Showing 217 items
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Robin Boyd Foundation
Book, Nicholas Mosley, Rules Of The Game : Sir Oswald And Lady Cynthia Mosley 1896-1933, 1982
Hardcover w/ Dust JacketAustralian National Gallery Bookmark about publications and services insidewalsh st library -
Robin Boyd Foundation
Book, Geoffrey Robertson, The Justice Game, 1998
Hardcover w/ Dust Jacketwalsh st library -
Vision Australia
Object, Patience board, 19
This wooden board has two differently designed sides: one with four strips running the length of the board and the other with seven strips of wood running across the width of the board. These strips and various ridges around the edge and in the 'lanes' assist players as they play card games. The attached booklets describe the sides as Squares (4 strips) or Streets (7 strips), which could be used to play a variety of card games described. On the Squares side: Carpet, Count Nogo, Frames and Poker Patience and on the Streets side: Triangles and Henley could be played in addition to the traditional game of Patience. The board was designed to be used with a distinct sized card (RNIB no. 9087) that could fit between the strips. Wooden board with card dividers with accompanying printed and braille booklet. recreation equipment, games -
Tatura Irrigation & Wartime Camps Museum
Card - Card game
Used by internees at Camp 3Painters Card game consisting of 36 cards depicting painters (artists). 4 cards of painters from later British school, 4 from Umbrian School, 4 from Venetian school, 4 German painters, 4 early British school, 4 French school, 4 Dutch Flemish painters, 4 Spanish school and 4 Florentine school. Dales Educational series. Dark blue and white box with picture of a man on front. Also Don Allen written on front in ink, and 3/9 being the price written in pencilPAINTERS Dales Educational Series. Don Allen. 3/3 9 -
Tatura Irrigation & Wartime Camps Museum
Programme, Internees at camp 1 Tatura, June 1942
Made by internees at Camp 1, Tatura. Single sheet folded to form a 4 page newspaper. Pages 2 and 3 feature sketch of scene of performance of a play or game, dated 20 June 1942hedlig docke, internment camp programme, camp 1 tatura -
Tatura Irrigation & Wartime Camps Museum
Toy, 1940's
Made and used by internees at Camp 3Blue painted wooden child's game. Marble track, built in a zig zag style. 38 glass marbles, various colours stored in a jar were used for playing the game. toy/game, bissinger g, wied k and n, camp3, tatura, ww2 camp 3, toys, general -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Football Clubrooms, 1987
Wilson Hall was opened on 10 March 1962. Time clock sponsored by Rosella-Lipton. Boys bikes leaning against wall. Coach, timekeepers sitting behind glass on 2nd level.Exterior Wilson Hall, Tatura Football Club rooms. Junior game in progress. Some spectators watchingson back: Wilson Hall Tatura Football Club rooms 1987wilson hall tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, A Game of Two Up, 1925
Original photograph presented to Museum by Noreen Lenehan (nee Bradley). Sepia photograph of local Tatura men playing a game of two up, possible at Tatura Racecourse. c 1925.on back: a game of two up c 1925tatura racecourse -
Tatura Irrigation & Wartime Camps Museum
Photograph, Sunday School Picnic 1943
Sunday School Picnic at Tatura Racecourse, 1943. Photo features children and some women playing a game.tatura, picnic, costume, children, female, recreations, games, religion, christian -
Tatura Irrigation & Wartime Camps Museum
Game - Card, 1940's
... Tatura Irrigation & Wartime Camps Museum 49 Hogan Street ...used by internees at camp 3 as playing cards for a child8 buff coloured cards, 4 depicting infant in a cradle, blue cradle with a heart shape on end and flowers on side, purple dots on quilt and pillow. 3 cards depicting a girl dressed in a red dress and hat, blue apro. Carrying a basket. 1 depicting 2 red apples on a stem, pencil drawings coloured intoys, card game, gbissinger g, wied k and n, camp 3, tatura, ww2, general -
Bendigo Art Gallery
Furniture, UNKNOWN, Folding Card Table, c. 1790
No Marksdecorative arts, furniture, woodwork, table, card table, fold out, games, gaming, playing -
Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross -
National Wool Museum
Leisure object - Game
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Playing card set - double pack of cards in original boxWith Complements "Onkaparinga"/Onkaparinga Blankets/Onkaparinga Robes of Distinctionblanket fever, onkaparinga, marketing -
National Wool Museum
Newspaper Clipping, Hamilton linked to inventor of rural-based board game
squatters sheep stations - history, board games, lloyd, mr robert, squatters, sheep stations - history -
National Wool Museum
Game, Board, Squatter: The Great Australian Game
squatters sheep stations, milton bradley, board games, lloyd, mr robert, squatters, sheep stations -
Chiltern Athenaeum Trust
Photograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Tatura Irrigation & Wartime Camps Museum
Leisure object - board game, Backgammon, 1940's
Made by German internee from Palestine held in Camp 3. The dice are made from bone from the kitchen.Rectangular wooden board game, hinged in centre. Base is marked for playing a game of backgammon. Handmade. Pair of dice made from kitchen bone.toys, camp 3 entertainment, dice, backgammon board -
Tatura Irrigation & Wartime Camps Museum
Board Game, 1939-1945
Else Oertel was a German internee in Camp 3A from 1940-1945. The German Red Cross sent items to the internees in the camps and this game was one of the items given to the Oertel family. Else's daughter, Else-Lore Hukins donated the items.Cardboard box containing 3 in 1 game set. Box is tan & cream with small checkered pattern. Picture on front of two men in possible military uniforms playing chess. Double sided board with red & cream chess squares on one side & pattern of lines on reverse, folded to fit inside box. 16 red & cream, & 16 blue & cream coloured leather round chess/ draughts pieces for use on board.(On lid of box): Schach - Dame und Muhle/ Das Kombinationsspiel mit dem gleichen Stein (D.R.G.M.)/ Ein gruB aus der heimat/|(At bottom of picture on lid): Combi-Spiele G.m b.H., Hannover-Lindentatura, ww2, camp 3, internment, internee camps, toys, general -
Tatura Irrigation & Wartime Camps Museum
Leisure object - Board Game, Stuka. Das Packende Kampffliegerspiel, 1940's
"Stuka" game sent by German Red Cross to children interned in Camp 3Children's board game. Board numbered 1 - 88. 1 blue, 1 yellow, 1 purple, 1 black, 1 green, 1 red counter. Each counter has an aeroplane imprinted in silver. Box to hold packaged game red in colour with rectangle picture depicting 8 planes over a bombing site "Stuka das Packende Kampffliegerspiel" with cardboard insert.children, board game, german red cross, drescher, camp 3, tatura, ww2 war camp 3, toys, games, stuka -
Maryborough Midlands Historical Society operating the Worsley Cottage Museum
Trophy, c. 1984
The "Jack Be Nimble" competition was run as part of Maryborough's annual Wattle Festival.The competition for which the trophy was presented is based on the traditional game of knucklebones or "Jack - Be - Nimble". The now defunct Wattle Festival was a significant feature of the town's cultural life for many years. Varnished wood two- layer base with central pillar, topped with gold coloured knucklebone. Metal plaque on upper layer of base and metal shields on lower level.Jack Be Nimble competition (main plaque) Individual competition winners noted on shields (Betty Briggs (1984), Isa Stewart (1985), Frank O'Connor (1986, 1987, 1988, 1989), Susan Crouch (1990), Vicki-Lee Rush (1992/3).trophy festival -
Clunes Museum
Photograph
COLOUR PHOTOGRAPH GUN CLUB - FIELD AND GAME CLUB HOUSE MT-CAMERON ROAD. CLUNESlocal history, photography, photographs, gun club -
Clunes Museum
Photograph
COLOUR PHOTOGRAPH - PREPARING FOR A GAME OF NETBALL. CLUNES COMMUNITY CENTRE.local history, photography, photographs, community centre -
Geelong Gallery
Painting - Still life with dead game, GOULD, William B, c1846
Oil on board -
National Wool Museum
Clothing - Jacket, 1978
The wool for this jacket began on the back of two sheep many kilometres apart. The first fleece for the warp was shorn from a single Merino at Currotha in Moree, NSW. The wool was 21-22 micron and the bloodline is a cross between Bundemar, Rossmore and Eural. The second sheep that provided wool for the weft was shorn in Beaufort, Victoria. It was a single Corriedale fleece shorn at Niawanda. The distance between these two towns is approximately 1250kms; a 15-hour car ride between paddocks. The two fleeces were spun and weaved together by the donor’s mother, Marjorie Allnutt. A level of talent is required to spin Merino fleeces. It is easier to spin cross bred wool, such as Corriedale, because it is less dense and much easier to comb, card and then tease out for a spinning wheel. The donor Philip Allnutt had a suit tailored out of the completed fabric at Ravensdale J & Son, 37 Swanson Street, Melbourne. The tailor was then a member of the Master Tailors Federation of Victoria. The business closed around 1986. Adding to the jacket’s story is its relationship to the household board game “Squatter”. Marjorie Allnutt was the sister-in-law of Robert Crofton Lloyd, the inventor of the wool themed boardgame. With more than 500,000 games sold in Australia as of 2007, it is the most successful board game ever produced in the country. The original “Squatter” board game is located within the National Wool Museum’s Collection. Philip Allnutt donated the Jacket to the National Wool Museum Collection in 2021. Cream singled breasted jacket with a narrow overlap and one column of buttons for fastening. The jacket features notched lapels of a medium width and two buttons of a cream & brown marble. The jacket has three visible pockets. A jetted pocket with no flap is on the right breast. A further two jetted no flap pockets finish an inch above the hem, on either side of the opening. Internally, the jacket features a further two pockets and a white silk lining for comfort. At the cuffs, the jacket utilises another 2 buttons of the same cream & brown marble.merino, currotha, moree, nsw, niawanda, corriedale, beaufort, victoria, hand spun, hand weaved -
Gippsland Art Gallery
Print, Rose, David, Perforated Game, 1970
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
National Wool Museum
Photograph
Part of the "Squatter Game" collection.Bales of wool going from Loch Station from /Coorumbene. Pat holding her Grandfather McCabe's hand. /Approx 1927/28sheep stations - history wool - transportation, lloyd, mr robert, coorumbene via loch, sheep stations - history, wool - transportation -
National Wool Museum
Letter, [Squatter]
Part of the "Squatter" game archiveMax Costersheep stations - management wool growing squatters, young farmers of victoria, lloyd, mr robert, sheep stations - management, wool growing, squatters -
National Wool Museum
Letter, [Squatter]
Part of the "Squatter" game archivePaul Michaelsheep stations - management wool growing squatters, young farmers of victoria, lloyd, mr robert, gnaraloo station, wetern australia, sheep stations - management, wool growing, squatters -
National Wool Museum
Stamp Set, [Squatter]
Associated documents from Mr R Lloyd provide further information"Australia's famous Squatter Game"sheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters -
National Wool Museum
Sheet, Instruction, Some game-winnning hints from the inventer of Australia's famous game
Associated documents from Mr R Lloyd provide further informationRobert Lloydsheep stations - management wool growing squatters, lloyd, mr robert, sheep stations - management, wool growing, squatters