The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other machines. It is part of a set that is stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block made from laminated sections of wood painted black. A half-cylinder shape was carved into the long side, and a dowel shape was placed at the lower side. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; pair of U-shaped carved blocks, unpainted. The blocks have opposing metal pins and holes to hold them together. One block has a disc shape carved into the base. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; round wooden shape with a wide concave centre and a round flat handle in the middle, painted dark brown. The underside has a large wooden disc added to the centre. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden patterns are part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; a pair of blocks that form a rectangle with a carved centre hole and disc shape inside. The block is made from laminated pieces of wood with cut corners. Both sides have four drilled holes in a square configuration but in different positions. The cut faces and the space carved into them are painted red; one piece has two dowel pins that fit into two drilled holes on the other. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Central Hall, Tara Hall, circa 1957. The central hallway and grand staircase of Tara Hall (previously named Byram, Goathland and Lowan). This photograph provides the clearest evidence of the scale and building materials selected by Edward George Kilburn, of Ellerker & Kilburn, for the industrialist George Ramsden in 1888. These include the murals on the second floor, the use of skylights, and the vaulted wooden panelling. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Grand Staircase of Tara Hall, circa 1957. The central hallway and stairs of Tara Hall, (previously named Byram, Goathland and Lowan). Edward George Kilburn, of Ellerker & Kilburn, designed this Studley Park Road mansion, of which the hallway was a significant feature, for the industrialist George Ramsden in 1888. Tara Hall, one of the great houses in Kew was demolished in 1959-60. Possibly Marc Strizic, photographer (1928-2012). Typed inscription on reverse: "The Grand Staircase of Tara Hall (Royal Women's Hospital, Melbourne).byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.A detailed photograph of the main gable on the front of Tara Hall (previously named Byram, Goathland and Lowan). The façade included detailed terra cotta mouldings. The Kew Historical Society was gifted a remnant of this façade (ie. ‘East or West’) in 2013. The use of applied terra cotta decoration by the architect Edward George Kilburn, of Ellerker & Kilburn, is typical of his style of the period. Mark Strizic (1928-2012), photographer. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

All photos include George Ballinger, No. 828 Enlisted 8/3/1916, Age 24 in C Company 38th Battalion. 7670.1P includes Charles Barkell, No. 811, enlisted 29/2/1916, age 22 to same unit (top RHS), Walter Montieth No. 936 enlisted 14.3.1916, age 18, KIA 4/10/1917 (Bottom LHS). and Charles Christian Snell who enlisted as John Lewis No. 925, enlisted 11/3/1916, age 21.Various black and white/sepia photos of WW1 soldiers. 1. Landscape photo of 4 WW1 Aust. soldiers posed in two rows (Charles Barkell, Walter Montieth, George Ballinger, Charles Snell). 2. Portrait photo of George Ballinger & Charles Snell (seated). 3. Landscape photo of two soldiers (George Ballinger & unknown). 4. Posed photo of George Edward Ballinger in front of photo board. 5. Portrait photo of George Edward Ballinger. 6. Portrait photo of George Ballinger. 7. Portrait photo of George Ballinger with his image within an oval and an inscription below it.2. On back written "Snell (seated) & Ballinger” 3. On back written "Unknown & Ballinger” 4.- 6. “Ballinger”on back. 7. “Ballinger”on back & "My father George E. Ballinger", "Home studio, A. Power, Brunswick”38th battalion, ww1, photographs

Entry No. 621 on page 856. Entry is a list of the Catherine Reef United Claimholders Gold Mining Company Shareholders with their address and the number of shares they hold. Manager was Thomas Eyre and the Company Office was at Peg Leg Gully, Eaglehawk. Names of Shareholders are: John Abern, Simon Albert, James Allen, William Allen, Alexander Anderson, William Anderson,Harry Leigh Atkinson, William Bannerman, Adolphus Barnett, Adolphus Robert Barnett, Alexander Bayne, Adam Beattie, Robert Bell, Gottfried Bermann, William Boncher, James Branagan, Carl Brecht, Frederick William Brinkmeyer, William Ruthford Brown, Joseph Burgoine, Thomas Burgoine, Thomas Burrows, Joseph Butler, John Thomas Caldwell, Philip Carr, Mary Jane Chantler, James Cobb, Edward Cook, Edward F Cooper, James Crameri, George Cudden, Jacob Ludwig Culmsec, Gustav Damkohler, Ellen Dithmer, William Dixon, William Doig, Robert Campbell Dow, Adam George Dunlop, Andrew McBride Dunlop, Hugh Ellis, Thomas Eyre, Richard Philip Eyre, William Farnsworth, Matthew Fawcett, Frederick John Fleming, John Forrest, Andrew Frei, Robert Gilmour, James Gray, Fordinand Gremelsbecher, Robert Grieve, John Grieve, William Grose, George Hagger, Andrew Hamilton,Hans Truchen Hansen, Thomas Harding, Abraham Harkness, Alexander Hay, Joseph A C Helm, John Hoole, George Hoole, Edward Hunt, Thomas Huston, Henry Jackson, Samuel Jackson, Eli James, Robert Jeffrey, Carl Heinrich Jensen, George Foster Johnson, Richard Kevern, William Kimber, Martin Kircher, Hay Kirkwood, Henry Koch, John Lamperd, Mary Anne Lawley, Charles Letheby, Joseph Lowery, Ninjan Mailor, William Marshall, Robert Marshall, Henry Adolphus Medlicott, John Mitchell, William Moore, Susan Murray, Andrew McGrigor, John Steele McNair, Thomas McCormack, Peter Nielson, William Parry Nicholls, Henry Boyns Nicholas, George Nicholson, John Noble, Daniel Noonan, John O'Keeffe, David Purves, William Rea, William Usher Reavely, Francis Robinson Reay, John Bellew Richards, Samuel Richardson, William Robinson, Henry John Rowe, Thomas Ruberg, John Rule, Thomas Rule, Joseph Rutherford, Edward B Ryal, John Snaith Rymer, Philip Seeber, Ferdinand Sahlberg, John Thomas Sanders, Edward Saunders, Charles Selwyn Savage, Charles Sayer, John Scanlon, William Schafer, James Sherson, William Simpson, Antony Smith, Samuel Snowdon, Peter Sorensen, Anders Neilsen Sorensen, Frederick Stahl, David Chaplin Sterry, James Steward, Louis Straub, Robert Suggett, George Suggett, John Talbot, Marion Taylor, John Thomas, Joseph Thomson, Thomas Treloar, William Trimble, George Turner, Alfred Wainwright, Charles Wallin, John Watson, Joseph Watson, Richard John Webb, Frederick Whitaker, John William Williams, Henry Williams, Robert Wills, Christian Weiss, John Wilson, William Winter, George Wisemann, Joseph Wood, James William Wood, Edward Wrixon, Thomas Young and Henry Young. Witness to Signature was J D Crofts.mining, business, shareholders, catherine reef united claimholders gold mining company shareholders, thomas eyre, mining partnerships limited liability act 1860, john abern, simon albert, james allen, william allen, alexander anderson, william anderson, harry leigh atkinson, william bannerman, adolphus barnett, adolphus robert barnett, alexander bayne, adam beattie, robert bell, gottfried bermann, william boncher, james branagan, carl brecht, frederick william brinkmeyer, william ruthford brown, joseph burgoine, thomas burgoine, thomas burrows, joseph butler, john thomas caldwell, philip carr, mary jane chantler, james cobb, edward cook, edward f cooper, james crameri, george cudden, jacob ludwig culmsec, gustav damkohler, ellen dithmer, william dixon, william doig, robert campbell dow, adam george dunlop, andrew mcbride dunlop, hugh ellis, thomas eyre, richard philip eyre, william farnsworth, matthew fawcett, frederick john fleming, john forrest, andrew frei, robert gilmour, james gray, fordinand gremelsbecher, robert grieve, john grieve, william grose, george hagger, andrew hamilton, hans truchen hansen, thomas harding, abraham harkness, alexander hay, joseph a c helm, john hoole, george hoole, edward hunt, thomas huston, henry jackson, samuel jackson, eli james, robert jeffrey, carl heinrich jensen, george foster johnson, richard kevern, william kimber, martin kircher, hay kirkwood, henry koch, john lamperd, mary anne lawley, charles letheby, joseph lowery, ninjan mailor, william marshall, robert marshall, henry adolphus medlicott, john mitchell, william moore, susan murray, andrew mcgrigor, john steele mcnair, thomas mccormack, peter nielson, william parry nicholls, henry boyns nicholas, george nicholson, john noble, daniel noonan, john o'keeffe, david purves, william rea, william usher reavely, francis robinson reay, john bellew richards, samuel richardson, william robinson, henry john rowe, thomas ruberg, john rule, thomas rule, joseph rutherford, edward b ryal, john snaith rymer, philip seeber, ferdinand sahlberg, john thomas sanders, edward saunders, charles selwyn savage, charles sayer, john scanlon, william schafer, james sherson, william simpson, antony smith, samuel snowdon, peter sorensen, anders neilsen sorensen, frederick stahl, david chaplin sterry, james steward, louis straub, robert suggett, george suggett, john talbot, marion taylor, john thomas, joseph thomson, thomas treloar, william trimble, george turner, alfred wainwright, charles wallin, john watson, joseph watson, richard john webb, frederick whitaker, john william williams, henry williams, robert wills, christian weiss, john wilson, william winter, george wisemann, joseph wood, james william wood, edward wrixon, thomas young, henry young, j d crofts

It is not clear which George Lewis this is. It could be George Lewis 1855-1935, or his son George Edward Lewis, c.1887-1956.Black and white portrait of a young man standing, resting his left hand on a timber gate in front of a treed background. He is wearing a high collar and three-piece suit and black shoes. His right hand is in his pocket.george lewis

The original “Taylor glider” was the aircraft used by George Taylor for the first heavier than air flight in Australia, which occurred on the 5 December 1909 on the beach at Narrabeen, New South Wales. On that historic day the glider was also flown by Edward Hallstrom, Charles Schultz, and Mrs Taylor and Mrs Schultz. The replicas were built by the Museum to celebrate the centenary of the first Australian heavier than air flight. The glider is an accurate full size replica of George Taylor’s Glider.Wooden frame, wire braced and fabric covered biplane hang-gliderNoneaustralian gliding, glider, biplane, george taylor, edward hallstrom, charles schultz, narrabeen, first flight

Copy of a newspaper article titled Centenary Memories, Cornish Emigrants in Bendigo, More Cornish spoken than at St. Just. Written on the side is - This was published in a West Cornwell Newspaper & sent back to Aust in a clipping George Ellis has original. Approx circa 1951. Items mentioned are: More Cornish spoken than at St Just, Best Cornsih Style, Singing Gullies particularly where Cornishmen and Welshmen were as they were fond of singing, Royal visits, St Just point and Open House for Cornish.bendigo, history, long gully history group, the long gully history group - centenary memories - cornsih emigrants in bendigo, bendigo advertiser, mrs kennedy, duke of edinburgh 1867, prince albert victor of wales, prince george (later king george v), edward prince of wales, the duke and duchess of york, french's corner long gully, old cornwall society, mr john ellis, bendigo hospital, mr harry perak malaya, mr and mrs charles harry, mrs boyns, hon mrs j keppel, lord st levan, mr keppel, victorian railways, bendigo railway station, mr herbert thomas

Colour photographs of the Potin Nepean Cemetery.point nepean, point nepean cemetery, jennie o'hara, john o'hara, edjar james taylor, frederick hicowe, george walker, edward skelton, harriet skelton, hannah ford, margaret ford, peter purves, elizabeth bowie, robert bowie, edward pike, john fercus, mary jane fercus, charles hugh fercus, ticonderoga, helen mcrae, sarah mcdonald, angus mcdonald, margaret mcdonald, william henry boyle, quarantine station

Mark Holden, Judith Henley and George Hegan sing on stage at the 1976 Carols by Candlelight event in this series of images. In the fourth image, RVIB President E. Hanlon and Mrs Hanlon, Deputy Premier Lindsay Thompson and Joan Thompson, conductor Harold Badger, compere Bruce Mansfield and two other couples sing along to carols upon the stage. In the foreground the Salvation Army band plays, whilst in the background various choirs join in. Usual compere Philip Gibbs was taken ill at late notice, with Bruce Mansfield kindly replacing him on the night.4 B/W photographs of performers and special guests at the 1977 Carols by Candlelight performancecarols by candlelight, mark holden, judith henley, george hegan, edward (ted) hanlon, lindsay thomspon, harold badger, bruce mansfield

'The Years Between' is an oral history of RVIB 1866 - 1991. It was put together by Allan Nuske and Jamie Kelly and consists of narration and excerpts of oral histories from past staff/students. Through historical data and personal recollections, former students tell the story of how the institution developed under the changing approaches of teachers and other staff, the need to keep fundraising, being shipped to Olinda during the war, 153 MP3 audio recordings comprising a file for each section of the bookMany thanks to Alan Nuske, Betty Vinters, Jon Lock, Ross Johnstone, Simon von Saldern, Leo Hartman, Elaine Leahy, Mary Adams, Ben Quin, Kasia Graphics, Art Attack, June Treadwell, Jamie Kelly, Neville Kerr, Dorothy Hamilton, family and friends of Alan Nuske, Pam McAleese and Julie Brain.royal victorian institute for the blind, allan nuske, jamie kelly, alice mcclelland, john murphy, harry worland, dorothy hamilton, hugh jeffrey, violet arnett, ian cooper, harry finlayson, elaine leahy, joan neich, reuban ryan, neville kerr, e.e. (ted) petersen, neil westh, norman rees, charlie bradley, ethel sutcliffe, esme dunnell, margaret fialides, carol baxter, ben quin, graeme mcgowan, margaret bull, jim smith, dick sutcliffe, ray smart, george findlay, edward (ted) hanlon, david blyth, martin stewart, len stevens, oral history

“VX52199”. George Edward Krygger, enlisted 31.3.1941 age 39 years, discharged from the 2nd AIF on 13.3.1943 with the rank of Sapper in 2/16th Fld Coy RAE. Bayonet type for .303 Rifle..1) Bayonet. .2) Scabbard. .3) Bayonet frog, leather.1) On blade, “MA 130 1 44”, “XOA” .3) DENSIL DON 1941 D (arrow up) D”, “VX52199” written in blackweapons, bayonets

Beryl Cox b Yung was the daughter of Ernest Herbert Yung, son of George Edward Godlip and Clara Emma Yung (b Smith) of Happy Valley. Ernest was a returned soldier having fought in the Battle of Menin Road, Belgium, in WW1.Three black and white photographs of the Cox family of Nhill .1 Beryl Yung and Bridesmaid .2 Two children - possibly Beryl and her brother. Children of Ernest Herbert Yung .3 Wedding photo of Beryl and Jeff Cox.1 Half of a Post Card. Verso: Beryl + bridesmaid, married Geoff Cox. Elite Photos. no. 24213 .2 Verso: Jas Brown print Nhill .3 Half of a Post Card. Beryl + Jeff Coxyung family, happy valley, beryl cox, 1940's wedding, children 1920's, jeff cox, beryl yung

Lancelot George Edward Cleaver No 33 enlisted in the 38th Batt HQ AIF on 23.2.1916 age 33 years 9 months. Embarked for England 20.6.1916, hospital at sea 11.7.1916 with Influenza, embarked for France 22.11.1916, hospital 2.12.1916 with Influenza, hospital 26.8.1918 with PUO, returned to Australia 4.12.1918 classed Asthmatic, discharged from the AIF on 22.2.1919. Medals, court mounted, set of 2 re L G E CLEAVER 1. War Medal 1914-19, replica not engraved 2. Victory Medal2. 33 PTE L G E CLEAVER 38 BN AIFmedals, military, history

Four page souvenir programme printed in brown ink. The Concert by the Ballarat Soldiers' Memorial Band, was held in the Ballarat Town Hall under the patronage of the Mayor Cr A.R. Stewart and city councillors. The programme includes a photographic image of Frank Wright in band uniform, and the Ballarat Soldiers' Memorial Band (Frank Wright conductor)william, frank wright, ballarat soldiers memorial band, stan jones, horman bradford, adele mckay, john d albora, colin thomson, e warburton, ballarat combined masonic orchestra, george lemke, ritchie, edward hocking, elsie morison, doris lugg, boosey instruments