These typed notes have been prepared by Tom Wicking to be used in conjunction with his collection of slides on local history. Tom Wicking was a noted local historian, particularly well-known in the 1970s and 80s. He was an early active member of the Warrnambool and District Historical Society and was involved in the establishment of Flagstaff Hill Maritime Museum in the mid 1970s. He also produced a revised edition of the booklet containing notes on the origin of street names in Warrnambool. Wicking Place in Warrnambool is named after him.He died in the late 1990s. These notes and slides were part of Wicking’s deceased estate and have been de-acquisitioned from the Flagstaff Hill collection and passed to the Warrrnambool and District Historical Society through the estate of Les O’Callaghan.These notes were for use in slide shows etc and have a limited use today as the historical information contained therein is continually being revised and technology has changed The slide material has been scanned and will be better utilized this way in a power point presentation etc. Typed sheets on aspects of Warrnambool and district history – note-book size (13 packs); quarto size (1 pack). warrnambool, tom wicking

This is an early sharpening stone of unknown origin . Stones have been used for hundreds of years to sharpen metal blades on a wide range of tools from scythes, scissors plane blades and knives. More recent examples come with particular grades according to the fineness of the grit in the stone.This item is of antiquarian interest only and is kept for displays. It is an example of tool sharpening methods which have been used for many years.This is a small square stone with a polished surface used to sharpen small bladestrade, sharpening stone, warrnambool

This notebook was produced for the business of Cramond and Stark of Toowoomba. John Cramond and James Dickson established a drapery, clothing and general store in Warrnambool in 1855 and this business was a dominant one in Warrnambool until its closure in 1973. A relative of John Cramond opened the drapery store of Cramond and Stark in Toowoomba, Queensland later in the 19th century and this was also a large and long-running business.This notebook is of some interest as it is connected to a business in Queensland which had its origins in Warrnambool as one of the founding partners of this business came from Warrnambool (Cramond). It is also of interest as an example of the rather elaborate advertising ploys used in the early 20th century times – the metal notebook would have been rather expensive to produce and would probably have been given away to regular customers. This is a notebook with a pad of white paper and a cardboard backing attached to a metal container. There are a silver-coloured metal back and a metal front with a hinged lid and a 1911 calendar on the back of the lid. The inscription on the front is set in an embossed edging with a circular pattern in the middle of the lid. Front of lid: ‘Notes, Cramond & Stark for Drapery Hosiery & Gloves, Clothing, Mercery & Hats, Ruthven Street, Toowoomba’cramond & dickson, cramond & stark, warrnambool

This watch key is inscribed with the name of ‘T. Ferguson’, a watchmaker and jeweller from Warrnambool. He may have been the maker of the key or the distributor. No information has been found on ‘T. Ferguson’ but he may have been related to William Ferguson, a well-known Warrnambool watchmaker, jeweller and oculist in the early 1900s. William Ferguson was a Warrnambool Councillor and Mayor. His shop was in Timor Street.This watch key is of minor interest as one with some provenance. It is of Warrnambool origin. It also has some social significance as an example of the type of pocket watch and key used in the early 20th century. This is a small watch key with a metal mechanism for winding a pocket watch, a circular metal section, gilded over, with the name of the watchmaker and a small top section with a ring for hanging the item on a chain etc. On one side of the circular section: ‘T.Ferguson, Warnambool’(sic) On the reverse side: ‘Watch Maker & Jeweller’ ferguson, watchmaker and jeweller, t.ferguson, watchmaker, jeweller, oculist, warrnambool, william ferguson

This book has been in the collection of the Warrnambool and District Historical Society for many years and little is known of its origins. ‘Anne Watson’ may be Annie Watson, nee Grant (1830-1906), the wife of John Watson who came to Victoria in 1855 and had a farm in the Cudgee area. There is a reference to a ‘G. Geary’ as a member of the Belfast (Port Fairy) Choral Society in 1860. This is an early memento of settlers in the Warrnambool area and their religious adherence and, as such, is of some interest. This is a hard cover book of 391 pages. The cover is brown leather with gold lettering on the spine. The pages are gilt-edged. The inscription is handwritten in black ink. There are two mauve stamps of the Warrnambool and District Historical Society on the front and back pages. The cover is a little scuffed. ‘Presented to Anne Watson by her nephew, Godfrey N. B. Geary, Oct. 4th 1856’. history of warrnambool, anne watson

This book was printed to commemorate Queen Victoria’s Jubilee, 1887 (50th anniversary of her Coronation as Queen of England). John Markman is most likely the father or grandfather of Mary Snell (nee Markman). Mrs Snell was a teacher in Warrnambool and an active member of the Warrnambool and District Historical Society in its early years. She wrote the first book on the origin of street names in Warrnambool. Allendale is a small settlement in the Hepburn area of Victoria. This book is of minor interest as a memento of Queen Victoria’s 1887 Jubilee and as a book that appears to have come to the Historical Society via an early member, Mary Snell (nee Markman). This is a book of 240 pages. It has a black cover with the imprint on the front cover of a crown and shield and the words ‘The Queen’s Jubilee, 1887, Victoria’ and on the back cover a circular scroll with the words, ‘British and Foreign Bible Society, New Testament’. The cover has been bound with black tape and adhesive tape but the binding has come apart. Several pages are torn at the edges and dog-eared. ‘John Markman, Allendale, 17th June 1887’ Copy of Queen Victoria’s handwritten message - ‘On earth peace, goodwill toward men, Victoria, Windsor Castle, March 8,1887’ john markman, mary snell, history of warrnambool.

This is the lid of a Cherry Tooth Paste container made by John Gosnell & Co. London. This company had its origins in the 17th century with John Gosnell joining the company in 1814. It made perfume, soap, brushes and combs and other personal household items. By 1898 the firm was based in London and known for its Cherry Tooth Paste. The practice of brushing the teeth for hygienic reasons began in the 18th century and became more popular in the 19th century. This item has no known local provenance but is interesting as an example of an early 20th century household product and is useful for display.This is a white china container lid, cracked and mended in places and chipped in other places. The container had Cherry Tooth Paste in it. The top of the lid is brown and yellow with brown and yellow printing. There is an image of the head of a young Grecian girl on the lid. ‘Cherry Tooth Paste, Patronized by the Queen, For beautifying and preserving the teeth & gums, prepared by John Gosnell & Co. Ltd., London’cherry tooth paste, john gosnell & co., warrnambool

These two volumes are seminal historical writings published in 1888. The author of Volume One is Alexander Sutherland (1852-1902), described as ‘a forgotten Australian intellectual’. Born in Scotland, Sutherland was a teacher, poet, biographer, novelist, scientist, philosopher and journalist. In 1902 he was the Registrar of Melbourne University and he was the Secretary of the Royal Society of Victoria. With his brother, George, he wrote a history of Australia and New Zealand which sold 100,000 copies, the first best-selling Australian history. His book, ‘The Origin and Growth of the Moral Instinct’ influenced Russian philosophical thought. This is a most significant book as it contains short biographical notes on a great number of early (19th century) residents of the Warrnambool district. As well as listing information on Warrnambool identities it includes information on residents of Purnim, Wangoom, Dennington, Panmure, Garvoc, Framlingham, Winslow, Yangery, Woodford, Mailors Flat, Grasmere, Bushfield and Allansford. It is a great resource for researchers today. The two volumes also contain illustrations pertaining to the areas around Warrnambool and are of great historical as well as artistic interest. These are two volumes of ‘Victoria and Its Metropolis’. They are leather bound with a black cover, heavily ornamented in gold around the edges of the cover and with the printed material also in gold lettering in an ornamental pattern. The spine of the covers are brown with gold ornamental patterns and printing. Volume One has 594 pages with 258 illustrations , all black and white and this volume contains writings on the early days of the colony up to 1888 and chapters on the arts, churches, education, industries, science etc. in Victoria. Volume Two has 822 pages with many black and white illustrations and chapters on the regions in Victoria and biographical notes on the pioneer settlers of these districts. Both volumes are in a very tattered condition with many loose pages and the leather binding much torn and with some parts missing. Volume One cover: ‘Victoria and its Metropolis, Past and Present’ Volume One spine: ‘Victoria and its Metropolis, Vol. 1’ Volume Two Cover: ‘Victoria and its Metropolis, Past and Present’’ Volume Two Spine: ‘Victoria and its Metropolis, Vol. 2’ 19th century victorian history, victorian pioneer settlers, alexander sutherland

A brief history of the area including the Bogong High plains including aborigines and cattlemen. Settlement of the Kiewa Valley including cattlemen and families. A list of the Origin of names of places in the valley.SECV published this booklet using research resources available at the time and using current knowledge with regard to naming of places where the SECV worked and 'created'.Light cardboard cover with 3 staples and with 9 pages printed on one side. Text is boxed. Front cover has 5 simple sketches each of which covers the topics included in the booklet."Dick Puttyfoot" on front coverstate electricity commission of victoria., kiewa hydro electric scheme, kiewa valley, bogong high plains

The Morse telegraph system had its beginnings in 1836 when Samuel Morse, Alfred Vail and Joseph Henry developed an early model of the system. There are a number of variations on the machine but the operating system is very similar in all and the language is a standardised international code which has been in operation since the 1860's. Morse code consists of five elements, dots, dashes, and gaps of one , three and seven units in length. It is still in use to this day and has been applied to other systems of communication such as amateur radio, mobile phones and communication systems for disabled people. This particular telegraph key possibly has post office or naval origins.Morse code was an important invention in world communication systems and this machine therefore has important social and research significance. It is useful as an interpretive item.This instrument sits on a black rectangular base of black bakelite. The mechanism ids held in place by three larger metal screws and two smaller ones on the upright section from the base.The movable part is metal with the attached handle a similar black material as the base.ADMY.PATT No 7681 KEY MORSE SERN PL 23780 Rocker Front contact. Lift @ turn on one of the screws on the bar.history of warrnambool, rocker telegraph, telegraph key, morse code

TOC H was founded as a Christian organisation during the First World War in Belgium in 1915. Talbot House was a venue for respite from the war for soldiers and civilians. During the 1920s TOC H spread around the world especially to Commonwealth countries. In 1923 the Governor General of Australia wrote to The Reverend "Tubby" Clayton indicating that he and Lady Forster wished to endow a TOC H lamp, the symbol of TOC H in memory of their two sons who were killed in the war. The lamp symbol is a replica of the lamp used to provide light to early Christians who sought refuge in the catacombs of Rome. The cross of Lorraine is an indicator of its origins in the Ypres salient.The lamp is a symbol of an ongoing commitment of TOC H to spread light wherever it may be required. These badges are maintained as mementos of the Warrnambool branch of TOC H which operated from a sandstone building in Koroit Street Warrnambool. It was active during the middle decades of the 20th Century .1 Octagonal metal and enamel badge featuring a gold coloured oil lamp and cross on a green luminous background with rays emanating from the lamp. The badge has a gold edging. The reverse has a pin clip and text .2 and .3 Octagonal metal and enamel lapel badge featuring a gold coloured oil lamp and cross on a royal blue background. The badge has a gold edging. The reverse has a horseshoe shaped device to allow the badge to be secured in the buttonhole of a jacket. .1Indecipherable .2 Stokes and Sons Melbourne .3 2849toc h, tubby clayton, lord forster

Summary For over 250 years the Withers family of Birmingham worked as tailors, sometimes also as butchers. During the Georgian era, English society changed and the Withers family with it. First came a gentleman amateur artist in the form of Edward Weston Withers, grandfather of Walter Withers. Then Edwin Withers, Walter Withers' father, took to tobacco, rope and twine manufacturing which put an end to the traditions of butchery and tailoring.The origins of Walter's painterly ambitions are explored. There was a physical altercation between Walter and his father, Edwin. That fight emerged out of contradictory expectations between Walter's father, Edwin and his grandfather Edward. Those expectations and the societies which kindled them contributed to Walter's character and art. Up until now there has been no family history about Walter Herbert Withers (1854-1914) a notable Australian landscape artist of the Heidelberg school and friend to Tom Roberts, Frederick McCubbin, Arthur Streeton and Clara Southern. Walter, the son of a rich Victorian businessman, married Fanny Flinn, the daughter of a commercial salesman who also owned part of a Birmingham brewery. In No Place Quite Like It, Walter, his wife Fanny and his family are depicted against the social contexts in which they each grew up. Our appreciation of Walter Withers' art is expanded: by knowing those forces which helped shape his early years and how he responded to them; by gaining new insights into his origins and how he grew into the man he was. We also gain a fresh appreciation of his wife Fanny, and the influence she had upon him, their children, and upon the society in which she lived. Includes 200 pages of text, Prefaces by Andrew Mackenzie OAM (art historian), and Eileen Mackley AM (President, Victorian Artists Society), Bibliography and an Index, extensive images, maps, charts and family trees, provide a visual porthole through which an insight might be had into the lives and times of Walter Withers and his family history.walter withers, fanny withers (nee flinn), family history

This building is a fine example of a very early small brick country court house which retains its furnishings and has important associations with the early history of the Eltham township. It was used for Eltham Road Board meetings in the 1860s and later to provide additional school accommodation. It is the oldest public building remaining in Eltham and forms an important group in historic and streetscape terms with the adjoining former police residence. The survival of the furnishings (of unknown origins) is of particular significance given the building's age. This building, and the former police residence beside it, were constructed as a result of a petition by five Eltham residents in 1857. The nearest police were at Heidelberg eight miles away or at the Caledonia Diggings 21 miles away. After the construction of the Court of Petty Sessions at Eltham in 1859-60 (which was designed by the Public Works Department and built by a Mr Duncan for a cost of 536 pounds), it was used for a variety of purposes. Eltham Road Board meetings were held there until 1868 when the board was transferred to Kangaroo Ground and as the Road Board Secretary's office, until this was transferred to Wingrove Cottage in 1867. It was used as an overflow for the Dalton Street School in 1875. According to National Trust records, the Eltham Court House is a relatively rare building type. There are only six other known examples of similar small brick country court houses in the state which have small projecting entry porches and a gabled form. Roll of 35mm colour negative film, 7 stripsFuji 100Neltham, eltham courthouse, main road

The origins of the rising sun badge are disputed. Rising sun designs had appeared on early Australian colonial coins and military insignia decades before the federation of the Australian colonies in 1901, and may have represented the image of Australia as 'a young nation' and a 'new Britannia'.[2] As early as the 1820s, the symbol of a 'rising sun' was used by various progressive organisations, loosely characterised under the banner "Advance Australia". The rising sun crest used in the New South Wales colonial and State crests was taken from the crest used on the first Advance Australia Arms, circa 1821, and consistently since then.[3] The oldest known example is the 'Advance Australia' coat of arms. The 'Advance Australia Arms' (named because of the motto inscription) became widely used in New South Wales and the neighbouring colonies by private corporations and individuals. Although they never had any official status, they formed the basis for several official coats of arms, including the New South Wales coat of arms. The representation below was reputedly painted for Thomas Silk, the son of the captain of the Prince of Orange, a convict ship that visited Sydney in 1821. The symbol struck a chord with the pre-federation population and many examples still exist on colonial architecture.[4] Proudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of Anzac.Glass covered Rectangular Picture Frame showing the Evolution of the Rising Sun Badge of the Australian Army.Gives a brief rundown on the Evolution of Rising Sun Badge with 12 examples and explanatory notes

This telescope was amongst various items collected from a sea dive in Port Phillip Bay. The diver was the caretaker of the Port Lonsdale Lighthouse, who dived on various wrecks in the bay during the 1960's. After the caretaker's death, his son sold off many of the shipwreck artefacts. The telescope was purchased from the caretaker's son in the 1990's by a previous owner of the Marine Shop, Queenscliff, Victoria. Many companies were making scientific instruments in Liverpool. Between 1730 up too today, they manufactured spectroscopes, telescopes, microscopes, barometers, photometers, cameras, ophthalmoscopes, and electrical equipment such as electric lamps. Liverpool was a major centre for the production of scientific items rivaling Glasgow and London from 1850 to 1920. This telescope appears to be of quality manufacture but the origins can only be surmised at based on the gold embossing to the leather surrounding the main brass tube as being associated with Liverpool England. There is no maker or owners mark, so again there is no sure way to determine the year of manufacture or maker. There were many opticians and scientific instrument makers working in and around Liverpool from 1730 through too today. Also the possibility the telescope could have been made outside Liverpool overseas should not be overlooked and may have been made as a souvenir item from Liverpool from the mid to late 20th century. The size and type of telescope is a traditional type that was used for many sporting activities in the mid to late 19th century for deer stalking, bird watching, or used generally. I believe the item dates from sometime around the early to late part of the 20th century as the use of the liver bird mark became popular in 1911. It began appearing on many manufactured items of the period up too today, denoting that these items were made by companies operating in or around Liverpool England. If the item had been made by a notable firm it would have been engraved with the makers name city of origin, or owner as was the accepted practice for these items. The writer has been unable to determine if any specific company had had exclusive use of the liver bird logo as it was widely used and was not copyrighted until the Liverpool football club successfully won a court case giving them the sole rights to the trademark in 2012.The item is also an example of the shipwreck artefacts gathered along the southwest coast of Victoria. It is also a sample of scientific instruments used up to the mid 20th century.Victorian style gentleman's three draw brass telescope with machine milling surrounding the end of each tube and around the objective end. The three tube draw has no split and all three cartridges are held within the main brass tube wrapped in leather with rope bindings at both ends 5 cm in length and beginning 7 cm from the objective end. The last 2.8 cm makes up the remainder of the brass tube which has a sliding brass sunshade. The eyepiece is flat and has a protective slide over the lens aperture. Two relay lenses are missing on the ends of the second and third tube. Gold embossed into the leather an inscription “Trade the Liver Mark” also embossed in gold a depiction of the mythical liver bird, associated with the city seal of Liverpool England. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwreck artefact, port phillip bay, port lonsdale lighthouse, wreck, 1960’s diver, queenscliff marine shop, liver bird, scientific instrument, telescope, three drawer telescope, liverpool, liver bird trade mark, trade mark

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

Hardback cover book with white Title (see above) and author text, KVERNDAL, Roald, on pink grey cover. pp 903, ills. Cover image depicts a masted galleon ship at anchor with interior lights at dusk or dawn flying from the stern of the ship is the blue BETHEL flag featuring a star and dove of peace in top and lwr corners respectively. xxviii, 903 p. : ill. ; 24 cmnon-fictionmerchant seamen, missions and charities, royal navy chaplains, missions-to-seamen, mission to seafarers, roald kverndal

This photograph is part of reproductions of images from the MTS archive collection. The photograph was originally published in the Annual Report 1933.Framed and mounted black and white reproduction of photograph from the archive: Black and white photographs depicting two seamen sweeping the deck of a ship with broomsmission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, crew, ships, seafaring life, sailors, deck, brooms, life onboard, swabbing

This photograph is part of reproductions of images from the MTS archive collection.Framed and mounted black and white reproduction of photograph from the archive: group photograph of Women from the Harbour Lights Guild sitting on the ground and benches in front of the stage at the Flinders Street Mission during a musical event.mission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, padre oliver, crew, ships, seafaring life, sailors

This photograph is part of reproductions of images from the MTS archive collection: the members of the crew S.S. Siltonhall sent the thank you letter and the attached photograph to the Mission after their shipwreck in 1929.Framed and mounted black and white reproduction of photograph from the archive: group photograph of the crew S.S. Siltonhall after the shipwreck in 1929 with the attached letter sent to thank the mission for helping them.mission to seafarers, mission to seamen, flinders street, melbourne, seafarers, seamen, padre oliver, crew, ships, seafaring life, sailors

1937 article describing the Apple Tree on Plenty River at Greensborough, its possible origins and steps to preserve it.Early attempts to preserve the Batman Apple Tree and alternative explanations of its origins.Downloaded copy of article. Text and b&w photo. batman apple tree, flintoff, plenty river, greensborough

A short history of the church and estate surrounding St Katherine's Church St Helena, tracing its origins to Major Anthony Beale and his family. The chapel was named after his wife Katherine Rose.This church is significant due to its age and connection to Major Beale and the early settlement at Greensborough.I printed page with line drawing.st katherines church st helena, anthony beale, rose chapel

One of a series of articles by Helen Gillman on the recollections of Alan Partington. This one mentions the origins of the Ruston and Medhurst families and their connection to the Partington family. It also mentions achievements and anecdotes relating to these families.The Partington, Ruston and Medhurst familes were early pioneers of Greensborough. A photocopy of a newspaper article. 2 copies.partington, david medhurst, greensborough, charity jane pink, george westcott, peter ruston

Records the origins of local street names.Explains how streets were named from the 1850s, with reference to Main Road Eltham to Research.A Diamond Valley Leader article on the history of street names in the local area. Illustration is a photograph of Main Road Research in the early 1900s. Written by Russell Yeoman and Jim Connor of Eltham District Historical Society.In pen "DV Leader March 9 2011."research, eltham, street names, main road

A half page newspaper article with a photograph of an early Eltham scene recording the origins of Main Road, Eltham. Written by Eltham District Historical Society members Russell Yeoman and Jim Connor.Details some of the deviations that Main Road had taken during its earliest years.A half page newspaper article with a photograph of an early Eltham scene.Hand written date in red pen "30/3/2011".eltham, main road, kangaroo ground, lower plenty, plenty river, montmorency south, old eltham road, bolton street, russell yeoman, jim connor

This box of matches was up until the 1980's the major source of lighting "small" fires, mainly for cigarettes, pipes (smoking), BBQs, gas/ kerosene heaters and "clearing" rural shrub by small fires. It was not until flint based battery and lighter fluid (hand held lighters) were introduced did the need for "matches" (a more dangerous application of instant fire starters) become relegated to a lower level "demand" item. The limited quality supplied in a box could also not compete with hand held gas and "lighter fluid" lighters. Box of matches belonged to the "yesteryear" fashion accessory's most important list. Matches had become obsolete for the major stream of users as cheaper, easier to use and longer lasting "cigarette" lighters were produced.This match box of Australian make and vintage in origin, was originally manufactured by a British Match Box Company (Bryant and May in Bow London), which expanded to the Australian "Colonies". The Australian subsidiary was at Cremorne, Melbourne. It was typical of goods, which had their "founding fathers" based in "the Mother Country" (England). The early settlers in the Kiewa Valley found these matches an important necessity for not only rural life but also for the recreational "smoko".This small box of "safety" matches has an inner "drawer" which can be slid open to reveal the "match" sticks. The small bowl shaped phosphorous at one end of a "match" is the fire starter(phosphorus) which when lit would "flare" up and provide a small flame. This typical box of matches held an average of sixty matches. The top of the match box has a "glued on" signage with manufacturer's details. In brown script and on a blue background "BRYANT & MAY'S and below this "CROWN" below this and on a red background with faded and worn letters "SAFETY MATCHES" On either side of the top side and in smaller print "MADE IN AUSTRALIA" and opposite "AVERAGE CONTENTS SIXTY"fire starters, cigarette lighters, bbq lighters, domestic fire starters

The State Electricity Commission of Victoria constructed the Kiewa Hydro Electric Scheme in the north east of Victoria. Mr R.M. Duncan prepared the notes. He was a member of the S.E.C. Kiewa Branch from 1949 - 1966. This book was commissioned by the State Electricity Commission of Victoria. It consists of the early history of the Bogong High Plains and the origin of names of places and creeks in the area.This book was researched in 1968 by Mr R.M. Duncan who worked for the S.E.C. on the Kiewa Hydro Electric Scheme from 1949 to 1966. His sources were the Melbourne Public Library, the Victorian Historical Society, the North Eastern Victorian Historical Society and the Dept. of Crown Lands & Survey, Melbourne. The book is an accurate history of the Bogong High Plains given the available records at the time. Yellow cardboard covered book with black sketches and green print. 9 one-sided pages held together by 3 staples and taped over the staples. One - has sheets enclosed "The Three Floras of Bogong" and "General Geology of the Kiewa Area". 6 copies including 1 that is a photocopyDDTS hand written on front cover "Early History and Discovery / of the / Bogong High Plains" on cover top centre. "Settlement / of the / Kiewa-Valley" on cover towards the top slightly to the right. "Published by the / State Electricity Commission / of Victoria / July, 1968" on cover bottom left. "TR-K 596-4" on cover bottom left.bogong high plains. state electricity commission of victoria. kiewa. aborigines. kiewa valley. mullindollingong pastoral run. flora. geology

Personal fan of Asian origin used by early immigrant family living in Kiewa Valley and indicative of the mixed heritages within the Valley. Personal Fan of vintage circa 1920s suggests middle to upper socio-economic levelHistorically this item places certain ethnic group in the Kiewa Valley circa 1920's - 1950's. This personal fan indicates that it may have belonged to a middle class person with greater leisure time than that of a working class. The multicultural fabric of the region is also highlighted.Personal hand fan (slide out sideways open). Cardboard screen on wooden spine frame. Main side bright coloured green trees on golden red and royal blue background. Wispy silver lined clouds, black branches and brown earth with moss. Flip side gold speckled on white background Bamboo like sliversfan, personal fan, cooling, oriental, hand fan