This pamphlet was published by the Army Survey Regiment as an overview of the Royal Australian Survey Corps (RASvy), its role and unit structure circa 1991, prior to RASvy’s disbandment in 1996. The pamphlet comprehensively detailed the eight steps of topographic map production: Establish Survey Control, Aerial Photography, Aerotriangulation, Stereoplotting, Field Verification, Cartography, Printing and Storage/Map Distribution. Leading technologies used by RA Svy in 1991 included GPS control surveys, 5 colour printing on the Speedmaster offset press and bulk map packaging using the Map Handling Station (with guillotine). Digital map production was operating on the AUTOMAP 2 system, before the “Newheart” system upgrade two years later. Printed on the pamphlet cover was a portion of the plane tabled “four inches to a mile” map of Newcastle. This was compiled and surveyed in 1910 by LCPL A. Barrett, a member of the RAE Detachment, as part of the first major topographic mapping effort of Australia.This is a Royal Australian Survey Corp pamphlet with a historical map printed in colour on cardboard on both sides of the cover. There are 16 pages printed in colour on gloss paper, with photos, diagrams and descriptions. The pamphlet is bounded by two staples on its spine. Each of the 17 images were scanned at 300 dpi in JPEG (.jpg) format and stored on the attached 16 Gb USB memory stick. The images have been converted into MPEG-4 (.mp4) video format, 4Mb in size and runs for 2:16 minutes and is also stored on the memory stick.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.greensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

A member of the Maygar family who came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. The family farmed along the Plenty River. [In The Melbourne Punch of 27/05/1897 the Vanderwyde Photo Studio Bourke Street featured and promoted their 'Head Study' photography.]Digital copy of black and white studio photograph.maygar family, emily maygar

View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

Photographs of Greensborough and surrounds in the 21st century. Themes include Christmas Day 2012 floods, Loyola College, Greensborough Cemetery, Bill Cecil and Greensborough Historical Society. The photos have been distributed by theme throughout the Society's Digital Library.Modern Greensborough photographed by local photographer.CD containing a selection of photography by Jasmin BurgeWritten on label on CD: "Greensborough Historical Society. Photography by Jasmin R. Burge (J.R.Burge)"jasmin burge, greensborough, photographs, christmas day 2012 floods, loyola college, greensborough cemetery, bill cecil, greensborough historical society

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemetery

"Artist Hilary Jackman gets her kicks from looking at life, a fascination that has given her paintings a distinctive style." Digital scan of magazine articleDigital fileartist, hilary jackman, eltham

A digital copy of a newspaper article regarding the need for the government of the time to make improvements on roads and to infrastructure at tourist sites in the Marysville area.A digital copy of a newspaper article regarding the need for the government of the time to make improvements on roads and to infrastructure at tourist sites in the Marysville area.Souvenir/ written by/ GORDON/ WILLIAMS/ and/ PERCY/ TAYLOR/ Photography/ by/ JACK/ LAWRENCEmarysville, victoria, newspaper article, the argus, jack lawrence, gordon williams, percy taylor, marysville tourist and progress association, lake mountain, steavenson falls, talbot drive, keppel falls, taggerty river

A digital copy of a black and white portrait of Nicholas John Caire.A digital copy of a black and white portrait of Nicholas John Caire. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire

A digital copy of a black and white portrait of Nicholas John Caire.A digital copy of a black and white portrait of Nicholas John Caire. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. N.J. Cairenicholas john caire

A digital copy of a black and white photograph of Nicholas John Caire, his wife Louisa, and their five adult children.A digital copy of a black and white photograph of Nicholas John Caire, his wife Louisa, and their five adult children. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying Louisa Master in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire, louisa master, louisa caire

Four months after the discovery of the Roentgen tube the Ballarat School of Mines were conducting pioneer X-ray demonstrations in Ballarat. This photograph is thought to be taken at that time, and is framed along with some of the x-rays taken at that time. Digital copy of two men sit in front of x-ray equipment at the Ballarat School of Mines. The man in the foreground is John McKenzie Sutherland. The copy is from the original framed 1896 X-Rays (Cat. No. 1243)ballarat school of mines, x-ray, xray, scientific instruments, john sutherland, sutherland, photography, foto, roentgen tube, john m. sutherland, john sutherland

Soft cover 104-page book of photographic prints of local Warrandyte scenery featuring flora and fauna with descriptive captions. Photography by Bill McAuley, Denise Illing and Bill Sandel; Artwork: Stephen Freeman, Fox Hole Design; Printed by: Courtney Colour Graphics; Proofreading: Cherie Moselen; Digital Imaging: Rob Kas.

Colour photography of the Ballarat Arch of Victoryworld war, world war one, ballarat arch of victory, ballarat avenue of honour

Blackbraes Farm is listed in the Whittlesea Heritage Overlay HO14, Photographic survey, 10 Cravens Road Merndablackbraes farm, mernda

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Colour digital print of a dead mouse. Image is a cropped detail of the animal's hind legs and tail.aneta bozic, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, photography, colour photography, animal photography, death in art, www.anetabozic.com

Donor, Howard, became interesed in photography through his father who had Kodak camera and a home development kit. Could adjust size. In school Howard formed a camera club (aged 16). Had a ' Baby Brownie'. When he retired he built own workroom was one of the first to get a digital camera. Hobby ceased due to poor eyesight.Kodak Pocket Instamatic 400 camera. Black and silver metal casing. Kodak logo on left hand corner. Camera case maroon coloured plastic. Kodak logo front bottom right corner. Pocket clips on reversephotography, cameras, camera accessories

Interest through father who had a Kodak camera and a home development kit and could adjust size. In school Howard formed a camera club 'aged 16'. Had a Baby Brownie. When he retired he built his own workroom . Was one of the first get a digital camera. Hobby ceased due to poor eyesightCase, yellow top with Kodak logo. Opaque container. Slides box has a clear plastic cover with magnifying viewer. 40 slides in totalKodakphotography, photographs / slides / film

Colour photography of a streetscene in Malvern.malvern, malvern town hall, council, local government, council chamber, streetscape

Colour photography of an open fire in the Savoia Hotel, Hepburn Springs.hepburn springs, fire, fireplace, open fire

The abbey was founded by the Countess of Salisbury in 1229 for Augustinian Canonesses. It prospered throughout the middle ages. It was bought by William Henry Fox Talbot (1800-77). He was part of a scientific and enlightened group of men, which led him to discover the process of photography. The first photograph is said to have been taken from the windows of Lacock Abbey.In August 1835 Talbot made the earliest known surviving photographic negative using a wooden camera.The rare small photogenic image of the latticed window in the south gallery of Lacock is now in the collection of the Science Museum at Bradford, UK.Colour photograph of Abbey, Lacock, United Kingdomlacock abbey, church

The V&A is the world’s leading museum of art and design, housing a permanent collection of over 2.3 million objects that span over 5,000 years of human creativity. The Museum holds many of the UK's national collections and houses some of the greatest resources for the study of architecture, furniture, fashion, textiles, photography, sculpture, painting, jewellery, glass, ceramics, book arts, Asian art and design, theatre and performance. https://www.vam.ac.uk/info/about-usDigital photographs of a stained glass window at the Victoria And Albert Museum, Londonvictoria and albert museum, window, interior, stained glass window