Large white fox collarfurs, costume accessories, arctic fox, women's clothing

Pale brown and white lapin fur collar with mallet shaped endsfurs, costume accessories, lapin - rabbit skins

Small lined rectangular brown fur stolefurs, costume accessories, fur stoles, fur collars

Narrow brown fur wrap comprised of three separate sable pelts including heads, feet and tailsfurs, costume accessories, stoles

Six dark brown fur pelts attached to form a single stole. The pelts include the animals’ heads, feet and tails. One head includes imitation glass inlaid eyes.furs, costume accessories, fur stoles, women's clothing

Large fitted brown fur stole, held at the front with a hook and eyefashion & design collection - kew historical society, costume accessories, fur stoles

Fur cape belonging to the donors's motherFitted fur cape. Possibly mink.fashion & design collection - kew historical society, costume accessories, furs

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear

Imitation fur products were initially popular due to their relative cheapness. As the 1960s progressed, faux fur became more popular due to social uneasiness about the wildlife and farmed fur trade. Whereas real fur hats might be seen as matronly, smart, light and bright, clearly fake fur hats were designed for a younger market, and proved more suitable to the light weight fabrics of dresses and coats that became fashionable in Australia in the 1950s.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Faux ermine black and white woman’s hat.Nilheadwear, women's hats, hats - 1960s, fashion accessories, faux fur

Fur hats were a necessary accoutrement for fashionable women who wore furs. Typically, the fur hat might be purchased from the furrier to match the colour and often the pelt of the coat or stole, rather than from a milliner. Hats, like coats and stoles were often dyed to achieve uniformity of colour. Tastes in the colour of furs also changed over time, so hats, coats and stoles could be updated to match prevailing tastes. Until the 1960s in Australia, there were many furriers, who usually brought from Europe experience in identifying fur types. With the decline in the fur industry, these skills are noticeably scarcer in Australia today.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular, brimless women's fur hat.Nilheadwear, women's hats, fur hats, furriers

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three quarter length faux fur, black astrakhan coat fastened at the front with hooks and eyelets. The coat has an unstructured wide collar typical of the period.women's clothing, coats, australian fashion - 1960s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full length brown musquash (muskrat) fur coat fastened at the front with hooks and large eyelets. Typically for the period the coat has long wide sleevesfur coats, women's clothing, australian fashion -- 1940s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Beige coloured rabbit fur jacket comprised of contrasting bands of peltswomen's clothing, australian fashion -- 1950s, fur jackets -- coats

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was donated to the Fashion Collection by Val Goldsworthy.Brown wool coat with large silver buttons and fur trim to neck and sleeves. Matching brown dress.Label: Merco Davronmerco davron, australian fashion - 1960s, melbourne fashion designers

The horse collar would have been used on draught horses to pull a wagon or plough on farms.A large vintage leather horse collar with leather straps and buckles at the bottom. It is padded possibly with straw and lined with felt, fur or animal hair. It was part of the horse harness used to distribute the load around the horse's neck and shoulders when pulling a plough or wagon. It often supports and pads a pair of curved wooden or metal hames to which the traces of the harness are attached.horse accessories, horses, agriculture, harnesses, horse tack

BHS CollectionBlack fox / fur stole, lined with polished cotton lining(?). Lining pleated at back neckline. Two fox heads- one either side of front shoulder. Front panels- 11.5 cm X 52 cm finish with a luxuriant fox tail, and two smaller ''tails'' on each side. Neck panel at back 16cm wide. Metal hook, chain and loop fastening at centre front.costume accessories, female, black fox fur stole.

BHS CollectionCream coloured faux fur, with a random sparkling thread, glisteneing reflected light. Lined with cream satin. Rounded ends. Faux fur five cms in length. Tapered from centre to the rounded ends.costume accessories, female, white faux fur stole

BHS CollectionFox fur stole - mid brown colour. Wider at centre back than at ends.Each end has six short tassels ( 8cms). Fully lined with brown satin fabric. Fastened at front with cotton covered hook and eye. Centre back has pleated ruffle at neckline. False pocket at centre front on LHS. Stole made up from six long strips of fur. Stole worn by maternal grandmother of Barbara Filcock at Barbara's wedding to Kevin Gallagher 20/08/1960. The fur stole was owned by Bernadine Filcock of Bendigo. It was purchased at Myer Bendigo. The stole was worn for many years to family weddings and on a sea voyage in 1970. See also 11400.327 & 11400.328.Name tags stitched at each end ''B.Filcock'' Hand written.costume accessories, female, fox fur stole

Worn by donors grandmother.Black and silver fox fur made into a stole with four legs, bushy tail, head with two eyes and ears and a black nose. Fitted with plastic clip under head.costume, female, costume accessories, female

Fur belonged to Mrs Eley Howes who wore it in the 1940s. She was the mother of Peg West, a Member.A silver fox fur, bushy tail four legs attached with claws and . Pointy nosed face, eyes and ears. The nose has a clip which joins the fur up to one leg around the shoulder.costume accessories, female, costume accessories, collar accessories

Originally belonged to mother of donor.Brown fur cape, shaped to fit over shoulders; fastened at waist with hook and eye. Brown satin lining. Pockets in side of flaps.costume accessories, clothes accessories

Originally owned by mother of donor.Brown fur cape, shaped over shoulders and fastened at waist with hook and eye. Brown satin lining. Pockets at ends of fur.costume accessories, clothes accessories