Jan Edwards is the grandaughter of Perceval Richards, and daughter of architect Geoffrey Richards. Of the drawings Jan said mainwarring would come up to the eisel and draw in the paper, suggesting lines, emphasis, and giving educational advice by drawing on the side of the paper. Geoffrey Mainwarring taught art at the Ballarat School of Mines, and had served as an Australian War Artist.Twenty-two life drawings in pencil and charcoal drawn by Jan Edwards, with suggestions, modelling and drawing ratios drawn onto, and around the work, by tutor Geoffrey Mainwaring. One drawing, a head study, is totally by Geoffrey Mainwaring, but is not signed. (.23) is a head study produced in a few minutes Geoff Mainwaring during a class.education, janice edwards, jan edwards, life drawing, geoff mainwaring, geoffrey mainwaring, alumni, unframed

Piece of paper inserted before title page "Two (2) letters wri... Two letters sent to parents, sisters and brothers by Noel Edwards of the AIF, June 22nd 1915. Killed in action 8th August 1915."Soft cover. Front cove has photo of lighthouse with ocean background. Back cover has picture of author.On title page "To Bendigo RSL 1987 with heartiest good wishes of the author Harold RG Edwards"books, military history

Colour photograph of a small sea swimming enclosure at Edwards Beach.balmoral, swimming pool, edwards beach, edwards beach childrens swimming baths, swimming pools, simming baths

In 1895, the Burwood Boys' Home was instituted as a 'home for neglected, orphaned and fatherless boys'. Robert Campbell Edwards was vividly aware of homeless boys and decided to do something to alleviate their problems. This book tells the story.In 1895, the Burwood Boys' Home was instituted as a 'home for neglected, orphaned and fatherless boys'. Robert Campbell Edwards was vividly aware of homeless boys and decided to do something to alleviate their problems. This book tells the story.burwood boys' home, child care, orphanages, (mr) robert campbell edwards, tea merchant, burwood children's home

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Letter written by John Edwards acknowledges the work done by VIOSH over the previous 21 years. It outlines the numerous people who have been through the Graduate Diploma in Occupational Hazard Management who are working in the Airlines and Flight Safety Investigations. He has also included the contact information for members of the Australasian Aerospace Industry Occupational Health and Safety Association and Aerosha Address List.Seven A4 type written pages - 4 white and 3 pinkVIOSH symbol and address' Aviation Safety Services address and symbol. Signatures of Steve Cowley and John Edwards. July 1999. Received Stamp on letter.viosh, victorian institute of occupational safety and health, aviation safety advisory services, steve cowley, john edwards, australian airline industry, jacqui wells, ian morgan, geoffrey dell, chris booth, robert sweeting, taa, dennis else, eric wigglesworth, derek viner, graduate diploma in occupational hazard management, university of ballarat

BOROUGH OF CLUNES 1896, MR. EDWARDS WAS A RATE COLLECTOR. PHOTOGRAPH TAKEN FROM A FRAMED COLLAGE OF COUNCILLORS AND OFFICERS. LOCATION OF COLLAGE O6.03COPY OF PHOTOGRAPH OF H.J. EDWARDS. RATE COLLECTOR FOR CLUNES BOROUGH COUNCIL.H.J. EDWARDS RATE COLLECTORlocal history, photography, photographs, councillors & officers

M.W. Edwards General Merchant - Lubeckstawell

Studio Portrait of Elizabeth Harris (married Edwards) stawell

This image brings together two major events in International House history in 1972, the opening of the Scheps Wing, and the admittance of women. Female students were initially accommodated on separate floors, and the Council has since attempted to maintain between 25% and 50% female students. The Scheps Wing was opened in May that year, named in honour of donors Theodor and Ida Scheps, its 92 rooms accomodating the growth of IH's diverse student body. John Howie was IH Student Club President from 1971-1972, the first permitted to regularly attend IH Council Meetings after years of petitioning for Council representation by the Student Club. Felicity Ho and John Howie, pictured ironing together here, later married."Photographed for publicity" inscribed in pen on reverse with names of subjects and datelaundry, scheps wing, students

Elizabeth Jane Edwards was born in Geelong in 1851 to Eliza, nee Murphy and Frederick Edwards. It is said that she was one of the first children registered in Melbourne. She married George Gray in 1864. They lived at Cleir Hills, Queenstown where George was a pioneer fruitgrower in the area. They had six daughters and two sons. She died in 1901 aged 58. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, george gray, elizabeth jane edwards, queenstown

Street view Glenorchy Post Card taken from railway line. On right M.W. Edwards & Son. General Storestawell, streetscape

Possibly ex Victorian Railways Newport workshops Supplied by Bevan & Edwards Machinery Merchants, Melbourne Sebastian Lathes Described by its makers as the Utility School, Garage and Repair-shop Lathe, the machine immediately below, a Sebastian 15" (circa 1910 - 1926) was the Company's cheapest offering and, in its basic form, lacked a compound slide rest, the tailstock did not set over for taper turning and the bed lacked a gap. However, a friction-type countershaft unit was included in the price as well as a tool post, faceplate, drive plate, changewheels for screwcutting and a small tool kit. As with modern cars (especially BMW) everything worthwhile was on the options' list and by spending more it was possible to specify all those small but important extras. Although in its lowest-cost form this model was reduced to the fundamentals required for a useable, screwcutting centre (engine) lathe it was still reasonably specified and would certainly have fulfilled many requirements when installed in a school or training workshop. The true swing was 15.25", it was properly backgeared and screwcutting was through a conventional tumble-reverse mechanism that allowed both left and right-hand powered movement to the carriage by altering the position of just one lever. As standard it accepted 40" between centres, but any capacity could be ordered, in foot intervals, up to a maximum of 88" - when it is hoped that a central bed support might have been included …… The spindle, which ran in white-metal bearings, had a useful 15/8" hole and a No. 3 Morse taper centre. Some models appear to have had the leadscrew clasp-nut lever on the right-hand side of the apron, while on others it was positioned to the left.. Early Sebastian 13-inch lathe Typical of the Centre or "Engine" lathe made by many manufacturers from the late 1800s until the late 1930s, the basic flat-belt drive Sebastian, with separate countershaft, was eventually relegated to the economy end of the Company's range by the introduction of geared headstocks and self-contained motor-drive systems.Historic - Industrial Machinery - Gap Bed Lathe - Possibly ex Victorian Railways Newport workshops - Purchased and supplied from Bevan & Edwards Gap Bed Lathe - Grey with raw steel parts and a timber cupboard with gears and tools. Bevan & Edwards PTY,LTD Machinery Merchants Melbourne (possible government tag) 365bevan & edwards pty,ltd machinery merchants melbourne, puffing billy

References to "Kangaroo Point" taken from The Diamond Valley Story by Dianne H. Edwards, pages 31-32, 97, 109. 4 photocopied pages. kangaroo point

Inscription on verso of bi-fold cover "The Taffe Family Going for Gold Atlanta '96, Thank you for your support, signature Eddy & in print Anthony Edwards.rowing, ballarat, olympic games, atlanta, taffe family, dinner menu,

Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record. The badge represents the 1st Australian Armoured Car Section.A triangular metal and enamel unit badge depicting the colour patch of the Armoured Car Section suspended below a gold coloured disc. The disc and badge are connected with a gold coloured chain with a safety pin attached. The back of the disc has a pin and hook attached to allow the wearer to fasten it to a garment. The disc features Arabic writing. The triangular badge has a central enamel purple triangle which is bordered with white enamel.Stamped on the back of the triangular badge: 'E. B. EDWARDS, (hallmarks below)'.souvenir, armoured car section, leo reoch cohn, unit badge

The cast of a captive Clouded Leopard was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a male Clouded Leopard. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, 3/04/male/Clouded Leopardaustralian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, clouded leopard, plaster cast, footprint, mythical, myth, folklore

The cast of a captive Golden Cat was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Three plaster casts of a Golden Cat footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Golden Cat, male, 5/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, golden cat, plaster cast, footprint, mythical, myth, folklore

The cast of a captive Alpine Dingo was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a Tropical Dingo footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Tropical Dingo, 4/04australian animal folklore collection, david pepper edwards, pepper edwards, tropical dingo, dingo, plaster cast, footprint, mythical, myth, folklore

The cast of a captive Alpine Dingo was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of an Alpine Dingo Footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Alpine Dingo, 4/04australian animal folklore collection, david pepper edwards, pepper edwards, alpine dingo, dingo, plaster cast, footprint, mythical, myth, folklore

The cast of a captive male Golden Cat was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of a male Snow Leopard showing front and rear footprints. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Snow leopard, male, 27/7/03, front + rearaustralian animal folklore, david pepper edwards, pepper edwards, snow leopard, big cat, cat, footprint, cast

The cast of a captive male Sumatran Tiger aged 5 months was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a five month old male Sumatran tTiger footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionverso: TZ, Sumatran Tiger, males, 5 months, 3/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, sumatran tiger, plaster cast, footprint, mythical, myth, folklore