Showing 42 items
matching husband and wife -- victoria
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Kew Historical Society Inc
Clothing - Black chalk-striped outfit, 1870
This outfit belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A two-piece silk taffeta chalk-striped afternoon dress worn by Mary Ann Henty, aged 49, in the period when she lived at Merino Downs near Portland. The outfit has bands of black silk and rows of fabric covered buttons on the bodice and skirt. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 889, Waist 736.6, Hip 863.6, Cuff 254, Hem circumference 2032. Vertical - Front neck to hem 419.1, Front waist to hem 152.4, Back neck to hem 558.8, Back waist to hem190.5 , Sleeve length 584.2. Horizontal - Neck to sleeve head 165.1, Chest back 330.2, Underarm to underarm 406.4. SKIRT Girth - Waist 609.6, Hip 1270, Hem circumference 4064. Vertical - Front waist to hem 1117.6, Back waist to hem 1371.6.francis henty, fashion -- 1870s, women's clothing, afternoon dresses, mary ann (lawrence) henty -
Marysville & District Historical Society
Book, James Semple, The Self-Interpreting Family Bible, 1800's
The Batchelor family Bible. The Batchelor Family were early residents of Taggerty.Leather bound with decorative embossing with some in gold on covers and spine.non-fictionThe Batchelor family Bible. The Batchelor Family were early residents of Taggerty.bible, batchelor family, taggerty -
Mission to Seafarers Victoria
Flyer - Subscription, Mission to Seamen Institute, The Ladies' Harbour Lights Guild in Connection with The Victoria Mission to Seamen, 1921-1926
The charity organisation, Ladies' Harbour Lights Guild, was formed within the Missions to Seamen Institute to provide a home away from home, for visiting seamen. The flyer was to recruit new members or for former Members of the charity to renew their subscription. The patroness was always the governor's wife: here the Countess of Stradbroke whose husband, the Earl of Stradbroke was governor of Victoria between 1921 to 1926.This paper flyer holds historical significance at a local level because it illustrates the Ladies' Harbour Lights Guild involvement in the Mission to Seafarers.The Ladies' Harbour Lights Guild grew to become a significant charity in Melbourne raising large amounts of money which helped to establish the current MTS building, supporting seafarers.Cream colour paper flyer's in blue ink that are also subscription forms in order to become Honorary Members/Working/School Members or renewals of previous Membership of the Ladies' Harbour Lights Guild. (9 copies)missions to seamen institute, ladies' harbour lights guild, australian wharf, lhlg, subscriptions, countess of stradbroke, patroness, lady irvine, lady creswell, lady madden, the lady mayoress, ethel augusta godfrey 1861-1935, miss b. peebles, alice sibthorpe tracy -
Mission to Seafarers Victoria
Flyer - Subscription, Mission to Seamen Institute, The Ladies' Harbour Lights Guild in Connection with The Victoria Mission to Seamen, 1921-1926
The charity organisation, Ladies' Harbour Lights Guild, was formed within the Missions to Seamen Institute to provide a home away from home, for visiting seamen. The flyer was to recruit new members or for former Members of the charity to renew their subscription. The patroness was always the governor's wife: here the Countess of Stradbroke whose husband, the Earl of Stradbroke was governor of Victoria between 1921 to 1926.This paper flyer holds historical significance at a local level because it illustrates the Ladies' Harbour Lights Guild involvement in the Mission to Seafarers.The Ladies' Harbour Lights Guild grew to become a significant charity in Melbourne raising large amounts of money which helped to establish the current MTS building, supporting seafarers.Cream colour paper 3 fold-flyer in blue ink that are also subscription forms in order to become Honorary Members/Working/School Members or renewals of previous Membership of the Ladies' Harbour Lights Guild. Includes an extract from the Age.missions to seamen institute, ladies' harbour lights guild, australian wharf, lhlg, subscriptions, countess of stradbroke, patroness, lady irvine, lady creswell, lady madden, the lady mayoress, ethel augusta godfrey 1861-1935, miss b. peebles, alice sibthorpe tracy -
Mission to Seafarers Victoria
Flyer - Subscription, Mission to Seamen Institute, The Ladies' Harbour Lights Guild, c.1909
The charity organisation, Ladies' Harbour Lights Guild, was formed within the Missions to Seamen Institute to provide a home away from home, for visiting seamen. The flyer was to recruit new members or for former Members of the charity to renew their subscription. The patroness was always the governor's wife: here the Countess of Stradbroke whose husband, the Earl of Stradbroke was governor of Victoria between 1921 to 1926.This paper flyer holds historical significance at a local level because it illustrates the Ladies' Harbour Lights Guild involvement in the Mission to Seafarers.The Ladies' Harbour Lights Guild grew to become a significant charity in Melbourne raising large amounts of money which helped to establish the current MTS building, supporting seafarers.Cream colour paper 2 fold-flyer in blue ink that are also subscription forms in order to become Honorary Members/Working/School Members or renewals of previous Membership of the Ladies' Harbour Lights Guild. missions to seamen institute, ladies' harbour lights guild, australian wharf, lhlg, subscriptions, patroness, ethel augusta godfrey 1861-1935 -
Glen Eira Historical Society
Album - Album page, Glenfern, Inkerman Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Glernfern H0136 https://vhd.heritagecouncil.vic.gov.au/places/57 (as at 23/10/2020) Glenfern was built on spacious grounds at the corner of Inkerman and Hotham Streets, East St Kilda in two main stages in 1857 and 1876. From 1876 to 1984 Glenfern had only two owners, including the well known Melbourne family of artists, the Boyds. The property was bequeathed to the National Trust of Australia (Victoria) in 1984 and has remained in their ownership. The original Glenfern allotment was bought by John Bakewell in 1856 and sold the following year to Francis McDonnell, a prominent Melbourne investor. By 1858, the house, rated as the most valuable in Caulfield, had been built on the site. Due to financial difficulties, McDonnell offered a number of properties for sale in 1860, including Glenfern. It was not sold at this stage, but subsequently mortgaged in 1862. In 1866 Thomas Watson purchased the property and lived there until 1876 when it was sold to Captain John T. T. Boyd and his wife, Lucy, founders of the Boyd dynasty of artists, musicians, writers and architects. The Boyd family, including twelve children, lived there until 1907, with Lucy Boyd retaining ownership after her husband's death in 1891. In 1907 the property was subdivided and the greatly reduced Glenfern portion was purchased by the Ostberg family, who lived there from 1915. In the latter years of Boyd family ownership and the Ostberg ownership, Glenfern had several tenants and was run as a school on two occasions. The Ostberg family occupancy continued until the death of Miss Amy Ostberg in 1984. From 1929 the property was listed as Glenfern Flats, necessitating various internal alterations over a period of time. The original two storey house, attributed to architect Charles Laing, was extended for the Boyd family in 1876, by architect M. Hennessy. This comprised the addition of a two storey wing to the south of the existing building. Stables were built in 1884 by the architects Smith and Johnson and other outbuildings, since removed, were recorded on the site. The gardens were developed from the establishment of the estate and remnants of early plantings, exotic trees in particular, are evident. Various additions and alterations were made to the house in the twentieth century and a separate block of flats was built on the southern boundary in c1964. Glenfern is a two storey picturesque Gothic house of stuccoed brick with steep, gabled slate roofs, elaborate bargeboards and chimneys of conjoined stacks set diagonally. The original, asymmetrically planned L-shaped house, containing the principal rooms and a rear wing, was designed with two main facades facing north and west. The north facade contains an unusual recessed pointed arch bay formed between twin chimney flues. Internally cedar joinery includes an unusual set of double doors between the drawing room and parlour, the centre pair of which fold back and then slide into the walls. Detailing of the 1876 additions copied that of the original house, including the bargeboards, chimneys and western verandah. Ownership of Glenfern passed to the National Trust of Australia (Victoria) in 1984 and in 2002 transformation of the property into a Centre for the Arts and Culture commenced. This began with the establishment of an Artist-in-residence programme, followed by the Glenfern Writers Centre. Restoration and renovation of the building has been undertaken concurrently with the establishment of this centre. How is it significant? Glenfern, East St Kilda is of architectural and historical significance to the State of Victoria. Why is it significant? Glenfern is of architectural significance as an unusually intact and rare example of the picturesque domestic Gothic Revival house in Victoria. Of particular note are the clustered chimneys, bargeboards and twin arched chimney flues and the folding/sliding cedar doors between the principal rooms. It is significant as an important work of the prominent Melbourne architect, Charles Laing. Glenfern is of historical significance for its connection with the distinguished Victorian Boyd family. It has been recorded in a painting by Emma Boyd, wife of Arthur, in 1885 and in print by writer, Martin Boyd in 1952. Glenfern is of historical significance due to its ownership by only two families from 1876; firstly the Boyds until 1907 and the Ostbergs until 1984. Of note is the resistance to redevelopment in the latter half of the twentieth century and the subsequent survival of the 1907 Glenfern estate.Page 98 of Photograph Album with two photographs (one square and one landscape) of views of Glenfern.Handwritten: "Glenfern" 417 Inkerman Street [top right] / 98 [bottom right]trevor hart, east st kilda, garden, pitched roof, glenfern, hotham street, boyd family, 1850's, 1860's, 1870's, john bakewell, francis mcdonnell, thomas watson, lucy boyd, glenfern flats, charles laing, m. hennessy, smith and johnson, stables, gothic, stuccoed brick, gabled slate roofs, elaborate bargeboards, asymmetrical, cedar joinery, verandah, national trust of australia, centre for the arts and culture, artist-in-residence, glenfern writers centre, gothic revival, clustered chimneys, emma boyd, inkerman street, north caulfield, captain john boyd, artists, writers, st kilda east, national trust of australia (victoria), caulfield, amy ostberg, architects, m hennessy, doors, chimneys, martin boyd, arthur boyd, ostberg family -
Kew Historical Society Inc
Badge - Fundraising Button, Hospital Day: Patroness Her Excellency The Countess of Stradbroke, 1921-1926
... a patroness (or a patron). Lady Victoria Stradbroke was the wife... to include a patroness (or a patron). Lady Victoria Stradbroke ...Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.This is the only example of a Hospital Day badge to include a patroness (or a patron). Lady Victoria Stradbroke was the wife of the third Earl of Stradbroke who served as Governor of Victoria from 1921 to 1926. Lady Stradbroke advocated for Hospital Days during her husband’s tenure as governor in the early 1920s."Hospital Day / Patroness Her Excellency The Countess of Stradbroke"hospital day, countess of stradbroke, fundraising buttons, badges -
Surrey Hills Historical Society Collection
Photograph, Frank Etheridge, outside the small general store at 224 Mont Albert Road, Surrey Hills
In earlier years (c1923-1943), the shop was known as Mrs Sim's shop. Note that prior to c1928 the property was numbered 292 Mont Albert Road. Electoral rolls describe Victoria May Sims (nee Munday) as a confectioner but she also sold school requisites and other general household items. Her husband Harry Pascoe Sims died in 1926. The shop was taken over by Leonard William James Etheridge, whom electoral rolls and probate records variously describe as a grocer, stationer or builder. His sons Austin, Douglas and Leonard attended nearby Chatham Primary School. Leonard senior and his wife Marie Wanda (nee Chambers) lived in various locations around Surrey Hills after leaving the shop. Austin went on to establish Etheridge Ford in Ringwood.A black and white photograph of a man dressed in a suit wearing a hat. He is standing beside a car parked beside a shop.mrs sims shop, mont albert road, surrey hills, chatham school, austin etheridge, frank etheridge, victoria may sims, leonard william etheridge, douglas etheridge, leonard etheridege, marie wanda etheridge, marie wanda chambers -
Mission to Seafarers Victoria
Ceremonial object - Ceremonial trowel, John Round and Sons Ltd, c. 1907
This trowel was used by Her Excellency Lady Stanley in the absence of her Husband the State Governor of Victoria due to illness , at a ceremony in 1916 to lay the foundation stones of both the main Mission to Seafarers building designed by architect Walter Butler . A substantial photo story of the event appeared in a local newspaper. The trowel was discovered to exist around the centenary of the building owned by the Moss family in Toronto Canada who returned it to the MTSV in mid 2019 via Professor Uma Kothari, of Manchester University, and the Ross family who met at the Chapel of Mission to Seafarers, London for the presentation. This re-discovery and gift of this decorative arts object provides a link with the historic and ceremonial occasion of the laying of foundation stones for the first phase of the Mission to Seamen ( the chapel and main complex ) which opened in 1917 and has operated continuously at 717 Flinders Street. Significantly patron of the LHLG at the time, The State Governor's wife, Lady Stanley actually officiated and a record of this can be seen in contemporary press coverage in 1916. Ceremonial trowel : decorative carved ivory handle with silver diamond-shaped spade is decoratively engraved with floral and fernery designs above an engraved detailed inscription.Upper surface of trowel engraved: THE VICTORIA SEAMEN's INSTITUTE /MELBOURNE / To commemorate the Laying /of the/ FOUNDATION STONE / OF THE NEW BUILDINGS /BY / HIS EXCELLENCY / The Hon Sir Arthur L Stanley / K.C.M.G. / GOVERNOR OF VICTORIA / Nov.14th 1916 underside surface of trowel engraved stamped with: hallmark and maker's mark ( semi obscured and worn).trowel, state governors victoria, foundation stone, chapel of st peter, walter richmond butler, gillian ross, kenny ross, sir arthur lyulph stanley (1875-1931), lady margaret stanley (1875-1964), flinders street, central institute, mission to seafarers, seamen's mission, mission to seamen, israel neiman, toronto, canada -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Wall decoration, late 19th century
This unusual wall decoration was created by Anna Wilson (nee Henry), daughter of pioneer John Stephenson Henry, who arrived in Australia from Ireland with his children in 1851. Family documents confirm that Anna most probably made the diorama for her sister-in-law, who married a member of the Giles family. The diorama was later given to Vera Giles who was a family friend and possibly related to Anna’s sister-in-law by marriage. The diorama is now part of the Giles Collection. Anna married William Wilson in 1860, who had arrived in Australia from County Tarrane in about 1850, aged 19. In 1869 they moved to their new property called ‘Glenlyall’ in Cooramook, north of Grassmere, Victoria, where he lived for 49 years until his death in 1918. He left behind a family of four sons and a daughter. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The family of the creator Anna Wilson nee Henry and her husband William Wilson are of significance to the early history of Victoria and the South West of Victoria in particular, being pioneer families who farmed the land, built the towns and cities and contributed to their communities. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Wall decoration, diorama with decorative gild frame and glass front. The 3-dimensional seascape includes sailing boats, land and sea, all made from materials such as shells, coral and seaweed. The work was made by Anna Wilson. It is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, 19th century decor, 19th century handcraft, handcraft, wall hanging, diorama of a seascape -
Clunes Museum
Document, THE HISTORY OF GOLDFIELDS COTTAGE, CIRCA 1852
THE ORIGINAL OWNER ROBERT SURRIDGE BUILT THE COTTAGE AND WHEN HIS WIFE JANE DIED THEIR DAUGHTER LAURA WITH HER HUSBAND JOHN LIVED IN THE COTTAGE WITH THEIR DAUGHTERS.A DOCUMENT LISTING THE OWNERS OF THE GOLDFIELDS COTTAGE IN CLUNES, VICTORIA, AUSTRALIA 2 PAGESsurridge family, goldfields cottage clunes -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Vogt W S, 1910c
Also enlargement 18 x 25, also sepia toned copy from postcard titled Mrs Baker's, Lakes Entrance. Guest House conducted by Mrs Zelie Alphonsine Baker, previously Lake, nee Ducret. Husband George 'Brinet' Baker. Later proprietors were Mrs Syd Ashton, 1930's, and Gerlands, 1950's. Site now occupied by Lakes Photographics, King and Heath shops, all Myers St (west side) to Church StBlack and white photograph of St Rosieres Boarding House. showing weatherboard residence, corrugated iron roof, half veranda at front, timber awning over windows of gabled room. George - Briney - Baker and wife Zelie at front fence. Lakes Entrance Victoriatourism, guesthouses, architecture