Send by FRANK BARNES (AIF 4156) to UNA FRANKLING of Harcourt. Refer Cat No 2380 for details re Frank Barnes.Rectangular black & white post cards, hand writing on rear, description of photo on front..1) “Australian troops march through London” .2) “Victory march through London 3rd 1919”documents - photographs, military history, photography, victory

Photograph of Father and Son from World War 2, taken up against a wooden fence - in full uniform. Identified as Francis Robert Burchnall (father) No. 1666 (WW1) & VX64477 and Francis Alan Burchnall VX58285 (son). Both KIA at Sandakan.Black & white photo of two WW2 soldiers standing against a wooden fence.Hand writing on back of photo of names of "Frank Burchnall" & "Father" & Frank.sandakan, ww2, photograph

The photograph shows the wreck of La Bella in Lady Bay, Warrnambool, Australia. It was probably taken on 11th November 1905, the morning after she was wrecked. “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St , Warrnambool, which operated between 1889 – 1919 . A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August, 1907, mentions that in that year Warrnambool would celebrate its 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” The subject of the painting, La Bella, has its own tragic story. Read on for further details … On November 10th, 1905, the Norwegian-built barquentine La Bella approached Warrnambool at the end of her 37 day voyage. She was carrying a cargo of timber from Lyttleton, New Zealand, in heavy seas and evening mist. (On its only other visit to Warrnambool a year earlier the master had gone to shore to find a tow. He returned to the ship to find the crew drunk and unwilling to take up their posts, even though the ship was dragging its anchors and in a dangerous position.) As Captain Mylius steered La Bella to Lady Bay Channel the ship was tossed onto its side by heavy breakers and ran aground on what is now known as La Bella Reef. The sea was so rough that it wrenched a one-and-a- half ton anchor from the vessel. Several attempts were made by parties of volunteers in lifeboats to rescue the stricken sailors, but the rough conditions made this difficult for the boats to get close enough to the ship and the parties had to return to shore. The La Bella’s crew became exhausted and sailors were being washed overboard, one by one. By sunrise only five of the twelve crew still clung to the wreck. A local fisherman, 25 year old William Ferrier, rowed his small dingy through the heavy seas and managed to rescue the captain, whilst the volunteer lifeboat crew rescued a further three sailors, returning to shore. Ferrier made a final attempt at rescue and was able to reach its stern as the conditions eased slightly, saving the last remaining, terrified sailor just before the ship broke up and sank. William Ferrier became a national hero as news of the daring rescue spread. He was awarded the Silver Medal for bravery by the Royal Humane Society and was honoured by the Prime Minister and the Governor. He was presented with several other awards for his daring rescue. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. The wreck now lies in 13m of water and is home to an abundance of marine life. Flagstaff Hill’s La Bella Collection includes a rail holder from La Bella, a photograph of William Ferrier with four of the five men rescued, a rail holder from the ship and the letter from the Prime Minister and other Members of Parliament that was sent to William Ferrier to commend him for his bravery. La Bella has been protected under the Commonwealth Historic Shipwrecks Act (1976) as a Historic Shipwreck since 23 April 1982 (VHR S401). It is archaeologically significant as the remains of an international and inter-colonial passenger and cargo ship. Flagstaff Hill’s collection of artefacts from the La Bella is of historical and archaeological significance because of its association with the La Bella, which is on the Victorian Heritage Register, and because of the relationship between the objects. The collection represents aspects of Victorian history, and the letter to William Ferrier demonstrates how important his rescue efforts were to Victoria and Australia. Black and white photograph of the wreck of the sailing ship La Bella in the bay at Warrnambool. The photograph shows the ship lying on its side in rough sea, with mast and rope rigging hanging loosely. Several large rocks are also visible. The photograph is a rectangle shape, mounted on heavy card, with slightly ragged edges. The photographer’s name, a title for the photograph and the location are hand written in white along the bottom third of the photograph. The back of the photograph is blank. Printed in white hand writing “Foyle”, “WRECK OF “LA BELLA”, “W’Bool”foyle, la bella, william ferrier, lady bay, lifeboats, lilian foyle, lillian foyle, charles foyle, james foyle, royal humane society medal, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village

Colour slide, Kodak, white cardboard of MMTB Freight tram No. 19 in Wallen Road, Hawthorn, on the west side of the existing depot. The house in the photo remains. Slide dated 13-2-1961.Hand writing on rear in ink "13-2-61, Tram No. 19"trams, tramways, freight tram, wallen rd, work trams, tram 19

John Ward came to the Warrnambool district in 1853. He established a grocery business on the corner of Jamieson Street and Canterbury Road, known as Ward's corner and later Rust's corner.He was three times Mayor of Warrnambool and was an important early historian. He compiled a history,completed in 1928, of the Warrnambool Methodist church. This DVD is a digital record of that history.This DVD featuring the history of the Warrnambool Methodist church is retained as a comprehensive history of one of Warrnambool's churches. Further, John Ward was a foremost historian in this district A DVD with a photograph on one side, black printing and black hand writing. It is enclosed in a plastic sleeve.The Diaries of John Ward john ward, diaries, warrnambool

From other correspondence in this collection of letters we have established that Mr Kirkham is a breeder of long wool Lincoln sheep who was eager to establish the breed in Australia and New Zealand. Augustus Bostock is mentioned at the bottom of this letter To that end, he speaks of establishing a number of prizes called the Kirkham prizes with the emphasis being on the quality of the wool. He states as an aside at the end of the letter,” I have now determined to export my best sheep leaving the home ** to my father and nephew, I would like to number ** amongst my customersThis letter shows the link between wool breeders in England and their efforts to establish connections and supplies in Australia.Large cream sheet of paper with black ink hand writing .Back of sheet is blank. Folded in half.Signed Kirkham.warrnambool, j kirkham, augustus bostock, long wool lincoln sheep, long wool lincoln

Cards sent from James HIGGINS of Newstead to Una FRANKLING of Harcourt in June 1916. Refer Cat No 2380 for details re James Higgins service.5 rectangular cardboard postcards black and white photographs showing areas of Eygpt. On rear is hand writing.postcards, eygpt

John Dowling and Bridget Dowling nee Keane's children were Mary born c1835 Died March 6 th 1909, Eliza born c1836 Died in Melton in 1869 and Ann born c1840/41 Died 8th October 1924 aged 84 years. Great Grandfather of Fred, Marjorie, Edna, A Bruce and Maxwell John Dowling was born in 1801and died on 28/4/1885 and Bridget Dowling nee Keane born 1803 died 12 July 1889 aged 86 yearsPhoto taken at Dungarvan, Kilkenny County, Ireland.Written on the back Dungarvan Kilkenny County Ireland rec 22/1/84 85 yrs old (might be the hand writing of William Daley) Died 28/4/1885 (hand writing unidentifiedlocal identities

Colour slide, Kodak, white cardboard of the Hawthorn Tram depot from Wallen Road looking into the depot fan and sheds. Has a man in white jacket sweeping? the track. Shows the stairs to the first floor.Hand writing on rear in ink "19-4-60, Depots, Hawthorn Tram Depot"trams, tramways, hawthorn depot, wallen rd

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph, portrait of Miss Eva Carmichael. Reverse has gold maker’s print and a white adhesive label with hand writing on it.Reverse of photograph shows 3 signatures in script on bottom right corner., Printed text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / - - - - - TARY” plus white label, hand written “F- Ph 56/2 – 74” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph miss eva carmichael, loch ard shipwreck, loch ard survivor

Send from FRANK BARNES (AIF 4156) to UNA FRANKLING of Harcourt. Cat No’s 2398.1 - .8 Dated 10.1.18. Refer Cat No 2380 for details re Frank Barnes service.Rectangular post cards with black & white photographs, hand writing on rear, all have an inscription on the front as to where in England.documents - photographs, military history, photographs

Japanese |Invasion money for Dutch East Indies !0 Guilder X2 (one with Japanese & English) hand writing on boundary.ephemera, ww2, general

The Education of English in 1913 / 1914. Hand writing in 1913 / 1914. Historical: Education through the ages. Provenance: Olivia Fisher lived in the Kiewa River at Mongans Bridge. She was a prominent member of the KVHS and donated many significant items. Black blank cardboard cover. Used as an exercise book for composition, dictation in 1913 by Miss Fisher.Olivia Fisher Mongans Bridge on inside of cover. Pages neatly written in ink but with a water stain on early pages. Very neat writing with title eg. Composition, Dictation and dated June 1913 to May 1914education. english. olivia fisher. mongans bridge. composition. dictation. handwriting.

This DVD gives information about the Pye family. Thomas Pye came to Sydney as convict in 1837 and was assigned to work for Captain Sylvester Brown and came to the Port Philip district with his master. Sylvester's son, Thomas, travelled to the Western District in 1844 and took Thomas and his wife. Mary with him. Thomas Browne later wrote novels under the name of Rolf Boldrewood . In his book " Old Melbourne Memories " Thomas Pye is given the name Joe Burge. Thomas Browne established the property "Squattlesea Mere" and Thomas Pye and his family settled in Port Fairy and then in Bessiebelle. Today this little settlement has many Pye descendants. The other matter of interest is that Thomas Pye's son,Charles Pye, gained the Victoria Cross in India and is buried at Tower Hill. his DVD is of historical interest because it records the story of the Pye family in the Western District.This is a DVD with blue hand writing on the front and an accompanying sheet of paper showing an English country scene. It is enclosed in a plastic mesh envelope.TAPESTRY Our Pye Family history through all generations by Elizabeth Pye.pye family, warrnambool, captain sylvester brown, thomas browne, rolf boldrewood

Sent in 1916 from FRANK BARNES (AIF 4156) to UNA FRNAKLING of Harcourt. Refer Cat No 2380 for details re Frank Barnes service.Rectangular post cards with black & white photographs, each one has writing in white at bottom as to where. There is hand writing on the rear.documents - photographs, military history, photographs, postcards

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Documents relating to a printing job ordered by Montrose Cottage. They required Gold Licences that would be presented to visitors to the museum.1 Worksheet: Blue pen information in sections. .2 Example of work ordered - Gold Licence Hand writing on blue paper .2 Date and signature examples. In pen number of copies and date zilles printers, montrose cottage, gold licence, breakdown sheet

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

New Victorian Counties Atlas Produced by Hiscocks and Co Published by George Robertson Date: 1874Front loose end paper has the name Emanuel Wilde, Hawkesdale written in hand writing flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, new victorian counties atlas, hiscocks and co

Colour slide, Kodak, white cardboard of MMTB Scrubber tram No. 8 in Slide dated 10-11-1961Hand writing on rear in ink "10-11-61, Service Stock Service Stock No. 8"trams, tramways, scrubber tram, work trams, tram 8

Related to the West Family.Paper bank cheque of faded pale blue colour with printing and hand writing. Registered with two medals in McHaffie Pine Display Case.The Colonial Bank of Australasia, Melbourne. No 45, 5171. Dated May 29th 1861. Amount £7.8 shillings Payee and drawer cannot be deciphered.cheque, banks, west family, documents

Colour slide, Kodak, white cardboard of Tram 823, in Riversdale Road, Hawthorn with the destination of Burwood Route 74. Tram has adverts for Chateau Taundra Brandy and ? Slide dated 9-3-1960.Hand writing on rear in ink "9-3-60- Track - Tram 823 Riversdale Road Melbourne"trams, tramways, riversdale rd, burwood, route 74, w5 class, tram 823

Colour slide, Kodak, white cardboard of Tram SW6 876 inbound in Swan St Richmond / Burnley with the Burnley ? Gardens in the background. Has adverts for White Crow Sauce, and two different ones for the Bank of NSW, Slide dated 7-4-1960.Hand writing on rear in ink "7-4-60 - Tram 876 Swan St Burnley Vic"trams, tramways, swan st, route 74, sw6 class, burnley, tram 876

Colour slide, Kodak, white cardboard of tram SW6 918, in Burke Road, Gardiner after turning from Malvern Road, route 7, Camberwell. In the background are the shops since removed advertising Robur tea and the Herald and the Australasian Post. Slide dated 5-4-60.Hand writing on rear in ink "5-4-60 tram 918 Burke Road Gardiner Victoria"trams, tramways, sw6 class, camberwell, burke rd, route 7, gardiner, tram 918

Set of two Colour slides Kodak, white cardboard of trams: .1 - an SW6 (route 42) car descending the Barkers Road hill through the cutting towards Victoria Bridge over the Yarra river, Has the Vickers Ruwolt factor in the background and the city skyline. .2 - SW6 893 (City Route 42), crossing the Victoria Bridge after leaving the Barkers Road cutting. Shows the overhead support structure on the bridge. Slide datedHand writing on rear in ink "14-6-60 - Retrieving a trolley pole Church St Hawthorn."trams, tramways, route 42, barkers road, sw6 class, bridges, victoria bridge, tram 893

Colour slide, Kodak, white cardboard of trams W5 725 (North Balwyn) and W2 408 (Spencer St), both route 48 at the intersection of Church St, Burwood Road and Bridge Road Hawthorn with the driver? of 725 getting on the roof to retrieve a trolley pole (with wheel) that cant be positioned because of the overhead span wire. Note the street light behind the tram. 725 has an advert for Penfolds Wine. Slide dated 14-6-60. See Reg Items 4361 for the Chairman Robert Risson on the roof of a tram and 3973 for a related newspaper cutting following the death of a driver.Hand writing on rear in ink "14-6-60 - Retrieving a trolley pole Church St Hawthorn."trams, tramways, route 48, north balwyn, trolley poles, church st, burwood rd, w2 class, w5 class, tram 725, tram 408