This collection of five photos was most likely taken in 1980. Wild PUG4 point transfer devices were used by technicians in Air Survey Squadron to stereoscopically view the photography containing the survey control points and the mapping aerial photography. The Control points were transferred from the control photography to the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion. The Zeiss (Jena) Stecometer analytic stereocomparator for air photography was introduced at Air Survey Squadron in 1963. Aerotriangulation production was expedited using computers for analytical photogrammetric processes. The technician accurately measured between pass, tie, and survey control points on aerial photographs.Air Survey Squadron Aerotriangulation Section - Army Survey Regiment, Bendigo. c1980. This is a set of five photographs of Air Survey Squadron personnel operating aerotriangulation equipment at the Army Survey Regiment at Fortuna, Bendigo, c1980. Photographs .1P to .4P are on 35mm negative film and were scanned at 96 dpi. Black and white photo .5P is on photographic paper and was scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Wild PUG4 point transfer device, unidentified technician. .2) - Photo, black & white, c1980, Wild PUG4 point transfer device, unidentified technician. .3) - Photo, black & white, c1980, Wild PUG4 point transfer device, unidentified technician. .4) - Photo, black & white, c1980, Zeiss (Jena) Stecometer, unidentified technician. .5) - Photo, black & white, c1980, Zeiss (Jena) Stecometer..1P to .5P No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, aerotrig

This collection of 12 photos was most likely taken in 1980. The photos were most likely taken in Cartographic Squadron’s Ante Room, the Attic and small offices on the top floor of Fortuna Villa. The computer based Editwriter typesetting system was introduced in 1975 as a replacement to the aging Fotosetter machine. It was operated by a specialised technician, who generated a large variety of map type styles and sizes quickly and reliably, as well as text panels. CPL Richards performed this task for several years and in photo .1P and .2P is reading off a type order next to the computer monitor. Output on Copy proof adhesive backed stripping type film replaced messy wax and spray adhesives in 1978. The Editwriter capability supported all RASvy units and contractor type setting requirements. Scribing was the cartographic process of drafting features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a contour to a specified line width on the map sheet, using a tool affixed with a sapphire tipped cutter. The quality control edit (Proving) stage of map production was the first opportunity to inspect a proof of the map independently and systematically. Proving tasks were carried out by technicians conversant of the map product specification and task requirement, however, was not involved in its production. Corrections were identified, marked up and sent to back to the correcting section or contractors. Terrain Embossing was a manual map production technique to produce hill shading on medium to small scale graphics and air charts. SPR John Martin is seen in photos .8P to.10P using a fine embossing metal stylus to push down on the drainage impression on a thin malleable opaque plastic material (AK Poligraphy). Ridge lines were then pushed down using the contour impression as a guide, on the opposing side of the AK Poligraphy to create a 3D plastic model terrain effect. The map impression was sprayed with white paint and photographed to create a contone tone hill shade. SPR Gina (Coore) Neilson is seen in photo .11P washing a contone positive of a land mass in a solution. The contone components were registered to the map sheet, as shown in photo .12P and masked using an air brush and a halftone negative was then created. The terrain embossing method of producing hill shading was more efficient to produce than previous specialised artistic methods such pencil/eraser and air brush. Furthermore, a more consistent enhancement of terrain on charts was achieved between technicians.This is a set of 12 photographs of Cartographic Squadron performing four map production tasks at the Army Survey Regiment, Fortuna, Bendigo c1980. The first ten photographs were on 35mm negative film and were scanned at 96 dpi. Photos .11P and .12P were on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .2) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .3) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .4) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .5) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .6) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .7) - Photo, black & white, c1980, Formal quality control edit (Proving), CPL Ian Belmont. .8) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .9) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .10) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .11) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR Gina (Coore) Neilson. .12) - Photo, black & white, c1980, Hill Shade Terrain Embossing, unidentified..1P to .10P No personnel are identified. .11P and .12P annotated ‘Terrain Embossing’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

These four photos of RaSVY personnel were taken inside the Records Hut, one of Headquarters Squadron’s work areas at the Army Survey Regiment, Fortuna probably in 1986. This building was located near the basketball court and probably at that time, held aerial photography archives, flight planning records, production data folders and final colour separated negatives of published maps.This is a set of two photographs of Records Hut personnel from Headquarters Squadron, Army Survey Regiment, Fortuna, Bendigo, 1986. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1986, Records Hut – SPR Brett Treneman. .2) - Photo, black & white, 1986, Records Hut – LCPL Bob Sheppard. .3) - Photo, black & white, 1986, Records Hut – L to R: LCPL Bob Sheppard, SPR Brett Treneman. .4) - Photo, black & white, 1986, Records Hut – L to R: LCPL Bob Sheppard, SPR Brett Treneman.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

These four photographs of SPR Santina (Argetto) Straube capturing topographic features – plotting with a Wild B8 stereo plotter were most likely taken in c1980. Introduced in 1966, the Wild B8 stereo plotter was used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting by B8 and B9 equipment was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In these photos SPR Santina (Argetto) Straube was plotting with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. This is a set of four photographs of a technician capturing topographic Features with a Wild B8 stereo plotter in Air Survey Squadron – Army Survey Regiment, Fortuna, Bendigo. 1980. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) Photo, black & white, c1980. SPR Santina (Argetto) Straube operating a Wild B8 stereo plotter..1P to .4P – no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, photogrammetry

These four photographs were most likely taken in the mid-1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The equipment operated by the technicians is the KLIMSCH camera. The main tasks undertaken by the technicians were most likely enlargements and reductions of map reproduction material. The KLIMSCH Commodore camera was introduced in 1953 and was the largest in the Southern Hemisphere. It was replaced with a new model of the same size in 1979. The new model with its computer-based interface provided productivity gains with improved speed and its consistent results led to less wastage in time and materials. Its variomat lens system provided improved retention of map feature linear weights during the camera reduction process. The camera which was specially made for the Army in Germany was fully automatic and power operated. It was claimed to be one of the biggest automatic cameras of its type in the world. It was made to the specifications of the Royal Australian Army Survey Corps to assist in the production of the very high standard maps for the Army. This is a set of four photographs of technicians operating the KLIMSCH Camera at the Army Headquarters Survey Regiment, Bendigo c1985. The photographs were on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) Photo, black & white, c1985, Frank Lenane operating the KLIMSCH Camera. .2) - Photo, black & white, c1985, KLIMSCH Camera. .3) to .4) - Photo, black & white, c1985, John Whaling operating the KLIMSCH Camera..1P to .4P – no annotationroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

Photos .1P, .2P, and.4P were most likely taken in the 1980s and photos .3P, .5P to .7P in the c1990s at the Army Survey Regiment, Fortuna, Bendigo. Despite lacking annotation on exact dates, locations and personnel, they are positively identified. CPL Ian Nelson in photo .1P is operating a Wild Pug 4 point transfer device in Air Survey Squadron c1980s. Control points were transferred onto the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion. SPR Viv (Hawkins) Doherty in photo .2P, SPR Jeanette Drury-Lane in photo .5P and SGT Sandy Craig are operating a Wild B8 Stereoplotter coupled to a digital workstation in Air Survey Squadron c1994. Topographic features were extracted with the B8 in 3D and feature coded with attributes, using keyboard, menu, keypad and voice inputs to the computer. The features were stored in the AUTOMAP 2 digital database for subsequent cartographic production and printing. CPL Mick Ellis in photo .3P is operating the Optronix 4040 Scanner/Film Writer in Lithographic Squadron c1990s. In scanning mode, compilation sheets were mounted on the drum and scanned. The resultant raster file was vectorized, feature coded with attributes and stored by cartographic technicians in the AUTOMAP 2 database. In film writing mode, digital cartographic files were output at very high resolution for each print colour on photosensitive film, for subsequent finalisation, platemaking and printing.This is a set of seven photographs of technicians operating map production equipment at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1980s. CPL Ian Nelson operating a Wild Pug 4 point transfer device in Air Survey Squadron. .2) - Photo, colour, c1980s. Wild B8 Aviograph stereoplotter feature extraction, SPR Viv (Hawkins) Doherty in Air Survey Squadron. .3) - Photo, colour, c1990s. CPL Mick Ellis operating the Optronics 4040 Scanner in Lithographic Squadron. .4) - Photo, colour, c1984. AUTOMAP 2 Graphic Edit Workstation, SPR Craig Kellet in Cartographic Squadron. .5) - Photo, colour, c1994. Wild B8 Aviograph stereoplotter feature extraction, SPR Jeanette Drury-Lane in Air Survey Squadron. .6) - Photo, colour, c1994. AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified, SPR Rachel (Stanford) Scott, CPL Chris Wynn in Cartographic Squadron. .7) - Photo, colour, c1994. Wild B8 Aviograph stereoplotter AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified (x2), SGT Sandy Craig in Air Survey Squadron..1P – no annotations .2P – annotated “Stereoplotter Workstation. The operator has the use of keyboard, menu, keypad and voice for input to the computer. Feedback is given through voice and screen messages.” .3 to .7P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, air survey, litho, aerotrig, automap 2

This collection of 20 photos was most likely taken in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, in 1989. The photos were mainly taken in the Camera, Contacting Printing BARCRO and Production Control work areas, as well as outside the buildings. Although these photos are not annotated most personnel are positively identified. This is a set of 20 photographs of Lithographic Squadron and staff from other squadrons undertaking various tasks at the Army Survey Regiment, Fortuna, Bendigo, 1989. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) and .2P - Photo, black & white, 1989, L to R: WO1 Peter Coombes, WO2 Steve Egan. .3) - Photo, black & white, 1989, L to R: WO2 Rob Bogumil, unidentified, SGT Frank Lenane, SGT Gary Kerr. .4) - Photo, black & white, 1989, L/CPL Darren Maher. .5) - Photo, black & white, 1989, L to R: WO2 Peter Imeson, Terry King, unidentified. .6)- Photo, black & white, 1989, CPL Kevin Berry. .7) - Photo, black & white, 1989, WO2 Steve Egan. .8) - Photo, black & white, 1989, L to R: WO2 Rob Bogumil, SGT Gary Kerr, CPL Peter Swandale, SGT Dale Hudson. .9) to .12) - Photo, black & white, 1989, SPR Dave Scott. .13) - Photo, black & white, 1989, unidentified. .14) to .15) - Photo, black & white, 1989, L to R: WO2 Steve Egan, CPL Stuart Ridge. .16) - Photo, black & white, 1989, L to R: SSGT Russ Mollenhauer, SGT Laurie Justin. .17) - Photo, black & white, 1989, L to R: CPL Jeff Webb, SPR Syd Anstee. .18) - Photo, black & white, 1989, CPL Darren Maher. .19) - Photo, black & white, 1989, SPR Joyce Gray. .20) - Photo, black & white, 1989, L/CPL Mark McCullough.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This collection of 14 photos was most likely taken in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, in 1990. The photos were mainly taken in the Camera, Contacting Printing BARCRO and Production Control work areas, as well as outside the buildings. Although these photos are not annotated most personnel are positively identified. This is a set of 14 photographs of Lithographic Squadron and staff from other squadrons undertaking various tasks at the Army Survey Regiment, Fortuna, Bendigo, 1990. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1990, Damien Cole .2) - Photo, black & white, 1990, L to R: SGT Keith Quinton, CAPT Bill Jones. .3) - Photo, black & white, 1990, Andrew Morrison-Evans. .4) - Photo, black & white, 1990, John Bragg. .5)- Photo, black & white, 1990, CPL Stuart Ridge. .6) - Photo, black & white, 1990, Ken Delmenico. .7) - Photo, black & white, 1990, Ken Labouchardiere. .8) - Photo, black & white, 1990, CPL Peter Dillon. .9) - Photo, black & white, 1990, L to R: WO1 Ralph Chant, SSGT Rhys De Laine. .10) - Photo, black & white, 1990, CPL Darren Maher. .11) - Photo, black & white, 1990, CPL John ‘Flash’ Anderson. .12) - Photo, black & white, 1990, L to R: CPL SGT Gary Kerr, CPL Lance Strudwick, SGT Dale Hudson. .13) - Photo, black & white, 1990, LT Craig Hersant and Alf. .14) - Photo, black & white, 1990, MAJ Bob Coote.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

American - Australian Officer Exchange - Mid Tour Report ASR 1981, Major D Bowen US Army Corps of Engineers. A two-year exchange program existed between the Australian Survey Corps and the US Army Corps of Engineers. This is a report by the US Exchange Officer in 1981 half way through the exchange tour.Clear film plastic covers front and back, Light Purple cardboard covers. Contains Cover Letter to American Embassy, Canberra ACT. Page 2 is Information page with references. Table of Contents page. Actual Report is pages numbered 1-19. Booklet "Lansells Fortuna (green cover edition) pages 1-16, only some pages are numbered. Army Survey Regiment Organisation Chart, "Map Production Story"- 8 pages, Bowen to Gram No1- WestPoint to Australia 2 pages, Enclosure 9 - Use Addresses (USA). Armed Forces of Australia - Badges of Rank, Enclosure 5 - Recommended Changes 2 pages, Enclosure 6 - Technical Services R&D Tasks, Married Quarter Floor Plan.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This collection of 34 photos of Lithographic Squadron personnel and equipment was taken in at the Army Survey Regiment, Fortuna, Bendigo, in 1992. The photos were mainly taken in the Camera, Contacting, Printing, BARCRO and Production Control work areas, as well as outside Fortuna’s buildings. Although these photos are not annotated most personnel are positively identified. This is a set of 34 photographs of Lithographic Squadron personnel and equipment at the Army Survey Regiment, Fortuna, Bendigo, 1992. Photographs .1P to .32P are on 35mm negative film and scanned at 96 dpi. Colour photos .33P and .34P are on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1992, back row L to R: Andrew Arman, unidentified Mark McCulloch, Dale Hudson, front row L to R: Daryl South, unidentified (x2). Janet Murray, LT Dave Weston. .2) - Photo, black & white, 1992, back row L to R: unidentified, CPL Paul Baker, Shona Hastie, front row L to R: LT Craig Hersant, Darren Maher, Chad Hardwick, Rob Jones. .3) - Photo, black & white, 1992, WO2 Steve Egan. .4) - Photo, black & white, 1992, LT Craig Hersant. .5)- Photo, black & white, 1992, CPL Warren Shirley, Jeff Willey, Gary Kerr. .6) - Photo, black & white, 1992, L to R: CPL Penny Knott, Janet Murray, Shona Hastie. .7) - Photo, black & white, 1992, L to R: MAJ Terry Edwards, LT David Weston. .8) - Photo, black & white, 1992, Frank Lenane, WO1 Trevor Osborne. .9) - Photo, black & white, 1992, L to R: WO2 Rob Bogumil, WO2 Steve Egan. .10) - Photo, black & white, 1992, back row L to R: Terry Winzar, Roy Hicks Marty Stradbrook, Janet Murray, Nick Vanderzwan, Mark Bird, front row L to R: SGT Dale Hudson, SSGT Russ Mollenhauer, Ross Anza, SGT Kim Reynolds, SGT Stuart Ridge, WO2 Jeff Willey, Peter Hamilton, Garry Lord, Gavin McLean, unidentified. .11) - Photo, black & white, 1992, Janet Murray, Mick Muzeen. .12) and .13) - Photo, black & white, 1992, Janet Murray. .14) to.16) - Photo, black & white, 1992, SPR Scott Cameron, CPL Warren Shirley. .17) - Photo, black & white, 1992, L to R: SPR Shane Campbell, SGT Brian Paul. .18) - Photo, black & white, 1992, LCPL John Bragg. .19) - Photo, black & white, 1992, SPR Allison (Ottaway) Wooldrage. .20) - Photo, black & white, 1992, map inspection station, LT Colin Davidson. .21) - Photo, black & white, 1992, map inspection station. .22) - Photo, black & white, 1992, map inspection station, LT Colin Davidson. .23) and .24) - Photo, black & white, 1992, map inspection station, SPR Nicole Midgley. .25) - Photo, black & white, 1992, map inspection station. .26) - Photo, black & white, 1992, map inspection station, unidentified. .27) - Photo, black & white, 1992, CPL Penny Knott. .28) - Photo, black & white, 1992, CPL Ken Peters. .29) - Photo, black & white, 1992, WO2 Rob Bogumil. .30) - Photo, black & white, 1992, L to R: WO2 Peter Imeson, WO2 Rob Bogumil. .31) and .32) - Photo, black & white, 1992, L to R: SGT Brian Fauth. .33) - Photo, colour, 1992, Klimch Camera, CPL Damien Cole. .34) - Photo, colour, 1992, Speedmaster Printing Press, L to R: SGT Gary Kerr, unidentified, SGT Kim Reynolds, SPR Shane Campbell.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

These nine photographs of technical equipment were provided to the Directorate of Survey as input to the 1990-1991 Annual Report. The equipment in Photos .1P and .2P were used to evaluate/validate colour values on printed maps. The equipment in Photo .3P is a daylight film processor. The Optronix 5040 Laser Scanner/Plotter was shown in Photos .4P to .6P. The Print Room’s Map Handling Station in photo .7P provided ergonomic benefits to the Printer Technician and improved despatching productivity. The Optical Disk Archive and Retrieval System (ODARS) equipment in .8P was optical "platter" disk technology for the secure and long term archive storage of large amounts of digital map data. Map data was transferred from large reels of magnetic tape. As most map type (letters and names) generation was done in Automap 2, The ITEK Typesetter shown in photo .9P was close to obsolete in 1991. At this time it was used to generate map type for other RASvy units, contractors and sections still performing manual map production at Army Svy Regt.This is a set of photographs of Army Survey Regiment technical equipment taken in 1991. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, 1991, Colour Evaluation Workstation No 1, Lithographic Squadron .2) - Photo, black & white, 1991, Colour Evaluation Workstation No 2, Lithographic Squadron .3) - Photo, black & white, 1991, Daylight film processor, Lithographic Squadron, Daylight Working Contacting Frames in background. .4) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .5) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .6) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .7) - Photo, black & white, 1991, Map Handling Station, Lithographic Squadron .8) - Photo, black & white, 1991, Optical Disk Archive and Retrieval System (ODARS), Cartographic Squadron .10) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .9) - Photo, black & white, 1991, ITEK Typesetter, Cartographic Squadron.1P, .2P, .4P to .10P – equipment description annotated on back .3P - no annotation.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, automap

Travel slides were often purchased as a memento of a city visited. This set of slides is of Melbourne circa 1970s.8 colour slides in cardboard folderslide sets, travel slides, melbourne

Synopsis: “In WW1 Melbourne a pioneering network of women at the Mission to Seafarers called the Ladies Harbour Lights Guild supported sailors who risked their lives at sea. The documentary “Harbour Lights” tells the remarkable story of the Ladies Harbour Lights Guild and the lives of seafarers in early 20th century Melbourne. It focuses on Melbourne’s iconic Mission to Seafarers building, its connection to the Great War and to a unique community of ships crew and volunteers. Featuring Melbourne historians, commentators, archivists and architects and rare footage and images of sailing and social life in and around the ports of Melbourne, this film will inform and connect audiences young and old.” Commissioned by Victorian Government The movie was produced in collaboration with the Mission to Seafarers Victoria. It was directed by Jary Nemo and written and produced by Lucinda Horrocks and Jary Nemo with executive producers Sue Dight and Gordon MacMillan. The film features: Jill Garner Kate Darian-Smith Chris McConville Janet Miller (curator) Gordon MacMillan (former seafarer and board committee member) Narrated by Sharon Turley. Music by Richard Chew (professor of the Arts Academy in Ballarat) The film was presented at several festival in Australia and abroad in 2020-2021. Credits: Narrator Sharon Turley Featuring (in order of appearance) Dr Chris McConville, Gordon MacMillan, Janet Miller, Professor Kate Darian-Smith and Jill Garner With Raul S Gantalao Jr, Escoto Lemuel, Ben Schroeder, Cinda Manins And Ian Fletcher, Yuan Jia, Uma Kothari, Gordon Lansley, William Reed and Cheka Samaranayake Directed by Jary Nemo Written and Produced by Lucinda Horrocks and Jary Nemo Music by Richard Chew Executive Producers Sue Dight and Gordon MacMillan Research advisors Geraldine Brault, Maria Culka, Professor Kate Darian-Smith, Ros Fletcher, Professor Uma Kothari, Dr Barbara Lemon, Catherine McLay, Dr Chris McConville, Janet Miller, Rick Mitchell, Duncan ‘John’ Perryman, Dr Annette Sheill and Peter Taylor Archival photographs, music and footage courtesy of Australian Red Cross Society, Central Highlands Libraries, Internet Archive, National Film and Sound Archive, National Library of Australia, Mackarness Family Personal Archives, Mission to Seafarers Victoria, Public Record Office Victoria, State Library of Victoria and US National Archives Music Harbour Lights. Music by Richard Chew. Westering. Music by Richard Chew. Twilight (Crépuscule) by Jules Massenet. Performed by Amelita Galli-Curci. I Love You So, Waltz from The Merry Widow by Franz Lehár. Performed by Elise Stephenson and Harry Macdonough with Orchestra. Harbour Lights 2. Music by Richard Chew. If I Could Fly by Walking Hearts featuring Jennifer Holm. Courtesy of Epidemic Sound. With thanks to Peter Barrow, Sarah Bartak, Lin Bender AM, Patty Braumueller, Csilla Csongvay, Emer Diviney, Moira Drew, Ian Fletcher, Ajith Jayasuriya, Ben Jones, Patience Jones, Cinda Manins, Madeleine Martiniello, Georgia Melville, Elisabeth Moglia, Tara Oldfield, Lyn Pasquier, Nigel Porteous, Rev’d Onofre (Inni) Punay, Dr Rosalie Triolo, Ben Schroeder, David Simpson, Cheka Samaranayake, Daria Wray, the Helen Macpherson Smith Trust and KPMG. A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. We acknowledge Traditional Owners and pay our respects to Elders past, present and future. Production company A Wind & Sky Production Copyright with © Wind & Sky Productions MMXIX The film was launched on Wednesday 26th February 2020 at the Mission. Speech by Veterans Affairs. Amongst the guests were current and former volunteers (Maria Culka, Gordon MacMillan, Elisabeth Moglia), curators (Georgia Melville, Jay Miller, Geraldine Brault)18mn documentary mixed of photographs from teh collection and interviews about the Ladies Harbour Lights Guild work during WWIladies harbour lights guild, documentary, jay miller, janet miller, geraldine brault, lucinda horrocks, gordon macmillan, jary nemo, kate darian-smith, jill garner, chris mcconville, sharon turley, richard chew, footage, archive

"We chat with film makers Lucinda Horrocks and Jary Nemo about their film Harbour Lights. This is followed with a chat with Yau-Ming about his short film The Last Typewriter Shop in Melbourne. Both films will be showing at the next Melbourne Documentary Film Festival running over 10 days in July - July 21 - 31 at Nova Cinema." Broadcasted in Melbourne on Thursday, 24 June 2021 - 11:00am to 11:30amThe documentary was selected in several film festivals.Radio interview of Jary Nemo and Lucinda Horrocks by harbour lights, documentary, melbourne documentary film festival, mdff, jary nemo, lucinda horrocks, wind and sky productions, 2021, mission to seafarers, annie mcloughlin, media copy, 3cr, community radio

This camera was designed by William Johnston in 1904. Production began in 1905. There were many versions, the number indicated the length of film which corresponds to the width of the panorama. Originally designed for photography of large groups of people. Later it was used for landscapes. This camera was used by the local Lorne photographer William Anderson who took photographs of visitors and local scenes. William purchased Norman Brown’s photographic business in December 1899 and worked in Lorne until his death in 1948It is a large format rotating panoramic camera. A concertinaed fine leather tube with the adjustable lens is contained in a black wooden leatherette covered rectangular box. On the top is a metal winding handle, a series of weights and a carrying handle. The lens is a Gundlach - Manhattan rapid recto graph. The camera rotates on a geared tripod through 360 degrees with the film driven past the exposure slot by a clock work motor.cameras, lorne, william anderson,

The photograph shows a ship visit. It is historically significant and thought to be one of a series of photographs linked to a publicity campaign circa 1955-1956 promoting the work of the Mission. The campaign partly inspired by the Centenary year of the Mission in Australia (1956) also resulted in the production of a black and white short film "The Flying Angel", featuring and Padre Oliver and the work of the Mission was deposited in 2016 with the Australian Centre for the Moving Image, (ACMI) Federation Square, Melbourne.Padre Frank Oliver, Chaplain to the Mission to Seafarers 1930 - 1960 led the Mission through a period of significant changes through the mid 20th C. This image is one of a series of key images showing the work of the Mission Chaplain in the Post WWII period. Father Frank Oliver wearing uniform including officers cap walking up a gangway and being met by a group of four men. There is a fifth man standing slightly to the left of the photograph.Discolouration on the bottom left and top centre of the photograph.uniform, machinery, ship, crew, gangway, deck, handshake, chains, rope, buoy, pulleys, rivets, padre oliver, frank leslie oliver, mission to seafarers, mission to seamen, seamen's mission, robin kent, kerr bros studio

Bushells tea and coffee producers started in Brisbane(1883) and expanded to Sydney, Melbourne(1899), Fremantle and finally to Auckland(1937). Like other Pacific Island sourced condiments Tea and coffee were a lot easier to import than British or European goods. Local Australian industries were starting to develop and grow to overcome the long transportation times and the high costs of goods from traditional suppliers. Bushells Pty Ltd is a prime example.This "Bushells" Coffee tin is a good example of Australian "grown" condiment suppliers serving the "whole" of the Australian marketplace. Rural areas were not neglected and the purchase price for goods were a reasonable levels. Kiewa Valley experienced a population growth from the late 1940's and due to the migrant works in the Kiewa Hydro Scheme the greater use of coffee was initiated. Rural areas, on the whole, where the population was more connected to some degree with a British heritage lineage were predominately tea drinkers. The American film productions, however, screened in Australia post 1950's showing a greater degree of coffee drinking "stars" had a long term effect upon the drinking habits of the rural populous. This round tin of coffee with lid is made from pressed steel lid framed top and bottom. Sturdy cylindrical body is made of cardboard. Paper information label is pasted onto the container with promotional and logo information.In large print and on opposite sides are two manufacturers labels.The topprint and on a diagonal slant in gold letters on a dark blue background is "BUSHELLS" underneath this "PURE" and below this on a red background "COFFEE". On one side in smaller print "EASY TO MAKE" and below this "Use one dessert-spoonful for each cup of coffee desired. Place in the pot and pour over it fresh water briskly boiling. Let stand for five minutes, then strain". Below this "1 IB. net" and underneath is a signature "BUSHELLS" below this in small print "Pty. Ltd." Below this, in a vertical row are"SYDNEY MELBOURNE fREMANTLE AUCKLAND"coffee and tea processors and distributors, hot drink suppliers

35mm wide Miniature Projector for slides and films being roll of film. A 250W educational skills projector that would accept either 35 mm filmstrips or 2x2 slides.Used in the Kiewa Valley from 1947AMP red and yellow insignia on each side. Top side has a leather strap. Each side has a steel clip allowing the lid to be lifted off. Projector is black bakelite and has silver trimmings. It has a long black electric cord.Patent No. 603982 AMP = Advanced Mechanical Productions Ltd. London. March 1947amp miniature projector

This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets.

First Love is a feature film length surf film that tells the story of three young female surfers. The film follows the lives of Jess, Nikki and India as they follow their passion for surfing growing up together and competing against one another. Surfing brings the girls together but they are all different in their own way. The film culminates in a surf trip to Hawaii where they meet a number of professional female surfers. The film also features surfers Stephanie Gilmore (world champion), Alana Blanchard and Bethany Hamilton. First Love was produced by an all female creative team and officially launched at the Surf World Museum Torquay on 4th April 2010. The film had its festival debut at the DUNGOG FILM FESTIVAL in May 2010 and its international debut at the HAWAIIAN INTERNATIONAL FILM FESTIVAL in October 2010. First Love is the first surf feature film shot in Australia with an all female cast/crew. The film had a national theatrical release across Australia on February 14th, 2011.Full colour film poster for the surf film FIRST LOVE. The poster features a long shot of the main surfers in the film, Jess Laing, Nikki Van Dijk, and India Payne walking along a country road towards the camera carrying their surfboards and wetsuits.Film title, sponsors logos, film makers credits and touring dates for the Autumn 2010 tour of the film.phillip island, surf film, first love, jess laing, nikki van dijk, india payne, stephanie gilmore, bethany hamilton, liquid pictures production, fran derham, clare plueckhahn, claire gormon, rip curl pro

FIRST LOVE tells the story of three passionate young girls from Phillip Island who aspire to make a career out of surfing. The film stars Jess Laing, Nikki Van Dijk, India Payne. Also appearing Stephanie Gilmore, Coco Ho and Alana Blanchard.The first feature length Australian surf film which tells the story of a group of young female surfers. The film has screened at a number of major film festivals and won two major awards at the X-Dance Film Festival in 2011.DVD cover features a colour photograph of the three stars of the film, Jess Laing, Nikki Van Dijk and India Payne.Rip Curl Logo, film festival logosfirst love, jess laing, nikki van dijk, india payne, stephanie gilmore, fran derham, clare plueckhahn, georgia fish, cahill bell-warren, coco ho, alana blanchard, claire gorman

Ballarat School of MInes was a predecessor of Federation University. Newspaper produced by students of Senior Secondary School age who attended courses at the SMB. Items include a visit to H.M. Pentridge Prison, Melbourne to see the Mess Hall Players production of "Comedians" by J Paynton, Marylin Rundle and Linda Smith; information on the camp to Lorne by Kathy Lund and Jack Begbie; film revue of "The Rock Horror Picture Show" by John Mitchell; and revue of Russell Morris and the Rubes at the Civic Hall in Ballarat. Cathy Lees wrote about the 1981 SMB Raft Race on Lake Wendouree. Resident Revoluntionary wrote about the Unions and strikes. Jeff Zilles printed the newspaper.Two A2 sheets folded -to create an 8 page student newspaper,ballarat school of mines, jailhouse news, senior secondary school students, h.m.pentridge prison, mess hall players, comedians, lorne camp, rocky horror picture show, russell morris and the rubes, civic hall ballarat, raft race, unions, j payton, marylin rundle, linda smith, john mitchell, kathy lund, jack begbie, cathy lees, debbie ward, matthew meenan, craig carr, greg walker, sherryn kieul, colleen broad, helen desert, fiona taxi, maurie gear, sue, pattie macnuttie, terry o'bow, g beanland, principal, zilles printers, graham beanland

Early pre world war II, home movie projector. Several series followed made by the same company and were very popularKodak brand and film was internationally recognised brand which dominated projection, camera and film until a shift towards digital media resulting in subsequent decline including the ceassation of camera film production in 2013.Vintage Eastman Kodak Kodascope Model EE series II . 16mm film projector The lens is a 2-Inch by Eastman Kodak.The plaque on the front of the projector reads: “Kodascope, Model EE, made in the U.S.A. By Eastman Kodak Co, Rochestor, N.Y., Trade Mark Reg. U.S. Pat. off., 100-125 volts, 850 watts, for use with slow burning film only, patents in U.S.A. 1,461,794, 1,507,357.”vintage projectors, film projection, kodak, home technology, eastman kodak co, model ee series ii

Mirrabooka means Southern Cross. The Melbourne Movie Club was established for those interested in Moving Pictures and all its branches. 'A place to go to spend a few leisure hours, a select dance, parties, picnics, amusements, to learn the art of picture acting and make up, to take part in the Company's productions, dramatic art, to have a jolly good time, etc.' The Melbourne Movie Club has a spacious premises at 184 Exhibition Street, Melbourne, with a floor space of 10,000 square feet, where scenes and sets were erected for the use of Club Members. The Club had full moving picture producing equipment such as big light plant, stage effects, scenery, and cameras. The Melbourne Movie Club saw themselves ad the nursery and basis for a National Film Industry. .1) The secretary was Burnard W. Morey (AICA), the director was L. Morton, and the Managing director of Mirrabooka Films was James Weston. .2) The Managing Director was Louis Morton, the director was Ivan Morton, the Manager Robert Spencer and the organiser and Producer was W. Winford.Two booklets relating to the Melbourne Movie Club. .1) Eight page white booklet of the Melbourne Movie Club - The Mirrabooka Films Pty Ltd. The booklet discusses the place of film in Australia. .2) Eight page pink booklet of the Melbourne Movie Club.melbourne movie club, movie, theatre, james weston, mirrabooka, mirrabooka films, burnard morey

Prince of Tempters is a 1926 American silent romance film directed by Lothar Mendes and starring Lois Moran, Ben Lyon, and Lya De Putti. It is based on the 1924 novel The Ex-Duke by the British writer E. Phillips Oppenheim.Large coloured movie poster with image of man and women with devil in between A First National Picture. Robert Kane presents "The Prince of Tempters" with Lois Moran, Ben Lyon, Lya De Putti, Mary Brian, Ian Keith, Sam Hardy, Olive Tell Adapted from "the Ex-Duke" by E. Phillips Oppenheim A Lothar Mendez Production First National Pictures1I-SH-A "Country of origin" USA R-919lya de putti, mary bria, ian keith, sam hardy, olive tell, "the ex-duke", e. phillips oppenheim, lothar mendez production, first national pictures, usa, a first national picture, robert kane, the prince of tempters, lois moran, ben lyon, theatre, movies, kiss

DVD Copy of original VHS Tape, produced by Burcon Video Production. This DVD was copied for the Ringwood Tenchnical School / ESC Reunion in 2010. An .MP4 file taken from the DVD is available at the RDHS Archives. The Original VHS Tape was disposed once DVD copy was confirmed to be faithful copy. rts, ringwood tech

DVD Copy of original VHS Tape, of the 1985 School production of West Side Story. (Poor quality video). This DVD was copied for the Ringwood Technical School / ESC Reunion in 2010. An .MP4 file taken from the DVD is available at the RDHS Archives. The Original VHS Tape was disposed once DVD copy was confirmed to be faithful copy. rts, ringwood tech