Metal button hook, Thomas Phillips. Corner Smith & Johnston Streets Collingwood.lcostume accessories, footwear accessories, button hook

Hand coloured photo of two young ladies. 1. Lady standing in long brown dress, white lace collar, pink bow, gold broch, blue eyes, fair hair clipped up in bun with red leaf in hair. 2. Lady sitting, in long brown dress, white lace collar, orange neck band, orange broach, blue bow. Green bush and ferns in background.Alans Studio. 318 Smith street. Collingwood. All kinds of photography excuted in best style.person, group, portrait

Letter written on folded paper with Ancient Order of Foresters emblem at the top. Letter from Court Industry Collingwood No. 3006 and dated March 14 1872. Letter mentions he enclosed a receipt for 7/4 post office order and 4' in stamps for Brother Edward Saunders and requests that his name be placed on the Doctors List. There was also a mixup in the correspondence. He also asks that he let Br Saunders Know how he stands.Signed E Evans Secretary of Court Industry No 3006tsocieties, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court industry 3006, edward saunders, w ?eves, w b evans

Receipt from Court Industry, East Collingwood, dated 11 March 1872, for P.O. Order for 7/4 and four pence in stamps on account of Br. Edward Saunders. Has Court Industry, Collingwood A.O.F. 3006 impression stamp. Court Industry address was the Earl of Zetland Hotel, Stanley St, East Collingwood.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, edward saunders, willm evans, earl of zetland hotel east collingwood

Black and white photograph of a photo of the School Council 1912-13 which may have been in a frame. There is a plaque at bottom of photo with the words 'Martin Hannah Esq M.L.A. / First President of the / Collingwood Technical School / from his Colleagues on the Council 1912/13'. Also a separate list of the members of the Council. Members of the First Council are listed in Scott's history as: Hon. M. Hannah, MLA (President), J.W. Billson, W.R. Butcher, R. Harper, G. Pinkerton, D. Provan, Hon. J.G. Membrey (MLA), Cr. W. Rain, Cr. H.S. Trevena, A.C. Wright, M. Richmond (Principal). (Scott p5)collingwood technical school, school council, m.h.hannah, mla, nmit

Black and white photograph of a group of men at a desk signing papers. According to Scott's history p. 86 they are identified as Collingwood College of TAFE Past President of College Council, Mr. A.J.Cuthbertson, signing contract for supply and maintenance of main frame computer, watched by Ian Scott (Principal) and two representatives of the suppliers, Prime Computers of Australia Ltd. 1982.collingwood college of tafe, administrative records, nmit

Black and white photograph of a Collingwood Technical College Guitar class, annotated on the reverse side as 'Oct 1971 Room 2C3 / Mr. R. Tate. Solid Geometry teacher .. / Student of Guitar / Daniel Schiodino Form 3A / Anthony Lawler Form 2B / Mario Iacccone Form 1B / Gregory Marshall Form 4A / Ljubivoje Bzenic Form 3C / mr. R. Howard Guitar Teacher (Not in this photo'. Also referred to in Scott's history p.66.collingwood technical college, students, guitar class, nmit

Black and white photograph from Allan Studios which according to Scott's history includes AIF, RAAF, USAF trainees with Principal Strang and other staff 1944 (Scott p.55)collingwood technical school, defence forces training scheme, students, nmit

Mr. George Thomas' connection with Collingwood Technical School began as a junior technical student at Collingwood in 1913. He then became an apprentice in the electrical trades during which time he also undertook a Diploma course in Electrical Engineering. Mr Thomas was appointed as a teacher (part-time) of Electrical Wiring at Collingwood in 1922 having had previous experience teaching in Geelong at the Gordon Institute of Technology. In 1930 Mr Thomas became a full-time teacher in Electrical Trades, the year of the commencement of the Apprenticeship Commission in Victoria. In 1937 he was instrumental in introducing electroplating as a trade whereas it had previously only been taught as a section of the Electrical Trades. This was a period of severe economic constraints following the Great Depression and spending on education was limited. Needing the latest knowledge of industrial practices, Mr Thomas canvassed electroplating industries around Melbourne seeking employment opportunities and met with favourable responses. He approached Quinton’s electroplating firm in North Melbourne with the proposal to work for them on Saturday mornings without payment. In return for his labour, he asked to be taught the basics of the trade. During the week he was able to impart his knowledge to his students. Initially, he wanted to develop electroplating as an outlet for the Youth Employment Training Scheme. Once the class was firmly established, he submitted a proposal to the Education Department to establish an Electroplating Department, and this became the first of its kind in the southern hemisphere. He gave up teaching in 1939 to become the Northcote City Electrical Engineer where he served for 26 years. During this time he was also a Consulting Electrical Engineer to Box Hill and Port Melbourne Councils. His association with Collingwood Technical School (and later, College) continued, first as an examiner on the State Electricity Commission (SEC) panel and from 1947 as a member of the School Council. He was president of the Council in 1961 and 1962. He also represented the College on the Northern Regional Council and participated in the selection of Electrical Trades teachers. For four years, 1967-1971, he represented the metropolitan Technical Schools and Colleges on the Council of the Monash University, in which capacity he gave outstanding service to technical education. George H. Thomas attended his first Council meeting on June 12, 1947 and remained on the Council until the secondary and post-secondary sections were separated in 1981 – a period in excess of 34 years. (See Scott p36).Black and white photographs of Mr. George Thomas who had a long association with Collingwood Technical School and Collingwood Technical College, spanning the years 1937-1972. He began his connection with the school as a teacher and went on to become a member of the School Council. He introduced Electroplating as a trade to be taught at Collingwood Technical School in 1937. (Scott p36) The photographs include one of Mr. George Thomas in Monash University regalia 1971. Another of Collingwood Technical School Council 1972 with Mr. Thomas. Images also include an excerpt from Mr. Scott's history.collingwood technical school, george h. thomas, electroplating course, nmit

Black and white photograph of Mr. George R. Lees who was Vice Principal (Secondary) of Collingwood Technical School from 1973-1976. He also taught English and Social Studies from 1952-1954, then from 1967-1969 he was Head, Humanities, Department Acting Senior Master, followed by 1970 as Senior Master. Further details of his career are covered by Ian Scott in his history of the school p72. See image of excerpt attached to this record. Also Mr. Lees 1974 report from the school magazine Turawan. collingwood technical school, staff, mr.george lees, nmit

Black and white photograph of Mr. A.L.Bayley being presented with a Council gift by Mr. L.J.Watts (Director of Technical Education) to mark his 25 years voluntary service as a member of the School Council of Collingwood Technical School through to its 1987 entity Collingwood College of Technical and Further Education. Mr. Bill Moore (Assistant Director of Technical Education) looks on. (See Scott's history pp103-106)collingwood technical school, collingwood technical college, collingwood college of tafe, school council, nmit

Two photographs (proofs 64 and 65) No. 64, A traction Engine driving a chaff cutter?, threshing machine? Via a very long flat belt. Behind the machine is a large pile of hay with several men standing on the heap. To the right of the machine there is another group of men and bags of grain and several bag trucks are visible. Under this photo in very faded writing is: Threshing, Chaff Cutter, Chaff Factory Collingwood, Mrs. J. Collins. 65. A working Traction Engine, cutting or threshing, there are groups of men standing on a pile of hay and also near the machine. A sign on the roof of the machine reads 'Marshalls Gainsborough'topic, farming, threshing, chaff cutter, thresher, chaff factory collingwood, mrs. j collins, marshalls, gainsborough

Sepia photograph of an infant aged about six months. She is wearing a white dress and has bare feet. On the reverse is written: Marie Melba Drusilla Sleeth, 'Cardouia', 4 Baxter St. Coburg. This is a studio portrait taken by 'Allen Studio' 318 Smith St., Collingwood.Allan Studioperson, individual, infant, marie melba drusilla sleeth, cardouia, 4 baxter st. coburg, allan studio, 318 smith st. collingwood

Photograph of Collingwood Technical School Junior School Assembly in Old School Hall 1920s. From Scott's history he dates this photo as 1929. Also photo of empty Old School Hall with seating undated but probably 1920s - 1930s.collingwood technical school, junor school assembly, students, classes, nmit,

BENDIGO GAS CO COLLECTION- Documents relating to Share Transfers /letter to The Manager of The Bendigo Gas Co. , on salmon coloured paper from Ngawi Gilles Dean , Romney , Billard Ave Waroonga September 1940, re change of surname / letter to Mrs Ngawi Gilles Dean , Romney , Billard Ave Waroonga 17 September 1940 from The Manger of The Bendigo Gas Co. , on salmon coloured paper re change of surname and the Estate of the Late John Locke Watson , England / letter to The Secretary of The Bendigo Gas Co from H.C. Collingwood & Co , Stock , Share and Investment Brokers , Melbourne , re late W. Millar / letter to The Comptroller of Stamps , Melbourne , from, Robert Batcheleder ? , View St Bendigo dated 28.2.1940 / declaration form stating that the transferee is not an enemy subject / Journal sheet 31 written in pencil relating to share transfers / Journal sheet written in ink relating to share transfers / document N0. 13419 dated 13.4.1937 from J.B.Were & Son Melbourne to 'The Secretary the Bendigo Gas Co handing over securities to be marked 'Scrip in Office' and returned. / document N0. 13423 dated 15.4.1937 from J.B.Were & Son Melbourne to 'The Secretary the Bendigo Gas Co handing over securities to be marked 'Scrip in Office' and returned. / document N0. 13425 dated 16.4.1937 from J.B.Were & Son Melbourne to 'The Secretary the Bendigo Gas Co handing over securities to be marked 'Scrip in Office' and returned. / document N0. 13444 dated 1.5.1937 from J.B.Were & Son Melbourne to 'The Secretary the Bendigo Gas Co handing over securities to be marked 'Scrip in Office' and returned. / document N0. 3467 dated 20.10.1948 from J.B.Were & Son Melbourne to 'The Secretary the Bendigo Gas Co requesting registration and a new scrip '.bendigo, business, bendigo gas company, bendigo gas co collection- ./ ngawi gilles dean , / the late john locke watson , england / h.c. collingwood & co , stock , share and investment brokers / j.b.were & son melbourne /

Studio photograph of a young girl in knee length frock with lace collar, puffed sleeves and button up boots. Standing beside a wicker chair and plant stand, mounted under glass in a brown wooden frame with gold edging upon a grey card with cream inside border, markings upon photo read 'Allan Paris Panel, 318 Smith Street, Collingwood'Allan Paris Panelperson, individual, portrait, young girl, allan paris, portraits

Book, 382 pages, brown board cover: ' Geography Generalized or an Introduction to the Study of Geography on the principles of classification and comparison with many illustrations through maps and illustrations' On front page in black pen ' Jonathan William Harris 1886' and ' Australia' written twice in same. Over page 'Jonathan W. Harris, his uncle. A gift from P.J. Murphy, 34 Little Oxford St., Collingwood. Jonathan W. Harris, August 26th, 1873' Published by Marcus and John Sullivan, 27 Marlborough Street, London. 1864Robert Sullivan, Barrister at Law.person, individual, jonathan harris, axedale

Two pages showing the birthplaces, number of persons, Male and Female for Eaglehawk. Also on the page is Clunes, Collingwood, Creswick, Daylesford and Dunolly. The second page has Bendigo, Total of Victoria, Anglesey, Benambra, Bogong and Berunga.bendigo, history, long gully history group, the long gully history group - birthplaes of the people - eaglehawk

Two pages showing the Total of Victoria, birthplaces, number of persons, Male and Female. The first page has Bendigo 1881. It also includes Anglesey, Benambra, Bogong and Borunga. The second page has Eaglehawk 1881 and includes Clunes, Collingwood, Creswick, Daylesford and Dunolly.bendigo, history, long gully history group, the long gully history group - birthplaces of the people - bendigo

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

Anderson Hunt vividly remembers the hard-core, hard-working supporters. "I see The Final Siren as a homage to those hard-working Collingwood fans who stood in the outer and barracked their hearts out. Without the hard-core supporters, the club would be nothing. I hope the sculpture gives Collingwood fans a sense of pride; pride that’s like wearing a tight footy jumper with big numbers on the back. I feel honoured to have had the chance to create this sculpture, knowing that what was there beforehand stood for so much.”Victoria Park, the former home of the Collingwood Football Club, was transformed into a major community recreation space in 2011. Yarra City Council and the Australian Government jointly funded the $7.2 million redevelopment of the Abbotsford ground. As part of the redevelopment, Council commissioned multiple works of public art. The intention of these artworks is to recognise the park’s important history and to provide interesting and educational focal points for park. visitors. This work by Anderson Hunt is in place of the original scoreboard which was demolished on 10 February 2011. Anderson Hunt remembers going to Collingwood games as a boy and wondering how the numbers on the scoreboard appeared and disappeared. He remembers being in awe of the size of the scoreboard. “It was like a huge monolith,” he recalls. He remembers a story of how the scoreboard operator, Bob Hill, would change the scores quick as a flash when the Magpies kicked a goal.Large black and white steel sculpture inspired by the form and imagery of the ground’s former scoreboards and clocks. Stylised wing and colours acknowledge the Collingwood Football Clubsport, collingwood football club, afl, history, victoria park, collingwood

The Gipps Street Wesleyan Methodist Church of 1874 and the adjoining school hall, were built in the Collingwood Flat area - one of the municipality's poorest areas. In 1903, the Collingwood Methodist Mission was established with its headquarters in the Gipps Street Church. Six Methodist Missions were created in inner Melbourne. Three churches were operated by the Collingwood Mission. They were: Sackville Street Collingwood, Elizabeth Street, North Richmond (demolished), and Gipps Street Collingwood (demolished). The Mission operated until approximately 1930. The Wesleyan Church and School in Sackville St. Collingwood was built in 1886 and used as a church for 65 years. It was also part of the Collingwood Methodist Mission before being converted to an industrial/commercial complex. The church was auctioned on 3 March 1984.The cutting gives information about the history of the Church at 25 Sackville St. Collingwood prior to its auction sale on 3 March 1984gipps st. methodist church, les gorrie, collingwood mission, sackville street church, wesleyan

Hardcover w/ Dust Jacketaustralian local history, yarra, fitzroy, collingwood, victoria, walsh st library

Letter from , R D Croll, Eagley Mills Pty Ltd, Collingwood 1952 to W.R. Lang, Gordon Institute of Technology, Geelong re. the use of bottle bobbins and the supply of a bottle winder and fabric knitting machine.knitting textile mills - history textile mills - staff, eagley mills pty ltd, lang, dr w. roy, knitting, textile mills - history, textile mills - staff

This work is the result of a series of interviews with committee members of 69 Smith Street Gallery, an artist-run gallery that operated in Collingwood between 1998 and 2016. These interviews taken between 2010 and 2011 feature artists who went on to form the creative group known as the 69 Collective.This work was part of The Line exhibition at Collingwood Gallery in 2018. The brief given to participating artists was to present works using the theme of the horizontal line. The artworks, in a range of mediums, were hung with a consistent line travelling through each piece around the perimeter of the gallery space. The line in each work, inferred or explicit, were carefully placed together to make this cohesive whole.oral history, video, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, merle parker, julian di martino, marianne little, 69 collective, jenny gibson, art, video art