Coloured glass panel of sky, Long Tan Cross, Rising Sun, Anchor and Airforce Wings. Red scroll with gold lettering Together then, Together AgainTogether Then, Together Againleadlight panel, long tan cross

Round mid blue coloured glass bottle with rounded shoulder and ridge around exterior of bottle near the base. 'Burst off' finish on mouth of bottle.Nilblue glass

Trove : The Courier-Mail, Brisbane, Queensland Friday 15 December 1938, page 7, Article : New Canning Company A company under the name of Tassell United Cannery Pty., Ltd., is being formed to operate a pineapple cannery in the new year. It proposes to acquire the business of Glassop and Son, proprietors of Tassell Products, and may engage in inter-State and export trade. It is stated by the promoter that growers and small canners of pineapples fear that the industry may become monopolised and that the new company is being formed to combat any such tendency. TROVE : The Courier-Mail, Brisbane, Queensland Friday 29 December 1950, page 3, Article : Mr. Glassop dies A well-known Brisbane citizen. Mr. S. J. Glassop, 74, has died. He was founder and managing director of Tassell United Cannery, Pty., Ltd. For many years Mr. Glassop was associated with Messrs. R. W. Thurlow and Co., Ltd., Brisbane, and later left this firm to open his own business on the Darling Downs. He later returned to Brisbane to enter the manufacturing business. He was actively connected with the business until his death. Round olive- amber coloured glass bottle with wide neck and shoulder tapering toward base then flaring out again at base. Embossed text on sides and number On side, 'THIS BOTTLE IS THE PROIPERTY OF TASSELL UNITED CANNERY PTY LTD BRISBANE'. On base 'B146', 'AGM'.fruit, cannery, glassop, tassell, pineapple

Deborah Halpern was raised in Nth Warrandyte. Her connection to the area and the significant contribution that she and her family (founding members of Potters Cottage) have made to the artistic heritage and culture of the Shire is acknowledge with the commission of this piece. Deborah Halpern is a highly recognised and respected local artist with an acclaimed national reputation in the arts community. This work is a gateway piece, welcoming residents and visitors into the Shire from the southern end of the boundary. 'Queen of the Shire' reflects the creative spirit that flows endlessly in the Shire, inspired by the landscape. This work forms part of a series of sculptures that Halpern has created along the banks of the Yarra in Melbourne ('Angel' - Birrarung Marr and 'Ophelia' - Southgate). This sculpture is an excellent example of Halpern’s ouvere and 'tile construction' technique for which she is renowned. Materials: coloured glass tiles, fibreglass, aluminium, steel. A sweeping stylised (female) form covered in bright and colourful tiles held aloft by two steel poles. queen, sculpture, semi-abstract, stylised, glass, tiles, public art, halpern, ek prac 2015

Made by Mrs. Sarah Johnson.Star-shaped, white net milk jug cover, with stitched edging to the star and a crocheted cotton border. The crocheted border is decorated with turquoise-coloured glass beads.milk jugs, food covers, vessel covers

From the Betty McPhee sewing collectionFour cardboard tubes of coloured glass headed stems or pins used by dressmakers etc to pin clothes etc prior to sewing. I box of Dandy household pins.Cross Five Brand. "Dandy" regd Trademark Electroplated steel household pins Australian manufacturehandcrafts, equipment

Glass bottle - torpedo shape, oval shaped, with painted base and narrow neck. Green coloured glass. Bottle to be stored on its side. Information - markings on side of bottle. British.Information on bottle - "THE PROPERTY OF THE 107th REGIMENT". containers, glass, britain, 107th regiment

An oval shaped amber coloured glass bowl . It has a handle on each side. The edges have a ridged pattern and the base has an oval petalled flower pattern. It is possibly "carnival glass".

This bottle of castor oil was used during the mid to late 1900's when there was a Hospital in the Kiewa Valley, but regarded as only for serious injuries and near death situation. For this reason many households had a "first aid" box full of items such as this bottle of castor oil. Home based remedies for non life threatening injuries and illnesses were a part of life in a semi remote rural region. True and trusted family "health" remedies were passed from generation to generation.This Castor Oil bottle is very significant to the Kiewa Valley as it demonstrates the self reliance of the early farming and grazing pioneer families. Knowledge of "first aid" was uppermost to the survival of families before the late 1900's. Naturopathic remedies such as connected with the castor oil contained in this bottle, although may not be sanctioned by medical research, does not take into account of the positive "self healing" of the human mind (if you think it is doing you good it creates a positive action). Such preservation techniques were handed down through the generations.Medical Reference material was limited to books available and read and not not from "the internet" in the latter part of the 1900's. The availability of General Practitioners increased because of the boost in the population growth (SEC Vic Hydro Electricity Scheme) in the Kiewa Valley from 1940's onward. This small indigo coloured glass bottle has a narrow neck and a screw on lid.It has an embossed manufacturer's name and contents (Castor Oil) on one side and identification marks embossed on the underside base.medicine bottles, home first aid remedies, indigo glass medicine bottles

Round mid green coloured, thick glass bottle with rounded shoulder.Nilgreen glass

Carnival glass is an inexpensive pressed glass, made as both functional and ornamental objects. Most carnival glass was made between 1907 and 1925, with production tapering off by the end 1931 during the great depression. the name "carnival glass" came about because when the demand for the glass tapered off it was often given away as prizes at carnivals.Large amber coloured glass bowl. It has four short legs moulded to the base. It is very ornate and solid. On the base is a pattern of fruit and flowers. The rim is fluted and the bowl is oval shaped. It is carnival glass.

Amber coloured glass bottle with moulded ridges along the outer sphere. Bottle has cork stopper with metal top. White manufacturer's label is adhered to front of bottle with blue and red printed ink.Stamped in red ink onto metal lid: WOOLWICH / ELLIOTT Stamped in black ink on manufacturer's label: JAN 1964ether, woolwich elliott, sydney

Morphine sulphate is an opioid analgesic. It works by blocking receptors in the brain, spinal cord and peripheral nervous system that are involved in the sensation of pain.Two (2) narrow amber coloured glass vials with sealed cork stoppers containing small tablets of morphine sulphate. One vial is longer than the other but both have red on white adhered labels.analgesic, opioid, morphine, sulphate, sulfate

Glass and silver metallic magnifying glass with a circular lens and a moulded cylindrical metal handle.Silver coloured metal magnifying glassassistive devices, association for the blind

Colour photo in frame Plastic Gold coloured frame, Glass Front and Wood back Lara RSL Sub Branch - ANZAC Day 1990 List of names attached

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Tan/Rust-coloured silk bodice and skirt. The silk used in the garment is self-patterned with a leaf design. The bodice has extensive gold and silver coloured glass beading. The silk used in the sleeves of the bodice and the skirt is badly degraded/‘shattered’.australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s, shattered silk

It was used as a bedroom lamp by Valmae (Colling) Gaudion in various railway houses lived in around Victoria in the days before electricity.A bedroom oil lamp with a light amber coloured glass bowl with a ring holder and blue oil inside. It has a green glass handle, a metal burner, cotton wick and a knob to adjust the flame. The chimney is clear glass with a decorated edge on the top.lamps, oil lamps

Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits

The Grey Petrel is commonly seen around New Zealand and rarely around mainland Australia. They are large birds with a grey-white-brown colouring who fly just above the water and are often solitary. They mainly eat squid and fish which they catch by shallow diving. Their scientific name, Procellaria cinerea, is derived from Saint Peter and the story of his walking on water. The Grey Petrel can appear to run on water as they prepare to take off. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Grey Petrel is a large bird with a grey and cream coloured plumage. It has short legs with webbed feet and a stout bill. The specimen stands on a wooden pedestal with a paper tag tied around its right leg. The eyes are small and made of a dark coloured glass.15a Great Grey Petrel - Catalogue, page 40.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grey petrel

Church designed by Harry French, notable Bairnsdale architect.Colour photograph of St Columbs Anglican Church, Princes Highway. Timber Church with gable roof, gable roof on porch and chancel. Windows of porch and chancel differ in shape of top from windows of nave. All have coloured glass. Swan Reach Victoriareligion, buildings

The Brown Falcon is a small to medium bird of prey which can be found all throughout Australia. These birds are raptors and typically feed on mammals, birds, snakes, insects and rabbits. The Brown Falcon are located in all but the densest forests. They typically prefer to reside in locations of open grassland and agricultural areas which have scattered trees or telephone poles which the bird can perch on. When frequenting towns located in the Australian Outback, these birds are reportedly quite tame and can be approached by humans. They may stay in the same location throughout the year or chose to move around locally in response to any changes in weather conditions. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th centuryThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Brown Falcon specimen has plumage which is mostly brown and intermixed with white. This provides the appearance of having spotted colouring on the birds back. The head is also mostly brown with white under the beak area and a characteristic brown streak under the eye area. The eye is made from dark coloured glass.3 / Brown Hawk / See Catalogue, page 2 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, brown falcon, falconidae

1. Improvised drinking glass made by slicing the top off a beer bottle during WW2. Named "THE LADY BLAMEY GLASS". 2. Title of Poem "THE LADY BLAMEY GLASS' Page 216 from book "OF STORMS AND RAINBOWS"1. Drinking glass - amber coloured glass, top edge has chipped areas where the neck of the bottle has been removed. 2. Poem - facsimile copy of a poem printed in block ink on white paper, from a book titled "OF STORMS AND RAINBOWS, PALESTINE, SYRIA & THE TURKISH BORDER" Page 216.Manufacturers markings on glass - lower edge "THE NSW BOTTLE COMPANY PTY LTD". on base m- "1945 u74s"containers, glass, poetry

Kit comprises a thin metal case with rounded corners and flip top cover. Within it is housed an ornately decorated glass and metal hypodermic syringe, needle and five slender amber coloured glass corked vials. The vials contain hypodermic tablets of morphine sulphate, apomorphine hydrochloride, morphine atropine and strychnine sulphate.The metal syringe is inscribed with patent and manufacturing information: 'PARKE DAVIS & CO. / PAT AUG 25 1885'. The needle is inscribed with 'P. D. & CO.' and the base with 'PARKE, DAVIS & Co. / DETROIT & NEW YORK'.anaesthesia, drugs, portable, hypodermic, morphine sulphate, apomorphine hydrochloride, morphine atropine, strychnine sulphate, hypodermic tablets, park davis & co., needle, syringe

Tony HANNING (1950- ) Dr Tony Hanning is an internationally recognised glass artist whose work is represented in all major collections in Australia and many overseas collections including the V&A Museum in London and the Tacoma Art Museum in the USA. He pioneered the ‘cased’ glass technique that involves two layers of different coloured glass carved in a cameo-like fashion. The imagery in Tony Hanning's work often is representitive of the Gippsland landscape. He has a PhD from Monash Univversity (2008); Master of Arts from Monash University (1998); and a Diploma, Visual Arts, Gippsland Institute of Advanced Education, Monash University, Melbourne (1971). From 1971-1980 Tony Hanning was the Director of Latrobe Valley Arts centre (later Latrobe Regional Gallery, Morwell) Glass platetony hanning, glass, artwork, gippsland campus, churchill, alumni, staffmember

These bottles are known as marble stopper bottles. This type of bottle was filled upside down so that as soon as the filling stopped the stopper was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it would fall into the neck chamber below. The marble would stay inside the chamber when the bottle was tilted up for drinking. These bottles have come from the aerated waters factory of John Fletcher of Warrnambool. This factory in Koroit Street was established in the mid 19th century by John Davis. As a young boy John Fletcher worked at the cordial factory of John Rowley in Banyan Street, Warrnambool and then worked for a number of years for John Davis at his Union Cordial Factory. In 1885 John Fletcher succeeded John Davis and continued in this business until 1930.. The business was then taken over by Ralph Reeves. John Fletcher manufactured aerated waters, soda, tonic waters, lemonade, ginger ale, hop beer, hop bitters, sarsaparilla and cordials. These bottles are of interest firstly because they are good examples of marble stopper bottles, no longer in use today. They are also important because they are John Fletcher bottles and he was a prominent soft drinks manufacturer in Warrnambool for over 40 years. These four bottles are made of green coloured glass. They have a round body with deep indentations at the top, narrowing the entrance to the neck which is short and thick. The top opening is made of thick moulded glass. A glass marble is loose in the neck section. The rubber ring inside the neck is missing. The manufacturer’s details are embedded into the glass on both sides of the bottle.‘Lemonade’ ‘J.Fletcher’s Aerated Waters Koroit Street Warrnambool’ ‘This bottle is the property of John Fletcher Warrnambool and cannot be legally used by others’ fletcher's cordial, marble stopper bottle, warrnambool cordial

Stained glass window from the Principal's Residence, Burnley (demolished 1980.) Two rectangular coloured stained glass panels constructed by leadlight in a wooden frame separated by a wooden panel. Leadlight in an Art Nouveau style. stained glass window, principal, burnley, art nouveau, leadlight window, principals residence

This lamp would have been attached to a coach, or even an early automobile, for lighting purposes. It could also have been used for outdoor purposes in a household or business setting. Lamps such as this were used in the 19th century and early 20th century and preceded or accompanied the use of oil lamps and were later superseded by electric and gas lighting.This item is of historical interest and is retained for display purposes.This is a rectangular-shaped lamp made of metal. It is painted black and has clear glass with bevelled edges on two sides and a small round red-coloured glass on another side. The lighting mechanism inside the glass appears to have held a candle. The body of the lamp is mounted on a solid round metal pipe. There is a metal handle at the top for attaching the lamp to a wall or stand.vintage lighting, coach lamps

Colour slide of school boys making toys in a school work room. There are coloured glass windows on the left hand side. The toys were part of an arrangement with the Department of Education. Schools would produce the toys, often in wood work classes and they were donated to Legacy and Carry On. The toys were given to Junior Legatees at the Government House Christmas Party. Excess toys were passed to a dozen additional charities. The scheme started in 1949 and by 1962 over 8,200 toys were donated, from 201 schools. The total to that date was over 72,500 toys. It appears to be 1963 as there was space for the tally to be completed. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of toys being made and donated to Legacy in the 1960s.Colour slide of school boys working at green workbenches, in a white plastic mount and grey mount on the reverse.toys, department of education, toy appeal, school boys

Coloured ink used to mark lines of paper maps. Could be used in pen or as a "wash" to colour areas with a soft sable hair paint brush Strict cartographic guidance was provided by the FCV’s 1947 publication - “Handbook of Conventional Signs and Symbols for Use in Forest Mapping and Plan Drawing”. It was slow and exacting work but very rewarding.Pelikan coloured inks in small glass bottlesPelikan forests commission victoria (fcv), mapping, forest measurement, surveying

This collection of glasses and cases was donated by Miss Connie Cruickshank. She was part of the family of Orbost's first doctor, Dr James Kerr. As the 19th Century came to a close, more and more people wore their eyeglasses everyday. A popular style of inexpensive, everyday spectacles was the pince-nez. French for "pinch nose," the pince-nez was first developed in France circa 1840 and began to be imported after the 1850s. Pince-nez have no temples, but are fit snugly on the bridge of the nose. Pince- nez could be uncomfortable to wear and broke often from falling off the nose. These items demonstrate how glasses' styles have changed over time. One pair of pince-nez glasses and its brown leather case shaped to fit. One solid black wooden case with a small hinged door at one end. One blue/black case with the words A A Abotomey 14 Carpenter Street Middle Brighton in gold lettering. Five pairs of spectacles, one with blue coloured glass with crack in one lens.A A Abotomey 14 Carpenter Street, Middle Brightonspectacles spectacles-cases pinz-nez