortable with the modern art scene in Melbourne.4 So he left for the United States of America to work as a painter. Ironically his time in New York saw the burgeoning of modern art, notably by artists such as Jackson Pollock. But Leason found his niche by running an art school, painting society portraits and illustrating books and magazines.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, landscape, lavender park road, percy leason, new street

Painting of Camp 3 showing the layout of the compounds and fences. Done by internee Wilhelm Kuebler.Photograph of a painting of the layout of huts, fences, compounds of Camp 3. Sky and trees in background. Photograph has been laminated. Painting is by Templer internee Wilhelm Kuebler.J A K bottom right corner On back sticker: "Bird's eye view of Internment camp 3 J A K"camp 3 compound, wilhelm kuebler

Original water colour painted by Glunkler an internee at Camp 3Hoefer Familywatecolour of camp 3. 2 half huts half obscured, 2 posts, 9 wire strand fence with an electric powerline. Tall gum tree left hand side, gardens. I. (Note : Glass windows had replaced fly wire by 1941 in the huts.) Glunkler 42painting, watercolour, huts, glunkler, hoefer family, camp 3, tatura, ww2 camp 3, illustrations