This straight edge razor, The F & M Wake, was made by Ford & Medley in Sheffield, England. This style or razor was a popular choice for men's shaving in the late 19th and early 20th centuries. Ford & Medley were cutlers by trade and registered their first silver mark in 1900. The firm were also did electroplating. The firm was contracted to the government during World War I. The company was using the trademarks EMU and WIZARD as well as the logo of 'knotted ropes' with the letters "F M"by the end of that war at their factory called Emu Works. The firm's most popular razor was The Arrow. In 1928 the firm closed down. The Ford & Medley razor is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II Dr Angus served as a Military Doctor. He was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This razor is an example of men's shaving equipment used in the early 20th century. It is significant for its association with the local doctor, W.R. Angus. Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Razor, cut-throat straight blade razor, in black cardboard box with slide-off lid. Black composition arc shaped handle with pin to attach blade that folds inside the handle. Inscriptions are on handle, blade and case. "The Wake" razor, made by Ford & Medley, Sheffield, England. The pouch belonged to Dr W R Angus and is now part of the W. R. Angus Collection.On razor; "THE F & M WAKE" "CELEBRATED HOLLOW GROUND RAZOR" "FORD & MEDLEY / SHEFFIELD ENGLAND" On case; "WARRANTED GORMAN" "HOLLOW GROUND" Logo on razor [""F" "M" either side of entwined rope symbolflagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, personal grooming accessory, razor, shaving accessory, the wake, the f & m wake, hollow ground razor, ford & medley, sheffield, cutler, electroplater, emu works

Bates' Salve has been used as a home remedy for the treatment of boils, skin infections, splinters, pimples and insect bites for decades, from the mid-1800s to the mid-1900s. It is a drawing application for bringing out foreign bodies and pusses from a wound. There are still many families who remember using it and others who have been using it and are down to their last ‘inch’. One comment from a reader from Queensland tells how his Dad was a sleeper cutter in the 1950s and on school holidays his brother and he used to help their Dad. When doing this task after a wet season they would be confronted with spear grass about a metre high. Sometimes the spears would enter their skin, and when the spears were wet they would screw like a corkscrew into their flesh. If they left them for too long it was impossible to dig them out with a needle. That's when the Bates Salve was put into action to draw the spearhead out. "It worked wonders. It was a marvellous invention." Many people say that they would love to be able to purchase more of it today and hope that someone will produce a ‘safe’ version of it. There are several versions of a recipe for the salve available online. It appears that the salve is named after Daisy Bates, wife of the Bates’ Salve proprietor, William Usher. William’s son Victor continued making Bates’ Salve well into the mid-1900s, with the business being carried on by Victor’s only son, Alan. There are still descendants in the family home in Norwood, Adelaide. William’s great-grandchild has stated that, despite being subject to the salve during childhood, there have been no noticeable ill effects. A small notice in the Adelaide Advertiser in 1915 made a suggestion “It is said that Bates’ Salve is the popular line with OUR BOYS in Gallipoli. They recently sent to the Adelaide Red Cross for a supply, so it would be a good line to put in soldiers’ Christmas Billies.“ Over 700 ‘Christmas Billies’ were sent from generous Warrnambool citizens to our soldiers in the trenches in Gallipoli. The average cost of filling a billy with gifts was Ten Shillings, calculated at about Fifty-four Dollars in 2021. The contents included Christmas puddings and tobacco. The huge project was coordinated by a local Committee and involved generous businesses and hundreds of kind-hearted community members, with recognition sown by naming many of those involved in an article in the Warrnambool Standard. The project’s idea was initiated by Australia’s Department of Defence and all states were involved in supporting the soldiers in this way. Mr Bates (Theopholis) of Hull, England, was the original owner of the Bates’ Salve recipe. When he died he left his business to William Usher, his son-in-law. William arrived in South Australia in 1851 after he had sold his recipe to an English firm, giving them the rights to make and sell it all over the world, except in Australia. Bates then became the registered proprietor of Bates’ Salve for the Commonwealth and still had a large market for his product. William Usher made the salve at his Norwood home, in a wood-fired copper in the garden within a three-sided enclosure. The ointment was then taken to a room in the house where it was divided, labelled and packaged. It was then sent to Faulding’s Wholesale Chemist for distribution. William and his wife May (or Mary) had three children; Jack, Victor and Ivy. When May died, William married Mary Williams (May’s maid, from Tasmania, twenty years younger than William) and had seven more children. The treatment’s packaging labels it as a POISON. It seems that its active ingredient was lead oxide (22 per cent), which is no longer considered unsafe. A member of the public mentioned that in 2016 they found some Bates’ Salve in an old family medicine chest. Its label stated that the product “contains a minimum of 25.8 per cent of red lead oxide”. That particular sample was made at 470 Wallon Road, West Molesey, Surrey, England. Some people would love to be able to use the product still and even take the risk of poisoning. Instructions for its use are included on the wrapper. Here is a transcription - "Bates' Salve. Bee Brand. POISON. This Preparation contains 22 parts per centum [lead oxide]… Made by Descendants of the Inventor and Original Proprietor. For use as a medicated plaster. Melt over a slight flame or use a heated knife to spread the salve on a piece of linen. If away from a joint it will not need tying as, when put on lukewarm, the plaster will hold itself. When the salve adheres to the skin moisten it with oil and wipe it off with a dry cloth. Manufactured by the direct descendants of the inventor and the original proprietor since 1833."This package of Bates' Salve has been used as a home remedy since the mod-1800s and even up to now in 2019 by those who consider themselves lucky to still have some at home. It was promoted as a 'cure all' treatment and kept handy for use at home and away. It represents our early industry and health management when medical treatment was often difficult to access. The product is the part of many childhood memories of those alive today.Bates’ Salve ointment; oblong stick of firm, brown waxy substance wrapped in waxed paper, with an outer printed wrapper. Text on wrapper warns that it is POISON and includes instructions for use as a medicated plaster, to be heated and spread onto linen then applied to the injury. Made by Bates & Co., Adelaide. The wrapper shows an emblem of a bee. The formula has been used since 1833.Text on wrapper includes "POISO[N]", "BATES' SALVE", "BEE BRAND", "BATES & CO., ADELAIDE". "This Preparation contains 22 parts per centum [lead oxide]" There is an emblem of a bee with wings outstretched.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bates’ salve, bates’ salve medicated plaster, bates and co adelaide, bee brand, medicated plaster, medical treatment, remedy, drawing treatment for infection, medicine cabinet, home remedy, pharmacy treatment, mid 1800s – mid 1900s remedy, topical application, treatment for boils, bites, splinters and infections, poison, preparation for treatment, ointment

Theatrical clothing props for Ormond Choral Society c 1950Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin 5 pieces of clothing used by Ormond Choral Society a) 1/2 Apron in white organza with green binding and a frill, waist ties and a heart shaped pocket, ; b) Headband white cotton with rows of red stitching and elastic tie; c) pleated collar white cotton with neckband and press stud; d) small blue woolen neck scarf, triangular, e) White cotton hand knitted glovesormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers

Buff coloured document titled ' A New Link is Forged' : document outlines the history of the inception of a Bendigo Cenotaph, 'built to perpetuate the memory of Australian servicemen ,,,, and to cement 'the ties of Empire'. Sir George Lansell, World War 1 veteran and President of the RSL, conceived of the idea of erecting the Cenotaph. Written in italics on document: "In Bendigo's Charing Cross, a wide expanse in the heart of the city, this monument now stands completed. Constructed in Stawell stone, it is a faithfuly, impressive reproduction to scale of the magnificent London memorial; unique, in that it is the only replica of the Whitehall Cenotaph to be erected in any part of the world' Sir Edmund Herring unveiled the Cenotaph on Sunday, June 2 ( no year given)bendigo, buildings, cenotaph, george lansell, edmund herring, cenotaph, whitehall, charing cross bendigo, world wars 1 and 2.

Gold was discovered on Victoria Hill in 1854 and by 1861, 1,200,000 ounces of gold had been extracted from the site. The first claim was bought for 80 pounds by Prussian immigrant Christopher Ballerstedt and his son Theodore. Christopher Ballerstedt was nicknamed the "Father of the Hill" and was the first to prove that gold reefs extended below the surface. His 200-foot plus mine shafts yielded quartz rich with gold, inspired other miners, and were instrumental in Bendigo becoming the world's deepest and richest goldfield. The site still features relics of nineteenth century mining including quartz crushing machinery and the foundations of George Lansell’s 180 mine. These features are characteristic of Bendigo’s mining history and represent two prominent nineteenth century miners, Christopher Ballerstedt and George Lansell, who held important roles in the development of Bendigo. Victoria Hill Quartz Gold Mines are registered as a site of significance. The site is of historical, archaeological and scientific importance to Victoria. The mines represent the symbolic heart of Bendigo’s gold mining history and the importance that mining played in wealth creation and the development of Victoria. The diggings reserve is accessed from the rear of Albert Richardson Reserve located at 40-56 Marong Road, Ironbark. The site has steep and unformed paths and is closed to the public at dusk. It is important to stay to the paths to avoid the diggings. Interpretive signs help visitors to appreciate the importance of the site and the remaining relics of Bendigo’s mining history.Victoria Hill Ironbark, Bendigo. Photos of the poppet head, sand heap, tailings, shafts and tunnels. Before development into a tourist attraction.history, bendigo, victoria hill, ironbark, diggings

Index, bibliography, ill (maps), p.620.non-fictionUsing hundreds of brutally honest and extraordinary eyewitness accounts of the diggers in the muddy and bloody trenches, Western Front Diaries reproduces their private diaries, letters and postcards to tell of their heart-rending experiences, battle by bloody battle. Includes a gallery of previously unpublished photographs.world war 1914-1918 - campaigns - western front, world war 1914-1918 - personal recollections

Index, bibliography, notes, ill, maps, p.580.non-fictionPeter FitzSimons, Australia's most beloved popular historian, focuses on one of the seminal moments in Australian history: the Battle of tobruk in 1941, in which more than 15 000 Australian troops - backed by British artillery - fought in excruciating desert heat through eight long months, against Adolf Hitler's formidable Afrika Korps. During the dark heart of World War II, when Hitler turned his attention to conquering North Africa, a distracted and far-fl ung Allied force could not give its all to the defence of Libya. So the job was left to the roughest, toughest bunch that could be mustered: the Australian Imperial Force. the AIF's defence of the harbour city of tobruk against the Afrika Korps' armoured division is not only the stuff of Australian legend, it is one of the great battles of all time, as against the might of General Rommel and his Panzers, the Australians relied on one factor in particular to give them the necessary strength against the enemy: mateship. Drawing on extensive source material - including diaries and letters, many never published before - this extraordinary book, written in Peter FitzSimons' highly readable style, is the definitive account of this remarkable chapter in Australia's historyworld war 1939 – 1945 – campaigns – north africa, siege of tobruk

Index, bibliography, notes, ill, maps, p.548.non-fictionPearl Harbour. Kokoda. The fall of Singapore. Curtin's fight with Churchill. The bombing of Darwin. The Battle of Midway. POWs. Kamikaze. Hiroshima. These words alone are enough to convey the terror, courage and drama of the Pacific War, when the balance of power stood on a knife-edge and when the future of Australia herself was on the brink - threatened by Japanese aggression on one hand and British apathy on the other. Until now the history of the Pacific War has largely been written from the American perspective. Now, for the first time, Peter Thompson places Australian voices and action at the heart of a struggle that took an unimaginable number of lives and only ended with the unleashing of the most powerful weapon the world had ever seen. Pearl Harbor; The fall of Singapore; Curtin's fights with Churchill; The bombing of Darwin; POW camps; The battle of Midway; Kokoda; Buna; Kamikaze pilots; Hiroshima. These words alone are enough to convey the terror, courage and drama of the Pacific War, when the balance of power stood on a knife-edge and when the future of Australia was on the brink - threatened by Japanese aggression on the one hand and British deception on the other. After a conflict that took an unimaginable number of lives and ended with the unleashing of the most powerful weapon the world had ever seen, the Allies emerged victorious. Australia, however, was criticised by Churchill and his generals for showing cowardice in the face of the enemy and for not caring about the fate of other nations. The endorsement of these claims by several military historians today shows that the smear has not gone away. Until nowworld war 1939 – 1945 – campaigns – pacific, world war 1939 – 1945 – australia

Index, bibliography, notes, ill, p.349.non-fictionSurprisingly, as we near the 100th anniversary of the legendary Gallipoli campaign, this is the first book solely dedicated to one of its key battles - that at Lone Pine, where Australian and Turkish soldiers fought an ultimately futile battle that claimed thousands of lives in incredibly close quarters. Seven Victoria Crosses were earned by Australia's Anzacs in the intense four days of fighting, in pursuit of a flawed strategy to distract Turkish forces from larger incursions, which themselves failed. David W. Cameron has pulled together first-hand accounts from the men and women involved (including from the Turkish army) to detail what transpired and to follow some of their personal stories throughout the ordeal. By including the stories of non-combatants, such as engineers, nurses, sappers, commanders and more, he not only gives due credit to those who labored in support of the troops, but provides a wider understanding of the mammoth undertaking of such warfare. Many Australians travel to the Lone Pine Memorial and Cemetery each year to commemorate Anzac Day and remember the fallen - this work of popular history highlights the fate of those who fought on the very ground where they gather. Most Australian have heard of Lone Pine. Too few know why. Over four days in August 1915, Australians and Turks were thrown into some of the fiercest fighting of the war, on a small plateau in Gallipoli known as Lone Pine. Thousands of lives were lost. Seven of Australia's nine Gallipoli VCs were earned during brutal hand-to-hand combat in dark tunnels and in trenches just metres apart, bombarded by terrifying volleys of grenades. The Battle for Lone Pine is the first book devoted to this cornerstone of the Anzac legend, drawing on unforgettable first-hand accounts scratched into diaries and letters home. The stories of the diggers, as well as the engineers, nurses, sappers, commanders and more, provide an invaluable record of the battle and serve as moving testimony to their courage in appalling conditions. Today, pine trees are planted in remembrance around Australia. In Gallipoli, the Lone Pine Cemetery and Memorial attracts large crowds to commemorate Anzac Day. David W. Cameron's absorbing history reveals the fate of those who fought on the ground where they gather. 'David Cameron not only leads the way for the battalions of books on Australia in World War I to come in the next six years, he sets a standard for authors to emulate'world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - battles - lone pine

Index, bibliography, ill, maps, sound disc, p.158.This publication is a unique and highly readable contribution to the commemoration of the centenary of the Anzacs in World War 1. Ted Egan presents an historical documentation of the Anzacs and the ordinary men, women and children of the two young nations of Australia and New Zealand, forever affected by this tragic episode in world history. Set against the political background of the day, succinctly revealed, Egan brings a clarity and immediacy to this period by his interweaving of personal stories, deeply moving songs, a collection of public and personal photos and an historical narrative that speaks directly to the reader, engaging our hearts as well as our heads. It is a story of the loss of innocence of two young nations, for a generation and beyond. Amusing anecdotes and stories of great courage and ingenuity leaven, to some extent, the brutal truth behind the personal stories.anzac - history, anzac - songs and music, anzac - stories

Ill, maps, p.556.fictionSet in the heart of Borneo's millennial magnificence, a rolling adventure unfolds from Churchill's War Cabinet Rooms to Japan's Imperial Palace as brutality rains down on a guileless people whose hopes for freedom come to focus on a man who fights to save them, his oilfields and the woman he loves.world war 1939-1945 - fiction, borneo - fiction

Index, bib, ill, p.359.non-fictionAn intriguing look behind the congenial faȧde of Franklin D. Roosevelt and Winston Churchill, this work reveals how each leader jealously guarded knowledge from the other in pursuit of separate national interests. David Stafford's masterly study shows that at the heart of their complicated relationship - which was always dynamic - was an extraordinary fascination with clandestine operations. On this foundation Roosevelt and Churchill constructed a fighting alliance unlike any other in history. world war 1939-1945 - diplomatic history, great britain - diplomatic history, united states - diplomatic history

Two hand written pages with year dates and what took place at that time. Dates range from 1852 to 1950's. 1950's - mining stopped in Long /G. 1926 - First Teachers training College established. Taylor Horsefields Engineering works - Horsefield a genius. Pioneered local production of compressed air driven roak-drills, specialized in rock bores and drills exported them throughout the world. Harvester - for f/ter in Harvest equipment. 1856 - Anglican School opened held church as well as school. Manchester Arms, Admiral Arms both has pretentious music halls attracted large crowds. 1862 - Ironbark, Long Gully sought annexation by the Municipality of Sandhurst. 1872 - Long Gully Fire Brigade was formed. Keen rivals. 1850 - recognised Chinese camp. ? Long Gully - due to the sinking deeper and the rewards generally richer, became the heart of 'Little Cornwall' - Cornish people. * Tent Church services held in 1862. Long Gully Mine opened April 1852. On the back of the first page is written - Mines - Reefs. mines mentioned are New Chum Hill, the New Chum and Victoria, The Victoria HIll Ironbark, The North Old Chum, Lansell's Big 180, Ballerstadt's Open-Cut, and the Victoria Quartz Mine.bendigo, history, long gully history group, the long gully history group - 1852 to 1950's, first teachers training college, taylor horsefields engineering works, anglican school, manchester arms, admiral arms, municipality of sandhurst, long gully fire brigade, chinese camp, little cornwell, long gully mine

Index, bib, ill, maps, p.324.non-fictionThe Australian story of Kokoda has been told often and told well. Now for the first time, the full Japanese story of Kokoda is told, a poignant tale of comradeship and heart-wrenching suffering. This is a very human story of the other side, told through the eyes of Japanese who were there. kokoda track 1942, world war 1939 – 1945 – campaigns – new guinea

Sent to his mother from Ron Fraser when he was serving in the South West Pacific during WWII. The resin for the brooch came from the windsheid off his areoplane.Silver or silver-plated brooch, oblong with pin on back on a scroll shaped link attached. The bottom part is a silver double heart shape stuck onto a blue resin backing, also double heart shaped.Etched on top part: SW Pacific / 1944 - 5 Etched on the bottom part: To/ Mother/ with SWP/ Love 1945world war 2, costume accessories, jewellery

Covered in plasticSince our withdrawal from Vietnam in 1975 much work has been done to restore faith and hope back into the hearts and minds of our Vietnam Anzus Veterans. many veterans have come forward to help their mates. some of those mates have since passed on, at an early age, with hurt and distrust in their hearts.vietnam war, 1961-1975 - casualties statistics, vietnam war, 1961-1975 - australia, veterans - vietnam

Since our withdrawal from Vietnam in 1975 much work has been done to restore faith and hope back into the hearts and minds of our Vietnam Anzus Veterans. many veterans have come forward to help their mates. some of those mates have since passed on, at an early age, with hurt and distrust in their hearts.vietnam war, 1961-1975 - casualties (statistics, etc., vietnam war, 1961-1975 - australia

Since our withdrawal from Vietnam in 1975 much work has been done to restore faith and hope back into the hearts and minds of our Vietnam Anzus Veterans. many veterans have come forward to help their mates. some of those mates have since passed on, at an early age, with hurt and distrust in their hearts.vietnam war, 1961-1975 - casualties statistics, vietnam war, 1961-1975 - australia

The ring was made for the donor by her father in Camp 3, Tatura. The Wied family were settled in Palestine upon the beginning of WWII. Being of German nationality, they were considered a threat to security by Allied forces & were interned in temporary camps, before being shipped to Australia. In Australia they were interned in Camp 3, Tatura, a family camp for enemy nationals. Many of the internees came with few possessions. This item is just one of the handmade domestic items fashioned in the camp from largely scrap materials to give some home comforts in the initially barren surroundings of the camps, particularly to those interned with families and young children. Small brown metal ring, with a small heart soldered to the ring. camp 3, tatura, world war ii, internment camps

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered beige, brown and yellow flower and foliate decoration on front. Handwritten message on the back.Front: "From a loving heart" (embroidered) Back: "To my dear Alice / Best love from Will xxxxxx / xxxxxxxx"wwi, postcard, embroidered postcard, paris depose, fabrication francaise

This is a token of appreciation to Rev William Charles J. Peart who was leaving the Wodonga-Bethanga Methodist Circuit to serve King and country. He was minister of the Wodonga-Bethanga circuit in 1914 from where he enlisted in the Light Horse. He afterwards became a gunner in the Field Artillery and was severely gassed, from which he never really recovered. He spent time in hospital and on his return to Australia his circuits were Drouin, Footscray and Merbein. He then had to request leave of absence for six months owing to war disabilities. He was able to return to the ministry. Before enlisting he married Doris Quick who came out of the Daylesford Circuit. The war left a legacy of suffering and limitation with Mr Peart, but he showed a brave face and a steady heart. Paper testimonial mounted on card. The text is gold and there is an image of a draped Australian flag in the top right corner. The testimonial is signed on behalf of the Wodonga-Bethanga Methodist Circuit by 12 people.wodonga-bethanga methodist circuit, rev william charles j. peart 1881-1949, world war 1914 - 1918

Sydney Bertram Carter (06/05/1915 – 13/03/2004) was an English poet, songwriter, folk musician, born in Camden Town, London. He is best known for the song "Lord of the Dance" (1967), set to the tune of the American Shaker song "Simple Gifts", and the song "The Crow on the Cradle". Other notable songs include "Julian of Norwich" (sometimes called "The Bells of Norwich"), based on words of Julian of Norwich, "One More Step Along the World I Go", "When I Needed a Neighbour", "Friday Morning", "Every Star Shall Sing a Carol", "The Youth of the Heart", "Down Below" and "Sing John Ball".B & W head and shoulders portrait of Sydney Carter.carter, sydney, lord of the dance

Language - Preservation and use. Language - Social function. [Maori: New Zealand Latin]. Language planning. [Language planning in a trans-national speech community]. [The way of the drum - when earth becomes heart] [The need for an ecological cultural community] Community language management. [Methods of madness: The Tuscarora Language Committee] [Daghida: Cold Lake First Nation works towards Dene language revitalization] [The Jicarilla Apache language summer day camp] [Report on the workshop "World of Inukitut"]. Arizona. New Mexico. Oklahoma. Adult education. Women's literacy. [Teaching reading with puppets] [Assessing Lakota language teaching issues on the Cheyenne River Reservation] [Incorporating traditional Nehiyaw/Plains Cree education in the university] [Collecting texts in Crao and Portuguese for teaching] [Early vocabularies and dictionary development: A cautionary note] [The process of spelling standardization of Innu-Aimun (Montagnais)] Pidgin. Creole. [Ojibway hockey CD-ROM in the making] [The use of multimedia and the arts in language revitalization, maintenance and development: The case of the Balsas Nahuas of Guerreo, Mexico] [The languages of Indigenous Peoples in Chukotka and the media] [Meeting of the Inukitut and Yupik family of languages on May 12, 2000]B&w photographs, diagrams,international language forum, community based practice, language research, conference papers, language policy, language and whole community development, literacy development, media, educational advances, canada, united states, new zealand, zimbabwe, mexico, russia, caribbean, inui, yupik

Sydney Bertram Carter (06/05/1915 – 13/03/2004) was an English poet, songwriter, folk musician, born in Camden Town, London. He is best known for the song "Lord of the Dance" (1967), set to the tune of the American Shaker song "Simple Gifts", and the song "The Crow on the Cradle". Other notable songs include "Julian of Norwich" (sometimes called "The Bells of Norwich"), based on words of Julian of Norwich, "One More Step Along the World I Go", "When I Needed a Neighbour", "Friday Morning", "Every Star Shall Sing a Carol", "The Youth of the Heart", "Down Below" and "Sing John Ball".B & W waist length portrait of Sydney Carter in profile.sydney bertraim carter, lord of the dance song 1967

The Reverend Doug Dargaville, Anglican clergyman and former General Secretary of the Victorian Council of Churches from 1966 – 1982, and again for a time in 1995, passed away on 19 March 2013. "The death of Rev. Doug Dargaville at Bacchus Marsh in Victoria, Australia has been announced, and his funeral is to take place on March 28th. Doug was one of the great pioneers of the ecumenical and interfaith movements, especially in his role as executive secretary of the Victorian Council of Churches from 1966 to 1982. Perhaps more than anyone else, he laid the foundations for the organizational structure of the ecumenical movement here in Victoria and across Australia. A small man with a big vision, he brought his inclusive Anglican spirituality to the tasks at hand. With his retirement to the country town of Bacchus Marsh outside Melbourne with his beloved Lucy, his life’s work was not yet complete. He devoted three years of his life during the 2000s to being the general secretary of Religions for Peace Australia, and was always a strong supporter of the interfaith movement, not least during the Parliament of the World’s Religions, held in Melbourne in December, 2009. He was an efficient and prudent administrator, never seeking the limelight yet everything was done with an ironic and disarming humor and a certain impish and whole-hearted spirit. He was, in every sense of the word, a good man whose life was completely devoted to overcoming barriers and forging unity between the different churches and different faith traditions. We pray that he will find rest and eternal peace with the God whom he served so well and so faithfully for so long." Professor Des Cahill, Chair, Religions for Peace Australia.B & W photograph of Rev Anderson Douglas Dargaville discussing ecumenical material with another man.dargaville, douglas, victorian council of churches

Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring.