Index, p.242.A critical examination of Charles Dickens and his worksenglish literature, charles dickens

.1) GEORGE EDWIN WRIGHT No 825 G Coy 7th Batt AIF, KIA. CHARLES WRIGHT No 5241, 16th R's 6th Batt AIF, KIA. Refer 780 for their service details plus brother Thomas Wright "MM" also 1227P. .1) Copy of black & white photo, full length portrait of soldier GEORGE WRIGHT in uniform. .2) Copy of black & white photo, full length portrait of soldier CHARLES WRIGHT in uniform, wearing webbing..1) In print below photo: GEORGE WRIGHT .2) In print below photo: CHARLES WRIGHT photography - hotographs, military history, aif, mm

BOOK: ALEC H CHISHOLM COLLECTION. 'Gathered Moss' by Charles Fenner. A 183 page hardback book with dust jacket. Essays and articles on various subjects, mainly nature, with 12 drawings. Published by Georgian House, Melbourne in 1946. Printed by Hassel Press, Adelaide. '2204 FEN' catalogue number on spine. Handwritten in ink on flyleaf. 'To the Hon Alec Chisholm with warm personal regards, Charles Fenner June 12, 1946'Charles Fennerbooks, collections, short stories, alec h chisholm collection, charles fenner, nature.

Photograph of Charles Treleaven ob the cover, 372 pagesnon-fictionThere's no doubt that Charles has had an interesting life. Born in England during the Depression, he experienced the Blitz on London, the Flying Bombs, and then the V2 rockets. From the age of sixteen Charles spent the next 24 years travelling the world aboard British, New Zealand, Fijian, and Australian ships, then settled ashore in Melbourne to start his own packaging business. He was later asked to work with the U.N. in Jordan, based in Amman for some time. On his return to Melbourne, he was appointed CEO for the continued restoration of the award winning sailing ship Polly Woodside, now the pride of our City. Whilst there, Charles initiated the construction of the ship "Enterprize" replica. Finally, he used his knowledge as a navigator to excite over 800,000 Victorian school children with the basics of Science and Astronomy. Charles decided to retire after teaching for 23 years, at the tender age of 82. It is quite a Lifetime. It is quite a story !charles treleaven, polly woodside, seamen, ww2, entreprize, melbourne, britain, merchant navy, cosmodome, maritime heritage association of victoria, mhav, starlab, blitz, saint gregory, interest group

John Snow was England's first full-time anaesthetist. He noted that the common mode of administration of ether was liable to lead to anoxia, and invented this inhaler to overcome this. Later, he turned to chloroform anaesthetics without a death. He administered chloroform to Queen Victoria for the birth of Prince Leopold, this largely being responsibe for overcoming objections to the use of analgesia in childbirth. This replica was made in 1950 and gifted to the museum by A Charles King Esquire.The complete object is in six parts and made up of a brass metal box with swing latches in the middle section for secure closing. The lid is in two parts with one half that comes off entirely. Inside the box is the circular inhaler, detachable tube and dark yellow/green fabric covered tube. The mask made of brass and chamois leather with an exporatory valve does not fit into the box. A brown fabric case has been made to store the inhaler in.Etched onto the detachable lid, This replica of the Snow's Ether Inhaler of 1847 was made by John Henry Hawkes of A. Charles King Ltd. August 1950.john snow, chloroform, ether, queen victoria, prince leopold, john henry hawkes, a. charles king

These volumes reproduce the diary material and the landscapes and sketches of Charles La Trobe, the Superintendent of the Port Phillip District of New South Wales ( 1839- 1851) and Lieutenant Governor of the colony of Victoria ( 1851-54 ). La Trobe is regarded as the man most responsible for the establishment of Warrnambool in 1847. His diaries document his trips to the Warrnambool region in 1845, 1846, 1848 and 1849 before and after the town site was settled.These volumes are of artistic significance being beautifully and expensively produced. The volumes contain information of vital importance to our knowledge of our early Warrnambool history. Other important details in the diary include information on early shipwrecks and the first settlers in our district in our district, especially the Allan brothers..1 This is a burgundy leather bound book of 380 pages. It has gold lettering on the cover and the spine and an oval inset in the centre of the front cover containing a coloured portrait of Charles La Trobe. The pages contain black and white and coloured art works and sketches and printed material. There is a burgundy coloured ribbon for marking pages The book is encased in a hard leather cover with a cut out window with gold edging. .2 This is a burgundy leather bound book of 343 pages. It has gold lettering on the cover and the spine and a rectangular inset in the centre of the front cover containing a coloured sketch of a rock, sea and cliffs drawn by Charles La Trobe. The pages contain sepia and black and white drawings and printed material. There is a burgundy coloured ribbon for marking pages. The book is encased in a hard leather cover with a cut out window with gold edging . .1 Charles Joseph La Trobe AUSTRALIAN NOTES 1839-1854 .2 Charles Joseph La Trobe LANDSCAPES AND SKETCHES charles la trobe, early warrnambool, la trobe journals

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 Charles Street, Kew by Margaret Picken.1 CHARLES ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 charles street -- kew (vic.)

BOOK : ALEC H CHISHOLM COLLECTION. 863 page hardback book of poetry and prose by Charles and Mary Lamb. Edited by Thomas Hutchinson, M.A. Published by Oxford University Press c1908. Printed by Horace Hart, Oxford. Image of Charles Lamb at age 30 on 2nd flyleaf. '2140 LAM' catalogue number on spine. Handwritten in ink on flyleaf 'To Alick Chisholm with appreciation of his sterling character proved in eight years close intimacy and with every best wish H.A.Erskine Presbyterian Church Maryboro 17 Oct 1915'Charles and Mary Lambbooks, collections, poetry, alec h chisholm collection, charles lamb, mary lamb, thomas hutchinson, poetry, prose, h.a. erskine.

The ceramic plate commemorates the 150th anniversary of the State of Victoria, with an original painting of the Royal Exhibiton Building in Melbourne on the front, by the Victorian artist Charles McCubbin (1930-2010). Charles McCubbin was the grandson of the Australian painter Frederick McCubbin (1855-1917). The ceramic plate commemorating the 150th anniversary of the State of Victoria has state and national signifcance as one of 5000 plates worldwide released by the Moliver Collection. It also has artistic signifcance as there is an original painting of the Royal Exhibition Building in Melbourne on the front, by the well known Victorian artist Charles McCubbin, who was the grandson of the renowned Australian painter Frederick McCubbin.Blue and pink toned circular ceramic plate commemorating the 150th anniversary of Victoria in 1984-5. Front: An original painting of the Royal Exhibition Building in Melbourne, signed by the artist Charles McCubbin, with an inscription around the top and bottom edges. Chip in the edge of the ceramic below the date 1984-5. Back: Text about the plate commemorating the 150th anniversay of Victoria with an original painting by Charles McCubbin and his signature, as well as the Plate No. 0404 and trade marks of the Moliver Collection, Westminster Fine China, Australia and Victoria 150.Front: "To Commemorate the 150th Anniversary / of Victoria 1984-5" - around the top and bottom edges of the plate. "Charles / McCubbin" signature above the date 1984-5. Back: "The Official Plate Commemorating / Victoria's 150th Anniversary. / Officially endorsed by the Victorian Government / and the 150th Anniversary Board. This plate is one / of a limited edition of 5,000 plates worldwide released / by The Moliver Collection / Original painting by Charles McCubbin." - on the upper part of the back of the plate. "THE MOLIVER / Victoria 150 Years / COLLECTION" - on the centre of the back of the plate. "M / THE MOLIVER COLLECTION - on the proper left side of the back of the plate. "Charles McCubbin" - signature in the central part of the back of the plate. "FINE CHINA / Westminster / AUSTRALIA" - on the proper right side of the back of the plate. "Plate No. 0404" - on the lower proper left side of the bakc of the plate "VICTORIA 150 / GROWING TOGETHER 1984-5" - on the lower central part of the back of the plate.victoria 150 years, charles mccubbin, commemorative ceramics, royal exhibition building, the moliver collection, westminster fine china, victoria 150

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Charles Street, Kew by Margaret Picken.3 CHARLES ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 charles street -- kew (vic.)

Alice Zanoni [Alice Lillian Bourke 1879 - 1957] and Charles Zanoni's children were Norman, Charles, Ruby and Max [William K Zanoni's father]. Charles' brother Henry Zanoni painted the ships in the fishermen's waiting shed in the QMM.Prominent Queenscliff family with connection to the fishing, boat building industries and the Pilot Service.A framed photograph of Alice and Charles Zanonifishermen, henry zanoni, fishermen's waiting shed, boat builders, queenscliff, local history

Report prepared by John Charles Winterbottom on the 2nd March 1979 on the Gas Industry in the City of Bendigo. Starting from July 1859 when the Bendigo gas company was established the report outlines the major milestones achieved by the company trough the years till the 1970'John Charles Winterbottombendigo, industry, bendigo gas company

The history of Charles Brandt in the area. Clear plastic cover over white paper with blue print, card back cover, fawn plastic comb spine Charles Brandt Pioneer Blacksmithstawell, family history

Mounted b/w photograph of soldier Charles Flintoff, standing at ease with both hands behind his back.Printed on front: Melba and Co. Melbourne Handwritten on back: Charles Flintoffmelba and company, photographers, flintoff, charles, soldiers, armed forces, portraits, george evans collection

Charles Howard Beanland, Dip E.E. (SMB), M.I.E. Australia, M.A.C.E. Born 31 March 1902 at Ballarat Educated at the Ballarat School of Mines (later Federation University Australia) where he gained a Diploma of Electrical Engineering. Charles Beanland was later Principal at Footscray Techncial College (1951-1967) Electrical Engineer, Charles Beanland, was the foundation president of the Melbourne Branch of the Ballarat School of Mines Past Students' Association in 1928. Photographic portrait of Charles Beanland.charles howard beanland, charles beanland, ballarat school of mines, footscray technical college, past students' association, electrical engineering, alumni

This photograph shows Charles Marshall in Egypt, 1918Digital copy of black and white photograph. "Charles Marshall. Egypt 1918"charles marshall, world war 1

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88 she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Watercolour, pen & Ink on paper by the artist and local historian Joy Stewart of a Victorian villa at 74 Charles Street, Kew.Inscription: "74 Charles Street, Kew." Signed lower right: "JStewart".joy stewart, charles street (kew)

Albert Charles West's father was Charles West. Albert (Nip) married Bessie Forrest. He was killed in WWII.A4 photocopy of portrait of Albert Charles West - "Nip"portrait, local identities, nip west, world war ii

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A Study of Recent Earthquakes Author: Charles Davison Publisher: The Walter Scott Publishing Co Date: 1905 Label on spine with typed text PAT 551 DAV Inside front endpaper has a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, charles davison, earthquakes, a study of recent earthquakes

Book. ALEC H CHISHOLM COLLECTION. 507 page green covered hardback book of the Songs of Scotland subsequent to Burns with memoirs of the poets. Compiled by the Rev. Charles Rogers, LLD, FSA, SCOT. Historiographer to the Historical Society. Published in 1870 by William P Nimmo, Edinburgh and printed by Schenck and McFarlane, St James Square. Catalogue sticker '2045 ROG' on spine.Charles Rogersbooks, collections, poetry, alec h chisholm collection, charles rogers, poetry, scottish poets

This photograph depicts five of the Mission's Committee members: top (left to right) are standing Harold Kingston Vickery and Arthur T. Pitt, both Lay Readers. Seated (left to right) are Reverend William Forster Haire, Assistant Chaplain, Reverend Alfred Gurney Goldsmith, Chaplain, and Mr Charles A. Holmes, Honorary Lay Reader. The photograph was probably taken inside the Central Institute, Siddeley Street, between 1909 and 1911.An original frame with an image of a group of Mission office-bearers including Rev Gurney-Goldsmith who was Senior Chaplain over the significant early 20th Century period of Mission establishment in the Central Docklands area. Sepia photograph in a wood frame with group of five men in suits; ink inscription of five names on paper label adhered lwr front of frameFront on paper label: Revd W.F Haire, Revd A. G.Goldsmith; Mr C A Holmes (paper cut) / Mr H. K Vickery, Revd A.T. Pitt; Verso at lwr right crnr in pencil: PH- R14 reverend a. gurney-goldsmith, mr h.k. vickery, reverend a.t. pitt, reverend w. foster haire, charles a. holmes, charles arthur holmes (-1947), william foster haire, harold kingston vickery, chaplains, lay readers, staff, chaplains group

"School at Hall's Gap studies holistic Aboriginal theology" - article by Tim Angus - "Participants at a school of Aboriginal Theology were challenged to take up a new partnership in mission by the Rev. Charles Harris, president of the Uniting Aboriginal and Islander Christian Congress… Charles Harris gave a quiet and determined witness to the power of the Gospel to free his people to become agents of their own destiny in spiritual, cultural and political terms."Head & shoulders, dressed casually."Rev. Charles Harris"harris, charles, aboriginal and islander christian congress

Charles Ladson in 1926 in Beechworth. The recording details Charles' life growing up in Beechworth, his working life as a carpenter and as woodworking teacher, and later his marriage. Charles grandfather arrived in Beechworth following the gold rush and set up shop as a trader. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The recording of Charles Ladson's life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural, historical, social, and religious heritage of the region. Charles details important historical events, local life, and hardships in the region's history that had a lasting local, regional and national impact. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Charles Ladsonteacher, burke museum, beechworth, charles ladson, ladson, religion, listen to what they say, gold rush

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Watercolour, pen & Ink on paper by the artist and local historian Joy Stewart of a Victorian-era villa at 74 Charles Street, Kew. Inscription: "74 Charles Street, Kew." Signed lower right: "JStewart".joy stewart, charles street (kew)