White short sleeved dress, with pink velvet ribbon around the waist. Has pink/white embroidered flowers. Chiffon overlay with white cotton lining.dresses, girls clothing

A tea gown or tea-gown is a woman's dress for informal entertaining at home. These dresses, which became popular around the mid-19th century, are characterized by unstructured lines and light fabrics. Belonged to Louisa Hoadley, (Mrs. Thomas Carlyle Adamson) - daughter of Abel Hoadley. Black two piece satin ensemble - Tea gown. Long skirt with short fitted style jacket, with black lace trim on skirt and bodice.tea gowns, dresses

This dress belonged to Nola Jennings, a long-time Brighton resident. Bindi of Melbourne was the youth label of Australian commercial fashion house Len Vogue.Long-sleeved crimplene dress (.1) with white bodice and short purple skirt. High collar, cuffs and waist have a purple and yellow checkerboard-patterned trim. Four self-covered buttons down the centre front of skirt. Zip at back. Long purple tunic vest (.2) worn over the top.Label in both dress and vest, white with black text: "Fashioned for / Bindi / of MELBOURNE" Two smaller labels at bottom: "SIZE 10 / TO FIT / BUST 32" / HIP 34"" and "CRIMP TERY. / C 145 4".nola jennings, 1960s, bindi of melbourne, len vogue

A girl's white cotton dress. The collar has floral embroidery, puffed elasticised sleeves, a pleated front with three plastic buttons and floral embroidery. it has a flared skirt with pleating around the hemline.Label - "Colonial Recollections. 100 % cotton. Made in India".dresses, girls clothing

Dance card. White card. List of dances on one side. The other 'Portland Social Amusement Card, 26th Anniversary, May 22, 1923, Fancy Dress Ball. Name, Character.'1. WALTZ / 2. MERRY CHAIN (Fancy Dress Only) / Judging of Fancy Dress / 3.LANCERS / 4.ONE STEP / 5. WALTZ ( Fancy Dress Only) / 6. BARN DANCE / 7. ONE STEP / EXTRA / 8. TWO STEP (Fancy dress Only) / 9. QUADRILLES RIBBON DANCE / EXTRA / 10. WALTZ / 11. ONE STEP / 12. TWO STEP / 13. WALTZ / 14. ONE STEP / 15. WALTZ / EXTRAportland social amusement club, dance card, betty vivian

Photo of a boy who lived at Holmbush, the inscription next to the photo says Billy Tennant. He is dressed up in a girls dress and hat. The photo was published with others in the September 1949 newsletter with an article saying there was a fancy dress ball at Holmbush on 20th August. Holmbush at 1267 Burke road, was one of the properties that Legacy used for Junior Legatees. It was purchased 1942, in 1957 Holmbush was renamed Blamey House until it was sold in 1977.A compilation of photos of some junior legatees in the Legacy residences.Black and white photo of a boy dressed in a dress at Holmbush pasted to the pages of an album.residences, holmbush, junior legatees

Infant polyester dress with lace trim & embroideryInfant polyester dress"A Maude Wilson Style" 3533 ASO Polyester. Aus. madeinfant, dress, polyester

The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew. Group photograph of participants in a fancy dress social at the Kew Presbyterian Church Hall in 1922. It is believed that the group was the Young Men's Bible Class who held this event annually. The Society has photographs of the event in 1922 and 1925.Later hand: "Masked Fancy Dress Social, Kew Presbyterian Hall, November 1922"presbyterian church - kew (vic), kew presbyterian church - young men's bible class, churches - social activities - 1920s

The nurse uniform is worn for hygiene and identification. The traditional nurse uniform consists of a dress, apron and cap and although there have been variants, the basic style has remained recognizable. Blue and white hounds tooth fabric dress with front opening tab containing 5 (white fabric over metal) buttons. The dress has a pocket over the left breast and a Maltese cross patch is sewn on the left sleeve . There is a starched, white removable collar, cuffs, belt and apron. The cuffs and belt have 5 out of six removable buttons with brass split pins. "Bronwyn Griffith" name tag sewn on to collar as well as F839 written in pen. E213, D.L. Ross, E.37 written in pen on belt. E877 written in pen on dress. G.N. Barton name tag and J.Williams, E.507 written in pen on one cuff. L. Susan Draper name tag and E.822 written in pen on the other cuff. E213, D.L. Roo?, E.37 written in pen on apron.nurse uniform, nurse cap, nurse collar, nurse apron

This dress was donated to BHS in 1973 by local teacher Miss Jean Mole (1910-1984). Information provided on donation suggests that it was worn by Jean's mother, Lottie Richmond Bryan (1873-1959), on her marriage to Ernest Mole (1863-1929) in Daylesford on 27 May 1908. However, the style of the dress indicates an earlier date, circa 1878. It is possible that the dress was in fact worn by Jean's grandmother, Jane Crowe McNeil (1850-1933), who married James Bryan (1838-1886) in Daylesford on 9 February 1870.Beige taffeta silk dress with fine black woven stripe. Olive coloured bias satin trim and vandyked horizontal panels down front of the dress. The dress has a train.wedding dress, silk, 1870s, jean gertrude mole, lottie richmond bryan, jane crowe mcneil

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant and rare example of a couture range by Norma Tullo.Long red cotton evening dress with overall white polka-dots, designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with ruffles at the cuffs and on the hem. The light-weight cotton outer layer is supported by a thick cotton underlayer. Atypically, the dress has a label stating it is an example of 'Tullo Couture'. Dimensions: Shoulder width 40cm Bust: 92cm Waist: 72cmLabel: TULLO COUTUREaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses, tullo couture

Good quality dress front/plastron. Fashion itemBobbin lace - Dress front

The Slovenians enjoyed participation at the Royal Melbourne Show 1959 where they could showcase the Slovenian traditions, arts and crafts, and at times,culinary goodies as well.Traditional Slovenian crafts, national costume and the tourism jewel Lake BledSlovenian couple dressed in Slovenian national costume of Gorenjska region at the Royal Melbourne Show in 1959. The painting shows the tourist attraction Lake Bled and many traditional items of craft were placed in the exhibition as well. The man in the photo is Leopold Jalk.Couple dressed in Slovenian national costume, painting of Lake Bled and Slovenian traditional craftsslovenian national costume, slovenian crafts, lake bled, royal melbourne show

A wedding dress, forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Cream silk wedding dress consisting of a long sleeved pleated bodice and a very full skirt. The skirt has a deep exterior pocket. The interior of the bodice exhibits extensive use of baleen to provide structure. The outfit includes a marching pair of cream silk shoes.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1890s

Four people dressed up to help Elanora residents enjoy the Easter celebrations in 1994. Two clowns, a rabbit with a basket of Easter eggs and a staff member (Nicole) with an Easter Bonnet.1 coloured photograph of four people, three dressed in fancy dresselanora home (brighton), association for the blind

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue cotton evening dress designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with buttoned cuffs. The light-weight cotton outer layer is supported by a thicker cotton underlayer. Dimensions: Shoulder width 37.5cm Bust: 90cm Waist: 66cm Hips: 96cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Dress by Adelaide based designer Gay NaffineCream wool crepe and sequined long sleeve dress. Dress has back zip and pleat at the back hem. Has original tags attached. Label: GAY NAFFINEgay naffine, dress, wool, sequins, fashion

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Long sleeved three quarter length black dress with pink insertions and a stylised pink emblem on the bodice. The pink lining is pleated to provide extra body.women's clothing, australian fashion - 1930s, dresses, fashion and textiles collection

The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew.Group photograph of young men in attendance at a fancy dress social at the Kew Presbyterian Church Hall in 1925. The photo would indicate that the event was a young men only event. The Society has photographs of the event in 1922 and 1925.Later hand: "1925. Annual Fancy Dress Social. Kew Presbyterian Young Men's Bible Class"presbyterian church - kew (vic), kew presbyterian church - young men's bible class, churches - social activities - 1920s

Dress making scissors as was used by Holden and Frost in the manufacture of equine accessoriesTextile tool used in ca1900 by Holden an FrostLarge metal dress making scissorssteel, dress making, scissors

Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe

Worn at the Sunbury AsylumInmate's dress in off-white canvas (?) with a red stripe. Round neckline reinforced at front. Bodice and skirt pleated into waistband. Back opening from neck to thigh with three pairs of eyelets, sealed with brass rings. Skirt hem hand sewn inside out.Handwritten in black ink on bodice back "canvas dress" and F7 (partly destroyed by lacing eyelet)costume, sunbury asylum, george evans collection

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926. This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long black single piece crepe de chine and valenciennes lace dinner dress. The dress has a high squared neckline. The sleeves are elbow length. The most significant aspect of the design are the layers of machine-made valenciennes lace that extend from the waist.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1920s

At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of six Trinity Grammar students, dressed in costume as members of the Charles Grimes survey of the Yarra of 1803.Annotated on reverse: "TRINITY GRAMMAR BOYS DRESSED AS GRIMES' PARTY DURING RE-ENACTMENT / K.H. SOCIETY'S CONTRIBUTION TO 1978 FESTIVAL / DONATED BY M. ROLLEY"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival