Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

This photograph was taken during the late 1800s at the Chinese camp at Beechworth, Victoria. It was in camps such as these that many would-be gold miners made their home after arriving in Australia from across Asia. After arriving in South Australia where there was no poll-tax required of migrants as was the norm in Victoria and New South Wales, those looking to settle on the gold fields walked en mass overland for hundreds of kilometres before arriving in destinations such as Beechworth. Due to widespread prejudice against Chinese gold diggers they were forced to live separate from the town and developed enclaves much like the one depicted in the photograph. As the years progressed the Chinese camp began to construct more permanent structures and included temples of worship, shops and separate burial grounds. This photograph demonstrates the early multi-cultural aspects of Australia and Victoria during the late 1800s. It also showcases pressures and prejudices specific to the Chinese migrant community and the measures taken to separate them from the rest of the predominantly white community. It also reflects the gold-rush period and one of the first draws to Australia due to its mineral wealth. Black and white rectangular photograph developed on paperObverse: None Reverse: From the/Chinese Camp/84-80-1/1997-3221chinese camp, beechworth, houses, immigrants, gold mining, gold rush, late 1800s, chinese, asia

Some of Camberwell's 'villages' can be traced back to the 1850s. This small booklet explains how some of them developed.Some of Camberwell's 'villages' can be traced back to the 1850s. This small booklet explains how some of them developed.camberwell region, railways, 1882, balwyn, (mr) andrew murray, belmore, (mr) mark collier, boroondara, deepdene, chatham, canterbury, mont albert, ingelfinger family, staig family, surrey hills, (mr) john knipe

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from packet of negatives with name of Harker, and receipt dated April 1958. From Andrews Camera Store. (1 copy of each negative ordered) After scanning in 2023 by Greg Coker, the negatives were disposed and just the packet retained. Some photos may be duplciated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: 1958 – Original Negatives. Marysville Holiday. April 58 was when these were developed, as there was a note on the packet. There is a picture at the top of Woods Point that identifies Marysville.Your Snapshots, by Andrews Camera Stores, 69-71 Elizabeth St, Melbourne. For Dependable Developing Printing and Enlarging.

This booklet provides a general picture of Prahran as it developed from the first Crown land sales of 1840 to its amalgamation with the City of Malvern in 1994This booklet provides a general picture of Prahran as it developed from the first Crown land sales of 1840 to its amalgamation with the City of Malvern in 1994prahran (vic) - history, toorak (vic) - history, armadale (vic) - history, (ms) betty malone

This publication explains an approach to manage the collection and develop a strategic plan for its exposure to the public through community participation and access, interpretations and exhibitions.This publication explains an approach to manage the collection and develop a strategic plan for its exposure to the public through community participation and access, interpretations and exhibitions.boroondara council - art collections, art ad state, cultural policy, boroondara history

The badge was produce to raise funds for the Australian Air League (AAL) which was founded in 1934 and its objective is to encourage the spirit of aviation and air-mindedness in the youth of Australia. The Australian Air League (AAL) is a not-for-profit, civilian operated aviation youth organisation in Australia.Round blue badge with white writing above and below picture of wings. Pin attached to back.Australian Air League To Defend To Developaustralian air league, badge

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Displayed in History House.Developing set by Kodak. Contains: Wooden box with lid (3771.1and 3771.2), developing tank (3771.3 - 3771.5), film reel (3771.6), booklet (3771.7), 4 x metal tools and handles (3771.8 - 3771.11) and packet of developing powders (3771.12)

Items were part of a film developing kit used by Jack Grinton who served as No 1043, 38th Batt AIF 1916-19. This was his second outfit. During his service he took hundreds of photos and developed many in England. Refer Cat No 1280 for service details. Refer 1248.2, 1317P, 1320P.Tools used in photo developing. .1 Device with wooden handle .2 Wooden handle with metal point .3 Silver coloured metal spool .4 Black metal spool .5 Small metal rodphotography, accessories

Villa Maria, later known as Villa Mar has a close association with the Catholic Church, with identifiable and notable Catholic attributes such as the inner courtyard and chapel on the villa. It also is symbolic of a rural retreat which the Beaconsfield area was once noted for.This house is a symbolic representation of the Federation Bungalow architectural style, with influences of catholic attributes.Colour rectangular photograph developed on matte photographic paper.N/Abeaconsfield, cardinia shire, villa maria, villa mar, architecture, catholic church

Villa Maria, later known as Villa Mar has a close association with the Catholic Church, with identifiable and notable Catholic attributes such as the inner courtyard and chapel on the villa. It also is symbolic of a rural retreat which the Beaconsfield area was once noted for.This house is a symbolic representation of the Federation Bungalow architectural style, with influences of catholic attributes.Colour rectangular photograph developed on matte photographic paper. N/Avilla maria, villa mar, architecture, catholic church, beaconsfield, cardinia shire

Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce

Used for planned burning operationsVehicle mounter flame thrower. Developed at Altona workshopsforests commission victoria (fcv), planned burning, bushfire, hand tools

In June, 2001, senior students from Bialik College ran a fundraiser that gathered together 'socks and jocks' to donate to the homeless. Please contact [email protected] for access to this record. Reverse shows developing stamp for 26/06/01fundraising, community, bialik college, jewish school, 2000s

This type of film developing tank was developed by Kodak in 1913. It was designed to allow the user to develop film in the daylight. The cylindrical tank inside the box with the dark apron surrounding it protected the film from the light. This model was 'Model 2' and Brownie size. The instruction booklet is dated to 1918.This objects helps to tell the story of photography as a hobby. It is an early example of a portable film developing which allowed the user to develop film in the daylight. It shows advancement in the technologies available to the hobby photographer.Rectangular timber box and lid. The lid has red lettering ' Kodak Film Tank'. The container part of the box has dovetail joints and a slight lip at the bottom where the base is larger than box. The box contains 2 metal turning handles, a cylindrical film tank and a metal tool which has a circular top end and a slight hook at the opposite end. The inside of the tank is painted black. The box also contains an instruction booklet. At the inside base of the box there is a paper leaflet pasted to the bottom. It has printed important and caution information on it as well as diagrams.Film / Kodak / Tankphotography, kodak, portland, glenelg shire, film, developing, film developing, hobbies, leisure, photographer

Poster, promoting Pure New Wool.whatever develops.../ you can/ trust/ the wool/ that wears the/ woolmark.wool marketing

This photograph depicts a soldier, credited on the reverse as Fred Foster. The young man is dressed in military attire and is standing tall with a gun beside him. He is located in the Australian bush and the date of the photograph is unknown. Frederick “Fred” Arthur Foster was nephew to famous Bushranger Edward “Ned” Kelly. He was born on the 15th of March 1889 in Forbes, New South Wales. He was the eldest son of Catherine “Kate” Kelly and William Henry “Bricky” Foster. After the death of his mother in October of 1898 from apparent drowning, Foster (then aged 9) was raised by his grandmother Ellen Kelly (née Quinn) at Eleven Mile Creek in Victoria. On the 29th of June 1915, 26 year old Foster travelled to Melbourne, Victoria and enlisted in the Australian Army. He was a Private in the 17th Infantry Battalion (originally C.Company, 47th battalion). He previously was attached to the 55th Battalion but transferred in 1916. Prior to enlisting in the army, Foster worked as a Bee Keeper and served in the 16th Light Horse regiment at Benalla. Foster had blue eyes, brown hair and was of Presbyterian faith. On the 28th of February 1917, Foster travelled to France aboard SS “Golden Eagle”. He was killed in action in Lagnicourt, France on the 15th of April 1917 at 28 years old. The Battle in Lagnicourt France, on the Western Front, occurred from the 1st of March to the 30th of April of 1917 and was the location of fierce fighting between Germany and the British Empire. Germany became aware of a weakness they had along the Hindenburg Line, one of these weaknesses was located in Lagnicourt which is a small village in Northern France. Therefore, the Germans decided to launch a counter-attack in this area on the 15th of April at dawn. During this fight, German forces captured several batteries of the 1st Australian Division’s artillery but the Australians led a strong counter-attack by four of their battalions and recaptured the village and most of the guns from the German forces. German forces were forced into a premature withdrawal. This battle was not undertaken in typical WW1 “trench” style warfare. Instead, the battle was up on the ground in what was described as “old open style warfare”. In this battle, slightly more than 1000 casualties were Australian, with 300 of these prisoners of war. German forces suffered a loss of over 2300 casualties with 360 taken captive. Foster was one of 43 in his regiment who died, 87 were wounded and 51 reported missing. Foster was buried at location in Lagnicourt and whilst the grave was initially marked, it is now unknown. Foster’s service, alongside those who fell at Lagnicourt, is commemorated at the Australian National Memorial in Villers-Bretonneux, France along with other national Australian memorial sites.Photography played an important part in World War 1. Photographs of men in their military uniforms served as propaganda during the Great War to reassure civilians back at home of the military prowess of their nation and the bravery of their men. It did this while hiding the true horrors which faced the men in battle. These photographs, which includes those taken at home prior to embarking overseas like Fred Foster’s, act as censored memory for those who have lost a loved one at war. It enables families to remember their relatives in their youth and standing proudly rather than having to face the actual danger and horror which faced these men at the front line. The battle of Lagnicourt France was a victory for the European Empire and therefore, men who lost their lives protecting their countries became heroes and were awarded posthumous medals for their service. Photos of soldiers in their uniforms, were undertaken by men like Foster, so their families would be able to retain their memories and likeness before they embarked for war. Many men were killed or horribly wounded so these images were important for reminding families about their sons/ husbands/ brothers/ cousins and friends. This photo is a part of the Burke Museum Kelly album which includes numerous photographs relating to the Kelly Gang. As the son of Kate Kelly and William “Bricky” Foster, Fred Foster is an important part of the Kelly story after the execution of Edward “Ned” Kelly which has information it can impart relating to the history of the family after 1880. Whilst an important element of the Kelly Album, Foster’s photograph is also historically important in its own right for its connection to the Great War and the experiences of a soldier at the Western Front.Original sepia rectangular photograph developed on matte photographic paper, unmounted.Reverse: (Top right corner of reverse:) FRED FOSTER/ (Top centre of reverse:) Kate Kelly's son.kelly album, fred foster, kate kelly, photograph, australian soldier, the kelly gang, australian bush, burke museum, sepia photo, gum trees, family of the kelly gang, world war i, langnicourt, france, great war, 1917, ned kelly, frederick foster, william "bricky" foster, ellen kelly, military history, australian military

Photograph. Bruce Reid and Daryl McClure at new develop ment site.