Colour photograph of an exhibit at the Dior Exhibition at the National Gallery of Victoria.dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, french navy, 1950s, 1960s, silk, organza

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Schumacher Shoes was a family owned and operated retail show store in Melbourne who sought out the best in comfort, design, and style features. Brands are sourced from around the world, including renowned German, French, Italian; Spanish seasons collections. Made from, including sustainable, quality natural; man made materials.Black leather shoes, with high stilettos heels sling backs with a narrow pointed toe, designed by Schumacher of Collins Street, Melbourne.Schumacher / 296 (sic) Collins Street / Melbourneschumacher, women's shoes, footwear

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. An early example of swimwear from when men were able to legally swim topless in the 1930s. The fashion originated in France in the early 1930s, and slowly caught on in other countries, although was often controversial. In Australia this was less so, and by 1940 it was common attire at the beach. Pair of dark blue, woollen bathing trunks. Front skirted flap. White woollen belt with silver-coloured metal buckle. White label with blue stitched text attached to rear. Label: "Alpha" Size: SMswimwear - men's, alpha swimwear, alpha - menswear designer

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This example of evening wear from 1980 is one of two pieces in the collection owned and worn by Kaye Cole.This dress was bought for and worn by Cr Kaye Cole, Mayor of Kew 1979/80, to a Mayoral Dinner on Friday 25 July 1980. An accompanying seating plan lists the attendees including the Governor of Victoria, the Victorian Premier, State and Federal parliamentary representatives and distinguished guests from neighbouring municipalities. The evening dress was donated to the Society by Kaye Cole on the occasion of an interview on 6 August 2018 relating to the period on which she served on Kew Council as a representative of North Ward (1973-6) and Prospect Ward (1978-85) and her achievements as mayor.Brown acetate evening gown, and floor-length evening coat retailed by Bianca, Sydney, and manufactured under licence to Henry Chavan, Lyon & Paris. The sheer fabric of the coat is decorated by the use of pile weave, forming a floral pattern of velvet outlined in gold thread.mayors of kew (vic), cr. kaye cole, international fashion - france - henry chavin, women's clothing, evening wear, fashion retailers - bianca - sydney, evening dresses, evening ensembles

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Hand-beaded evening purse, with silver frame and finger ring. While the note accompanying the item states that it was made and used in the 1880s, the label 'Made in France' would indicate that it was probably made in the first decade of the twentieth century.Label: "Made in France / Hand-made". A note which accompanies the item states: "Hand beaded evening purse, 1880s. Frequently used when formal dinner dances were held in the Kew mansions." [Editor - See correct date in Physical description]fashion accessories, clothing accessories, women's clothing -- accessories, bags -- handbags, bags -- purses

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.An earlier inventory of the collection identified an Eighteenth century French evening bag. While the frame shows some affinities with models of that period, its dating has provisionally been made to the Nineteenth century, until expert advice is sourced.Densely beaded evening bag on a gilded metal frame. The beads are woven in a a variety of abstract and geometric patters, including a cross within an octagon at centre. The bag is held by a white metal chain.evening bags, women's clothing -- accessories, bags -- handbags, bags -- purses, fashion accessories

Copy of Issue 16 of 'Le Petit Journal Echo de le Mode' (French), dated 21 April 1929. Cover depicts women in latest fashions & holding tennis equipment. Materials: Paper, Inktennis

A copy of French family magazine, 'La Mode Illustree', No.26, 26 June, 1892. Issue features tennis fashions. Materials: Paper, Ink, Stringtennis

A copy of French family magazine, 'La Mode Illustree', No.14, 05 April, 1896. Issue features tennis fashions. Materials: Paper, Ink, Stringtennis

A copy of French family magazine, 'La Mode Illustree', No.17, 29 April, 1900. Issue features tennis fashions. Materials: Paper, Ink, Stringtennis

A copy of French family magazine, 'La Mode Illustree', Issue No. 15, 14 April 1901. Features tennis fashions. Materials: Paper, Ink, Stringtennis

Two copies of French family magazine, 'La Mode Illustree',dating from 1903. Issue: No. 15, 12 April 1903; and, No.24, 14 June 1903. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

Three copies of French family magazine, 'La Mode Illustree',dating from 1910. Issue: No. 14, 18, and 23. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

A copy of French family magazine, 'La Mode Illustree', No.19, 12 May 1912. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

A copy of French family magazine, 'La Mode Illustree', No.25, 23 June 1912. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

A copy of French family magazine, 'La Mode Illustree', No.23, 8 June 1913. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

Framed fashion plate showing the 'History of Fashion' from 1792-94 in France.fashion -- 1790s, fashion - france, fashion plates

In the descriptions of two hats by La Rene in the Museum Victoria collection it is suggested that their origin may be French. La Rene was also a Sydney design house and it is believed that the fedora in the Kew collection is an Australian product. This hat and the MV examples have similar attributes.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Deep pink coloured felt woman’s fedora by La Rene with a broad navy ribbon at the base of the crown. The rim is fastened to the crown at one side of the hat.Label: Fashioned by La Rene. 37-6622; 36-1690women's clothing -- hats, headwear, milliners - la rene

Erik of London was an internationally significant milliner. He was a recognised authority on fashion, frequently quoted in the Australian press of the day. A number of his models are illustrated in Australian newspapers. It was not unusual for him to glamorise his hats with French names. A model 'Carmen' was launched in 1952.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Ivory coloured woman’s hat bordered and almost completely covered with abstract floppy flowers of the same colour. Beside the label on the brim is the handwritten word ‘Cezanne’ which is presumably the name of the model.Label: Erik London. C & G Kobenhavenerik london, c & g kobenhaven, milliners -- london, women's clothing -- hats

THE HOUSE OF YOUTH label was founded c.1935) by Mr. Samuel Stein. By 1955 Mrs. Stein, his son, Philip, and his daughter, Elizabeth, all played an active part in the business. The connection with Dior came to them without seeking. Dior, that man of fashion genius, had come to the conclusion that the Australian market offered a scope he could not afford to ignore. He questioned many visitors to Paris and decided that the House of Youth was the obvious channel through which his designs should flow to the Australian woman. Completely versatile, this firm is capable of covering every phase of fashion production, from impeccably tailored suits and coats to softly draped, intricately cut dresses and evening gowns. Mr. Philip Stein was modest when asked what Dior thought of their copies, but confessed that Dior, had been "very flattering". Dior had-been greatly impressed with the standard of Australian craftsmanship, and, as a result of the success of this joint Parisian-Australian fashion venture, it is whispered that the great man himself is seriously contemplating a visit to Australia. (Source: The Argus 22 Feb 1955)Unlined pale grey linen two-piece suit with a fabric belt attached. The suit has the label "House of Youth Model" which may indicate that it is a licensed copy of a French original.Label: "House of Youth Model"women's clothing, australian fashion - 1950s, dresses, house of youth

These gloves belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A pair of very fine ivory doeskin evening gloves. The gloves feature full pique insert seams around the fingers and thumb with a slit on the inside arm from mid thumb to mid fore arm and three white shell buttons. The gloves extend high to high on the upper arms and feature a ribbon covered elastic to aid hold on the upper arm. A black ink stamp on the inside of the right glove over the wrist: 5 3/4, Made in France, Buckley and Nunn Limited, Melbourne. A black ink stamp on the inside of the left glove over the wrist: Grand Prix Exposition, 1900, Medallere D'or, Merlier, Depose (? Very faint), Made in France. A blue ink stamp on the inside of the left glove over the top side of the wrist: 797, 221'65, C51Cwoolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, clara miller, gloves, caulfield, brighton general cemetery, 1900s fashion, buckley and nunn

Jot was an exclusive Toorak fashion label and boutique established in 1969 by Lithuanian-born Terry Oertel and French-born Odile Moktar. Terry's sister Arija Austin was also a designer; in partnership with Erna Vilks she established the high-end Tu Boutique in South Yarra in 1963. The two sisters came to Australia as teenagers after World War II.Maxi coat in cream, yellow and metallic gold ogival patterned brocade. Fastens with five large metallic gold corded domed buttons. Lined with ivory silk taffeta.Label, woven black on white acetate, centre back neck: jot / TOORAKcoat, brocade, 1970s fashion, melbourne designers, melbourne fashion, jot, terry oertel, odile moktar, toorak

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di wore these novelty car print "Howard Showers" pants to many car rally events in Victoria, Australia and USA between 1990 and 2010, where she would perform the role of navigator and co-driver in a team with her husband David. Di's choice of clothing at the rallies is indicative of her sense of humour and attitude towards clothing. Cream coloured cotton French terry cloth pants with metal zip fly front, branded button closure, feature red stitching and printed cars in black ink. There are several car designs featured with each design appearing c1960s - 1970s. One car design features the name "Howard" on its number plate. Manufacturers label "Howard Showers, Holiday, size 12" Metal button inscription "Howard Showers, Syd (Sydney), Aust (Australia). "Made in Australia". Care label. howard showers, novelty print clothing, 1990s, di reidie

This dress was worn by Brighton model Coral Triplett when she married John Knowles at St John's Church, Toorak, on 18 June 1966. Made from beaded wool lace, it was commissioned by the Australian Wool Board for the Gown of the Year competition and made by Jinoel, a high-end Melbourne fashion house run by husband and wife team Jill and Noel Kemmelfield.White French wool lace wedding gown with low neckline and high empire waist. Bodice embroidered with beads.wedding dress, 1960s, coral triplett, coral knowles, john knowles, jinoel, australian wool board, gown of the year, wool lace

The Albertville 1992 Winter Olympics were the last Games to be staged in the same year as the Summer Games. It was the third time France had hosted the Winter Olympics. Australia sent 23 athletes to the 1992 Winter Olympic Games.Burgundy and cream women's woollen jumper printed with eucalyptus leaves and gumnuts.On hem of jumper - 'Eucalyptus' - Hand printed by 'Elly Originals'1992 albertville winter olympics, france, design, australian, the woolmark company, athletes, uniform, jumper, textile, fashion, eucalyptus, gumnuts

Published in c1948 by Wightons Print, 215 Moreland Road, Coburg. These chapbooks were sold door to door after WWII by members of the Partially Blinded Soldiers Association in Victoria to fundraise for the association. The Association was established in 1924 to serve the interests and welfare of partially blinded returned soldiers. The author, George Robert Riley (late AIF and AMF) was born in Drouin in 1890; died in 1952. He trained as a compositor. Served in France and was partially blinded during WWI. He also enlisted during WW2 when he seems to have lowered his age. There do not appear to be many copies of this publication that have survived. It does not appear in either the State Library of Victoria or the National Library of Australia catalogue. The Museum of Victoria may have a copy. Apart from its significance as a fundraiser for returned soldiers, it documents culinary fashions in the post-WW2 period. Although a number of the recipes in Part 1 have exotic names, they are yet to be influenced by post-war migration to Australia.A 32 page booklet held by 2 metal staples. The paper is stained and embrittled but was probably originally cream. The cover depicts a soldier at rest under a palm tree dreaming of home and a hearty meal. Printed in shades of green and grey-black. This is Part One of Two. The chapbook contains 140 recipes, mostly broadly Anglo-European. Nilchapbooks, ww2, wightons print, mrs kate brennan, partially blind soldiers association, george robert riley

As part of the Sarah Coventry collection, the scarf ring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned Empereur Napoleon Scarf Ring from the Sarah Coventry Jewellery Collection c. 1970s-1980s. Features depiction of Napoleon III on two of the shiny coins, who was the first President of France from 1848 to 1852 and Emperor of the French from 1852 to 1870. The third pictures a stylised lion. No makers markssarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, scarf, scarf ring, scarves

Bendigo's Grandest Buildings are the Public Offices (1883-7) and the Law Courts (1892-6). Like the Town Hall they were described as Italian Renaissance in Design, but have high mansard roofs which give them a distinctly French air. They are so pompously Bendigonian that they stand well with Vahland's work, but in fact they originated in the Public Works Department, the architect for both being W.G. Watson. The building containing the Public Offices and Post Office has a frontage of 155 feet to Pall Mall and 100 feet to Williamson Street, and it was designed to include the post and telegraph offices and the postmaster's quarters. Public access was from the porch facing Pall Mall, and on the first floor were the police, water supply and crown lands departments, reached by a stair from the porch on the short façade. It was the largest building of its type outside of Melbourne, and was built in the grandest fashion of ornately stuccoed brick on a foundation of Harcourt granite, faced above ground level with bluestone. The floors of the porches and landings of the main stair are of encaustic tiles, the interior woodwork is of French polished cedar, and the major public rooms have coffered and enriched ceilings and cornices, and ornamentally panelled walls divided by pilasters. The building is surmounted by a tower rising to 130 feet, containing a great clock made by Thomas Gaunt of Melbourne, the chimes played on five bells weighing a total of three tons.bendigo, buildings, state offices