An invitation in the form of a card with black print. ' The Opening of the First Parliament of the Commonwealth.' 'By Tom Roberts. The honor of your presence is requested at the Queen's Hall, Parliament House, on Friday next (13th inst.) at Three o'clock, to view the progress of the Picture prior to its departure for London. John Rowe for Australian Art Association Pty. Ltd.' Handwritten in black ink are the words 'His Worship the Mayor of Bendigo & Lady.'event, official, painting, lydia chancellor, collection, australian art, art work, australian history, history, painting, tom roberts, politics, australian politics, australian parliament, event

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Three typed pages of speech notes. Undated but information suggests 1965. Corrections made in blue and red ink. Mentions that the Easter Fair has recently ended. Topics discussed : the Cancer Campaign success and recent advances in treatment and facilities, a discussion with a Mr Larritt, the grandson of Bendigo's first surveyor, and the work his grandfather performed, especially regarding the reservations chosen for the Hospital and the Home and Hospital for the Aged, the Art Gallery's Dobell exhibition, Commonwealth Youth Sunday on May 2nd, the promotion of Bendigo by the Victorian Promotion Committee, and Anzac Day business. Oliver states that 'in 1914 the citizens of Bendigo presented the 7th Bn AIF with a set of bugles. One of the bugles used by 'Pompey' Simpson in the landing of Gallipoli and in France until he was wounded in 1917, when it was used by Wally Granland until the Armistice. On Anzac Eve at the 9PM ritual to the Fallen, the bugle will be used for the first time since the first war ..by Bugler John Murphy of Southern Command.' The HMAS Bendigo Assoc. reunion and information.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. anti-cancer appeal. victorian inland meat authority. anzac day.

This is an Aboriginal artwork that depicts a Goanna Totem. Designed by Ballarat-based, Gunditjmara artist Aunty Diana Nikkelson, the design is inspired by the artist’s totem and is a tribute to the first artists of the region, the Wadawurrung people. It acknowledges Aboriginal survival and the dynamic regeneration of the Aboriginal art and culture in the region. The artwork is in-set to the basalt paving along Police Lane by a series of etched footsteps, which evolve from human footprints to goanna prints as viewers approach the rear of the Art Gallery of Ballarat. The artwork was originally located only outdoors and half of it was brought into the Art Gallery of Ballarat in 2011, when the former Federation Plaza was enclosed to form the Art Gallery of Ballarat's McCain Annexe. The artwork was created in 2006 as part of the cultural festival of the Commonwealth Games. The artwork is of cultural and aesthetic significance to the people of BallaratSand blasted petroglyph forms into bluestone on laneway surface. The carved inlay of the Goanna Totem design into the bluestone of Police Lane (beside Art Gallery of Ballarat) continues inside the building.goanna totem ballarat, goanna totem, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara

The original art piece was painted by Australian artist Will Longstaff after he attended the unveiling ceremony of the Menin Gate memorial at the entrance of the Belgian town of Ypres in 1927. It was purchased in 1928 for 2000 guineas and presented to the Australia Government by British Philanthropist Lord Woolavington The memorial is inscribed with the names of 54,000 British and Commonwealth soldiers killed in Flanders with no known grave, over 6000 are Australians.The image commemorates those soldiers with no marked graves who died on the Western Front during the First World War.Dark wooden frame with gold gilt inner edge containing cream mount over a dark blue print with large cream coloured arched monument in distance.menin gate, will longstaff, lord woolavington

'Black Saturday' Bushfire Memorial Sculpture.Commissioned by the Hepburn Shire with funds provided by the Commonwealth and State Governments through the Bushfire Community Recovery Fund. Large scale tree-inspired steel and bronze sculpture incorporating two drinking fountains. Artist's name is laser cut onto the base of the 'trunk' of the tree.hepburn shire, hepburn shire public art collection, public art, bushfire memorial, sculpture, memorial, public art commissions, anton hassell, australian bell pty ltd, daylesford, art

Main Street Shops Anglican Church to Upper Main Street - 1998Anglican Church , Tubs Video Shop, BRACE Employment Services Pykes Cycles and Sports, Site of R.J. McClure garage, Stawell Town Hall, Methodist Chruch Wesley Centre, Tonkin Motors Holden dealership, Stawell Taxis, Ivan McDonald hairdresser, Holmes Fruiter, Pamala's Hairdresser, Bakery, Stawell Post Office, Fish and Chip Shop, Denis Weily Chemist, Gold Reef Clothing, Overalls Furniture, Commonwealth Bank (State Bank), Stawell Tattslotto, W.P Computers, Pioneer Walk 4 Photos, Site of Max Holme Butcher, Hardings Mensland, Coles/ Fosseys both buildings, George Wilkinson Dentist, Betta Electrics, Gold Reef photgraphics, General Office of N.G.S.C. Classic Shoes, Old Commonwealth Bank, Stawell Club, Cafe Rasuli, Albion Hotel Then Retravision, Fountain, Newton Bros Buther 3 Photos 2 fron one rear, A.N.Z. Bank two views, Stawell Dry Cleaners, Fuller's Insurane Brokers, Reg Seng Pha Solicitor 2 views 1 B/W, Grampian China Art, Clarks Furniture, Unkonown 2 views, Commercial Hotel, O,Driscoll Solicitors, Auto Pro, Chinese Medicine, Westfarmers Dalgety Real Estate, Monaghan's Real Estate, BRACE Employment Services, James Monaghan Solicitor, Stawell Electronics, Old Ambulance Station.stawell

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar

Australian Commonwealth Military Forces gong from Egypt in 1940. This gong shows a link between the Australian military and Egypt in 1940. It is also an example of military craft skills and the creation of usable art by soldiers.Round brass gong engraved with Australian Rising Sun Badge and Egyptian motifs. Supported by a red wooden base. Gong attached to frame by green plastic-covered rope.Australian Commonwealth Military Forces / Egypt 1940egypt, wwii, world war two, australia, military

Base of this dinner gong is made from a name plate off a steam engine that was found in the Northern Territory. The two ends supporting the gong are made of either anti tank of anti aircraft bullets that are soldered into salt and pepper shakers that were acquired from a Chinese 'Joss House' in the Northern Territory. The kangaroo and boomerang were copied from an Australian penny.Brass dinner gong suspended on a stainless steel kangaroo and boomerang. Side pillars are made with brass bullets standing on brass salt and pepper shakers. Also includes brass gavel. Trench art made by VX19808 William CurtisAustralian Commonwealth Military Forces rising sun badge on front of gong.trench art

WWII Cartridge shell made into trench artBronze polished cartridge case.(Trench Art made by William Curtis).Australian Commonwealth Military Forces Rising Sun badge on the side. Markings on the base of the case are 100, MF, 1941, 2PR No 2 and CF.t

Trench Art from WWII.Trench art with Rising Sun badge mounted on metal stand.Rising Sun badge inscribed Australian Commonwealth Military Forces.

testCalendar - large wall with clear plastic sheet - spiral wire bound at top issued by Comeng Rolling Stock division of ANI Corporation in 1985. Features 6 paintings by Phil Belbin. 1 - (Jan - Feb) NSW 8029 leading the southbound Intercapital Daylight out of the Bowral tunnel. 2 - (Mar - Apr) - trams 939 and 918 - Victoria Parade reserved track. 3 - (May - Jun) - South African Railways Blue Train 4 - (Jul - Aug) - VR S300 and 301 5 - (Sep - Oct) - QR 1298 on the Sunlander crossing a 2' gauge cane steam loco. 6 - (Nov - Dec) - Commonwealth Railways - Rawlina - Transcontinental train leaving Rawlinna - with the Tea and Sugar Train. For details of the artist see - https://en.wikipedia.org/wiki/Phil_Belbin (accessed 2-1-2018). See btm7022note from Bruce Belbin his son re use of the image. tramways, trams, art work, painting, victoria parade, railways

This plaque, along with the Commonwealth Coat of Arms 0000-732, were previously on display in the Brighton City Council's municipal chambers. Oil paint on plywood. Royal coat of arms on black ground showing the central shield divided into four quarters flanked by the English Lion and Scottish Unicorn, surmounted by the Royal Crown. Below the shield appears the motto of the English monarchs ‘Dieu et mon droit’ (God and my right). There are four holes at each corner of the board.royal coat of arms, coat of arms, plaque, united kingdom, brighton city council, brighton

This plaque, along with the Royal Coat of Arms 0000-731, were previously on display in the Brighton City Council's municipal chambers. Oil paint on plywood. The Commonwealth Coat of Arms is painted on black ground showing the central shield, depicting symbols of Australia's six states, which is flanked by the native Australian animals, the kangaroo and the emu. The seven-pointed Commonwealth Star surmounting the crest also represents the states and territories, a wreath of golden wattle appears below the shield. Below the shield is a scroll containing the word 'AUSTRALIA'. There are four holes at each corner of the board.coat of arms, plaque, brighton city council, brighton, commonwealth coat of arms, australian coat of arms

On 2nd February 1918, Brighton experienced the most extreme cyclone to hit a major Australian city, as recorded by the Commonwealth Bureau of Meteorology. With wind speeds estimated at 320 km/h and resulting in the deaths of two people, the event caused tremendous destruction in Brighton.cyclone, brighton, methodist church, hawthorn road, grant's hay & corn store, wells street, wellington street, billilla, weatherly, halifax street, tornado, colonel kendall

Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil sketch.art, artwork, sybil craig, australian war artist, kitchen

Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed texta sketch of a correa.art, artwork, sybil craig, craig, flora, available, leaves, texta, texta colour, correa

Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations.angela gee, portland centenary, 1984, screenprint, cema, female artist, female artists

1941 40mm 2-pounder brass anti tank gun shell case made into a vase with 5 splayed points at top the casing with the collar insignia badge on front.Insignia - Australian Commonwealth Military Forces (collar badge). Outer edge under shell - 1941 LOT 110 RM/C 2PR No1. Inner area under shell - 1941 113 11-41anti-tank, gun shell, trench art, 1941, vase

1941 40mm 2-pounder brass anti tank gun shell case made into a vase with 5 splayed points at top the casing with the collar insignia badge on front.Insignia - Australian Commonwealth Military Forces (collar badge). Outer edge under shell - 1941 LOT 113 RM/C 2PR No2 Inner area under shell - 1941 110 11-41 No/2 MK1gun shell, anti-tank, trench art, 1941, vase

CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions)

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’. Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s. Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia. Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’ Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

Set of 70 different types or blocks of Melbourne Metcards, passes and associated tickets contained within their own envelope and placed in a heavy duty black folder within photographic sleeves or sheets by the Museum. All collected by Maxwell Hayes, These comprise: Folder Sheet Description 1A Sunday Saver Dec 05 1B Zones 1 to 3 combination Adult - 3 hour 1C Deaffympic games Dec. 04 1D Fares and Travel guide Dec 00 single 2A Safety and Security - Set 4 - Oct. 03 2A Federation May 01 2B Arts Festival 05 2C Melbourne Landmarks July 2000 2D Zones 1 to 3 combination concession - 3 hour 3A Herald Sun - free ticket 3B Art Set 4 Sept 03 3C Arts Festival 05, single Oct 05 3D Worlds Masters games, July 02 4A First issue March 98 4B First issue March 98 with arrows printed on top 4C Celebrity set 10 complete - Set 2 4D Early Bird tickets - wrapped with a Metlink newspaper advert. 5A MMTB / MTA Single Journey 5B Pre Decimal tickets MMTB 5C MMTB Machine tickets 5D Decimal MMTB/ MTA check tickets 6A MetroCard 1981 6B City Savers 6C MMTB Day tripper 6D MTMB/MTA paper tickets 7A Prepurchased Section tickets 7B MMTB Machine generated tickets 7C Monthly travel permits 7D MMTB Railway checks 8A Seniors travel passes 8B Victorian Railways Motor coach 8C Prepaid Travel voucher 8D City Section - concession 9A Misc. - Bus Proprietors Association tickets 9B Night Rider 9C Skybus 9D Neighbourhood Monthly 10A Neighbourhood student passes 10B Zone 1 concession 3 hour 10D Neighbourhood family travelcard 11A Neighbourhood concession 11B Set of 6 Melbourne 2000 Millennium Metcards 11C Melbourne Art Festival 2000 - set of 6 11D Federation Sq Metcard - two sets 12A Melbourne International Comedy festival Metcards 12B Free Internet trial Metcard Oct 1999 - 1 off 12C Two packets of Soccer tickets Metcards 12D Myer Metcard 13A Painted tram launch ticket 13B VR Spirit of Progress Metcard 13C Give blood Metcard May 03 13D Commonwealth Games Metcards Feb 06 14A Private bus lines 14B Melbourne food 2003 15A Neighbourhood full fare and off peak 15B Zone 1 full fare 3 hour 16A Zone full fare 2 hours 16B Neighbourhood travel cards - first issues? 17A Zone 1 to 3 and combinations full fare daily 17B TheatreWorks Travel card - Storming Mont Albert 18A National Bus Company 18B Zone concession - 2 hour 18B Machine issued MMTB - alpha zones 19A Sex (Party line) advertising on reverse 19B Machine issued MMTB Alpha zones 20A Veterans travel passes 20B Special Passes 21 Sample tickets - introduction of photo cards 22 Sample of MTA Gold pins Detail scans of Veterans passes and single journey tickets made - see images i2 to i5trams, tramways, tickets, metcard, metlink, buses, passes, nightrider

Set of 15 issues of Yarra Trams Magazine "Tramlines" All folded A3 unless noted otherwise. 1 - Issue 1 - August 2004 - staff event, message from CEO Hubert Guyot, new control centre, route 96, Olympic torch relay, tram 431, new livery, meet Johnpaul tram attendant. .1A - Issue 2 - December 2004 - customer satisfaction, tram attendants, remembrance day, CEO message, new routes, Camberwell depot, staff profile and tramways band. .2 - issue 3 - May 2005 - Fleet operations control centre opens, (photo), Balaclava Junction upgrade, grand union, Melbourne Uni superstop, fund raising. .3 - issue 4 - August 2005 - Congratulations to Lenny Bates 50, departure of Hubert, route 75 extended to Vermont South, fare evasion, trackwork and Superstops in Flinders St and Bourke St, East Preston Depot and think tram project. .4 - Issue 5 - December 2005 - folded A3 sheet, plain paper, colour photos - with articles on congestion, advertising campaign success re fare evaders, new platform stops in Flinders St, Network improvements and getting ready for the 2006 Commonwealth games featuring a cartoon poster of a tram in a race (see Reg item 1235 for the actual poster). Has a message from Dennis Cliche - new CEO. .5 - Issue 6 - May 2006 - folded A2 sheet, gloss paper, items re Commonwealth games, Karachi W-11 tram, Remembrance day, network improvements, Grand Prix, good Friday appeal, and the forthcoming centenary celebrations. Centre page spread has a large number of photos of staff during the Commonwealth Games. .6 - Issue 7 - October 2006 - folded A2 sheet, gloss paper, colour photos of the Centenary Art Tram (5006), Myki, network improvements, memories of 1906, Luna Party Tram (1011) with centre page spread of a photo of 5006 outside Luna Park, and the various tram images featured on the tramcar. See also Reg Item 864 for details of the making of the art work. .7 - Issue 8 - December 2006 - folded A3 sheet, gloss paper, colour photos of the "Tram It 2006" event, light rail, TramTracker being launched, Essendon, Centenary celebrations and "for the love of trams". .8 - Issue 9 - May 2007 - six pages - traffic condition, green depots, Joyce Barry, plaque at Brunswick Depot, fund raising, platform stops, trackwork, TramTracker, Police tram. .9 - Issue 10 - September 2007 - MSO tram, students travels, Transport Challenge 2007, website, TramTracker by SMS. .10 - Issue 11 - Melbourne trams a heritage icon, fund raising, TramTracker, cable tram tracks in Abbotsford St, route 86 to the Waterfront City Docklands, hailing trams. 11 - Issue 12 - Mulhouse tram, Bumblebee, on the docks, fundraising, St Kilda Road upgrades, TramTracker. .12 - Issue 13 - Bumblebee C2 class trams, traffic congestion, wind power tram, Flinders St trackwork. .13 - Issue 14 - Silver Paralympians on tram, green wind powered trams. .14 - Issue 15 - TramTracker Jake, film festival, Public Transport Ombudsman - Simon Cohen, Operations Centre, .15 - Issue 16 - 6 pages - tram performance, TramTracker at tram stops and iPhones, Mike Talks, Myki. All have the Yarra Trams logo on the front cover.trams, tramways, yarra trams, tickets, commonwealth games, flinders st, grand prix, karachi w-11 tram, construction, luna park, essendon depot, centenary, tramtracker, olympic games, control centre, balaclava junction, trackwork, grand union, melbourne university, superstops, vermont south, route 75, flinders st, bourke st, brunswick depot, cable trams, docklands, mulhouse, c2 class, flinders st, environment, ombudsman, myki, tramways band

The original art piece was painted by Australian artist Will Longstaff after he attended the unveiling ceremony of the Menin Gate memorial at the entrance of the Belgian town of Ypres in 1927. The memorial is inscribed with the names of 54,000 British and Commonwealth soldiers killed in Flanders with no known grave. More than 6000 are Australians. It was purchased in 1928 for 2000 guineas and presented to the Australia Government by British Philanthropist Lord WoolavingtonThe image commemorates those soldiers with no marked graves who died on the Western Front during the First World War.Dark wooden frame of a dark blue coloured print with large cream coloured arched monument in distance.MENIN GATE AT MIDNIGHT by Will Longstaff Presented by Lord Woolavingtonmenin gate, will longstaff, lord woolavington, ww1

Badges relate to the HEWSTON family collection WW1 & WW11. .1) This a typical Perspex badge made by soldiers WW2, classed as Trench art..1) Badge, Rising Sun, white perspex with metal clasp. .2) Badge, Rising Sun, lapel with clasp, metal. .3) Badge, Rising Sun, lapel with clasp, metal.“Australian Commonwealth Military Forces”numismatics-badges-military-army, rising sun, trench art

Items are classed as WW 2 trench art..1) Perspex brooch, half round in shape, green colour. Inlaid is a rising sun lapel badge with is gold coloured. the writing on the badge "Australian Commonwealth Military Forces" has been coated in red. 2 pins have been attached. .2) Perspex brooch, oval shape, clear from the rear a crown and wings has been pressed into to giving a clear shape from the front. trench art, brooches

“FANNY ISABELLA NICOL” Ref Cat no 2317.6TRENCH ART- Brass heart shaped locket on a chair, blue enamel writing. Rising Sun Insignia RISING SUN INSIGNIA AUSTRALIAN COMMONWEALTH MILITARY FORCES trench art, metalwork

This item would be classed as Trench Art, most likely WW2 era.Brooch, outer section white Perspex depiction of Rising Sun, centre small brass depiction of Rising Sun glued to the Perspex, on the rear a brass pin for clothing attachment. “AUSTRALIAN COMMONWEALTH MILITARY FORCES”brooch, rising sun,