Hard cover book depicting girl and dogbooks, children's

The original photograph was missing from the folder at the time of scanning on 5 October 2018. The low resolution copy shown here is from a scan done in September 2001.

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.We are currently looking for information on the artist who created this work. If you are able to assist please leave details in the comments link below.art, artwork, ceramics

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Ken Silcock and Jill O'Brien (KHS members) with a display of items from the collection of the Kew Historical Society at an unnamed and undated Kew Festival. Recognisable items include from left on the floor the large photograph by JE Barnes of Kew Becomes a City (1921), two completed and framed bicentennial tapestries (1988), the MUIOOF honour board, and the 1860s white wedding dress (part of the Coombs collection).Inscribed verso: "Jill O'Brien & Jen Silcock"kew historical society -- exhibitions, jill o'brien, ken silcock

224 p. black & white illustrationsmelbourne history, victoria politics

Illustrated large-format book with 224 pagesnon-fictionThis book is about those who arrived in the hope of a new life and new opportunities. Those who departed to homelands and foreign shores, and they who represented us and were never to return to loved ones. We look at the people who worked on the Pier, its custodians and protectors of its heritage value. Finally, the passing visitors and those who came to simply enjoy and reminisce.immigration, station pier, port melbourne, shipping

The window in this photograph was commissioned by the Sandringham Yacht Club in conjunction with a Masonic Lodge and work carried out by Gerry Cummins in 1980. In the background is the S.S. 'Kanimbla' built 1935, Belfast for McIlwraith McEacham and was the last large passenger ship built specifically for Australian owners. Designed to carry 400 passengers , she plied her trade around the Southern and Eastern Ports of Australia. In WW2 she was an armed merchant cruiser and served in Indian waters and escorted the 1st convoy out of the Singapore after the Japanese invasion. She later operated in the Pacific after the war and after repatriation duties she was decommissioned and subsequently sold to be renamed 'Oriental Queen' which eventually caught fire and sank. . The small yacht in the foreground refers to the Sandringham YC. Window measurements: 600mm x 900mmShows the link with Freemasonry.Sketch in pencil and ink on cream paper for an arched stained glass window depicting a yacht.Bottom left corner: Proposed Stained Glass Window, Mission to Seamen. (Scale: Full Size) Right Left corner: Gerry Cummingsfreemasons, st peter chapel, flinders street, mission to seafarers, gerry cummins, jill stehn, stained glass window, sandringham yacht club, hearts of oak lodge, yacht, symbols, square, compass, ss kanimbla

Illustrated large-format book with 224 pages [36] p. of plates. : ill., maps, ports.Bibliography: p. 199-201non-fictionIn the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.port melbourne, station pier

In conjunction with the fraternal visits of Hearts of Oak and the Maritime Lodge (now defunct), joint chapel services have been held in the chapel of St. Peter at the Missions to Seaman in Flinders St over many years. In 1975, the two lodges jointly funded the donation of a window in the Mission's chapel. The window was also part commissioned by what was then the Kanimbla Association who loaned the artist a book called "Cry Havoc - HMAS Kanimbla, a postscript" of photographs which was very valuable and formed part of Gerry's research. Interestingly the Association wanted the Kanimbla depicted in its post WWII passenger liner livery not during WW2. Reverend G.B Muston consecrated the window with Reverend Reginald Bolt on Christmas Eve 1981.Arched windows depicting a yacht shilling in the ocean, in the background a ship liner, on top the freemasonry symbols.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, yachting, freemasonry, hmas kanimbla, hearts of oak lodge, gerry cummins, jill stehn, ss kanimbla, freemasons, sandringham yacht club, hms kanimbla, kanimbla association

This was created as a eulogy for Loris Winifred Durance.Loris was a member of the Godber family, her mother was Ivy Partington and her grandmother was Emma Britnell. All these familes were among the early pioneering families of Greensborough.An 8 page A4 black and white document featuring numerous photographs.Nilbritnell, godber, partington, durance

The Passages exhibition looked back to Port Melbourne in the 1970s when the make-up of the Council changed and the Greek community became even more a part of life in Port. This CD covers the valuable contribution made by the members of the Greek community who came from Greece to make Port Melbourne their home.CD-ROM containing information relating to the Passages Exhibition launched at Port Melbourne Town Hall, 28 Aug 2017. The disc includes family stories, working documents, photographs of display items, photographs taken during the launch, Powerpoint presentation prepared by John Kirby and display panels prepared by Pat Grainger.pat grainger, jill dawson, john kirby, greek community, celebrations fetes and exhibitions

Index, ill, p.116.A collection of the service and non service histories of the men and women from Monbulk and District who served in World War I. 1914-1918.world war 1914-1918 - australia - sources, world war 1914-1918 - pictorial works

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2010

Hardcover w/Dust JacketBlue ballpoint handwritten inscription, first page: 'Patricia and John, / To keep home in your minds - / Much love, / Mary / September 1989' Printed cardboard flyer c. DL size with full colour print on one side and black and white printed text on the back. Flyer for Sotheby's 'Fine Australian Paintings' viewing held in Melbourne 26th November 1990. Printed adhesive mailing label affixed addressed to 'Mr John Davies / 290 Walsh Street / SOUTH YARRA / VIC / 3141'. Full colour image of painting on front: William Blamire Young, "The Prima Donna Awaits Her Cue", 81.5 x 41cm, Estimate $36,000|40,000australian biography, australian women, jill conway, smith college, australian history, walsh st library