Contributor: T.H. KneenBox of 21 slides. Some dated. Appear to be for teaching Arboriculture. 2 labelled and scanned: (1) "Ilex cornuta Burnley 7/64." (2) Melaleuca styphelioides Burnley 6/8/64." arboriculture, lecture, trees

Egg and nest collecting was considered a hobby for the 19thC Victorian gentlemen and the handwritten notes that often accompany the eggs can be as valuable to curators as the eggs themselves. Details have helped scientists understand the changes in bird nesting behavior in the past century and some of these historical eggs have also played a role in major scientific discoveries. Early settlers in Moorabbin Shire were fascinated by the new flora and fauna they found in the local and wider countryside.This is a typical collection of natural objects of an early settler in Moorabbin Shire 19thC when Charles Darwin inspired a general interest in the evolution of speciesA collection of bird eggs, nests and a seahorse in a wooden display box with a glass lid .bird's eggs c1900, bird's nests c1900, victorian era collectors, early settlers, pioneers, moorabbin shire, bentleigh, cheltenham, natural sciences, ornithology, darwin charles,

Educational toy used by donor's granddaughter Yellow plastic egg box containing twelve plastic eggs which open to reveal numbers 1-12. Used to teach counting and basic co-ordination skills to children.One Dozen Counting Eggs. Child Guidancetoys, general

This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and image inquiries Talking Shop: Ballarat in Business and City Life was an exhibition and program of events held at Ballaarat Mechanics' Institute Between January and April 2019 the BMI hosted Talking Shop: a world of Peters Icecream cones, milk bars, vintage advertising, historic photographs and ephemera, and contemporary photographs and creative responses exploring Ballarat's shops and businesses. Community events invited the community to contribute their images and memories to the BMI collection, and engage in creative activities. This exhibition was curated by Amy Tsilemanis at the BMI who worked with artists Pauline O'Shannessy-Dowling and Margie Balazic, collector John Kerr and Ballarat businesses, council, and schools to create a 'generative' exhibition where material and collaborations could grow. ballarat, ballaarat mechanics' institute, talking shop, exhibition, event, artist in residence, reading room, 2019

black and white photographclifford lingham, son of curator, john lingham, ballarat botanical gardens

Sepia photographballarat botanical gardens, curator, john lingham, richards & co art studio

From Betty McPhee Collection of Sewing Equipment.Packet of Sewing Needles. Size 3/8 - Egg eyed sharpsT & J Holyokes Original Diamond Egg Eyed Sharps.handcrafts, equipment, handcrafts, dressmaking, handcrafts, embroidery, handcrafts, needlework, domestic items, sewing

One of a collection of photographs donated by Mary KarneyBlack & White copy of a postcard showing two people looking for Mutton Bird Eggs at Cape Woolamai."Seeking for Mutton Birds' Eggs. Cape Woolamai Phillip Island."mutton bird eggs, gathering mutton bird eggs cape woolamai, cape woolamai, mutton bird rookery cape woolamai, wildlife - mutton birds, mary karney

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Male & female looking for Mutton bird eggs on Cape Woolamai - western side - looking towards the "Pinnacles".Seeking for Mutton Bird eggs Cape Woolamai Phillip Islandlocal history, photography, photographs, postcards, black & white photograph, phillip island, cape woolamai, the pinnacles

MEDIUM: Unknown DESCRIPTION: Image ranges from black/dark brown to gold/yellow Timber outer frame with glass front White board inner frame Inscription on reverse Signed and dated; bottom proper left corner on white boarsegg, clancy golden

Belonged to Gwen Asling (nee Avard) Very old Silverplated decorative serving tray and cups for serving boiled eggsSilver plated stand and four cups. Decorative handle in centre, scalloped edge on three decorative legs. Cups have same decorationJAMES DIXON & SONS SHEFFIELDdecorated serving tray .silverplated

1986, 234, director deirdre oliver, heidelberg theatre company inc.

Donated from the estate of Patricia Marie White, 2013Drypoint etching on papergippsland, artwork, permanent collection

Plan of layout of the fowl sheds and coops.Handwritten on plan ,"on original 1. plan of existing fence. 2. plan of proposed fence." sheds, coops, egg laying, competitions

Painting of eggplants (approx. 10). The eggplant are piled from the base of the image to top third of image. Background depicts an unfocused vertical structure (possibly edge of window) and green foliage. Unframed.Front: (no inscriptions) Back: (no inscriptions)

Two of a collection of photographs donated by Mary KarneyTwo identical copies of a postcard. 2nd photo No. 183.05. Mutton Bird eggers camps at Cleeland Bight, Cape Woolamai. Tents in the foregrounds and boats in the background."Mutton Bird Eggers Camps. Cape Woolamai."mutton bird eggers, mutton bird eggers' camps cape woolamai, cleeland bight, mary karney

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg