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Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PROMOTIONAL PHOTOGRAPHS, 1940's
Sir George Victor Lansell (1883-1959), businessman, politician and philanthropist, was born on 3 October 1883 in London, elder son of George Lansell, the Bendigo 'Quartz King', and his second wife Harriet Edith, née Bassford. George was educated at St Andrew's College, Bendigo, and Melbourne Church of England Grammar School. On 20 January 1910 at All Saints Pro-Cathedral, Bendigo, he married a skiing champion, Edith Florence Gwendoline Frew; they had three daughters. As a young man Lansell excelled in revolver shooting, boxing and swimming but his militia interests endured longest. First commissioned in the 8th Australian Infantry Regiment in 1904, he was a captain in 1909. In May 1916 he was commissioned captain in Bendigo's 38th Battalion, Australian Imperial Force. Entering the front line in France on 1 December he was wounded two days later and invalided back to Australia next March for discharge in August. After the war he rose in 1923 to major commanding the 38th Battalion, Australian Military Forces. Lieutenant-Colonel in 1927, he retired as honorary colonel in 1942 after having organized the north-west Victorian group of the Volunteer Defence Corps early in World War II. Lansell's major contribution was his service to returned soldiers. He was president of the Bendigo sub-branch of the Returned Sailors' and Soldiers' Imperial League of Australia for nearly thirty years. His work extended beyond grand gesture and he is remembered affectionately for his personal generosity to ex-servicemen and their dependants. Lansell was director of the powerful Sandhurst Trustees' Co., the Bendigo Mutual Permanent Land & Building Society and many other local companies. He brought to Bendigo the overseas-based Hanro Knitting Mills and the Australian Swiss Watch Co. Early in his business career he acquired the Bendigo Independent and amalgamated it with the Bendigo Advertiser in 1918. He had interests in the Riverine Herald, the Rochester Irrigator, the Stock and Station Journal and Central Victorian Broadcasters Ltd, and was a delegate to Empire press conferences in Canada (1920), England (1923) and Australia (1925).Lever arch folder containing Hanro black and white promotional photographs. 53 studio photographs of women's knitwear and lingerie 20.5cm x 25.2cm. 1 studio photograph of men's knitwear 19cm x 23.5cm. 2 x photo's 19cm x 23.3cm Photographer Reg Brock. 27 black and white photo's 15cm x 21cm of men's knitwear, womenswear and lingerie, were donated by Ann Peters.Reg Brock Studios Bendigo. Labels or stamps on back of photographs.business, retail, hanro promotional photographs, george victor lansell, bendigo hanro -
Clunes Museum
Photograph, INTERKNIT
PHOTOGRAPHS .1 AND .2 RANGE OF KNITWEAR .3 FLATBED JACQUARD KNITTING .4 TOKYO AGENT AND GOODS ON DISPLAY.1 AND .2 UNTIL MID 1970'S CO. MANUFACTURED MENS SOCKS, THEN SPORTS AND JACQUARD JUMPERS ADDED TO RANGEtokyo export japan, interknit -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: CATALOGUE, 1960
Hanro Autumn-Winter 1960 Catalogue - Range of Lovelier women's knitwear. Styled in Switzerland, blue cover, twelve pages.business, retail, hanro catalogue -
Bendigo Historical Society Inc.
Clothing - FAY BRYANT COLLECTION: SUTEX MEN’S WOOLLEN CARDIGAN, 1970s
Pure wool, navy blue men’s cardigan. Five navy blue buttons. One bound pocket on each side front. A 10.5cm wide band of woven pattern on each side front. Fine knit of heavy density. Set in sleeves with a 2cms wide fine knit cuff. Machine stitched button holes. Overlocked seams.Sutex ® Quality Knitwear. Made in Australia. Size 18 to fit 100cm. PURE WOOLcostume, male, cardigan -
National Wool Museum
Textile - Men's Coat, c1940s
Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples -
National Wool Museum
Book - Patons Classics, Book 107, Patons and Baldwins, 1960s-1970s
Twenty page book with black and white printed text and graphics. The front cover features a colour image of two men wearing knitwear, with an illustrated burnt orange decorative frame. front: [printed] PATONS CLASSICS / Men’s Set-in Jumpers / and Cardigans. / Sizes from 33 to 48. / Patons / BOOK 107 / Totem/Double/Baroness.Jet/Skol. / Bluebell. Patonyle/Easycare. / 45 cfashion, women, knitting, crochet, home life, patterns -
Melbourne Tram Museum
Negative, Travis Jeffrey, 11/06/1960 12:00:00 AM
Negative of tram 849 at Batman Avenue terminus. Tram has destination Prahran and Route No 70. note advert on front of tram for Magree Knitwear and the kiosk on the right hand side and a telephone box.Paper folder that contained the negative had "NR31A" written in red ink, "M10" written in pencil, "21A" written in blue ink, and date stamped as 11 Jun 1960.trams, tramways, sw5 class, batman ave, swanston st, tram 849 -
National Wool Museum
Book, Knitting, Patons and Baldwins' Specialty Knitting Book no. 120
This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. The front cover illustrates a knitted convalescent jacket (with extra room for bandages, etc) and there are other patterns suitable for men in the services which could be knitted for the Red Cross or Comfort Funds. The back is illustrated with a photo of two men (one in a flying cap, one in army uniform) reading a sign on a wall which states: "Don't help the enemy! Careless talk may give away vital secrets".Front cover, Patons and Baldwins' Specialty Knitting Book no. 120, WWII. Back cover of Patons and Baldwins Specialty Knitting Book no. 120, WWII.MEN'S SERVICE AND CIVILIAN KNITWEAR / No. 120 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Book / THIS IS A SPECIALLY DESIGNED CONVALESCENT JACKETknitting, world war ii, patons and baldwins (australia) ltd -
National Wool Museum
Book - Crochet and Knitwear Novelties, No 31, New Idea, c.1950s
Eighteen page black and white pattern book with colour front and back cover. Book contains black and white photographs and printed text. Front cover shows a colour image knitted items, a chicken tea cosy, knitted dolls outfit, and two crocheted textile items. front: [printed] FUN TO MAKE AND FUN TO GIVE / CROCHET AND KNITWEAR / Novelties / No 31 / 9 d. / A “NEW IDEA” PRODUCTIONfashion, women, knitting, crochet, home life, patterns -
Bendigo Historical Society Inc.
Document - PIANOFORTE RECITAL, CITY HALL, BENDIGO, 2 August, 1967
Pianoforte Recital, City Hall, Bendigo. Wednesday, August 2nd, 1967. The Music Advancement Society of Bendigo Presents the Third Concert 1967 series. Photograph of Ronald Farren-Price. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Next concert Vegh String Quartet, 18th October, 1967 - 8.15 pm. Advertising: Alma Val (Fashions: suits, frocks, sportswear, evening wear, knitwear, coats, etc.),Edgars' Authorised Newsagency, Allan's Music.program, music, music advancement society bendigo, pianoforte recital, city hall, bendigo. august 2nd, 1967. music advancement society of bendigo, third concert 1967 series. photograph of ronald farren-price. president: e beilharz. joint hon. secs. madge edgar, emily bright. programme ten cents. vegh string quartet, 18th october, 1967 - 8.15 pm. advertising: alma val (fashions: suits, frocks, sportswear, evening wear, knitwear, coats, etc.), edgars' authorised newsagency, allan's music. -
National Wool Museum
Archive - Alexander Lau Clothing Tag, Alexander Lau Pty Ltd
Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissioned many of his textiles to be spun and woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Glossy paper clothing tag with rainbow coloured logo and black printed text.front: CRESTKNIT KNITWEAR & / ALEXANDER LAU FABRICS / TOGHETHER IN / CO-ORDINATING FASHION / (SEE OVER) back: This ticket is your / SYMBOL GUIDE / to help you to / co-ordinate this garment with / a color-matched CRESKNIT lambswool / pullover or cardigan. / Look for the matching ticket on / CRESKNIT LAMBSWOOL KNITWEAR / and you'll find colors created to / give you sophisticated / CO-ORDINATION. -
National Wool Museum
Spindle
Was found washed up on bank of Barwon River at Marshall. Object is marked GK probably an abbreviation for Geelong Knitwear or George Kinnear.GK -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: ANNUAL CONFERENCE, July 10 1958
Page from ' The Draper of Australasia 'magazine, with the headline ' Hanro salesmen and representatives confer at Bendigo Headquarters. 3 pictures on the page showing their 1959 Autumn winter knitwear styles and the management team at Hanro. On the reverse side there is an advertisement for ' Tootex ' an exclusive new 'Tootal ' fabric for smart serviceable uniformscottage, miners, the draper of australasia, hanro annual conference, clothing manufacture, tootex, tootal -
National Wool Museum
Clothing - Dress, 1950s
Red long sleeve knitted dress with buttons at the back. Swirl pattern across front. 8481.2 Detachable red belt. 8481.3 Small sample of red wool knitwear, dress, fashion, 1950s -
National Wool Museum
Clothing - Dress, 1950s
Green knitted full length dress with elbow length sleeves, gold buttoned front and collar. knitwear, dress, fashion, 1950s -
National Wool Museum
Clothing - Vest, 1950s
Grey sleeveless vest with coloured geometric designs.knitwear, fashion, vest, 1950s -
National Wool Museum
Clothing - Cardigan, 1950s
Green knitted long sleeved cardigan with button front and collar.knitwear, fashion, 1950s, cardigan -
National Wool Museum
Clothing - Cardigan, 1960s
Long sleeve blue knitted cardigan with button front.knitwear, fashion, cardigan, 1960s -
National Wool Museum
Clothing - Cardigan, 1940s
Elbow length sleeve pink knitted cardigan with button front and collar. knitwear, fashion, cardigan, 1940s -
National Wool Museum
Clothing - Cardigan, Jennifer Clark, 1970s
Hand knitted burnt orange cardigan with long sleeves. Four buttons down the front at the top. Cardigan has pockets and a collar. knitwear, fashion, cardigan, 1970s -
National Wool Museum
Booklet - Albany Knitting, Albanella Crochet, Albany Woollen Mills
Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing a pink short sleeved jumper with a cat on her lap.front: [printed] PRICE / 3d. / ALBANY / Knitting / Albanella Crochet / BUST 32-36 inches / 4-5 ozsknitting, pattern, fashion, knitwear, albany woollen mills -
National Wool Museum
Booklet - Albany Knitting, Two Colour Sweater, Albany Woollen Mills
Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing a black and white striped jumper with a fountain in the background.front: [printed] PRICE / 3d. / ALBANY / Knitting / Two Colour Sweater / ALBANY 4-PLY FINGERING / Bust 32 36 40 inches / Main Colour 14 16 18 ozs. / Contrast Colour 3 3 3 ozs.knitting, pattern, fashion, knitwear, albany woollen mills -
National Wool Museum
Booklet - Albany Knitting, Sister Set Albanella Crochet, Albany Woollen Mills
Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman seated in a garden setting wearing a blue cardigan.front: [printed] Albany / PRICE 3d. / SISTER SET / ALBANELLA CROCHET / Bust 32-40 inches. Jumper 9-11 ounces / Cardigan 13-15 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills -
National Wool Museum
Booklet - Albany Knitting, Jacket in 2 Lengths, Albany Woollen Mills
Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing an orange cardigan with black gloves and black headwear.front: [printed] Albany / PRICE 3d. / JACKET in 2 LENGTHS / ALBANY 4-PLY FINGERING / Bust 32-40 inches Hip Length 19-21 ounces. / Waist Length 17-19 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills -
Bendigo Historical Society Inc.
Document - THE JOHN BROWN KNITWEAR FACTORY AND ITS HISTORICAL ASSOCIATIONS
''The John Brown Knitwear Factory and its Historical Associations'' (A Richardson), a. Two pages of typed text; b. Two pages of hand-written text. References to: New Chum mine; Victoria mine; Big 180 mine; Victoria Reef Quartz mine; Victoria Quartz company; Little 180 mine; New Chum and Victoria crushing battery; ''Jeweller's Shop''; Advance mine;A. Richardsonbendigo, business, john brown knitwear, victoria hill, little 180 mine, new chum and the victoria crushing battery, marong road -
Greensborough Historical Society
Books, Collection of knitting books, 1947-1978
This collection of knitting books date from 1947 to the late 1970s and were donated by Helen Bryant. Titles: Patons knitting book no 570, Patons knitting book no 209, Olive Ketel's exclusive knitwear for young folk (1947),Patons Woolcraft, Paragon knitting book number 70.These knitting books are from a time when knitting was a favourite pastime and an essential method of clothing the family.Collection of knitting books. Black and white text, some with colour illustrations.Name of owner on some copies.knitting, patons, paragon, olive ketel, knitting patterns, helen bryant -
Bendigo Historical Society Inc.
Sign - HANRO COLLECTION: HANRO STAND ALONE COUNTER DISPLAY PICTURE
Hanro Stand Alone Counter Display Picture: A coloured picture of two men on the golf course playing golf modelling Hanro knitwear. One has on a beige long sleeve V necked cardigan. The pockets on either side have a pleat in the centre and a band at the top. The garment has a small vertical brown stripe running through out the fabric, it is buttoned up with five brown buttons. The other is a yellow V necked vest. The Vest is knitted in a small cable pattern with knit bands around the neck and arms. At the bottom on the picture is a label with white background and *Hanro in red and black print and Knitwear for men*. The very bottom printed in yellow is *'The Quality Is A Proud Tradition. The material for the front is plastic covered card. The back is green tin. A brown card rectangular strip used for a stand and has two metal holes with string attached. A sticker with Bellesini is stuck on the card stank. Box 116Aphotograph, person, hanro, hanro -
Bendigo Military Museum
Booklet - FACSIMILE BOOKLETS
.1) Garments described in the book are for “Sick and wounded soldiers”. Index covers, socks, scarfs, cap, cardigans, gloves, mittens, pullovers etc..1) Australian Red Cross Society Victorian Division Knitting Book. 23 pages, soft cover with black print, white pages, stapled together. .2) Patrons Service Woolies, on duty with the services. Soft cover, 35 pages, black print on front, illustrated B & W photographs of knitwear, held by a clip. .3) Facsimile copy of pages 25 - 29 of .2) stapled at top left corner.knitting, woolies, garments -
National Wool Museum
Clothing - Cardigan, 1980s
Maroon long sleeved cardigan with coloured bat motifs and pockets.knitwear, fashion, cardigan, 1980s, australiana, bats -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: HANRO AUTUMN AND WINTER CATALOGUE 1963, 1963
Hanro Autumn and Winter Catalogue 1963: Brown background with black print on card. A four star banner with Hanro printed in white on a black back appears on the on the left side. A black sketch of an adult male dressed in white shirt, black tie, light V neck cardigan with three buttons, and light trousers with a weave. The words Swiss Inspired Knitwear appears at the lower right edge of the page. White autumn leaves are scattered over the front cover. The back cover has a four star Hanro banner with a white background and black printing left of centre. Australia Knitting Mills Ltd heads the Information for sales offices for Bendigo and Interstate offices. Autumn leaves in white are scattered over the back cover in white against the tan cover. The words 'The Quality is a Proud Tradition' graces the lower edge of the page. Advertising inside the front cover was a description of the Hanro Autumn and Winter Knitwear line consisting of men's cardigans, pullovers and shirt style. Each item has an item number, a description, colours available and sizes .Box 116ACambridge Press Bendigobook, magazine, catalogue, hanro. catalogue. cambridge press bendigo.