48 p. text and photographsnon-fictiondown syndrome, tony mcdonald, intellectual disabilities, down syndrome association of victoria

A cafe which offers life changing opportunities for people with intellectual disabilities has opened at Melbourne's Polytechnic's Greensborough campus.News article 1 page, black text and colour image .chancez cafe, melbourne polytechnic greensborough, araluen, intellectual disabilities

Nillumbik Now and Then takes the reader on a journey from when the Aboriginal people were this area's sole inhabitnats, to the present day. Nillumbik's history - told in this collection of 96 stories, which are nearly all based on sites - mirrors those of the wider Australian community. It includes tales of the Wurundjeri people, a former convict, farmers, a bushranger, gold-mining, soldiers, artists, intellectuals, environmentalists and sportspeople. Each story is illustrated with a photograph. As a journalist with the former Diamond Valley News, Marguerite Marshall wrote a series of articles on local places of historic interest, later published as the small book "Eltham Shire - Historic Buildings and Places". Many years later an expanded version was published under the title "Nillumbik Now and Then". This is a much larger version of "Nillumbik Now and Then", including significant rewriting and many additional articles. The new publication was made possible by financial support from the Victorian Public Records Office, Bendigo Bank and Nillumbik Shire Council. EDHS and other historical societies in Nillumbik assisted with content for many of the stories. The book was launched at the Eltham Library on Wednesday 19th November 2008. Source: EDHS Newsletter No 183, November 2009 The front cover art depicts The former house of naturalist and artist Neil Douglas at Bend of Islands, photographer Marguerite Marshall. This collection of almost 130 photos and stories about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. Paperback; x, 198 p. : ill., ports. ; 30 cm.Signed by the authornillumbik shire, houses, buildings, weller's hotel, landmarks, bend of islands

The Royal Society of Victoria convenes Victoria’s science community. It is the State’s oldest learned society and a part of Australia’s intellectual life since 1854. The Proceedings of the Royal Society of Victoria is their refereed journal, published twice annually.(Royal Society of Victoria web-site) Norman Arthur Wakefield (28 November 1918 – 23 September 1972) was an Australian teacher, naturalist, paleontologist and botanist, notable as an expert on ferns. He described many new species of plants.(info. Wikipedia)This is a useful research tool.A thin magazine a light green cover. It has the royal coat - of - arms in black / dark green print at the top above "Royal Society of Victoria Proceedings" on black. Underneath this is "Botanical Exploration of East Gippsland by N.a. Wakefield in black print.on front cover is a stamp of "Orbost Historical Society"botany-east-gippsland wakefield-norman royal-society-victoria

The Australian Natives Association (ANA) Benefit Society was formed in 1871 at a meeting of young men in Grimwood's Hotel, Elizabeth Street, Melbourne. The Association was one of many friendly societies that also aimed to promote the moral, social and intellectual advancement of its members. The young founders restricted membership to native-born Australians, but there were no Koories among them. The Australian Natives Association Ballarat Branch (No4) was founded in 1874. The association’s modest building was based in Camp Street and the branch was one of the most active in the colony, playing a key role in Federation. The Ballarat branch of the ANA was wound up in 1957 and the double storey building has since been used as for office space most recently for employment companies such as Tracey Recruitment. Ballarat's ANA Hall has heritage status under the City of Ballarat’s Camp Street heritage overlay HO186, however it is not listed by either the Victorian Heritage Register or the National Trust.Handwritten letter glued onto a lined page. The letter is from the Australian Natives Association Ballarat Branch No. 4, and is written to John Mateer at the time of his wife's death. The letter is signed by John Gray (President) and Fred Wainwright (secretary). Fred Wainwright was the first secretary of ANA branch No. 4. hew as a clerk at Ballarat Town Hall, and presented an essay on Federation of Australian Colonies in 1879.Australian Natives Association Ballaarat Branch No 4 14th December 1883. Dear Sir The members of this branch of the A.N.A. desire us to convey to you expression of their deep sympanth with you in the irreparable loss you have sustained by the death of your dearly beloved wife. The Members are fully aware that during the first month of such an overpowering infliction the most sincere sympathy of the truest friends can do little by alleviate the bitter pangs of remembrance and sorrow, still they trust that you may be enabled to submit with christian calmness and fortitude to the Will of Him, who, when seeming to act most severely wit us, is in His Own Divine Wisdom, ordering things for the best. We are Dear Sir Yours fraternally John Gray President fred Wainwright Secretary To Mr John Mateer australian natives' association, ana, ballarat branch no. 4. ballaarat branch no. 4, gray, john gray, wainwright, fred wainwright, mateer, john mateer

``Newspaper clipping from "The Post" 18-5-94 P9 Ringwood Mayor's Column. Cr Margaret Cheevers.Cr. Cheevers hosted a "thank you" function for many volunteers . The Ringwood Blues football team, a team of intellectually disabled people had a member, Damien Kilner, represent Victoria in a state match in Adelaide. A member of the Ringwood Professional Athletic Club, Rodney Lewis, won the 1994 Stawell Gift. Cr Cheevers also thanked many more Ringwood volunteers in all different areas.`

Disclosed what the American military and political leadership largely misunderstoon: the nature of Vietnamese society, the confrontation with colonialism and Western values, the resistance of the intellectuals, and the culture of the people.vietnam - history -1858-1945., vietnam- history - 20th century.

Membership book for the Wattle Social Club. It provides for a payment record of subscriptions and contains a list of the names of the members of the Executive and Social Committee. It also sets out the Club motto Omnibus Placeto (make yourself agreeable to all) and the Club's object, which was 'Pleasant Sunday Evenings and Intellectual Social Advancement of All Members' and club rules. Club rooms were at the Memorial Hall and Alma Hall.Folded yellow card cover, printed in blue. Inside is a single page of folded paper, bound with two staples and printed in black.wattle social club, st kilda memorial hall, alma hall

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover with Dust JacketRBF Acquisition. 50th Anniversary Edition (no. 138 of 300)australian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover with Dust JacketRBF Acquisition. 50th Anniversary Edition (no. 300 of 300)australian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover, no dust jacket. Rebound copy from the State Library of Victoria.Catalogue card slipped between pages. Catalogue number 203794. Inside front cover, pasted "NOTICE TO BORROWERS" from the State Lending Library of Victoria. Due date stamp page insideaustralian architecture, australian society, australian culture, home, suburbs, robin boyd, walsh st library

1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

Coloured photo of Integration Programme for intellectually disabled at Nunawading Recreation Centre.disabled, nunawading recreation centre

With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting

Conduct and duty a treasure book of intellectual, physical, social and moral advice, selected from the teachings of thinkers and writers of all times and countries by William Thomas Pyke. Printed in England by E.W. Cole, book arcade, Melbourne. The book is an hardcover edition with a plain brown paper covering it. The book has 266 pages. Three paper bookmarks are left in the book and a newspaper cutting of Berowra Creek, NSW is glued on inside cover. Aileen and John Ellison Collection.L.J. Ellison book from auntie E.J. Betallack on first page. L.J. Ellison written across the pages. philosophy, moral

86 p. : ill., portschildrens cottages - kew (vic), mental health - victoria - history

The Children's Cottages at Kew were first opened in 1887 as the "Idiot Ward" of Kew Asylum. Located on the asylum's grounds, the children's cottages were established to provide separate accommodation for child inmates who had previously been housed with adult patients. Although the Cottages only admitted children as patients, many of those children remained in residence at the Cottages as adults. The function of the institution was to provide accommodation and educational instruction for intellectually disabled children. Some Wards of the State and other various "difficult" children were also admitted.Shortly after opening, the Idiot Ward began functioning separately from the Kew Lunatic Asylum, and became known as the Kew Idiot Asylum from 1887 until c.1929. From 1929 they have been known as the "Children's Cottages, Kew" or alternatively "Kew Cottages Training Centre". The institution was finally closed in July 2008. [Source: Wikipedia, 2016]Framed document, forming part of the Kew Cottages collection, donated by Kew Cottages Historical Society 1987-1993 in 1993. Dr. Judge was a consultant psychiatrist at the cottages for 14 years, as well as an author and vocal advocate for the intellectually disabled and their families."Kew Cottages - ‘Notes for General Guidance of Officers in Charge of Idiot Children’kew cottages, dr cliff judge, kew cottages historical society 1987-1993