This set of calipers was used for measuring and marking in the planning and making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This calliper is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This calliper was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Calipers, metal, two arms joined by hexagonal bolt. Made by Moore & Wright, Sheffield, England. Maker’s name pressed into metal on arm. Use to measure thickness of materials. This set of calipers is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. “MOORE & WRIGHT / SHEFFIELD ENGLAND”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model sovereign of the seas, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, technical drawing instrument, calipers for drawing and measuring, moore & wright of sheffield england, sovereign of the sea, ship model, hobby, ship model tool, english war ship, measuring instrument

Portrait of Right Rev. D. Mooreright rev. d. moore, bishop, ballarat diocese

(a) Letter from Edward Perry supporting an application by Isaac Moore for a lease of land in Nunawading.(b) Letter written for Isaac Moore requesting to take up an allocation. Letters transcribed and photocopied.(a) Letter from Edward Perry supporting an application by Isaac Moore for a lease of land in Nunawading.(b) Letter written for Isaac Moore requesting to take up an allocation. Letters transcribed and photocopied.perry, edward, moore, isaac, land subdivision, orchards

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. George Moore Merchant and Thilanthropist Author: Samuel Smiles Publisher: George Routledge and Sons Date: 1878 Label on spine cover with typed text PAT 920 MOO Pastedown front endpaper has sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, george moore, samuel smiles

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.12 MOORE ST, HAW Marg Picken ~88artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.16 MOORE ST, HAWTHORN Marg Picken ~87artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.REAR 16 MOORE ST, HAWTHORN Marg Picken ~87artist - margaret picken 1950-

Property of Jim Hay, geelong property manager of Elders Pastoral.Large bound photo album with black cloth cover containing pictures, notices, documents and news paper articles documenting Denny's Lascelles Wool brokers and Strachan Wool brokers. Pictures and documents are mounted on black card using glue and sticky tape, on both the front and back of pages. There are five photographs and one document not attached to the album that illustrate Denny's Lascelles Wool brokers. Photos feature different events across several decades related to the Dennys Lascelles Wool Store, including newspaper clippings, men driving a car and staff photos."To the Directors Denny's Lascelles Limited From T.G. Moore July 1941wool brokering wool stores wool industry, elders pastoral dennys, lascelles limited strachan and co. limited, hay, mr jim e. - elders vp, geelong, victoria, wool brokering, wool stores, wool industry

A short article about George Frederick Moore and his service in World War 1. At the time of his enlistment he was living at Eltham. George Moore is commemorated on the Greensborough State School Honor Board.One page, text and colour images.world war 1 project, george frederick moore

Certificate of Discharge No 1272 rank; Bombadier Moore Joseph - Served Three years 331 days; Service Abroad - Three years 155 days. Medals Military Medal/ Discharged Keswick Barracks Adelaide./ Part of Framed display of Certificates for Joseph MoorePhotocopy of original Discharge Cetificate on grounds of medical unfitnesstop right hand corner: R10325/ Issued with Silver badge No 45908, signature of Secretary of State for War, 5th May 1919. Discharged: Medical unfitness due to gunshot wound right thigh whilst on active service.of, discharge, australian, 1919, aif, moore, joseph, certificate, imperial, force, keswick, barracks, medical, ryhope

Official opening of the Bill Doller room.Black and white photograph of Miss Marjorie and Beatrice Moore on the right, the 1st Matron of the HQ Camp 1 hospital who officially opened the Bill Doller Room and photographer inside the museum.on the backdrop of the Poster inc. Wilhelm Tell.sister beatrice moore, marjorie moore, army camp hospitals, army camp hospital staff, army camp hospital matrons, hospital matrons

Sister Beatrice Moore was the first matron at Camp 1 Hospital, Tatura during WW2.Black and white photograph, head and shoulders, of a female nursing officer in Army uniform, looking to her leftsister beatrice moore, camp 1 matron, camp 1 hospital, sister moore

Sisters Trix Moore and Vi Elliott were AWAS sisters at Tatura Internment Group during WW2.Black and white photograph of two AWAS Sisters, in uniform, standing together with a hut directly behind them. sister trix moore, sister vi elliott, awas, tatura internment group

WW2 internment camp 1, Tatura, hospital staff, Matron Captain Alice Adcock and Sister Moore, Asche and Moors,4 Army nurses, standing on steps in front of hut doorway.internment camps, tatura internment camps, sister moore, sister moors, sister ashe, matron captain alice adcock

Jack Moore, Maryborough trainer-driver won the first Bendigo Pacing Cup with Kalama's Peak. Among the top class horses that he trained was Richmond Lass who won 35 races and went on to win the 1969 Inter Dominion Pacing Championship. The horse was owned by Fred Miller, from Richmond House, Bung Bong, Victoria and driven by "respected local horseman Jack Moore.Light blue with red starbendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing, jack moore, j moore, jp moore

Serene Moore as sister-in-law to Ruby McAlpin and Granddaughter of Cr. William Mackinley (1924-1929) and Mayor of Ringwood 1927/28Buff coloured bifold with photograph on front and printed order of service inside.Hand written on back SIster-in-law to Ruby McAlpin and Granddaughter of Cr. William Mackinlay.

Blue Ribbon Potter & Moore Eau De Cologne face powder. Shade - Rachel - in round blue patterned box. Made by Potter & Moore, established in 1749.toiletries, face powders

A photo and two hand written notes about a former Legacy Girls' Class attendant in 1993. It appears there was a visit by a legatee and a legatee's wife to a former junior legatee, showing that people kept in contact with Legacy for a long time. The photo shows Florence Moore (nee Moll) and her husband Bert being visited by Legatee George Standish and Jane Sullivan, who was the wife of Legatee John Sullivan (President in 1991). The note with the photo says it was for the archive in 1993. The handwritten letter from the Moores says: Dear George (Standish), . . . Enclosed is the photo I promised to send you we are Bert and Florence Moore (nee Moll). . . We enjoyed the day very much and it was sad news to learn that Flo Kennedy (one of the original Legacy girls) had passed away. Regards, Bert and Florence. In an article in the Bulletin 1979 after a reunion it is mentioned that Florence Moore (nee Moll) was the first girl to enrol in classes and senior champion in 1928.A record of a Junior Legatees being in contact with Legacy for a long time.Photo of Flo and Bert Moore with Jane Sullivan and George Standish.Handwritten on the notes on the back 'Florence Moll (Now Moore) knew Flo Kennedy. Jane Sullivan, Bert Moore, and Florence Moore' in red texta. Also 'August 1993. Florence Moll was an original Legacy Girls' Classes attendant' in black pen.girls' classes, jane sullivan, florence moore, george standish

Illuminated Address to Monsignor Moore on his Golden Jubilee as a priest in 1883. Signed by Ballarat church and civic leaders including Daniel Brophy, I.M. Tappin and Patrick Guerin.An example of a Ballarat artist/calligrapher W. Neale Lansley's Illumination and calligraphy.

WW2 Internment Camp 1, Tatura. Army staff and Nursing staff. Camp 1 Tatura, Sister Beatrice Moore on left, Colonel Tackeberry, OIC and Sister Melrose on right. Foam backed copy in file.Black and white photograph of 2 nursing sisters standing each side of a man in officers uniform. Fence post to right of photograph. Trees in distant background.a.a.n.s., sister moore, sister melrose, colonel tackeberry, internement camps, army staff