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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1990 c
Mike and Una Carpenter had a bus initially to take their campers to places of interest soon growing into the business Carpenters Out and About toursBlack and white photograph showing Una Carpenter with holiday makers standing beside small passenger bus at Carpenters Camp Park Lakes Entrance Victoriacaravan parks, tourism -
Kiewa Valley Historical Society
Marking Gauge - Carpenter's Tool, c1925
Used from the mid 1920s to mark timber so that it could be cut with a saw. It was an essential tool for carpenters.Used by Alan Tyers who worked for the State Electricity Commission of Victoria on the Kiewa Hydro Electric Scheme.Carpenter's essential equipment. Used for marking timber so it can be cut with a saw. Wooden screw on the side allows the square wooden block to slide along the length of wood which is almost square at the end but with 2 flat sides and 2 rounded sides. Plated with 2 strips of brass on the square block. Sold for 1/3 in the 1920s. There is a nail through one end. carpenter, cabinet maker, secv, tool, marples, marking gauge -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1989 c
Tony and Jason wearing Lakes Entrance Post Primary jumpers and Dale wearing Carpenters Central Motor Camp jumperColour photograph of three boys Tony, Jason and Dale Carpenter sons of Mike and Una Carpenter of Lakes Entrance Victoriagenealogy, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Album - Photograph, M Fish, 2010
Also a small blue covered album containing photographs of the paintings of ships by Charlie Carpenter 04970.1A blue folder containing photographs of paintings of trade boats by Charlie Carpenter also some family history of the Carpenters of Lakes Entrance Victoriaarts, exhibition -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950 c
Also a black and white photograph of garden and pear tree at rear of Carpenter family home showing tanks which collected drinking water for campers 04377.1Black and white photograph showing Betty and Victoria Carpenter at rear of Carpenter family home Lakes Entrance VictoriaNana and Betty at back door of old kitchen on reversegenealogy, houses -
Seaworks Maritime Museum
Model ship, The model was built by the ship's carpenter on board the Archibald Russell, Archibald Russell, 1905
ARCHIBALD RUSSELL (1905-1949) Until 1922 completed numerous cargo voyages to Sydney, Newcastle, Fremantle, Geelong, and especially Melbourne. In 1923 she was bought by Gustaf Erikson, the famous Finnish ship-owner, and carried timber to Melbourne in 1926, 1927 and 1928, and carried grain from Geelong in 1927 and Williamstown in 1929 - and that was the year she won the Grain Race (93 days). She then carried grain from South Australia until the war and was then was taken over by the British and used as a food storehouse through the war. She was broken up in 1949 on Tyneside. An example of end-era sailing ship trade with Australia. Reference: http://www.bruzelius.info/Nautica/Ships/Fourmast_ships/Archibald_Russell%281905%29.html She was launched at Greenock in 1905 for John Hardie & Sons.Has significant links with Australian and Victorian commerce. An example of end of era sailing ship trade with Australia. A detailed static model with carved and laminated hull painted in white and maroon, the varnished deck with detailed fittings and rigging, raised on wooden base with simulated waves. Model of 4-masted barque launched at Greenock in 1905 for John Hardie & Sons. Steel barque built by Scott Shipbuilding and Engineering Co., Greenock, at a cost of £20.750. Her dimensions were: 291'3 × 42'9 × 24'0 (88.77 x 13.03 x 7.32m) and tonnage: 2354 GRT, 2048 NRT and 3950 DWT. Equipped with two 120' long bilgekeels. Rigged with royal sails over double top-gallant sails. "Archibald Russell" painted on ship -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Furniture, Overmantel carved wood c1900, c1900
Early fireplaces were very wide and deep, which allowed for multiple pots to be cooking simultaneously, but also caused a lot of heat loss As the hub of the house, a burning hearth provided heat, housed the fire for cooking and baking, and served as the nucleus of family gatherings. As the Victorian age progressed, fireplaces became more ornate, with overmantels and columns.This elaborately carved wood overmantel was used in the family home of Mrs Brailly in Moorabbin Shire c1900This ornately carved wood overmantel cupboard is an example of the furnishings early settlers used to make their houses attractivec1900An elaborately carved wood overmantel c1900mantel piece, overmantel cupboards, mrs brailly, box cottage ormond, box william, box elizabeth, early settlers, market gardeners, cooking utensils, kitchenware, castiron cooking pots, blacksmiths, slow cooking, moorabbin shire, bentleigh, mckinnon, highett, cheltenham, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Education kit - School Writing Slate early 20thC, 20thC
School children learned to write using a slate From 1880’s to mid 1950’s in most schools, very young children first learned to write their letters in sand trays using their fingers or a stick. When about 6, they progressed onto writing on slates . The board was made from a piece of quarry slate set in a wooden frame. A slate pencil (not chalk) was used to form the letters. This slate pencil was often sharpened on the school wall. The advantage of slates over paper was that they could be wiped clean and used again and again. Until the mid 20thC paper was expensive . After the pupil wrote on the Slate, the work was checked by the teacher and then erased for a new task Children had to bring a dampened cloth or sponge to school so that they could clean the slate and start again. The pioneer settlers in the Moorabbin Shire area valued education and established schools for their children in Cheltenham and East Brighton c1860's This writing slate is typical of the type used up to the mid 20th Century in preparatory classes.A writing slate in a wood frame used by school children from c1880s to c1950sschools, education, writing equipment, slate writing boards, victoria melbourne, market gardeners, pioneer, settlers, cheltenham state school no. 84., bentleigh east state school no. 2083, st stephens c of e school tucker road east brighton -
Healesville Sanctuary Heritage Centre
framed car sticker, Lynette Kennedy
A promotional car sticker of Healesville Sanctuary specialising in Australian Fauna and Flora. This item was displayed at the front entrance to encourage visitors to purchase and promote the Sanctuary. This car sticker was a very popular and sought after souvenir selling for 25 cents contributing to the Sanctuary's income. Healesville Sanctuary was the first institution to breed platypus in a total captive situation.and is also the only institution in the world to breed LyrebirdsA promotional circular car sticker depicting a lyrebird tail in full display above a platypus side on. Has dark green border at ouside edge of sticker; colours are black, gold and green. Sticker is in a wooden glass frame and has a dynamo label glued to upper edge of glass. There are 2 eye hooks screwed into the upper edge of frame. Inscription on car sticker is "Sir Colin MacKenzie Sanctuary" on the bottom half of the perimeter circle. With "Healesville" at top of perimeter of circle. At the top of the inner circle the word "Victoria" is placed above a green horizontal band which reads "The Wild-life Sanctuary".healesville-sanctuary, first-institution, breeding, platypus, lyrebird -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, U Carpenter, 1950 c
Suspension bridge opened 22 November 1940 replaced by new prestressed reinforced concrete container bridge opened 1969Black and white photograph showing a car crossing the suspension bridge between San Remo and Newhaven Phillip Island Victoriasettlers, transport, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Album - Photograph, Charlie Carpenter, 1936 c
Photograph album containing views of oil drilling operations in Lakes Entrance area particularly Eastern Bore Lakes Entrance Victoriagenealogy, fishing industry -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Carpenter
Omeo passing Sale bridge, Sale Victoria.This is some of Bernard's photography, One penny stamp on reverse.bridges, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Carpenter family, 1/05/1955 12:00:00 AM
Black and white photograph taken of fishing boats Alathea and Harveen moored on the inside berth at Eastern Wharf known as Harbecks Jetty with Cunninghame Arm Footbridge in distance Lakes Entrance Victoriaaccommodation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Carpenter family, 1/05/1955 12:00:00 AM
Black and white photograph of fishing boats Marauder and President on the outside berth at Eastern Wharf aka Harbecks Jetty Lakes Entrance Victoriajetties, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Carpenter M and V, 1/06/1989 12:00:00 AM
Colour photograph of wharf at Bullock Island showing oil rig supply vessel Lakes Tide and dredge Sandpiper at moorings Fishermans Coop building in background Thunderbird at New Works jetty in distance. Taken from dredge April Hamer Lakes Entrance Victoriaboats and boating, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, L Carpenter, 1952 c
Also two black and white photographs of Western part of township taken from sand hummocks across Cunninghame Arm 04315.1 and 04315.2 15 x 11 cm and 11 x 15 cmBlack and white photograph of part of the township taken from shore of sand hummocks looking across Cunninghame Arm Lakes Entrance Victoriafishing industry, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, L Carpenter, 1952 c
Also two black and white photographs taken from sand hummocks looking west down Cunninghame Arm 04316.1 and 04316.2 11 x 15 cmBlack and white photograph of an area of the sand hummocks known locally as Hill 60 Sandy beach and lake in foreground Lakes Entrance Victoriahouses, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, L Carpenter, 1952 c
Also three black and white photographs showing sandrifts on hummocks overwhelming coastal banksia trees and other vegetation 04317.1, 04317.2 and 04317.3 12.5 x 13 cm and 15 x 11 cmBlack and white photograph taken on hummocks showing drifting sand overwhelming a stand of coastal banksia trees. Part of western end of township across Cunninghame Arm in distance Lakes Entrance Victoriatownship, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, L Carpenter, 1950 c
Also three photographs taken from similar location looking over waterway 04319.1. 04319.2, 04319.3 sizes 7.5 x 10 cmBlack and white photograph taken from the sand hummocks looking across Cunninghame Arm waterway to jetties and buildings along Esplanade Lakes Entrancetopography, waterways, vegetation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, L Carpenter, 1/11/1952 12:00:00 AM
Also a black and white photograph showing both entrance piers taken from the beach near the eastern pier Lakes Entrance 04321.1 11 x 14.5 cmBlack and white photograph of the eastern pier taken from the light at the southern end looking towards the entrance to Cunninghame Arm and showing the flagstaff above the entrance channel at Lakes Entrance Victoriawaterfront, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, L Carpenter, 1952 c
Rock was unloaded from the tramway and placed in a barge for transportation down the North Arm to the EntranceBlack and white photograph of the buffers beside the North Arm at the terminus of the tramway which carried rock from the Colquhoun quarry for forming the artificial entrance at Lakes Entrance Victoria.township, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Carpenter, 1/05/1955 12:00:00 AM
Two other small black and white photographs of small boats moored in Chinamans Creek 04433.1 and at the mouth of Chinamans Creek looking out into Bancroft Bay towards Metung 04433.2, 7.5 x 10 cmBlack and white photograph of small boats in Chinamans Creek Metung Victoriaaccommodation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Carpenter, 1950 c
Also a black and white photograph showing boat at end of Metung wharf and crane looking towards Shaving Point 04434.1 7.5 x 9.5 cmBlack and white photograph of old Scarborough Hotel and partt of wharf showing the trolly on the wharf at Metung Victoriaroads and streets, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Print - large print, Carpenter, Wyralla
Large framed print of Steam ship Wyrallaillustrations, shipping, arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/06/1989 12:00:00 AM
Also two other colour photographs of John and George Carpenters original homes with many people on front verandah numbers 04368.1 and 04368.2 size 10 x 15 cmColour photograph of two of the New Works cottages originally built for John Carpenter and George Carpenter of Lakes Entrance Victoriagenealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1916c
Enlarged b & w copy 21 x 30, this photo shows twin gable roof of cottage with picket fence in front and thick scrub and bushes.Black and white photograph showing group of twenty three people outside John Carpenter house at New Works, Lakes Entrance, Victoria.Site 8. 1916. (John Carpenter House 1889). Photo W Thomson, Clydebank, Saleislands, dredging, waterways -
Bendigo Historical Society Inc.
Photograph - BASIL WATSON COLLECTION: PHOTOGRAPH OF A BIPLANE IN FLIGHT, c. 1916
Black and white mounted photograph of a biplane in flight, possibly looping the loop (no ground shown for reference!) Photograph is presumably of B Watson, pilot. Printed on lower RHS ''Percival Pinder (Returned Soldier) 120 Carpenter St, Bendigo''Percival Pinder (returned soldier), 120 Carpenter Street, Bendigo.person, individual, basil watson -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/06/1989 12:00:00 AM
Also a colour photograph of Betty Carpenter and Sally Blackwell 04373.1 15 x 10 cmColour photograph of Blackwell family from NZ Pam, Grant, Sally, Kerry and Len who is descended from John Carpenter builder of the Entrance. Taken at Carpenters Camp Park Lakes Entrance Victoriagenealogy -
Orbost & District Historical Society
spectacles and spectacle cases, late 19th early 20th century
This collection of glasses and cases was donated by Miss Connie Cruickshank. She was part of the family of Orbost's first doctor, Dr James Kerr. As the 19th Century came to a close, more and more people wore their eyeglasses everyday. A popular style of inexpensive, everyday spectacles was the pince-nez. French for "pinch nose," the pince-nez was first developed in France circa 1840 and began to be imported after the 1850s. Pince-nez have no temples, but are fit snugly on the bridge of the nose. Pince- nez could be uncomfortable to wear and broke often from falling off the nose. These items demonstrate how glasses' styles have changed over time. One pair of pince-nez glasses and its brown leather case shaped to fit. One solid black wooden case with a small hinged door at one end. One blue/black case with the words A A Abotomey 14 Carpenter Street Middle Brighton in gold lettering. Five pairs of spectacles, one with blue coloured glass with crack in one lens.A A Abotomey 14 Carpenter Street, Middle Brightonspectacles spectacles-cases pinz-nez -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/06/1989 12:00:00 AM
Also a second copy of Betty and Keith Carpenter at old machinery New Works number 04370.1Colour photograph of Keith Carpenter and cousin Robyn at old machinery New Works Lakes Entrance Victoriagenealogy, historic buildings, houses