Aircraft undergoing refuelling and re-arming prior to the next mission. Set in Guam. Includes many service vehicles, equipment and personnel.B-52 Heavy bomberb-52, diorama

Full size model of entrance and interior of a tunnel, showing bamboo spikes trap and uniformed VC soldier with rife huddled within. There is an improvised lamp made from a glass bottle on the tunnel flor. Two Australian soldiers are above the tunnel.diorama, tunnel

Large circular diorama depicting idyllic Asian town including buildings and animals. Scene is encased in wood and glass circular case made from a dark wood with wooden. Diorama is displayed on top of a ornate base matching the wood from the glass case.Plaque: TO THE PORT OF MELBOURNE FROM ITS SISTER PORT OF OSAKA/9TH OCTOBER 1974. Under Diorama: WMA55 Red sticker: RONG PAGONA branddiorama gifts

Centurion Tank- Bridgelayer showing deployed bridge with crew.diorama, centurion tank, bridgelayer

Muddy track depicting army tank following farmer's two wheeled loaded cartpulled by two oxen. Tank gun shield bears playboy bunny logo. US plag flies from rear of tank.us army, tank, diorama

Guntruck escort vehicle and stores truck next to paddy field. Crew appear to be buying refreshments from local villagers. Stores truck is a POL (petrol, oil and lubricants) truck towing a fuel trailer. A wrecked jeep is on the side of the field. Junk dog truck has four machine guns mounted to protect the stores truck.Gun truck bears the name JunkDog. White US stars on the POL truckalso says USA.junk dog, gun truck, diorama

Model of a Cessna Bird Dog in the air over an enemy bunker. Two soldiers on the ground closing in. Box is perspex with white frameCessna O-1 Bird Dog single engine light aircraftcessna o.1 bird dog, model, diorama

Depicts a casualty evacuation from the field by RAAF Iroquois or 'Huey' helicopter. Four soldiers are protecting the landing zone. Two soldiers carrying stretchered injured soldiers on board. Pilot, Co-Pilot, and another soldier look on.'RAAF' on the tail piece of helicopter. Made by John Loughmandiorama, "dust off", huey helicopter

Terrain and vehicles used to clear Australian constructed minefield in Phuoc Tuy Province. Three tanks and one recovery vehicle. A tarpaulin eclosure and barbed wire fence.169099 38D, 169122 38D, 169072 38D on tanks. White star on recovery vehicle.diorama, phuoc tuy province, mine clearing

Depicts aftermath of mine explosion which destroyed carrier 20A of 3 Cav Regt in Feb 1970. Its driver John Graham is on a stretcher. Three vehicles are shown on a track with jungle canopy. Beside the track several personnel man the three vehicles.3 cav regt, diorama, carrier 20a, graham john

M113 APC Stopped on track near simple sapling river crossing. Twp Crew are in attendance, all hatches are open, soldier sitting in top hatch is holding a can of coke. Soldier at front of APC appears to be stretching, taking a break.m113, armoured personnel carrier, diorama, at rest

Self propelled gun with blade to dig its own bund. Crew of seven. At rest, one soldier is with a map, one soldier is looking at a magazine, while another soldier is unpacking ammunition.Word PACHELBEL? appears on the gun barrelpachelbel, m-107, self propelled artillery, diorama

Fire support base. Ammunition resupply by APC to infantry mortor crew in action. Rear hatch of APC open. Mortor crew are in a sandbagged fire position with mortor ammunition ready to fire on sandbags.White playboy bunny logo on gunshielddiorama, armoured personnel carrier, infantry mortor team, ammunition resupply

M88 Hercules armoured recovery tank with boom crane lifting damaged APC. In the background is another APC providing armed support. A 1/4 tonne trailer is alongside.White US Army stars on both APCs. Foreground APC bears Reg. no. 12827469recovery tank, armoured personnel carrier, diorama, m113, m88

A diorama of US Marines with two mules (all terrain vehicles) 106mm recoiless rifle ammunition on mules. Behind the mules there is a cyclone wire fence "Kho Vuc Cam restricted area no tresspassing". the colour of the diorama is mainly olive green.mules, us marines, diorama

A diorama of US Army Gun M35A1 Quad 50 Gun Truck. The truck with Quad 50mm guns mounted on truck bed. There is a soldier standing near the front of the truck. US Army jeep alongside.There are two patches of grass on the diorama.Nancy in yellow, red and yellow ball logo, US white star.diorama, gun truck, jeep

Diorama inspired by image from State Library of Victoria image No H98 104 / 2102.Diorama mounted on black base. 1/35 scale model of 25 pounder field gun with 5 man crew maneuvering a gun into position around a tree with a pulley system. In black print on gold name plate attached to front of black base:: “25 Pounder Field Gun 14th Australian Field Regiment, Kokoda, September 1942”military history-army, arms-ordnance, handcrafts, kokoda

There were hundreds of kilometers of tunnels and the Viet Cong used them for living and sleeping quarters, hospitals, arms factories and storage depots. Diorama of Viet Cong tunnel system over four levels in cut away aspectBrass plaque - Manufactured by members of the North West Sub Branch Education Team. P. Austin, J. Forster, M. Zukowski, G .O'Donovan. Presented to the VVAA Museum by the members of the North West Sub Branch, Melbourne. Vietnam Veteran's Association of Australia.diorama, tunnels, tunnel rats, viet cong, cu chi

Part of the McNamara collection- Printed New Year Greeting card - Diorama scene inside demonstrating "ways of getting to you"(?) - Burgandy silk tassel on front.Variousdiorama, pop-up card, postcard

Diorama of US river operation in Mekong Delta showing a US patrol boat with a local village boat alongside, model hills and figurines. On tan wooden base with green background. military history-army, handcrafts, diorama, riverine

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

This unusual wall decoration was created by Anna Wilson (nee Henry), daughter of pioneer John Stephenson Henry, who arrived in Australia from Ireland with his children in 1851. Family documents confirm that Anna most probably made the diorama for her sister-in-law, who married a member of the Giles family. The diorama was later given to Vera Giles who was a family friend and possibly related to Anna’s sister-in-law by marriage. The diorama is now part of the Giles Collection. Anna married William Wilson in 1860, who had arrived in Australia from County Tarrane in about 1850, aged 19. In 1869 they moved to their new property called ‘Glenlyall’ in Cooramook, north of Grassmere, Victoria, where he lived for 49 years until his death in 1918. He left behind a family of four sons and a daughter. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The family of the creator Anna Wilson nee Henry and her husband William Wilson are of significance to the early history of Victoria and the South West of Victoria in particular, being pioneer families who farmed the land, built the towns and cities and contributed to their communities. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Wall decoration, diorama with decorative gild frame and glass front. The 3-dimensional seascape includes sailing boats, land and sea, all made from materials such as shells, coral and seaweed. The work was made by Anna Wilson. It is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, 19th century decor, 19th century handcraft, handcraft, wall hanging, diorama of a seascape