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Bendigo Historical Society Inc.Document - ROYAL PRINCESS THEATRE COLLECTION: VICTORIAN SYMPHONY ORCHESTRA, 15 July
Victorian Symphony Orchestra, Royal Princess Theatre, Bendigo. Conducted by Juan Jose Castro. Soloist: Isador Goodman (pianist). This series of concerts is arranged by the Australian Broadcasting Commission in conjunction with the Government of Victoria. Royal Princess Theatre, Bendigo. Thur., 1st May. Star Theatre, Shepparton, Friday, 2nd May at 8pm. Direction: Australian Broadcasting Commission. Juan Jose Castro (write up on the life of). Harmony and Home. Linking 'Home and Family Week' with this Visit. Bendigo faces the challenge brought through the medium of 'Home and Family Week.' Issues arising out of the relationship of Marriage, Parenthood and the family have been discussed by possible solution. Rather than compete with the Concert, negotiations were effected with the A.B.C., resulting in the acknowledgement of this function as part of our week, and the reciprocal arrangement of space in this booklet. Music, as truly as Education and other Culture, influences the outlook and the stability of the home. Ancient Jewish history gave common paternity . . . Programme. Programme notes. Page 6: photo of Isador Goodman. Page 7: photo of John Brownlee. Associate Artist: Raymond Lambert (pianist). Conductor: Juan Jose Castro. First violins: Jorgensen B, Hutchins H, Schieblich F, Deerson N, O'Brien P, Glassford W, Michael R, Burlakov A. Second violins: Lenzer H, Badley R, Pattison B, Whitelaw M, Pietruschka I, Braithwaite N. Violas: Kerr C, Kogan M, Roberts W. 'Cellos: Howley D, Touzeau H, Awburn V, Neri E. Basses: Howley T, Shiffron S, Morton W. Flutes: Chugg R, Barklamb L. Oboes: Richmond E, Woolley D. Clarinets: White T, Crowley C. Bassoons: Wightman T, Hunt. Horns: White R, Miller G, Grieve G, Bickford G. Trumpets: Simpson M, Roberts S. Trombones: Code S, McGlade J, Willis H. Tuba: Coram C. Tympani: Craig G. Percussion: Crawford B, McManamny T. Harp: Bendall A. Musical Autobiographies The London Daily Graphic's record critic praised Eugene Goossen's musical autobiography, Overture and Beginners, as excellent Story . . . Photographs of Elena Nikolaidi and Michael Rabin along with a write up on each. Advertisements: Georges, Melbourne. Railway.program, theatre, concert, victorian symphony orchestra, royal princess theatre, bendigo. conducted by juan jose castro. soloist: isador goodman (pianist). this series of concerts is arranged by the australian broadcasting commission in conjunction with the government of victoria. royal princess theatre, bendigo. thur., 1st may. star theatre, shepparton. juan jose castro harmony and home. linking 'home and family. family week.' issues arising out of the relationship of marriage, a.b.c., resulting in the acknowledgement of this function as part of our week, and the reciprocal arrangement of space in this booklet. music, as truly as education and other culture. ancient jewish history gave common paternity. programme notes. page 6: photo of isador goodman. page 7: photo of john brownlee. associate artist: raymond lambert (pianist). first violins: jorgensen b, hutchins h, schieblich f, deerson n, o'brien p, glassford w, michael r, burlakov a. second violins: lenzer h, badley r, pattison b, whitelaw m, pietruschka i, braithwaite n. violas: kerr c, kogan m, roberts w. 'cellos: howley d, touzeau h, awburn v, neri e. basses: howley t, shiffron s, morton w. flutes: chugg r, barklamb l. oboes: richmond e, woolley d. clarinets: white t, crowley c. bassoons: wightman t, hunt. horns: white r, miller g, grieve g, bickford g. trumpets: simpson m, roberts s. trombones: code s, mcglade j, willis h. tuba: coram c. tympani: craig g. percussion: crawford b, mcmanamny t. harp: bendall a. musical autobiographies the london daily, eugene goossen's, photographs of elena nikolaidi and michael rabin along with a write. advertisements: georges, melbourne. railway. -
Bendigo Historical Society Inc.
Document - THE OLIVIERS, A BRIEF CHRONICLE, 1948
The Oliviers, A Brief Chronicle. As featured in the Saturday Book No. 6 here produced as A Tribute to The British Council and to assist The food for Britain Appeal. Price two shillings and sixpence. Huthinson & Co. (Publishers) Ltd. London, New York, Melbourne, Sydney, Cape Town. Australia, 1948. This booklet gives a history of Laurence Olivier and Vivien Leigh (Sir and Lady Olivier), pictures of Laurence from childhood through his career. Also pictures of Vivien Leigh working with Laurence Olivier. b/ 'Olivers To Make Nation Wide Broadcast.' Paper cutting, section from a paper 'The Listener In' July 24-30, 1948. c/ 'Food Appeal By Oliviers In Farewell Broadcast. ' The Olivier's will contribute their fee of about 5000 pounds to the Food Appeal. In Melbourne it will be relayed through 3DB, 3AW, 3XY & 3AR. The sponsors of the Lux Radio Theatre have donated 1000 pounds. Paper cutting 4 September, 1948. What the Oliviers Will Remember. d/ What the Oliviers Will Remember. Oliviers thank Australia and told of their memories of Australia and it's people in a Nation wide broadcast over the ABC and some B class stations. Australian banks will cooperate by receiving money for food parcels. Company leaves.Huthinson & Co. (Publishers) Ltd.program, theatre, sir laurance & lady olivier, the oliviers, saturday book no. 6 a tribute to the british council the food for britain appeal. huthinson & co. (publishers) ltd. london, new york, melbourne, sydney, cape town. australia, 1948. booklet a history of laurence olivier & vivien leigh (sir & lady olivier), pictures of laurence from childhood & career. pictures of vivien leigh working with laurence olivier. 'olivers to make nation wide broadcast.' 'the listener in' july 24-30, 1948. 'food appeal by oliviers in farewell broadcast. 'the olivier's will contribute their fee of about 5000 pounds to the food appeal. in melbourne it will be relayed through 3db, 3aw, 3xy & 3ar. the sponsors of the lux radio theatre have donated 1000 pounds. paper cutting 4 september, 1948. what the oliviers will remember. d/ what the oliviers will remember. oliviers thank australia and told of their memories of australia and it's people in a nation wide broadcast over the abc & some b class stations. australian banks will receiving money for food parcels -
Bendigo Historical Society Inc.Document - LYDIA CHANCELLOR COLLECTION: PICTURES
A large folder containing many pictures taken from a variety of sources. Sources include 'The Illustrated London News,' 'The Sun' and 'Woman's Day and Home.' 1933 - 1963.The Illustrated London News,' 'The Sun' and 'Woman's Day and Homeephemera, mementoes, history, lydia chancellor, collection, photos, pictures, ephemera, botany, plants, flowers, royal yacht britannia, history, british royal family, royalty, coronation, motor car history, automobile history, vintage cars, veteran cars, birds, art history, architecture, theatre, buildings, geography, adam lindsay gordon, australian poetry, children's games, australian art, albert namatjira, melbourne, christianity, religion, advertisements, london, tower of london, thames, river thames, brisbane, sydney, boats, ships, events, entertainment, exploration, heritage -
Bendigo Historical Society Inc.Document - EMLYN WILLIAMS AS CHARLES DICKENS, 1958
Emlyn Williams as Charles Dickens. Giving a Solo Performance of Scenes from the Famous Novels and Stories. Tour of New Zealand and Australia, 1958. D D O'Conner Productions Ltd.., in association with the Australian Elizabethan Theatre Trust. 1 Moving in Society. 2 Paul. 3 Mr Bob Sawyer Gives a Bachelor Party. 4 The Signalman. 5 Mr Chops. 6 The Fancy Ball. The Adoptions . . . The Desk . . . The Nature of the Performance. During the fifties of the last century, Charles Dickens, at the Height of his fame as a novelist, ventured on something quite new; he gave, in Birmingham, a public 'reading' of one of his stories. This turned out to be an historic occasion, opening up an extraordinary career for the great writer. Each 'Reading' was more sensationally successful than the last. The word was put into inverted commas because nothing could have been less like reading than Dickens's dramatic performance. Something like a hundred years later at the Criterion Theatre, EMILYN WILLIAMS appeared before the London public 'as Charles Dicken's, giving a solo performance of scenes from the novels.' At this point the actor had been a star of . . . Personal Manager for Emlyn Williams: Alan Cambell. Stage Director: Tony Ward. Secretary and Accountant: Aubrey Thomas. Manager for the Australian Elizabethan Theatre Trust: Mary Rawdon. EMILYN WILLIAMS. Emlyn Williams, as actor, playwright of director (often in all three capacities simultaneously) has been in the theatre since he acquired the degree of M.A. and shook from his feet the dust of Oxford. Born in Flintshire, North Wales, in 1905, the son of a village inn-keeper, he spoke only Welsh as a child and learned English at school - a boyhood freely depicted in his comedy, 'The Druid's Rest.' At the age of ten he won a scholarship to the local Holywell County School, and at the age of seventeen another scholarship (in French) to Christ Church, Oxford. Once at the University hw discovered the theatre, by means of the Dramatic Society, and realized at once it was to dominate his life. While he . . . Includes photo of E Williams. Advertisement for DECCA Records, Emlyn Williams as Charles Dickens, Volume 1.Back cover photograph of Emlyn Williams. Second Programme in Australia: Emlyn Williams as 'A Boy Growing Up' An entertainment from the stories of Dylan Thomas. 'Gorgeously Funny' - The observer, London. Cover well decorated with sketches and photo of Emlyn WilliamsPeerless Press Pty. Ltd.cottage, miners, emlyn williams as charles dickens. giving a solo performance of scenes from the famous novels and stories. tour of new zealand and australia, 1958. d d o'conner productions ltd.., in association with the australian elizabethan theatre trust. 1 moving in society. 2 paul. 3 mr bob sawyer gives a bachelor party. 4 the signalman. 5 mr chops. 6 the fancy ball. the adoptions . . . the desk . . . the nature of the performance. during the fifties of the last century, novelist, ventured on something quite new, in birmingham, a public 'reading'. an historic occasion, opening up a career 'reading' criterion theatre solo performance novels.' actor had been a star of . . . personal manager for emlyn williams: alan cambell. stage director: tony ward. secretary and accountant: aubrey thomas. manager for the australian elizabethan theatre trust: mary rawdon. actor, playwright of director (often in all three capacities simultaneously) degree of m.a. oxford. born in flintshire, north wales, in 1905, village inn-keeper, spoke welsh learned english at school. comedy, 'the druid's rest.' won a scholarship to the local holywell county school, and at the age of seventeen another scholarship (in french) to christ church, oxford. university he discovered the theatre, dramatic society. photo of e williams. advertisement for decca records, as charles dickens, volume 1.back cover photograph of emlyn williams. second programme in australia: emlyn williams as 'a boy growing up' stories of dylan thomas. 'gorgeously funny' - the observer, london. -
Bendigo Historical Society Inc.Document - IN SEARCH OF HAMILTON HILL, 9/11/23
Hamilton Hill (Harold Hill 1858- July 1910) was a baritone singer born in Bendigo. In 1897 he was a member of Mr Bracy's Opera Company. In 1899 he left for San Francisco and then onto London in 1910. He began recording on both cylinders and discs in London in 1903 (as such he was the first Australian to make recordings for a mass audience). He toured extensively in Britain and the US, with occasional return tours to Australia. He died of consumption in Los Angeles leaving a widow and one child.A paper detailing the nearly lost history of famous Bendigo singer Hamilton Hill and his tours overseas.hamilton hill, theatre, music -
Bendigo Historical Society Inc.Programme - The Maid of the Mountains
"The Maid of the Mountains" is an operetta in three acts. The book was originally written by Frederick Lonsdale and the operetta opened in London in 1917 to a very successful and long run. An Australian production by J. C. Williamson in 1917 was also very successful.Bendigo Operatic Society - Music Programme for "The Maid of the Mountains" - At the Capital Theatre, View Street, Opening for Five nights - commencing 25th March, 1966. A5 booklet with 15 pages. Booklet consists of lists and photos of individuals participating and organizing the concert, advertising, acknowledgments, synopsis of story and scenes. music, programme, concert -
Bendigo Historical Society Inc.
Document - The Royal Princess Theatre Story, 2001
The Royal Princess Theatre was opened on 31st August 1874. The cost of the building was £12,000 with a capacity of 2,000 people. The building was designed by William Charles Vahland. The site was at the corner of View Street and McKenzie Street, with the frontage facing View Street. The auditorium was on three levels and seated 650 in the pit (rear stalls), 200 in the stalls, 250 in the dress circle and 850 in the gallery. A further 50 were seated in the six stage boxes. The frontage of the theatre was 80ft wide x 60ft, which inside the auditorium the proscenium was 30ft wide by 18ft high. The stage was 56ft deep. Stage lighting at the time was by gas until the Electric Supply Co, of Victoria Ltd. had DC power available in 1898. The theatre was described as comparable to anything Drury Lane in London had to offer. The original proprietor’s of the theatre John Croley died on 26th March 1899 aged 72 years, while William Billy Heffernan died 23rd March 1891 aged 81 years.The Royal Princess Theatre Bendigo History Notes, provided by Fred Page for the Bendigo Historical Society. Three pages of notes and photographs photocopied from an unknown book pp 24 - 26.history, bendigo, royal princess theatre -
Bendigo Historical Society Inc.Document - BENDIGO REGIONAL ARTS CENTRE
Poster. The Victorian arts council presents: nostalgic songs and comic sketches from the great variety palaces of London ''Nice People'' recreating the magic of Flanagan and Allen, starring Jon Finlayson and Jon Stephens with Monseweer David Bates on piano. Bendigo regional arts centre: 2pm and 8pm Friday March 8entertainment, theatre, nice people -
Bendigo Historical Society Inc.Functional object - VOLT METER FROM PLAZA THEATRE MANUFACTURED BY NALDER BROS
Volt-Meter from'Plaza Theatre', Mitchell St. Bendigo. A tag attached has the numbers 1-4-78 and says ' This meter was ''.(illegible!)' The scale goes from 0 to 120volts. And was manufactured by 'Nalder Bros & Thompson Ltd London.. It also measures both DC and ~ 50 (50 cycles per sec alternating current) Case is circular and made of a dimpled metal. With a 'half moon' shaped display. Case is approx. 200mm in diameter and 60mm deep -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Portable operating table used by Sir Victor Bonney, Allen & Hanburys, England, c. 1900
This operating table belonged to the famous gynaecological surgeon Dr Victor Bonney and was given to Dr Frank Forster in 1953 by his widow Mrs Annie Bonnie, a distant relative of Forster's. Dr Victor Bonney (1872 - 1953) followed his father into medicine and trained at St Bartholomew's and the Middlesex Hospitals. Writing his obituary in 1953, FW Roques said of Bonney that he "'made three great gifts to surgery. First, he was the pioneer of myomectomy; second, with Berkeley, he extended and perfected Wertheim's operation for carcinoma of the cervix; and third, he devised a fine surgical technique emulated by so many of his pupils. To theatre sisters, labour-ward sisters and young house-surgeons he will always be remembered as the discoverer of 'Bonney's Blue' [antiseptic solution].'" Bonney's utilitarian, portable operating table has a round, worn scrubbed patch showing traces of his famous blue solution.This portable operating table was owned and used by pioneering gynaecological surgeon Sir Victor Bonney in London, U.K. c 1900. Dr Bonney employed two theatre sisters and had two sets of instruments and portable operating tables. This made it possible for Dr Bonney to 'complete three or more operations a day by rotating staff and equipment with a chauffeur driven Lanchester or Rolls Royce', delivering them from one house to the next. The donor of the operating table, the late Dr Frank Forster, was a distant relative of Sir Victor Bonney's widow, Annie Appleyard, formerly of Tasmania. When he visited her in the UK after Bonney's death, she offered the operating table to Dr Forster for the RANZCOG Museum. It was still in a canvas bag in the boot of one of Bonney's cars. Sir Victor Bonney was the pioneer of myomectomy, the surgical procedure for removing uterine fibroids. In collaboration with Berkeley, he extended and perfected Wertheim's operation for carcinoma of the cervix. Bonney was an influential teacher, developing and promoting conservatism of surgical technique (minimal intervention) that has had a lasting influence in modern surgical practice. To theatre-sisters, labour-ward sisters and young house-surgeons he will always be remembered as the discoverer of Bonney's Blue an antiseptic that was characteristically blue.Portable, laminated operating table. Plywood rectangular table with two laminated plywood extensions, a head board, and a foot board. At the foot board are insets of canvas straps to support a patient's ankles. Two detachable stirrup poles, each with a canvas strap attached, fit into two holes at the lower end of the table. The table is supported by two timber trellis cross braces with metal bars, and supported at the centre by a metal rod that allows the table to pivot up and down. Two metal arcs with a locking mechanism fix the table at the desired elevation, allowing a Trendelenburg tilt ( a 45 degree tilt, with the patient's head downwards.) The operating table is demountable for transportation and re-assembly.obstetric delivery -
Monbulk RSL Sub BranchBook, Les Carlyon, The great war, 2006
Les Carlyon's The Great War is the epic story of the fighting men who wove themselves into legend as part of the largest tragedy in Australian history - 179,000 dead and wounded - leaving a nation to mourn its fallen heroes in 'one long national funeral' into the 1930s and, now again, a century later. As he did with the best-seller Gallipoli, Carlyon leads the reader behind the lines, across the western front and other theatres of battle, and deep into the minds of the men who are witnesses to war. Having walked the fields of France, Belgium and Turkey on his quest for a truth beyond the myth, Carlyon weaves us a mesmerising narrative that shifts seamlessly from the hatching of grand strategies in the political salons of London and St Petersburg to the muddy, bloody trenches of Pozieres and Passchendaele where ordinary soldiers descended into a maelstrom unimaginable.index, bib, ill (plates), maps, ports, p.863.non-fictionLes Carlyon's The Great War is the epic story of the fighting men who wove themselves into legend as part of the largest tragedy in Australian history - 179,000 dead and wounded - leaving a nation to mourn its fallen heroes in 'one long national funeral' into the 1930s and, now again, a century later. As he did with the best-seller Gallipoli, Carlyon leads the reader behind the lines, across the western front and other theatres of battle, and deep into the minds of the men who are witnesses to war. Having walked the fields of France, Belgium and Turkey on his quest for a truth beyond the myth, Carlyon weaves us a mesmerising narrative that shifts seamlessly from the hatching of grand strategies in the political salons of London and St Petersburg to the muddy, bloody trenches of Pozieres and Passchendaele where ordinary soldiers descended into a maelstrom unimaginable. australian army - history, world war 1914-1918 - campaigns - western front -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: AUSTRALIAN TOUR OF MARIE HALL, June 10th, 1907
The Royal Princess Theatre, Bendigo. Monday June 10th, 1907. First Australian Tour of Marie Hall. Direction J & N Tait. Pianist Lonie Basche. Marie Hall's Recital. Programme:Violin Solo-Concert in E Major. Piano Solos- Etude in E Major, Black Key Study, Valse in A Flat. Violin Solos-Humoreske, Fantasia 'Old England. Piano Solos-Liebestraume, Marche Militaire. Vioin Solos-Ave Maria, The Bee, Zephyr, Hejre Kati. Messrs. J & N Tait have great pleasure in announcing their intention of arranging for the appeaance in Bendigo of 'The Royal Besses O' Th' Barn Band' towards the end of July, and 'Madame Clara Butt, and Mr Kennerley Rumford, together with a Hall Concert Party, about the middle of September. The 'London Daily Telegraph' calls Clara Butt 'The Custodiam of the voice of a century.' Advertising on rear cover.Atlas Press, Melb.program, theatre, the royal princess theatre, bendigo -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Barnes-type obstetrical forceps, Evans & Co., London
The '24' inscribed on the handle is a theatre number for instrument identification. Invented by British obstetrician Robert Barnes (1817-1907), these forceps were designed to "enable delivery from the superior strait and from above the brim in cephalo-pelvic disproportion." One of Barnes' aims with this design "was to reduce the incidence of craniotomy, because the Caesarean operation was at this time a desperate last resort." (Source: Forster, F M C. (1971), Robert Barnes and His Obstetric Forceps. Australian and New Zealand Journal of Obstetrics and Gynaecology, 11: 139-147.) With the addition of William Neville's axis-traction handle (invented in 1886), a variation of these forceps known as the Neville-Barnes forceps gained widespread popularity.Set of metal forceps, consisting of two nickel plated blades with bakelite handles. Inscribed 'EVANS & CO./LONDON'.Theatre mark "24" inscribed on handle of both blades.obstetric delivery -
Bendigo Historical Society Inc.Document - THEATRE ON THE GOLDFIELDS - MR FRANK CUSACK
Two typed copies of notes titled 'Theatre on the Goldfields' by Mr. Frank Cusack. Notes mention the early theatres on the Goldfields, the actors, actresses and singers, owners and places where the theatres were. Also mentioned are some of the plays that were performed.entertainment, theatre, bendigo, theatre on the goldfields, mr frank cusack, john hawkins, bulwer lytton, 'lady of lyons', the theatre royal, gregg, yates, stark, carncross's royal exchange restaurant, the argus, the casion, charles thatcher, burton's theatre, c h rignold, george rignold, royal victoria theatre, the princess, the criterion, walsh and fawcett, george fawcett rowe, fawcett rowe, lola montez, henry coleman, madame carilly, the advertiser, victoria reef, william kelly, g v brooke, burralls assembly rooms, nicholls assembly rooms, royal hotel, shamrock concert hall, bendigo hotel, billy heffernan, john crowely, mrs hancock, miss urie, m langlaise, sarah flower, madame caradine, thatcher the inimitable, greville, joe small, fanny young, frank varley, hugh anderson, porter's stars of the australian stage and screen, abbott, lyceum theatre, mr & mrs robe, robert heir, g w daniels, bendigo histrionic club, carrick club, 'the old curiosity shop', benjamin farjeon or b l farjeon, louis quatorze, robert younge, woolridge's eagle saloon, fry's troupe, coleman's rotunda theatre, old house, rainer's ethipian serenaders, jacobs, mrs macgowan, the golden age, foos & fitzgerald, madame arnati, gibson, pearsons harmonic hall, london hotel, little joe and the comical wonder, pick and shovel, united states hotel, john hunter kerr, marsh troupe, lyster opera co, miss avonia jones, cobb & co, billy heffernan, shamrock hotel, st james hall, crowley, royal princess theatre, offenbach's duchess of gerolstein, james cassius williamson, maggie moore, hal porter, grattan riggs co, garner, musgrove, george rignold, bland holt, harry rickards, london gaiety co, alfred dampier, dan barry co, harold stephen, coghill brothers, paine, waterman & balfe, the australian bijou opera co, williamson & musgrove's royal opera co, nellie stewart, the alfred dampier co, ward lyons dramatic co, george darrell, william elton, charles arnold's co, masonic theatre, the capital), the bendigo dramatic society, the bendigo glee club, the bendigo amateur dramatic club, bendigo orchestra, bendigo liedertafel, alice crawford, wilson barrett co, ernest toy, emily dyason, gertrude alger, william murdoch, a c bartleman, madame benda, amy and eileen castles, erna mueller, madame bertha rossow, e a bindley, kate samuels, jan kubelik -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: EIGHT FIRST BIRTHDAY SOUVENIR PROGRAMME, c1955
Royal Princess Theatre Eight First Birthday Souvenir Programme, 31st August, 1955. 1874 - 1955. Manager: Don Vincent. Price - Sixpence. Proceeds: Cinematograph Trade Benevolent Fund. The Royal Princess Theatre. In May, 1874, the late John Crowley, at a cost of 12,000 pounds the Royal Princess Theatre. It was opened on 31st August, 1874, on which occasion the 'Grand Duchess of Gerolstein' was performed. It was in January, 1904, that the Theatre was closed until April, 1905, for re-construction at a cost of 5,000 pounds. Further alterations were made I 1936 when the old circle and the gallery was converted into the present circle and loge, the cost on this occasion was 14,000 pounds. At the Royal Princess has been seen every form of entertainment known in the world. Operas, including Gilbert and Sullivan, Shakespearean plays, Minstrels, Pantomime, Circus (Wirth's making their first appearance in1887), Drama, Revues, Magicians, and the latest medium of entertainment Ice Revue. Of the many shows presented on stage of the theatre, I feel none has survived as long, or as well, as 'Charley's Aunt.' The companies to present their performances have been many and varied, but among an imposing list, the names of Charles Holloway, The Royal English Opera Company, J. C. Williamson Co., and Royal Comic Opera Coy., will long be remembered. The line of notable personalities who have appeared on the stage is long also, and includes such names as John McCormack, Clara Butt, Harry Lauder, Peter Dawson and more recently Jessie Mathews and John Calvert. But of all these and many others, I am sure none can ever compare with the wonderful performances by the late Dame Nellie Melba, who gave her farewell performance in September, 1921. It is interesting to note that Dame Nellie Melba, gave two farewell performances. The first was in February, 1886, when she made a last appearance as Mrs Armstrong, to later become Madame Melba. The first competition of the Austral Society was held in the Theatre in May, 1897, and the first living pictures were seen in August, 1899. The London Bioscope Co. presented 'Struck Oil,' with Maggie Moore, in February, 1901 (Maggie Moore had appeared in the stage play or the same name many times earlier). However, it was not until 1910 that the Royal Princess was mainly used for pictures, and of course, since that year, that has been the principle form of entertainment presented. It was Easter, 1930, that the first talkie, 'The Desert Song,' was screened and then followed coloured films, and now in 1955 the latest in film development - Cinemascope has been installed. This installation caused, for the first time in many years, alterations to the back stage to enable the large 30ft. Screen to be quickly removed ready for any 'live' performances. In 1937 the Royal Princess came under the Management of Northern Amusements Pty. Ltd., a unit of the Woodrow Corporation Ltd., whose policy it is to bring in entertainment to Bendigo, and I, as their representative will carry on the traditions of the past, and make the Royal Princess truly a Home of Entertainment. Don Vincent, Manager. Wednesday, 31st August, 1955 on the stage. Eagelhawk Brass Band. Official cutting of the Bithday Cake and its presentation to the Matron of the Benoevolent Home by His Worship the Mayor of Bendigo (The cake kindly donated by Friedrich & Bassemir). Presentation of the Travel Voucher for a 10 day Luxury Coach Tour on behalf of Pioneer Coaches Ltd., to the licky couple winning the recent 25th Wedding Anniversary Contest, by His Worship the Mayor of Eaglehawk. 'Progress of Fashion by Bendigo Fashion House including A Tableaux of 7 Bridal Ensembles. Miss 1874 Gertrude Perry, Misses 1955 Rosemary Lorenz, Lorraine Foley, Joan Pinder, Pauline Kim, Shirley Morgan, Pat Ferrari, Wilma Breerton. Make - up by Helen Lang Beauty Salon. 81st Birthday Performance on the screen. Newsreels, Cartoons, Shorts, Seven Brides for Seven Brothers. Photograph: The Staff of the Royal Princess, under the Management of Mr Don Vincent, who are at your service. Hearing Aids are now installed in all parts of the Theatre, Doctors or Nurses on call may leave their names at the pay-box. Advertisements for Bendigo businesses: Radio Taxis, Kings Dry Cleaners, John V. Schenck Art Florist, Morley Johnsons everything for the home, Ron Meurer fridges, The Melody Bar, music. Program comprises of two sheets of paper.program, theatre, royal princess theatre, royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. -
St Kilda Historical SocietyEphemera - Invitation - mayoral dinner, To mark the Festive Season and the end of the Year, 1918 or 1929
Although the name of the Mayor and Mayoress, and the year of the invitation are not stated, the fact that music was provided by 'Miss Gertrude Emily Johnson' provides a possible clue as to the date. Gertrude Emily Johnson (1894-1973), coloratura soprano and theatre administrator, was born on 13 September 1894 at Prahran, Melbourne. She was a student of (Dame) Nellie Melba at the women's singing school that Melba founded at the Albert Street Conservatorium, East Melbourne (later the Melba Memorial Conservatorium). The date specified in the invitation, Thursday 19th December, indicates that the event was either in 1918 or 1929. As Gertrude Johnson moved to London in February 1921 and returned to Australia in 1935, when she retired from her singing career, it appears likely that the invitation to the mayoral dinner was for 19 December 1918. Elsie Fraser would have accompanied her on the piano.Cream coloured card printed in gold and with Christmas bells and holly in green and red, being an invitation for dinner with the Mayor and Mayoress of St KildaTo mark the Festive Season, and the end of the Year, the Mayor and Mayoress of St Kilda would be very pleased if ... will take Dinner with them in the Mayoress' Room, on Thursday, 19th December, at 7pm. Music by Miss Gertrude Johnson and Miss Elsie Fraser. RSVP before 12th December.gertrude johnson, elsie fraser, st kilda council, st kilda mayoral function -
St Kilda Historical SocietyPhotograph, Fitzroy St
. Also accompanied by an identical black and white photograph. Shows St Kilda Theatre and a cable tramblack and white post card"Dear May and Floyd, So glad to hear that you all enjoy you self. We are well. Aunti Kate is not well Uncle Will is coming down to myself. No rest for the wicked. Happy New Years dears. Warmest love, Mum and Dad." Valetines Postcard. Branches; Sydney, London, Dundee, (?), Capetown, Montreal, Toronto -
Robin Boyd FoundationProgramme, Apollo Victoria Theatre, Starlight Express, c. 1985
Performance in London..Andrew Lloyd Webber composer. First performance 27th March 1984.walsh st library -
Melbourne Athenaeum ArchivesVideo - ABC 7.30 Report: The Athenaeum 's 170th birthday, Australian Broadcasting Corporation, Melbourne, Athenaeum building celebrates 170 years, 11/11/2009
Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring. -
Melbourne Athenaeum ArchivesTheatre program, Cass & Clothier (Printers), The Ghost Train (play) performed at the Athenaeum Theatre in 1927
Theatre program 29 January 1927Hugely popular play when staged in London. No mention is made in the program of the author, who in later life played Private Godfrey in "Dad's Army".Paper program for a drama performed at the Athenaeum Theatre Saturday January 29 1927; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, the ghost train, fraank talbot pty ltd, e j carroll, arnold ridley, athenaeum theatre, program, programme, the ghost train, fraank talbot pty ltd, e j carroll, arnold ridley -
Melbourne Athenaeum ArchivesTheatre Program, Mourning Becomes Electra: Part One (play) by Eugene O'Neill performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 28 January 1981
Guest director Michael Blakemore from LondonPaper programmourning becomes electra: part one, athenaeum theatre, melbourne theatre company, eugene o'neill, michael blakemore -
Melbourne Athenaeum ArchivesTheatre Program, Duet For One (play) by Tom Kempinski performed at the Athenaeum Theatre commencing 23 March 1983
Presented by Melbourne Theatre Company, production by the Marian St Theatre. The play was written by the playwright Tom Kempinski for his wife the actress Frances De La Tour and has been produced in London, New York and Europe. It details how a violinist crippled by multiple sclerosis adjusts. Paper program :good conditionduet for one, athenaeum theatre, program, melbourne theatre company, tom kempinski -
Melbourne Athenaeum ArchivesSeason Brochure, MTC Melbourne Theatre Company Season 28 1981 Athenaeum Theatre and Athenaeum 2
... Beecham Antigone The Good Person of Setzuan The London Cuckolds ...pete mcgynty and the dreamtime, a man for all seasons, beecham, antigone, the good person of setzuan, the london cuckolds -
Whitehorse Historical Society Inc.Audio - 45 R.P.M. Record, c 1950's
Owned and played by Barbara Gardiner at the time of the Musical being performed at Her Majesty's Theatre during the 1950'sCircular record - 45 (R.P.M.) Recording from Musical 'Oklahoma', featuring Howard Keel and original London cast. Record encased in cardboard cover with the story of the Production.His Master's Voice - Extended Playmusical instruments, accessories -
Ballarat Heritage ServicesPhotograph - Digital photograph, Victoria and Albert Museum, London, 2016, 09/2016
The V&A is the world’s leading museum of art and design, housing a permanent collection of over 2.3 million objects that span over 5,000 years of human creativity. The Museum holds many of the UK's national collections and houses some of the greatest resources for the study of architecture, furniture, fashion, textiles, photography, sculpture, painting, jewellery, glass, ceramics, book arts, Asian art and design, theatre and performance. https://www.vam.ac.uk/info/about-usDigital photographs of a stained glass window at the Victoria And Albert Museum, Londonvictoria and albert museum, window, interior, stained glass window -
Robin Boyd FoundationSlide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. RKO Grand Theatre, Chicago, Illinois, USA (now demolished)Encircled 7 (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Melbourne LegacyPostcard, Edinburgh from the Castle, c.1918
A post card of Edinburgh from John Basil McLean, who signs himself Basil. This postcard was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. Possibly these were with him during his time in the First World War and kept them as a mementos. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).A record of correspondence from a soldier serving in World War 1, home to his family. It shows Australian soldiers travelled to see places when they were on leave.Standard size postcard with colour image of Edinburgh, Scotland from 1918.Front - “Edinburgh from the Castle” Back - “THE MILTON POST CARD / FOR COMMUNICATION THIS SPACE MAY BE USED / THE ADDRESS ONLY TO BE WRITTEN HERE / PRINTED AT OUR WORKS IN SAXONY / AFFIX STAMP / THE MILTON “ART RECORD” Series No. 505 Woolstone Bros, London E. C. / Edinburgh/ 16.2.18 / Just had breakfast!/ Dearest Ril? / I am having a lovely trip. The only thing is my leave / is not long enough. I have to / report for France next Tuesday / morning 19/2/18. If I had arrived / in Edinburgh a days sooner / I would have gone to see ???? / ????? as they call it here. I was in / a shop yesterday and read the history / of the castle. I had tea at Mrs Coulsons two nights ago and I / took Mrs Coulson to the theatre. / I have not time to write now / I love Scotland and I love to hear the people speaking, especially the kiddies. Kindest and dearest / Basilsouvenir, war correspondence -
Bendigo Historical Society Inc.Document - MERLE HALL COLLECTION: ''PREPARING A BRIEF FOR A PERFORMING ARTS CENTRE'' MIN. FOR THE ARTS
... Authorities and the Theatre, 9 Fitzroy Square, London W. 1, England... and the Theatre, 9 Fitzroy Square, London W. 1, England. Handwritten ...''Preparing a Brief for a Performing Arts Centre'' Min. for the Arts - this is a similar documents to 8350.117 but not exactly the same. It is entitled ''As adaptation of ''Preparing a Brief for a Theatre Building'' by the Standing Advisory Committee on Local Authorities and the Theatre, 9 Fitzroy Square, London W. 1, England. Handwritten annotation of cover as follows: ''Copies held by - President - R. Herriot - Secretary. 16 Pages and single page Appendix. -
Kew Historical Society IncPhotograph, Kew Light Opera Company, Goodnight Vienna!, 1956
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Lance Nicholls, left, in a performance of Goodnight Vienna! by The Kew Light Opera Company in 1957. Nicholls produced and directed the production as well as performing as Prince Schmettoff. The accompanying programme provides a profile of Nicholls. It states that: Lance Nicholls (Prince Schmettoff), our producer, is a well known personality in the theatre and radio world, having created a reputation as an outstanding character actor through his roles in "Libel", "Streets of London", "Seven Day's Leave", "Village Priest". He was with J.C.W. for many years and a leading player with the late Gregan McMahon, The Roland McCarty Shakespearian Coy., and The Melbourne Little Theatre; also touring with the Council of Adult Education in "Tobias and the Angel" and "The Miser", then in "While the Sun Shines" for the Red Cross. Mr. Nicholls conducted his own Company of players, known as The Modern Theatre, who presented Shakespearian productions to schools and colleges, and has successfully produced many other plays and Musical Comedy. The Kew Light Opera Company has been fortunate in having a producer and player of such high calibre as Mr. Nicholls, and, it has been seen in previous successful shows under his guidance, hopes to go on to further success in the future."Inscribed above the photo in the scrapbook by Marion Tilley: "Lance Nicholls".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society IncEquipment - Theatre Supplies, Boxed Greasepaint Sticks, c.1975
The Rockingham Red Cross Centre in Kew provided convalescence and rehabilitation for war veterans suffering nervous conditions resulting from the Second World War. The building had been given to the Australian Red Cross by the owner of the house, Mrs Syme in 1940. In the early days of the centre, patients performed plays for fellow patients and staff members. This small box of theatrical makeup, or greasepaint, would have been used at the Centre on one or more of these occasions. The donor, Rosemary Lade, worked at the Centre as an occupational therapist, 1971-2 and 1974-7. During these years, play readings were held, but performances were not staged. The Rockingham Red Cross Centre closed in 1977, and following its closure, the donor retrieved the box of greasepaints from the Occupational Therapy Department. A box of greasepaint from the Rockingham Red Cross Centre, Kew. Square wooden box, containing sticks of greasepaint used for theatrical makeup. The used sticks of greasepaint are wrapped in foiled paper, printed with information about the colour and the maker/retailer: L. Leichner (London) Ltd. Leichner House, 30/32 Acre Lane, / London, S.W.2. theatrical makeup, greasepaint, rockingham, rockingham red cross centre, syme family, rosemary lade, occupational therapy - theatre
