Showing 1293 items
matching costume female
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Orbost & District Historical Society
cap, Reynolds, Mrs Clarrie, 1920's
... cap costume-female boudoir-cap handcrafts crochet sleepwear... of a piece of clothing no longer in fashion. cap costume-female ...A boudoir cap was popularly worn in the nineteenth and early twentieth centuries In its original form, the boudoir cap was worn over undressed hair, It was designed to be worn in the privacy of the boudoir with negligees or nightwear.[andwas often made from lightweightfabrics such as muslin or net and trimmed with silk ribbon and lace. In the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping.This item is an example of a piece of clothing no longer in fashion.Hand crocheted boudoir cap. Light blue thread crochet on top. Fine piece of fabric around centre. Blue and pink border. wire inserted into cap at sides.cap costume-female boudoir-cap handcrafts crochet sleepwear -
Orbost & District Historical Society
hat
... hat costume-female headwear... gippsland hat costume-female headwear Lady's black bonnet made ...Lady's black bonnet made of silk. Edges (sides) tilt upwards and the front is peaked. Black flowers, ribbon and feathers are displayed at the back and plastic and wire black flowers with white stamens at the front Two long pieces of ribbon fall at sides to tie under chin. Sequins at the R.H. sand. Whole hat is a wire structure.hat costume-female headwear -
Orbost & District Historical Society
gloves
... gloves costume-accessories costume-female... century. gloves costume-accessories costume-female On inside ...Gloves were commonly worn by women until the latter half of the 20th century. these gloves are an example of These gloves are an example of a costume accessory worn by women in the early 20th century. One pair of fine black crepe lady's gloves. Two buttons at each wrist.On inside of each glove 7gloves costume-accessories costume-female -
Orbost & District Historical Society
shawl, Untitled, late 19th century?
... shawl costume-female handcraft silk... of women in the families of the early settlers. shawl costume ...In 1896 Albert Richardsonand his bride, Lettice, came to the mill at Tabbara. Their daughter, Mrs Mary Barclay, was born at Marlo in 1897. Her Scottish great-great grandmother who was born about 1800, kept silk worms. When she was about 12, she collected and spun the silk to later make this shawl.This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.A handmade shawl of beige silk. Edge is fringed.shawl costume-female handcraft silk -
Orbost & District Historical Society
dickie shirt, c. 1900-1920
... costume-female... century. costume-female A silk shirt front with silk collar ...Hand sewn by Mrs Marjorie McKeown (nee Ford) who most likely also wore this garment. This item is an example of the fine needlework skills of women in the first half of the 20th century.A silk shirt front with silk collar and decorated with pearl buttons down the front. It has lace insertions on either side of the pearl buttons. The back of this garment is made of plain cotton and has narrow cotton laces which tie around the front. costume-female -
Orbost & District Historical Society
night gown, c. 1900 - 1930s
... costume-female undergarment...). costume-female undergarment A long plain cream or white silk ...Made and presumably worn by Mrs McKeown (nee Ford).A long plain cream or white silk sleeveless nightgown with a fine lace border around the neck line and around the bottom hem of the garment. The neckline is a "V" shape in front. Two white crocheted rosette decorations have been appliqued onto the top front. It has two cotton inserts under the arms. Two fine darts run downwards at the front. costume-female undergarment -
Orbost & District Historical Society
bloomers, c. 1900 - 1920s
... costume-female underwear...). costume-female underwear Large white linen bloomers with a small ...Made and presumably worn by Mrs McKeown (nee Ford).Large white linen bloomers with a small crochet border around the leg cuffs.costume-female underwear -
Orbost & District Historical Society
night gown, c. 1900 - 1930s
... costume-female underwear... gippsland Made and presumably worn by Mrs McKeown (nee Ford) costume ...Made and presumably worn by Mrs McKeown (nee Ford)A full length white cotton nightgown without sleeves. It has a crocheted border in white cotton around the neckline and also making a small trim on the front upper bodice/neckline. Arm holes also have the same crochet trim. The bottom of the garment is hemmed and without any trimming.costume-female underwear -
Orbost & District Historical Society
night gown, c. 1900 - 1930s
... costume-female underwear... McKeown (nee Ford) costume-female underwear A long white night ...This garment has been hand made and presumably worn by Mrs McKeown (nee Ford)A long white night gown made of fine cotton. It has a small crochet trim around the "V" neck line and also a lace panel inserted around the bodice. The bottom of the skirt has a trim of broderie anglaise. costume-female underwear -
Orbost & District Historical Society
petticoat, Cowell, Alice, 1914
... petticoat costume female-underwear handcrafts dress-making... in the first half of the 20th century. petticoat costume female ...Handmade by Alice Cowell as an entry for the annual Bombala (southern New South Wales) Show.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.A white machine-made petticoat with hand embroidery and pink ribbon threaded around middle. It has broderie anglaise along scalloped edge and comes with a blue certificate for First prize at the Bombala Annual Show.petticoat costume female-underwear handcrafts dress-making -
Orbost & District Historical Society
dress, C 1900
... costume-female handcrafts-dressmaking dress-wedding... as the needlecraft skills of the women at that time. costume-female ...This was the wedding dress worn by Mrs Jessie McKinnon (nee Campbell). It has been made for riding side-saddle. Only highly-skilled tailors could produce the complex skirt required for riding side-saddle. It had to curve neatly over the rider’s knees.This dress reflects the fashion of the early 20th century as well as the needlecraft skills of the women at that time.A hand-made, long-sleeved wedding dress of beige satin. It is tapered at the waist and covered buttons from the collar to the waist. There are bows on the wrist. There is fringing at the waist and it is ankle length. There is a huge pocket on the left hand side. There are box pleats at ankle length and a frill of chiffon at the bottom.costume-female handcrafts-dressmaking dress-wedding -
Orbost & District Historical Society
dress, first half 20th century
... costume-female dress-wedding needlecraft hand-made... in the first half of the 20th century. costume-female dress-wedding ...This dress was a wedding dress. Horseshoes have always been a traditional symbol associated with good luck . . Because the horseshoe is " U " shaped, to retain the the good luck forever, it is essential that the horseshoe is hung by the ribbons which are attached to the shoulders. The horseshoe should not be turned upside down or else all the good luck of the marriage may fall out.This dress reflects the needlework skills of women in the first half of the 20th century.A hand-made white full length lace dress with a lace-covered horseshoe attached to the shoulder. It has lace cap sleeves. The dress is lined with cream coloured silk.costume-female dress-wedding needlecraft hand-made horseshoe -
Cheese World Museum
Photograph, Johanne Christiane Adler (nee Uebergang) c1880, c1880
... costume, female headwear... murtoa penshurst penshurst Germany costurme, female costume ...Portrait of Johanne Christiane Adler, nee Uebergang, c1880. Christiane's story is recorded in the Uebergang family history (The Uebergang Families in Australia 1848-1985, pp.43-48) and includes a list of descendants. A companion portrait of her husband Johann Gottlieb Adler is also in the collection.Black & white portrait of woman wearing a dark top with pale jabot and a close-fitting bonnet tied in a bow under the left ear. The photograph is mounted in an oval mat in a brown wooden frame with plaster decorations.allansford, murtoa, penshurst, penshurst, germany, costurme, female, costume, female headwear, portraits, farmers, selectors, uebergang -
Bendigo Historical Society Inc.
Clothing - ROYAL BLUE SILK DRESS, 1850's
... COSTUME Female royal blue silk dress Full length royal blue silk ...Full length royal blue silk embroidered fabric dress with bodice and long sleeves, fully lined with ivory cotton fabric. Hand made. Front of bodice has round neck and dips to a deep V at waistline. Twelve decorative fabric covered buttons from neckline to lower V that taper to stitched down pleats at waistline. Fabric bow at centre front of neckline lined with blue satin. Long sleeves have short capped layer over a flared layer underneath. Top section edged with one row of royal blue cotton fringeing. Lower flared section edged with two rows of royal blue cotton fringeing. Large royal blue fabric bow attached at each elbow. Back of bodice made of six panels to waistline. Centre panel on each side is edged with cotton fringeing. Centre back opening to waist with nineteen hooks and eyes, only one eye remaining. Piping around waistline. Full skirt knife pleats at front below waist. Hemline edged with blue ribbed cotton ribbon. Card inside box with ''Wedding Gown Circa 1850's".costume, female, royal blue silk dress -
Bendigo Historical Society Inc.
Clothing - BARBARA GALLAGHER COLLECTION: SHOULDER LENGTH WEDDING VEIL, 20/08/1960
... COSTUME Female shoulder length wedding veil Off white shoulder ...Off white shoulder length wedding veil edged with cream coloured nylon lace with scalloped edge. Circular head piece (Tiara) with double row of small net covered wire oval rings ( 2cm). Second row of oval rings each have a rhinestone stitched in centre. Worn with wedding dress 11400.327.costume, female, shoulder length wedding veil -
Bendigo Historical Society Inc.
Clothing - BARBARA GALLAGHER COLLECTION: WEDDING DRESS, 20/08/1960
... COSTUME Female ivory satin wedding dress Ivory delustered satin ...Ivory delustered satin wedding dress, long lily pointed sleeves - five covered buttons and loops at wrist.Boat shaped neckline at front, dipping to a ''V'' at the back. A pleated panel from the back neckline extends into a long cathedral trim rounded at the end hemline - 2.40 meters long. Empire line with two small pleats on each side of bodice. A flat satin bow sits across the train, on the bodice empire-line. Zip, with hook and eye fasteners on left side of bodice. Worn with veil 11400.328. Wedding dress owned by Barbara Gallagher (nee Filcock) of Bendigo. The dress was made by Mrs Clarke of Havlin Street, Bendigo, and is an example of home made fashion of the 1960's. The dress and veil were worn by Barbara Filcock at her marriage to Kevin Gallagher on 20/08/1960, at the Sacred Heart Cathedral Bendigo. Wedding dress 11400.327; Wedding Veil 11400.328; Fur Stole 11400.329. Donated by Regina Marr, items owned by Barbara Gallagher (nee Filcock), Husband Frank Gallagher of McKean's Real Estate note says other items have been donated by Barbara Gallagher (McKean's).costume, female, ivory satin wedding dress -
Bendigo Historical Society Inc.
Memorabilia - MORLEY FASHION LABEL
... COSTUME Female underwear label Morley Morley Fashion Label: Orange ...Morley Fashion Label: Orange scalloped border, circular in shape with black and orange print. Yellow cotton thread through a small hole for attaching. The label reads * Morley World Famous Underwear* Specially treated with the new 'Kantshrink' Regd. Process. And guaranteed unshrinkable. Should this garment shrink in washing it will be replaced. Made in Australia. Same print on the back. Box 625costume, female underwear, label, morley -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: BLACK JACQUARD SKIRT, 1940-50's
... COSTUME Female black jaquard skirt Black silk lined with black ...Black silk lined with black polished cotton- seven gored skirt. A woven floral design through the fabric. Hemline is finished with a two cm braid hand stitched on the inside of the skirt, and finished with a one cm fringe edging the hemline. Plackett at centre back waistline fastens with seven metal hooks, and hand stitched loops. Cotton tape two cm wide waistband. Small soft gathers at centre front waistline.costume, female, black jaquard skirt -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: BLACK CROCHETED JACKET, 1940-50's
... COSTUME Female black crocheted jacket Fine patterned black ...Fine patterned black syntheticed? Thread jacket. Long sleeves have been hemmed back with a generous seven cm hem. This maybe to form a turn-back cuff if required. High fold-back collar fastens with two narrow velvet ribbons. No fastenings at centre front opening. Extended sleeves in one piece with the front and back. Collar, front, and ;lower edges finished in a curved, shell shaped pattern.costume, female, black crocheted jacket -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: BLACK CROCHETED SHAWL, 1950-70's
... COSTUME Female black crocheted shawl Black woollen shawl ...Black woollen shawl, with an 8 cm fringe along two sides. Crochet has a fan-like pattern worked in treble crotchet and chain stitch. This gives an open effect.costume, female, black crocheted shawl -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: BLACK FUR FABRIC COAT, 1950 - 70's
... COSTUME Female black fur fabric coat Knee length fur fabric coat ...Knee length fur fabric coat, lined with soft black satin-like fabric. Long sleeves, revere collar and five black button fastening at front, five machine stitched button holes. Shoulder pads give a broad shouldered profile. One button at top is high under the collar, allowing the coat to button up to the throat.costume, female, black fur fabric coat -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES PETTICOAT, Early 1900's
... COSTUME Female cotton full length petticoat. White cotton full ...White cotton full length ladies petticoat. Made of five pieces - two at the back, three at the front. Back opening. Very tightly gathered onto a waistband (4cm). Back section of waistband has horizontal stitching to form casings for four narrow cotton ties. Ties extend from hips on either side across the back opening to be used for tightening and closing the opening. Lower edge finished with cotton cord. Two small frills above hemline.costume, female, cotton full length petticoat. -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES BLOOMERS, Early 1900's
... COSTUME Female cotton bloomers White cotton ladies bloomers, made ...White cotton ladies bloomers, made from two pieces with seams at centre front and back. Waist band (4cm0 attached with series of small pleats to create fullness. Cotton tape ties attached to waistband at side openings as fastenings.costume, female, cotton bloomers -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES UNDERSHIRT, Early 1900's
... COSTUME Female ladies undershirt White cotton long sleeved ladies ...White cotton long sleeved ladies undershirt.. Front opening with four buttons and buttonholes. RHS of opening trimmed with double sided broderie anglaise lace. On either side of front opening is a vertical insert of broderie anglaise lace with three vertical pintucks on either side, Widens at hipline. Set in sleeves trimmed with broderie anglaise lace and pintucks at wrist.costume, female, ladies undershirt -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES DRESS - BODICE AND SKIRT, 1909
... COSTUME Female ladies dress- bodice. Waist length dark green ...Waist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice. -
Bendigo Historical Society Inc.
Clothing - SAGE COLOURED SILK LONG SLEEVED DRESS, 1880-1890's
... COSTUME Female sage coloured silk dress Sage coloured silk long ...Sage coloured silk long sleeved dress. One piece full length dress. Full length side panels from shoulder to hem. Front of bodice extends below waist line to form two points on either side of front opening. Front opening is fastened with twelve fabric buttons (1-5cm) and button holes. Small standup collar(3cm) fastened at throat with hook and eye. Bodice shaped with two darts on either side of front opening. Small ruched pocket on LHS of bodice at waist level. Long narrow fitted sleeves shaped at the elbow. Decorative cuffs at wrists of ruched frilling (8cm) with triangularturned flap on top edge at back of cuff. Back of dress has four panels. The two centre panels extend below waist to to two points. The centre skirt panel is attached under the centre two panels and is gathered by five deep pleats to form a bustle effect extending to a long train. Front centre panel has horizontal gathering with ruched frills in centre, and at sides. Side panels overlap front centre panel. Hemline has pleated frill above the hem which is finished with cord. Skirt is lined with an open weave, brown cotton fabric. Bodice is lined with brown polished cotton. Hand stitched and machine stitched.costume, female, sage coloured silk dress -
Bendigo Historical Society Inc.
Clothing - MERLE BUSH COLLECTION: STRAW HAT IN R.O. HENDERSON BOX
... COSTUME Female headwear straw hat Straw hat with a cream band ...Straw hat with a cream band. The hat sit in a hat mould to keep it in shape. The hat is inside a cardboard box (damaged) R. O. Henderson (Beehive) Pty. Ltd. Pall Mall, Bendigo. Exclusive Millinery.costume, female headwear, straw hat -
Bendigo Historical Society Inc.
Clothing - SKIRT (WEDDING DRESS), 1896
... COSTUME Female wedding dress skirt Label stitched inside skirt ...Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt -
Bendigo Historical Society Inc.
Clothing - BODICE (WEDDING DRESS), 1896
... COSTUME Female wedding dress bodice F.Davey & Co, Dress & Mantle ...Bodice (Wedding dress), hand and machine stitched. Silk lined with polished cotton. Slim ruched sleeves - ruched at inner and elbow side of sleeve (hand sewn). Elbow edge of ruching forms two ''frilled pleats'' down the sleeve to the wrist. Wrist edge lily pointed and finished with a 9 cm underfill of cotton lace. Top of sleeves have a leg-o-mutton balloon effect panel sewn at the shoulder and the upper arm. This balloon effect hangs down over the sleeves almost to the elbow. Top of sleeve has an embroidered lace frill hanging over armhole. Two silk bows are placed at the shoulders. Stand-up collar,5 cm deep is finished on each side with a pearl and glass beaded bow motif- 6cm in diameter. Hook and eye fasteners down front-metal loops covered with button hole stitch. Bodice boned with thirteen (13) ''bones''. Each pocket finished with a fan pattern stitching. Linen panel, with a diamond shaped weave stitched at each underarm. Front bodice is pleated from shoulders to centre front. Right front laps across left to fasten with a hook on the left shoulder. This panel is heavily beaded with glass beads and sequins. Over panel from right shoulder fastens with hook and eye at left hip line,with the pleated panel circling the waist.Matching skirt 11400.315.F.Davey & Co, Dress & Mantle Makers, View point, Sandhurst Label stitched at inside waistline of bodice.costume, female, wedding dress bodice -
Bendigo Historical Society Inc.
Clothing - HANRO COLLECTION: PURE WOOL JACKET AND SKIRT
... COSTUME Female hanro pure wool jacket Label inside back neck ...Pure wool black and dark green check pattern suit jacket. Single-breasted fastened with three buttons (2.4cm diameter) and two press studs. Buttonholes on a placket, of fabric cut diagonally. Classic collar. Top button at throat. Back of jacket made from four pieces. Front of jacket made of three pieces on each side to form shaping. Pockets inserted to seams at waist level on both sides of the jacket. Long sleeves tapering to wrist. Pure wool. Black and green, woven in a check design A-line skirt, with a long stitched down ''plackett'' effect of fabric cut diagonally, opening to a pleat, just left of centre front.Label inside back neck, ''Hanro tailored by franchise from Handschin and Ronus Ltd Switzerland. 100% wool. 18.costume, female, hanro pure wool jacket