Laminated. Eighteen stanza Poem in black print on mustard coloured paper. Orange sticker in middle with Map of Vietnam, Australian Flag, Anzac badge and aircraft.A Vets Wife KJP' 87document, poetry

A poem written on a yellow card with black printing. Four stanzas & laminated.poetry

Two verses. Single printed poem by George Mansford 2011 watermark depicting soldiers from various Armed Forces. Green shield at bottom with AATTV oreserve writtenthe warriors who perservered

Poem written in Camp 3 by Mrs. Sophie Meier, mother of Mrs. Helmut Seefeld, Singapore Group, refugees, internees at Camp 3 TaturaFramed and mounted single sided sheet of paper, photocopy of handwritten (in German) poem titled "Tartura"tatura, documents, pamphlets, internment camp poetry, helmut seefeld, sophie meier

Discusses the Australian television program Whiplash and how the use of guns is not as necessary as in the American television industry. Technique, poetry and drama appear to be the basis for the Australian film industry.Handwritten, quarto, 7 pagesWritten on scrap paper at Page 5.whiplash, australian film industry, australian television industry, robin boyd, manuscript

Boyd quickly surveys the first generation of modern architecture. The talk then concentrates on where modern architecture turned next: "the search for new richness on the surface and a search for new excitement in form". Boyd focuses on the second generation of modern architects: Edward Stone (surface search) and Eero Saarinen (excitiement search). Several of their influential buildings are critiqued by Boyd. This document includes the whole of the typed manuscript titled "The Crisis in Architecture" (item D522, with edits), and includes two handwritten pages at the start and ends with a handwritten statement about "architectural poetry". The text and annotations indicate this was a lecture with slides.Typewritten and handwritten sections, an amalgamation of documents, quarto, 18 pagesUnderlinings, pencil additions, indications for slidesinternational style, mies van der rohe, frank lloyd wright, edward stone, eero saarinen, le courbuier, felix candela, matthew novicki, eduardo catalano, hugh stubbins, raymond and rado, jorn utzon, toro-ferrer

Frederick "Fred" Fifield Hall was born in Carlton, Victoria in 1878. Son of Frederick Hall and Jessie Wallace Hall (nee Lloyd), Fred would marry Elsa May Daegner in 1899 with whom he had a son named Anthony. Hall died on 27th September 1956 in Mont Albert, Victoria and was buried at the Box Hill Cemetery. Hall was known as a solo pianist and the first conductor of the Station Orchestra at 3LO (ABC Radio Station). He was also a notable music editor at Allan & Co. Earning early recognition at 16 years of age when he conducted the Sydney Orchestra, Hall was a versatile composer having written in a variety of styles including solos for the piano, violin and cello, operas, foxtrots and orchestral suites. Publications indicate that between 300 and 400 of his compositions were published. The most famous of which was "Goodbye Melbourne Town" which he wrote with Lyricist Leonard Nelson. "Let Me Go to Bendigo" was another of their joint compositions. Leonard Nelson Snell, professionally known as Leonard Nelson, was born c. 1874 in Melbourne and grew up in Kew (he was 76 in 1950). Nelson married Lily Maud Haight in Victoria in 1897 and had six children named Roy, Dorothy, Leonard, Lionel, Austin and Marie. Nelson died on the 13 August 1962 in Blackheath, NSW and was buried at the local cemetery. Nelson had a varied resume including Cattle station work, song writing and public speaking. Nelson was known for his enjoyment of Australian poetry having known many of the greats personally and could recite works from memory. In his later life, Nelson worked as an entertainer for hire at banquets and other social gatherings. No. 181 Allan's popular sixpenny edition "Sung with great success by Leonard Nelson" Allan & Co. Pty Ltd. Melbourne, Bendigo & Geelong 1 score A B4 size document containing sheet music titled "Let Me Go to Bendigo". The document has a black and white cover with bold lettering and a cartoon of a man boarding the Bendigo Train. The music was written by Fred Hall and the lyrics were written and sung by Leonard Nelson who is pictured on the cover. The music covers 3 pages (1 double sided page and 1 single side) making up this 3-page document including the cover.The front cover contains a handwritten name in the top right-hand corner "Mrs Sinclair"sheet music, leonard nelson, fred hall, allan's popular sixpenny edition, bendigo, piano, songs and music, frederick fifield hall

"Donald Mackintosh was born in Rockbank on 21 September 1866. He quickly proved himself as an expert shot, joining the Bacchus Marsh Shooting Club at the age of ten and the Melbourne Gun Club at 23. In 1890 he won the Melbourne Gun Club £1000 Cup Handicap.Donald represented Australia at the 1900 Paris Olympic Games. However, due to confusion at the time over whether this competition was an official Olympic event, Donald was not recognised as an Olympic medallist during his lifetime. In 1987 the IOC issued Donald’s gold and bronze medals. Donald continued to travel around Europe and won many other competitions, including the London Gun Club Challenge Cup three times in a row and the Grand Prix at Monte Carlo twice. As well as being an expert shot, Donald was also well educated and wrote poetry. Most astonishingly, he was also completely blind in his left eye".Document with a list of achievements by Olympian Donald Mackintoshlocal identities

This leaflet gives a chronology of Gordon's life and a photograph of him. And printed on the other side, besides the aerial view of the cottage is a paragraph about the two years he spent in the cottage, 1867-1868 three short extracts of his poetry.Documents available and newspaper extracts make it clear that some Ballarat Citizens were proud of their city's association with this poet. 1 yellow leaflet printed on both sides in blue, with a photo of Gordon on the right side of p.1 and an aerial view of the Cottage off-centre on p.2. Originally folded twice.Noneadam lindsay gordon, adam lindsay gordon cottage, john garner, doctor, ballarat botanic gardens, craig's hotel, australian poet, friends of ballarat botanical gardens, john garner collection, poet, gardens, ballarat

458 page PDF - contains bookmarked table of contentsnon-fictionThe Second Australian Jewish Almanac was published in Melbourne in 1942 to mark the 30 Year Jubilee of the Kadimah. Edited by a collective of Hertz Bergner, Pinchas Goldhar, Bonem Warshawski, Hirsch Munz it provides a unique survey of the views and concerns of Jewish immigrants in Australia. The Almanac contains short fiction and non-fiction pieces including histories of Jewish communities in Australia, political commentary and poetry. Digitisation of the Almanacs was funded by Martin Munz in honour of his parents Hirsch & Estera Munz.jewish immigrants, yiddish melbourne, melekh ravitsh, pinchas goldhar, hirsch munz, hertz bergner, bonem warshawski, j. giligitch, dr. m. lazarson, chaim rosenstein, dr. j. h. gentili, a. yonavitch, brian fitzpatrick, isaac horowitz, y. n. steinberg, aron patkin, dr d. berger, yiddish literature

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This booklet is an anthology of poetry, sold to raise funds in aid of Australian and Allied prisoners of war. It was printed in Sydney in 1942, and has a foreword by Lady Gowrie, President of the Australian Red Cross Society. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga, and the Australian experience of war. It contributes to our understanding of life in Wodonga during World War Two, as well as providing interpretative capacity for themes including local history, social history, and military history. A booklet of poetry printed to raise funds for Australian and allied prisoners of war during World War Two. ww2, world war two, war, red cross, prisoners of war, allied forces, allies

A poignant poem by CJ Dennis about Anzac soldiers from World War 1. The date was located from Trove. The Army of the West BY C. J. DENNIS HERE was tramping, a tramping, a tramp of many feet. The young men, the strong men were marching in the street, Marching for a new land, at the Old World's call, With the sun upon their faces — straight lads and tall, The chosen of a leal land that yielded of her best. "Pack your kit," the soldier said, "for the ships sail West," Then Anzac, oh, Anzac! A new name on the tongue — A proud name and a precious name to mark the valiant young — The valiant young who went so gay across a troubled sea, The glorious young who slept so deep upon Gallipoli. There was tramping, a tramping, a tramp of weary feet. The spent men, the worn men, were marching in the street- Marching to the wild cheers, home at last from war, With a wisdom on their faces that we had not known before: Wisdom of the veteran, earned at our behest, "Now sound the call," the soldier said, "for the boys gone West." But Anzac, oh, Anzac! Dearly they bought the name Who lit upon Gallipoli that everlasting flame — The flame to light the path for men who live beyond their day; While in the West the glory grows, as soldiers drift away. There is tramping, a tramping, a tramp of steady feet. The grey men, the grave men are marching in the street; And maimed men and blind men and shattered men are here. But many a man he marches not who marched last year. Gathered to his comrades, to the Army of the Blest. "Close up the ranks," the soldier said, "for the boys march West." But Anzac, oh, Anzac! Surely no day shall come When that fame shall not be quickened in the roll of every drum; In the call of every bugle let the name be vibrant yet, In a great land of strong men — who never shall forget. There yet will be a tramping, a tramp of dwindling feet, As the last old, old men come marching down the street; Marching now with memories, phantoms at their side, To the cheering of their strong sons inheriting their pride; Inheriting a shining gift won in a bloody quest, "Harkl" the aged soldier says. "The bugles call us West." Then Anzac! Anzac! Oh, what a mighty cry- When that great hymn of greeting goes shouting down the sky, As the last recruit comes marching to the singing of the rest, And the last man answers roll-call in the Army of the West. It was in a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). Some notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The documents from this folder have been added in seperate records (see 01262 to 01282). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future. This poem might have been included for its portrayal of Anzacs.A poem by CJ Dennis printed in a newspaper.history, world war one, poems, poetry

This document was written to celebrate the 60th birthday of Legatee Leigh Johns in 1983. It is a collection of poems written about L/ Johns by different authors as a tribute to him reaching 60 years of age. Leigh Johns was born in 1923, the date of the founding of Melbourne Legacy, and became a Legatee in 1956, serving on 15 ML Boards and as an executive member of the Legacy Co-ordinating Council . He had a distinguished war record in the RAF during WWII and survived 32 bombing raids over France and Germany. He was an enthusiastic contributor of poetry to the Melbourne Legacy Bulletin which explains why this document is in the form of a poem. He was granted Reserve status in 2001 and died in 2008.The tone of the document reveals the affection with which Leigh Johns was regarded amongst his peers, and illustrates the collegiality which existed in the organisation during his membership.White A4 photocopy paper with black type x 13 pages.'Box 16' on title page. Typed title 'Leigh F Johns / 60th Birthday / 10 February 1983'.legatee, birthday

Document. Gertrude Perry Collection. Eight poems/verses written by Gertrude Perry. a) Heroes all, b) When foreman Streader, c) There's a foreman named John Gaskell, d) When the sun shines again, e) Jesus is near, f) lord, we thank Thee, g) Our factory whistle, h) I get a lovely feeling, j) We know of a teacher named Mavis.Gertrude Perrypoetry, gertrude perry, gertrude perry collection, poetry/verses

654.1 - 14 pages (7 A4 sheets, photocopied onto pink paper), titled "Around the Tracks", Preston Workshops news and reports, including Norm Cross notes on the film Malcolm, Bob Spark's Poetry, workshops consultative committee report and other workshop notes. 654.2 - single sheet pink A4 paper, photocopied, title "Stop Press" about changes to the Mess Room and car park at Preston Workshop.trams, tramways, preston workshops, malcolm, staff