In 1915 Arthur Swanwick from Bendigo enlisted in the AIF. He left for overseas service in March 1916. He wrote a message to his sweetheart Jessie Campbell, placed it in a bottle and threw it overboard from HMAT A18 "Wiltshire". The bottle was found on a beach near Robe SA and the message was sent to Jessie. Arthur returned home and he and Jessie married in 1918. Arthur died on 11 April 1968. Arthur's niece sent the updated information after the story was shared with the family who knew nothing about it. A hand written letter on lined green paper sent to BHS providing an update on the story of a "Message in a Bottle" written by Arthur Swanwick to Jessie Campbell. A black and white wedding photograph of Arthur and Jessie, a black and white photograph of dedication plaques from the Bendigo RSL WW1 Honour Board and a Thank you card form Arthur's niece thanking someone for letting the family know about the story (18 October 2013). ww1, message in a bottle, swanick

Tells the story of early Irish Pioneering Women who settled the Maribyrnong River Valley (formerly Salt Water River) and founded the first hotels, punts (river crossing barges) and farms in the region; and focuses on six particular women and their stories.Book now out of print. Funds from the sales of this book were used to build the monument "The Pioneer Womens Shelter" in Pipemakers Park.Book, soft card cover, 178 pagesISBN 0958808406 Book dedication "This book is dedicated to all women who made the voyage under sail"book, womens history, irish women, pioneers, maribyrnong river, salt water river

Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Standard size cream business card with black embossed lettering.front: TELEPHONE: 596 1489 / TINA KNITWEAR / FOR ALL MEN'S AND LADIES' WEAR / 17 ORCHARD STREET, NORTH BRIGHTON, 3186knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. It was the official commemorative document of the occasion. The Queen lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)Booklet x 12 pages with sepia photos and brown text in a cream card cover for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

Two notecards published by Legacy to commemorate the installation and dedication of the 'Widow and Children' statue on Tuesday 29th September 1998 in the Legacy Garden of Appreciation. The 'Widow and Children' statue was sculpted by Louis Laumen, a Melbourne artist. The sculpture symbolises the work of Legacy caring for the widows and children of veterans.A record of the 'Widow and Children' statue being dedicated in 1998.A commemorative card and a blank note card both with an image of the Widow and Children statue and the date of dedication.statue, garden, memorial garden, widow and children statue

A history of the Corvette HMAS Stawell (J348) 1943-1945White card Cover with black print with colour Photo of the HMAS Stawell, a corvette during WW2 On Rear Cover: Dedication Plaque for HMAS Stawell"We lived with Danger" by Geoff Brooks A History of the Australian Corvette HMAS Stawell (J348) 1943-1945 Inside on title page: The Stawell Historical Society. Warmest Regards. Geoff Brooks 13 March 1995stawell navy ww2

Published in 1940Booklet, green cover 'Fairy Waxflower' by Tui Ryland. Booklet is enclosed in a brown envelope, addressed to Mrs Chancellor, Panton Street, Golden Square. Written on outside of envelope ' Fairy Waxflower by Tui Ryland, 3 B.O. Member from New Zealand' Dedication on first page reads ' this little booklet is dedicated to my many friends in Bendigo, especially to the Members of the 3 B.O Home Forum for their kindness to me during my long illness. I trust this little story of your beautiful Waxflower will give you some pleasure. Sincerely thanking you all. Tui Ryland Card enclosed in booklet reads' with the compliments of Tui Ryland, 273 McCrae Street, Bendigo.'

Invitation and program for the dedication of the cenotaph in Alfred Square, St Kilda, by the Governor of Victoria, Sir Brian Murray, on 21 April 1985, followed by a reception at St Kilda Town HallFolded white card printed in gold on the outside, with the St Kilda crest, and black on the insidest kilda cenotaph

Unused card for responding to an invitation to the dedication of the cenotaph in Alfred Square, St Kilda, by the Governor of Victoria, Sir Brian Murray, on 21 April 1985, followed by a reception at St Kilda Town HallWhite coloured card printed in blackst kilda cenotaph

A photograph of Melynda Hardie, Club Champion from 1975 to 1978, highlights a period of excellence for Broadmeadows Amateur Swimming Club. Her consecutive wins reflect the club's strong competitive spirit and dedication to nurturing local talent.A photograph of Melynda Hardie, Club Champion from 1975 to 1978, is significant as it captures a period of exceptional achievement for Broadmeadows Amateur Swimming Club. Her consecutive victories underscore the club's dedication to fostering local talent and highlight a legacy of competitive excellence and community pride.A colour portrait of club champion Melynda Hardie (1975-78) on glossy card stock, featuring a black border and white writing.broadmeadows amateur swimming, broadmeadows amateur swimming and life club, club champion, melynda hardie, 1975 to 1978

Illustrated book with dust jacket that has been covered with a clear protective film. Dustjacket has a red background. Front cover has an oval photograph of a woman in Victorian dress (Lucy Osburn). This photo has a grey frame with swirls. Also, on the front, the title is printed in white and the author's name in black. Title (in white) and author's surname (in black) are also printed on the spine.non-fictionThis book is a historical account of the early days of nursing in Australia, specifically focusing on the Sydney Hospital and Lucy Osburn, who arrived in Sydney in March 1868.lucy osburn, sydney hospital-history, nursing-australia-history, alfred hospital nurses