This letter thanks Boyd for his charming story and illustrations (see D296), which will be published in autumn 1968 in an 'International Fairy-Tale and Fable-Book' in collaboration with UNICEF in Paris and Cologne. Marchen und Fabelbuch are West German Publishers.Typewritten

[1] The Premier Needle Book: This needle book likely dates from the early 20th century, possibly pre-WWI, during a time when Germany was a leading producer of high-quality steel sewing needles. Such needle books were commonly included in household sewing kits and often featured patriotic or aspirational imagery. The depiction of a steamship may have appealed to consumers as a symbol of progress and modernity. "Premier" was one of several brands that exported sewing products globally. This example reflects everyday domestic life and the importance of mending and garment care in an era before disposable fashion. [2] Broadway Imported Needle Assortment: This needle book was likely manufactured in Japan during the post-World War II era, circa 1950s–1960s, when Japan became a major exporter of inexpensive sewing supplies. Such items were commonly sold in variety stores and were a staple of household sewing kits. The cheerful domestic imagery and playful kittens reflect mid-century design trends aimed at appealing to homemakers. This example is representative of a time when imported sewing goods were marketed under Western-sounding brands like “Broadway” to enhance their appeal in English-speaking markets. [3] Little Red Riding Hood Needle Book: This needle book was produced by Prym, a German company known for manufacturing sewing notions since the 19th century. The fairy tale imagery suggests a mid-20th century (likely 1950s) origin, during a time when novelty and themed sewing accessories were popular for both practical and decorative use. Needle books such as this were sold in haberdasheries and department stores, especially targeting homemakers and young seamstresses. The charming storybook imagery also served to attract younger users and reflect domestic values of the period.[1] The Premier Needle Book: A small, illustrated cardboard needle book titled "The Premier Needle Book", featuring a colour lithograph of a warship or ocean liner on the cover, bordered with ornate golden scrollwork. The front is printed with "Premier" and "Made in Germany." Inside, the book opens to reveal several labelled compartments containing packets of assorted sewing needles (sizes 3 to 10) marked “Superior – Premier – Hardened and Tempered – Made in Germany.” A pink paper insert holds loose needles in place, neatly displayed on a green background with decorative gold trim. [2] Broadway Imported Needle Assortment: A brightly coloured, illustrated needle book titled “Broadway Imported Needle Assortment”. The front cover shows a charming domestic scene featuring two women in red clothing, one seated with a patchwork quilt and the other standing, both engaged in sewing. Two kittens playing with a red ball of yarn are illustrated in the lower left. The background is a warm yellow to orange gradient, enhancing the vintage appeal. The word "Flora" is handwritten in cursive at the top. Inside, the book contains black fabric inserts with five small, labelled packets of needles arranged in rows. The interior is printed in orange with a white geometric pattern. [3] Little Red Riding Hood Needle Book: A vibrantly illustrated fold-out needle book featuring the character of Little Red Riding Hood in scenes from the classic fairy tale. The design is printed on die-cut cardboard shaped to resemble a figure-eight when opened. The front and back depict detailed scenes from the story: Red Riding Hood in the forest with the wolf and again in the cottage with the disguised wolf in bed. Inside, the book opens to reveal red-printed background illustrations, with yellow paper needle holders stitched to the backing and holding various steel sewing needles. The book bears visible signs of wear, creasing, and edge damage, indicating prior use.[1] The Premier Needle Book: Front: “The Premier Needle Book – Premier – Made in Germany.” Inside packets: “Superior – Premier – Hardened and Tempered – Made in Germany.”, Needle size labels include numbers 3, 5, 6, 8, and 10., Background includes decorative motifs and border designs in gold. [2] Broadway Imported Needle Assortment: Front: “Broadway – TRADE MARK – IMPORTED Needle Assortment” Interior packets: “SUPERIOR – SHARPS – WARRANTED – Best in the World – Made in Japan”, Needle sizes are marked as No. 1, 3, 5, 7, and 9., Side edge (front cover): Faint printing reads “MADE IN JAPAN”. [3] Little Red Riding Hood Needle Book: Front (top right): "Prym" logo with stylised sheep motif, indicating the German manufacturer Prym, a long-standing brand in sewing supplies. Side edge: "Germany – Allemagne – Deutschland – Alemania" (multilingual export markings). Interior illustrations in white ink over red, featuring various fairy tale scenes and decorative elements.

Australian music examinations board. Public examinations in music. Conducted by the universities of Melbourne, Adelaide, Queensland, Tasmania and Western Australia and the State conservatorium of music New south Wales. Pianoforte grade V - 1924 - Issued under the authority of the Australian music examinations board. Price 2/6 Net. the book has 27 pages. Contents: Exercises for gaining control over tone gradations - Exercises beginning with the tonic - With the supertonic - With the mediant - With the subdominant - With the dominant - Exercises introducing thirds - Staccato exercises - Wrist staccato - Easy phrasing exercises - Preparatory contrary motion exercises - Exercises in scale playing - List A - List b March - Bourree - List C sonatina - Rondo - Sonatina - List D elfin dance - Mazurka - A fairy tale.books, music, pianoforte grade v

The North Kew Centre was the third established at North Kew. It followed a lease of a house at 50 Willsmere Road. The Peel Street building was designed by Mr Chipperfield. Messrs McIntosh and Taylor were the successful tenderers, the price being 1,240 pounds. The North Kew Baby Health Centre was finally opened on 18 June 1930 in the presence of the mayor, councillors and citizens of Kew, and representatives of the Infant Welfare Council. A report in The Age of 19 June described the opening in detail as well as the features of the new Centre. These included: "The rooms ... filled with flowers, pink and mauve hydrangeas and native heath, and the walls are adorned, with a charming frieze, representing windmills, flocks and a fairy tale goose girl. On the walls are hygiene editions of the funniest of Belloc's "Cautionary Tales" revised as posters, Outside there is promise of a gay garden, and a lovely view of green fields sloping to a shining bend of the river." Early photographic record of the opening of an early baby health centre in Kew.[Badly damaged] black and white photograph of the opening of the North Kew Baby Health Centre in Peel Street. The photo is mounted on card, and shows mothers and their children on the veranda, and officials at right. The latter includes the Mayoress and probably Vera Scantlebury. All mothers wear hats as do most of the children. [When the photograph was presented to the Society in 1979, it was described in the first Acquisitions Register as framed. Some time after that it was removed from its frame and badly broken. A separate photocopy of the original photograph is also held in the collection.]Earliest inscription: "Peel Street Health Centre / Official Opening 1930 / donated by Sr Costello and Sr Bewish [sic] 1979 / Copy purchased by ..... for Centre". Old Accession number in Texta: "KH-133 Kew Historical Society". Separate later label: "Opening North Kew Baby Health centre 1930". north kew baby health centre, peel street (kew), baby health centres - kew (vic)

Bendigo Branch Royal Historical Society of Victoria Dudley House Silver Jubilee Exhibition & Musical Performances. 29th May 1977. Soprano Patricia Lyon and Accompanist Fred Trewarne. Programme: 1. 'The Fairy Tales of Ireland' 2. ''Princess of the Dawn'' Composer Eric Coates. Refer to original document for a brief history of English Composer Eric Coates et.al. 3. ''Come Unto Him'' (from the Messiah) G.F. Handel. 4. ''Lament of Isis'' -Gone is My Love, My Lord '' (from Songs of Egypt) Granville Bantock. 5. ''Oh My Beloved Father'' (from Gianni Schicchi) G. Puccini. 6. ''Drooping Wings'' R. Quilter. 7. ''Caro Mio Ben'' (Dearest Believe) G. Geordani. 8. ''A Japanese Love Song'' May Brahe. 9. Mattinata (Morning Song) '''Tis the Day''. R. Leoncavello.bendigo, tourism, dudley house royal exhibition

William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport

A collection of nursery stories for young children. This book was awarded to Lance Sebire in 1932 for diligent Sunday School attendance.Large hardcover children's nursery book with coloured illustration on the front cover of a small boy and girl in pyjamas and nightie holding toys surrounded by fairies. The title Fireside Tales is in black lettering at the top. The spine has faded title and pubilsher, Shaw. Black and white illustrations throughout with some coloured plates.Kindergarten. Methodist Sabbath School Wandin Yallock 32 days. Awarded to Lance Sebire for 1st Prize of Mrs S. Gaudion's Class. W.J. Sebire Supt. A.J Sebire. Ada Gaudion. Sec. 27.3.1932.children's fiction, young people's fiction, children's books

Jackie Kerin's (donor's) story. In 1973, I was in my late teens and while I’d moved to Sydney from Melbourne, to begin my first year of drama studies at the National Institute of Dramatic Art. My parents had moved to Lake Bunga, a few kilometers north of Lakes Entrance (Victoria). On my first holiday visit to Bunga, I called into the Jolly Jumbuck Country Craft Centre in Bairnsdale http://jumbukwool.com.au/history. I was entranced by the place and spent the following weeks learning to spin lumpy wool on an Ashford Wheel. By the end of the holidays, I had my own Ashford and it travelled with me back to Sydney. After graduation, I returned to Melbourne and the hippy “back to nature” movement was in full swing; there were many shops and galleries selling handmade woollen items and pottery etc. So I found an outlet for my pieces. Sometime in 1976-77, I met a spinner and weaver of Swiss origin (I think) – her name was Ingeborg Guber (not sure of the spelling). She had a small gallery/shop at Brighton Beach where she worked, with her pet duck for company. Ingeborg had an upright Philip Elford wheel; an Australian wheel crafted from Acacia melanoxylon (blackwood). I was smitten and ordered one. I have a memory of Philip driving to Hampton from Ballarat to make the delivery. I used this wheel for years but as time and enthusiasm for spinning waned, the wheel became a decorative item in the house. Then in the 90s, and with my drama training, I set myself up travelling to schools and festivals, museums and galleries as a storyteller. The spinning wheel had a new life accompanying me on my adventures. For many children, familiar with references to spinning in fairy tales, seeing the little Philip Elford upright was magical. The wheel was donated to the National Wool Museum in 2021.Vertical tripod leg spinning wheel. 6 spoke wheel with three bobbins. Inscription “Philip Elford Ballart” can be read in gold text stamped to the base of the wheel. Wording, stamped, gold. Philip / Elford / Ballartspinning wheel, textile production, hobby textiles, aciacia melanoxylon (blackwood)

Naturally, we tend to take commonplace objects for granted, because they have always been there. Yet how many of you actually have thought “hey, where do forks come from?” Well, it takes one trip to China and a 3-year-old laughing at your face because of your desperate attempt to eat with chopsticks to finally appreciate something so ordinary such as a fork. So, where do forks come from? The early history of the fork is obscure. As a kitchen and dining utensil, it is believed to have originated in the Roman Empire, as proved by archaeological evidence. The personal table fork most likely originated in the Eastern Roman (or Byzantine) Empire. Its use spread to what is now the Middle East during the first millennium AD and then spread into Southern Europe during the second millennium. It did not become common in northern Europe until the 18th century and was not common in North America until the 19th century. Carving fork from 1640. Source: Wikipedia/Public Domain Carving Fork from 1640. Source: Wikipedia/Public Domain Some of the earliest known uses of forks with food occurred in Ancient Egypt, where large forks were used as cooking utensils. Bone forks had been found on the burial site of the Bronze Age Qijia culture (2400–1900 BC) as well as later Chinese dynasties’ tombs.The Ancient Greeks used the fork as a serving utensil. Read also: Steven Spielberg to Remake the Classic Musical ‘West Side Story’ In the Roman Empire, bronze and silver forks were used. The use varied according to local customs, social class and the nature of food, but forks of the earlier periods were mostly used as cooking and serving utensils. The personal table fork was most likely invented in the Eastern Roman (Byzantine) Empire, where they were in everyday use by the 4th century (its origin may even go back to Ancient Greece, before the Roman period). Records show that by the 9th century a similar utensil known as a barjyn was in limited use in Persia within some elite circles. By the 10th century, the table fork was in common use throughout the Middle East. Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain The first recorded introduction of the fork to Western Europe, as recorded by the theologian and Cardinal Peter Damian, was by Theophano Sklereina the Byzantine wife of Holy Roman Emperor Otto II, who nonchalantly wielded one at an Imperial banquet in 972, astonishing her Western hosts.By the 11th century, the table fork had become increasingly prevalent in the Italian peninsula. It gained a following in Italy before any other Western European region because of historical ties with Byzantium and continued to get popularity due to the increasing presence of pasta in the Italian diet. At first, pasta was consumed using a long wooden spike, but this eventually evolved into three spikes, design better suited to gathering the noodles. In Italy, it became commonplace by the 14th century and was almost universally used by the merchant and upper classes by 1600. It was proper for a guest to arrive with his fork and spoon enclosed in a box called a cadena; this usage was introduced to the French court with Catherine de’ Medici’s entourage. In Portugal, forks were first used at the time of Infanta Beatrice, Duchess of Viseu, King Manuel I of Portugal’s mother around 1450. However, forks were not commonly used in Western Europe until the 16th century when they became part of Italian etiquette. The utensil had also gained some currency in Spain by this time, and its use gradually spread to France. Nevertheless, most of Europe did not adopt the use of the fork until the 18th century. Read also: The 8 Most Famous ‘Functioning Alcoholics’ in History Long after the personal table fork had become commonplace in France, at the supper celebrating the marriage of the Duc de Chartres to Louis XIV’s natural daughter in 1692, the seating was described in the court memoirs of Saint-Simon: “King James having his Queen on his right hand and the King on his left, and each with their cadenas.” In Perrault’s contemporaneous fairy tale of La Belle au bois dormant (1697), each of the fairies invited for the christening is presented with a splendid “fork holder”. The fork’s adoption in northern Europe was slower. Its use was first described in English by Thomas Coryat in a volume of writings on his Italian travels (1611), but for many years it was viewed as an unmanly Italian affectation. Some writers of the Roman Catholic Church expressly disapproved of its use, St. Peter Damian seeing it as “excessive delicacy.” It was not until the 18th century that the fork became commonly used in Great Britain, although some sources say that forks were common in France, England, and Sweden already by the early 17th century. Spaghetti fork By Lady alys - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6414948 Spaghetti Fork By Lady alys – Own work, CC BY-SA 3.0, The fork did not become popular in North America until near the time of the American Revolution. The curved fork used in most parts of the world today was developed in Germany in the mid 18th century while the standard four-tine design became current in the early 19th century. The fork was important in Germany because they believed that eating with the fingers was rude and disrespectful. The fork led to family dinners and sit-down meals, which are important features of German culture. https://www.thevintagenews.com/2016/08/31/priority-fork-came-italy-european-country-pasta/?chrome=1Serving fork, two prongs, with a shaped wooden handle. Badly rusted.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, food, meat, carving

Wartime entertainment held at St Kilda Town Hall on 11 August 1917.Cream coloured card folded once to make 4 pages and printed in pink on 3 sides. The program of dances is printed on the inner pageswwi, world war i, st kilda town hall, st kilda balls

Pink coloured card printed in blackst kilda patriotic committee, wwi, world war i, st kilda balls

Hardcover, No Dust Jacket"Robin Boyd, Xmas '28 with Love from Lysbeth Adams"childrens play, fairy tale, walsh st library

Purple Hard cover with black ink design and yellow highlights. Yellow circle in centreTo Evelyn Dane from her affectionate sister Florencestawell education

Newspaper Clipping (p7) from "Catholic", No. 178, November 1998, contains the story written by Mother May Oliver, Imp. James O'Collins RC Bishop of Ballarat, January 1945, chapter 7 of "All for All", relating to the life of the 'the young girl countess Elizabeth Wolff-Metterich of Germany. The story revolves around her visit to Melbourne and Ballarat - in particular the visit to Lorretto - sighting of 'a tram (streetcar) bearing 'convent' as its head sign'. The reference to arrival by tram in the article suggests by the author that the Countess arrived by electric tram (by the use of the word 'streetcar'. In actual fact, date of visit was 1898, so it would have be the horse tram. Also horse tram system went down Morrison St. to the Lake, by Lorretto and its destination board was 'Gardens via Convent'.Niltrams, tramways, loreto convent chapel, countess elizabeth wolff-metterich, horse trams, catholic church

1994, 283, alice bugge, youth production

Index, ill, p.453.non-fictionThe West's first encounters with the folk tales and myths of the East proved to be a heady experience, as they were based on an entirely different value system and worldview than those that are reflected in the Greek myths and most subsequent Western folk tales. In Myths and Legends of China, author E.T.C. Werner offers up a rich tapestry of Chinese folk narratives. A must-read for fans of world myths, fairy tales, and legends. mythology - chinese, legends - china

This book details the lives of some people of the past who are buried in cemeteries along the Great Ocean Road. Of particular interest to Warrnambool and district readers are the documented lives of Jack Denham of the La Bella shipwreck, early Warrnambool settlers, Agnes and James Ruttleton, William Sharrock, hero of the Nestor sinking, the Rutledge brothers and the Mills brothers of Port Fairy, the scientist Frank Burnet, the unionist William McLean, Dick the bushranger and Captain Pye, V.C. This book is of interest as it gives information on a variety of historical figures buried in cemeteries in the Great Ocean Road districts (Geelong to Port Fairy). It will be useful to researchers. This is a soft cover book of 290 pages. It has black and white and coloured photographs on the front and back covers and printing on the spine and back and front covers. The pages contain an introduction, 22 chapters, black and white photographs and maps and illustrations. western district of victoria, warrnambool