Thi sep necklaces are worn by Chin women in Burma, they represent the wealth of the person who wears them. This necklace was bought by Hrang Tin Sung in India from Burma. It was sent to Sang Men Hniang in Melbourne, Australia. This necklace is one of Chin tradition necklaces. It is important for Chin women because it shows your status in the society and women wear them to look good. This is the only Thi Sep that Sang Men Hniang have owned. It is a handmade necklace, made of a collection of 17 small red necklace, the beads are plastic, they are very small and are in red colour. necklace, thi sep, burma, chin, lai thi, lai thil, lai thuam

Kylie THOMAS (14 May 1973 - ) Born Creswick, Victoria A graduate of the Bachelor of Arts (Visual Arts) (1993) and Diploma of Visual Arts (1995) from Federation University (then University of Ballarat) Kylie Thomas continued her art practice after studying under distinguished sculptors Peter Blizzard and Adrian Mauriks. This work was acquired from her graduate folio. Soon after completing her studies Kylie Thomas became an artist in residence at Ballarat Grammar School building a public sculpture for the grounds conceived by one of her selected students as part of the program. She became the youngest exhibiting applicant to be awarded the City of Port Phillip, Rupert Bunny Foundation artist in residence program. After moving to Mallacoota she was absorbed into the community as a visual artist, actor, playwright and assistant publicist. Her commissioned public artwork and sculptures as part of residences collections were all lost in the 2019 bushfires that decimated Mallacoota. Moving back to her hometown of Creswick Kylie Thomas completed a Diploma in Education qualifying as a secondary teacher, always continuing her art practice while teaching. Needing to work again, but with no desire to teach, Kylie Thomas studied Building Design and Architectural Drafting, homing in on other areas which could link back to her artistic practice. Working in this field for a short time she moved to Melbourne where she exhibited paintings and sculpture installations as part of The Melbourne Fringe Festival. She also worked in set design, and as a stage manager and theatre actor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is a spiritual totem created in the tradition of the bricoleur, dedicated to bygone cultures, lost technology and mystery referencing nature, humanity and technology. Humanity to use technology with and for nature. The materials are symbolic, the use of bone, Perspex, computer parts, found and crafted objects constructed in a resulting harmony creating a symbiotic relationship. Tapping the 4th dimension that could lift off into space and come back again, with a feeling of weightlessness, awe and suspension captured. A sculpture which stands on a white pedestal with perspex cover. 'Cultural Dedication' is the final work in a series of sculptures influenced by the ancient cultures of Egypt. art, artwork, kylie thomas, sculpture, alumni

The University's mace was carried in procession for the first time during the Graduation ceremonies in May 1996. The mace was presented to the University by former Chief Commissioner of the Ballarat City Council, Vern Robson, at a ceremony on 02 February, following a national competition for its design, sponsored by the Council. (The Flag, Issue 2, July 1996) Nineteen artists responded to the competition which called for a design that would embody a distinctive Australian image reflecting the heritage of the city and in relationship with gold, an Aboriginal element and the history of the University. The winning entry, dominated by a poppet head, was submitted by Central Victorian artist/sculptor Trefor Prest, a sessional lecturer in sculpture at the University.(The Flag, Issue 2, July 1996) The Herald Sun of 03 February 1996 reported 'the new mace shows importance elements of Ballarat's heritage as well as the university's focus on the future. The artist emphasises the egalitarian nature of Australia as embodied in Ballarat's famous slice of history - the Eureka uprising. ... The mace has a poppet head at the top of the shaft - an unusual element for a mace - but it represents Ballarat's mining history and the University's evolution from the Ballarat School of Mines. An opening egg at the top stands for the nurturing of development and learning. The mace's straight shaft is depicted as the tree of knowledge and, incorporating a bark canoe scar, Ballarat's Aboriginal heritage. At the end of the shaft is a surveying device, which represents precision and accuracy ads embodied in the university's academic pursuits.' Bob Morrell of the University organised the national competition to design the mace and said 'It is in keeping with the university's logo, 'proudly flying the flag', which incorporates the Southern Cross.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Trefor Prest lectured in Sculpture at the University of Ballarat from 1995-1996.The mace symbolises the office of the Chancellor. The design of the mace is the outcome of a national competition and represents the cultural diversity of Australia. The poppet head on the top of the mace refers to gold mining, which underpinned the development of Ballarat. The protruding spikes recall the Eureka Stockade. The 'egg' shape enfolds and nurtures the development of knowledge and learning. The shaft with the three 'branches' represents the Tree of Knowledge, and includes a bark canoe scar which recognises the integration of black and white Australian traditions. The lower part of the shaft culminates in a device suggestive of scientific or surveying and measuring technology. This represents precision and accuracy embodied in the academic pursuits of Federation University Australia.art, artwork, trefor prest, prest, mace, federation university, university, eureka stockade, aborigines, scarred tree, mining, university mace, ballarat

Photograph of the ANZAC DAY March in Melbourne, Swanston Street, 25 April 2017. Taken before the step off of the Headquarters 3rd Division corner of Flinders Street and Swanston Street outside Young and Jackson pub. Includes Tim McClure holding banner (son of William McClure, WWII), and World War II veterans visible in wheelchairs Ray Scales (left) and Alec McClure (right). Veterans are surrounded by family members.A photograph of the 2017 ANZAC Day March, including World War II veterans marching. It represents and shows a tradition and an important cultural event.Colour digital photograph of 2017 ANZAC Day March, Melbourne. 3.5 MB JPEG file, unknown DPIanzac, anzac day, ww2, wwii, world war 2, world war ii, headquarters third division, march

merri-bek public art collection

iv, 68 p.; 30 cmnon-fictionThe Cardinian Embroidery uses fabric, thread and the ancient art of stitching to depict the heritage and traditions of the Cardinia Shire as viewed in 2005. There are eight panels depicting 384 features of local significance. A brief historical note accompanies each feature. The individual textile artists are also listed. cardinia shire (vic.), embroidery

A stapled, card-covered, fifty-two page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students at Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1973

A stapled, card-covered, forty-eight-page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1976

A stapled, card-covered, sixty-four-page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1977

The children in the picture were students at the Greek language school which was run by the Greek Community of Melbourne and were attending the '28th October' Greek national day celebration at the Evangelismos Greek Orthodox Church in East Melbourne. The two women, Alexandra Vrachna and Nina Black were teachers at the school. The Evangelismos Church was the first Greek orthodox Church to be established in Melbourne. The foundation stone was laid in December 1900 and church services commenced in August 1902. The 28th October is known as 'OHI' DAY', translated meaning NO DAY. It is an important national day celebrated in Greece and the Greek diaspora and commemorates the anniversary when in 1940 the then Prime Minister Ioannis Metaxas said “NO” to an ultimatum made by Italian Prime Minister Benito Mussolini to allow Italian forces to occupy Greece. It marked the beginning of Greece's entry into WW2. The day symbolises values important to the Greek people - freedom, courage and 'filotimo'. The establishment of the Orthodox church in Melbourne in the early years of the twentieth century was was indicative of the number of Greek migrants who came to Australia in those early years of settlement in this country and the desire maintain their religious and cultural traditions. The early Greek migrants were anxious that their Australian born children maintain their language and religion in their adopted country. A black and white photograph of children with three adults standing outside Evangelismos Church in East Melbourne. Three children in the back row are displaying the Greek and Australian flags.Written in red underneath the photograph: 28th OCTOBER 1948. OUTSUDE THE GREEK CHURCH IN EAST MELBOURNE/PHOTO PROPERTY OF STATHI RAFTOPOULOS.wwii

The picture is of a Greek dance group, possible organised by the Olympic Club. Nina Black pictured in the middle row was an Australian born Ithacan who was very active in a variety of Greek community activities, including the performing arts and education. She was passionate about fostering Greek culture and language within the Ithacan, Greek and wider Australian community in Melbourne. She went on to establish her Greek dancing classes which were popular with both the Greek and broader Australian community. Her Greek dance group performed Greek dances at many social functions and dressed in traditional Greek costumes, the performances added colour to the events and were widely appreciated. Pictured, back row L-R: . . ? . ., Olympia Cecil, . . ? . . , ...... Green. Middle row L-R: ...... Green, . . . ? . . . , Michael Black, Nina Black, Marguerita Black. Front row L-R: Spiro Polites, Eleni Vrachna, Effie Cecil, Ellie Black, Harry NicholadesThe teaching of Greek dancing to the children of Greek immigrants ensured the maintenance of Greek cultural traditions in their adopted country. A black and white photograph of ten ladies and three men dressed in Greek national costume and posing on a staircase.

The photograph of a group of Ithacan women was taken at an Ithacan Philanthropic Society annual picnic. The women would work hard in the lead up to the picnic to prepare traditional Greek fare to enjoy on the day. At the picnic women catch up with relatives and friends. Ithacan women brought with them their Ithacan traditions and culinary skills and were very much the custodians of the Ithacan cultural heritage. A black and white photograph mounted on grey board of twenty one ladies and five children standing in front of a cluster of trees in a rural setting. picnics