Owner 1960s: Dorothy Jolly, wife of Dr Jolly. Rented by Kenneth Johnson At time of photo the clinic was the practice of Dr Adams and Dr BowersThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, luck street

This file contains two items pertaining to Emmaus Rest Home: 1/A series of emails exchanged between local resident Mark Upton and John O’Callaghan of the Glen Eira Historical Society, dated 30/01/2008 and 31/01/2008, regarding the history of a derelict property situated at 41 Murrumbeena Road. In the first email, Upton refers to the property of ‘Oakdene’ Aged Care Facility and inquires as to whether the Society possesses any information on it. The next day, O’Callaghan replies that he will investigate. Later that day, Upton recommends O’Callaghan some information on the property he unearthed via Joanne (Jo) Antoni, Executive Assistant at Churches of Christ Community Care. The property turns out to have originally been a private residence owned by the Birtchnell family, sold on 24/01/1945, eventually acquired by the Church and converted into an aged care facility which closed on 16/07/1999 2/Three black-and-white photographs. Two of the photographs portray a resident of the Home, Mrs. Armstrong, and a staff member of the Home, Sr. Johnston, in a bathroom operating a shower. These photographs contain writing on the back identifying the persons. The remaining one portrays Mrs. Armstrong and another, unidentified resident of the Home seated in a bedroom. This one also contains writing on the back, but specifying the name only of the facility. None of the photographs are dated.emmaus, emmaus rest home, emmaus home for the aged, churches of christ community care, antoni joanne (jo), new cumloden grammar school, atkin william t., betheden, waghoo road, ‘oakdene’ aged care facility, carnegie, murrumbeena, upton mark, o’callaghan john, murrumbeena road, neerim road, dandenong road, birtchnell family, birtchnell james, birtchnell elizabeth, birtchnell harold, birtchnell olive, birtchnell kingsley, oakdene crescent, clay will h., johnson sr., armstrong mrs., anglican church, nursing homes, retirement homes, mansions, clocks, fires

The Process of Making Pottery Decorating, Firing, Glazing, Making, Technical There is a rhythm and flow to clay. It can’t be done all at once! Even the making process! It can take weeks to get everything done, especially if you can only work on your pottery once a week! Even though we have three hour classes, it’s often just not enough time! Here is an overview of some of the processes so you have a bit more grasp on some of the technical stuff! Step One – Design There are SO many ideas out there for making stuff in clay! From delicate porcelain jewellery, through to heavy sculptural work and everything in between. Deciding your direction is sometimes not that easy – when you first start, try everything, you will naturally gravitate to the style that you enjoy! The options and variations are endless and can get a wee bit overwhelming too! Check in with me before you start to ensure your ideas will work, what order you might do things, how you could achieve the look you are seeking and any other technical data required! Step Two – Making Clay is thixotropic. This means that as you work with it, the clay first gets sloppier and wetter, before is begins to dry in the atmosphere. For most things, you simply can’t do all parts of the project at once. An example of work order might look like: Get last weeks work out from the shelves Prepare clay for today’s work – roll your clay, prepare balls for throwing, make the first stage of a pinch pot) Clean up last week’s work and put it on the shelf for bisque firing Check that you have any glazing to do – and do enough of it that you will have time to finish your main project Do the next step of your next project – there might be a further step that can’t be complete immediately, in that case, wrap your work well and put onto the shelves. Letting your work rest for a while can really help keep your work clean and professional looking. Many things require bagging under plastic to keep it ready for work the next week – put your name on the outside of the bag so you can find your work easily. We have stickers and markers. Consider how you want to decorate your work – coloured slip can be applied at a fairly wet stage (remembering that it will make your work even wetter!). Trying to apply slip to dry clay won’t work! If you want to do sgraffito – you will need to keep the work leather hard (a state of dryness where you can still work the clay with a little effort and a little water and care). Step Three – Drying Most of the time your work can go into the rack uncovered to let it dry out for the following week. If you want to continue forming or shaping you will need to double bag your work – put your work on a suitable sized bat and put the bat in a bag so the base of the bag is under the bat, then put another bag over the top of the work and tuck the top of the bag under the bat. If you want to trim (or turn) your thrown work the following week, it should also be double bagged. If your work is large, delicate, or of uneven thicknesses, you should lightly cover your work for drying. When considering the drying process, bare in mind the weather, humidity and wind! The hotter and dryer, the faster things dry and work can dry unevenly in the shelves – this can lead to cracking – another time to lightly cover your work for drying. Step Four – Trimming and Cleaning Up Your work is dry! It is called greenware now and it is at it’s most fragile! Handle everything with two hands. I often refer to soft hands – keep everything gentle and with your fingers spread as much as possible. Try to not pick up things like plates too much, and always with both hands! Before your work can be bisque fired it should be “cleaned up”. You work won’t go into the kiln if it has sharp edges – when glazed, sharp edges turn into razor blades! Use a piece of fly wire to rub the work all over – this will scratch a little so be light handed. Use a knife or metal kidney to scrape any areas that require a bit more dynamic treatment than the fly wire offers! Finally, a very light wipe over with a slightly damp sponge can help soften and soothe all of your edges and dags! Trimming thrown work: If you are planning to trim (or turn) your thrown work (and you should be), make sure you bag it well – your work should be leather hard to almost dry for easiest trimming. Use this step to finish the work completely – use a metal kidney to polish the surface, or a slightly damp sponge to give a freshly thrown look. Wipe the sponge around the rim after trimming, and check the inside of the pot for dags! Trimming slip cast work: Usually I will trim the rims of your work on the wheel the following day to make that stage easier, however you will still need to check your work for lumps and bumps. Last but not least – check that your name is still clearly on the bottom of your work. Step Five – Bisque Firing When the work is completely dry it can go into the bisque kiln. The bisque kiln is fired to 1000°C. This process burns off the water in the clay as well as some of the chemically bound water. The structure of the clay is not altered that much at this temperature. Inside the bisque kiln, the work is stacked a little, small bowl inside a larger bowl and onto a heavy plate. Smaller items like decorations or drink coasters might get stacked several high. Consideration is paid to the weight of the stack and shape of the work. A bisque kiln can fire about one and a half times the amount of work that the glaze kiln can fire. The firing takes about 10 hours to complete the cycle and about two days to cool down. Once it has been emptied the work is placed in the glaze room ready for you to decorate! Step Six – Glazing Decorating your work with colour can be a lot of fun – and time consuming! There are three main options for surface treatment at this stage: Oxide Washes Underglazes Glazes Washes and underglazes do not “glaze” the work – It will still need a layer of glaze to fully seal the clay (washes don’t need glaze on surfaces not designed for food or liquid as they can gloss up a little on their own). Underglazes are stable colourants that turn out pretty much how they look in the jar. They can be mixed with each other to form other colours and can be used like water colours to paint onto your work. Mostly they should have a clear glaze on top to seal them. Oxides are a different species – the pink oxide (cobalt) wash turns out bright blue for instance. They don’t always need a glaze on top, and some glazes can change the colour of the wash! The glazes need no other “glaze” on top! Be careful of unknown glaze interactions – you can put any combination of glaze in a bowl or on a plate, but only a single glaze on the outside of any vertical surface! Glazes are a chemical reaction under heat. We don’t know the exact chemicals in the Mayco glazes we use. I can guess by the way they interact with each other, however, on the whole, you need to test every idea you have, and not run the test on a vertical surface! Simply put, glaze is a layer of glass like substance that bonds with the clay underneath. Clay is made of silica, alumina and water. Glaze is made of mostly silica. Silica has a melting point of 1700°C and we fire to 1240°C. The silica requires a “flux” to help it melt at the lower temperature. Fluxes can be all sorts of chemicals – a common one is calcium – calcium has a melting point of 2500°C, however, together they both melt at a much lower temperature! Colourants are metal oxides like cobalt (blue), chrome (green through black), copper (green, blue, even red!), manganese (black, purple and pink) iron (red brown), etc. Different chemicals in the glaze can have dramatic effects. for example, barium carbonate (which we don’t use) turns manganese bright pink! Other elements can turn manganese dioxide brown, blue, purple and reddish brown. Manganese dioxide is a flux in and of itself as well. So, glazes that get their black and purple colours, often interact with other glazes and RUN! Our mirror black is a good example – it mixes really well with many glazes because it fluxes them – causes them to melt faster. It will also bring out many beautiful colours in the glazes because it’s black colouring most definitely comes from manganese dioxide! Glaze chemistry is a whole subject on it’s own! We use commercial Mayco glazes on purpose – for their huge range of colour possibilities, stability, cool interactions, artistic freedom with the ability to easily brush the glazes on and ease of use. We currently have almost 50 glazes on hand! A major project is to test the interactions of all glazes with each other. That is 2,500 test tiles!!!! I’m going to make the wall behind the wheels the feature wall of pretty colours! Step Seven – Glaze (Gloss or sometimes called “Glost”) Firing Most of the time this is the final stage of making your creation (but not always!) The glaze kiln goes to 1240°C. This is called cone 6, or midrange. It is the low end of stoneware temperatures. Stoneware clays and glazes are typically fired at cone 8 – 10, that is 1260 – 1290°C. The energy requirement to go from 1240°C to 1280°C is almost a 30% more! Our clay is formulated to vitrify (mature, turn “glass-like”) at 1240°, as are our glazes. A glaze kiln take around 12 hours to reach temperature and two to three days to cool down. Sometimes a third firing process is required – this is for decoration that is added to work after the glaze firing. For example – adding precious metals and lustres. this firing temperature is usually around 600 – 800°C depending upon the techniques being used. There are many students interested in gold and silver trims – we will be doing this third type of firing soon! After firing your work will be in the student finished work shelves. Remember to pay for it before you head out the door! There is a small extra charge for using porcelain clay (it’s more than twice the price of regular clay), and for any third firing process! Once your work has been fired it can not turn back into clay for millennia – so don’t fire it if you don’t like it! Put it in the bucket for recycling. https://firebirdstudios.com.au/the-process-of-making-pottery/Ceramics have evolved over thousands of years.A white earthenware side plate with a gadroon edge. Has water marks and chips on front.‘Johnson Bros England Reg No 15587’flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, johnson bros, ceramics, tableware

A draw knife is a hand tool that has a long straight blade between two handles. As implied by its name. it is drawn like a knife across the wood. It is used to prepare the timber for the next step of the process, removing loose wood and bark and giving a start to making the wood into a round or cylindrical shape. Then a finer smoother finish is given with a spokeshave, which has a shorter, curved blade. A draw knife could be used for the wooden spokes for cart, wagon and carriage wheels as well as for ladder staves and ship wheels. Features of a good draw knife include tight handles, a blade with plenty of metal to it and a blade length of 20 to 24 centimetres. This draw knife was likely made at least 150 years ago by C Johnson of Sheffield, who used the Trade Mark “C.J.” within a flag. Christopher Johnson began work as a cutler, making knives, pocket knives and tableware in his works at Howard Street in Sheffield. In the book ‘Hand-Saw Makers of Britain by Schaeffer and McConnel, Johnson is listed in 1855 as a saw maker. A later reference has the business name of Johnson & Company, Sheffield in 1879-1882. Australia was one of the company’s markets. The company continued until its closure in 1955.This draw knife is significant for being made in Sheffield, a location famous for steel and silver manufacturers. It is significant because of its age, being made no later than 1879, which is the time period of our maritime Village. It is a tool most suitable for the blacksmith's or a ship' smith's workshop for making spokes for the wheels of wagons and carts, and for making ship's wheels.. It is also significant for being made by C Johnson, who was well known for his good workmanship. Draw knife; flat cast steel fixed blade with rotating wooden handles each end. Round bulbous handles have two parallel scored lines around the end furthest from the blade and a brass collar between the handle and blade. A logo and inscription are cast into the centre front of the blade. Made by C Johnson. of Sheffield.Cast into steel blade: Sideways Image “C.J.” within {flag}, “JOHNSON / CAST STEEL”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, spokes, wagon maker, blacksmith, cart maker, cart wheel maker, blacksmith tool, wagon wheel, c johnson, sheffield, wheelright, craftsman, woodwork, carriage wheel, ship wheels, shipwright, wooden spokes, ladder staves, draw knife

Typed blue page titled Telephone Index. It has the name and number of various people and offices. Piece of white paper attached has the name , address and number of Norm Harris. Also two blank pages ruled into columns for Agents, Cows & Calves, Springing Heifers, Steers and Unjoined Heifers.bendigo, council, cattle markets, bendigo saleyards collection - telephone index, abbott mavis, adams jeff, allen geoff, ashby ann, bailey marilyn, bailey paul, barton bill, bentley barry, betts maurie, breen terry, bruhn kurt, bullen tracey, burton ray, cairns ross, cameron norm, campbell, colin, canfield carol, davison rod, eisfelder christine, elvey marg, erwin marg, flavell rod, frost ian, frost peter, gill robert, gillam stan, gladstone peter, green barry, griffith julie, guy linda, harvey glenn, hockings heather, holland kristine, huddle terry, ireland sandy, ivetic marko, johnson ian, kerr glen, lakey phil, leach sue, mace bernadette, maguire geoff, mccluskey neville, mckindley stan, mensforth jim, michelson alan, o'brien ray, oberin keith, phillips russell, plumkett debbie, powell cyril, power reg, preece john, pretty meryl, quigg jock, robson jackie, rogers ron, rosen andrew, shanahan peter, shurey mark, smart debbie, spedding christine, spence garry, standen peter, stannard janine, stewart david, stuart karen, telford sue, thomas michelle, thornton lorna, wallace ian, williams kaye, wilson john, wood craig, wrigley neal, yanner ken, young alan, young daryl, norm harris

Black and white photograph of the Golden Square Primary School Aths Champs, dated Nov. 2nd 1970. Photograph taken under a tree. The names of the twelve boys are: Terry Howe, Mark Bateman, Peter McConville, John Miller, Danny Potter, Russell Harvey, Andrew Firman, Clifford Doherty, Stewart Johnson, Clifford Rowe, Norman Rowe and Glen Michell.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph aths champs, terry howe, mark bateman, peter mcconville, john miller, danny potter, russell harvey, andrew firman, clifford doherty, stewart johnson, clifford rowe, norman rowe, glen michell

Coloured photograph of the 1984 Modified Rules Football Team. They are wearing navy blue shorts and white jumpers with navy blue neckline and cuffs. One boy in the front row is holding a football. The names of the boys are:- (Back Row) Raymond Chan, Greg Douglas, Ben McCauley, Jamie Decker, Mark Herbert, Adam Mason, Scott Johnson. (Front Row) Adam Bish, Aaron Cumming, Michael Gerolemou, Chris Coghlan, Danny Holahan, Steven Bish, Justin McNamara and Leigh Hosking. Names are typed on paper which is stuck on a piece of foam core.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph modified rules football team 1984, raymond chan, greg douglas, ben mccauley, jamie decker, mark herbert, adam mason, scott johnson, adam bish, aaron cumming, michael gerolemou, chris coghlan, danny holahan, steven bish, justin mcnamara, leigh hosking

Sepia photograph mounted on grey board. Photograph of frame included. 50 bust photographs of males, 2 storey building. 1 larger male bust photo. 1 badge and ribbons, surrounded by cut out mount board. BENDIGO BICYCLE CLUB . On back in biro Mr. L ? E. Wait, 72 Lily Street. Names of people transcribed below Presented to J HEFFERNAN ( as a mark of esteem) L Barnett C Barnett J Butler T W Capewell F Casey H Crowe W Crowley T Doyle F W Drews J Driscoll C Edwards J L Faul Dr B Gaffney J Gould J Grant A Gude J C Hallam J Heffernan A Heine L Herman P F Hogan W Honeybone E Hull T O Hunter A Johnson R Jones D B Lazarus A Magee W Maggs S Marcollo H McAtamney F A Moore E T Morland R Nicolai E J V Nigan T O’Donnell G Pritchard J Purchase C I Rice C E Roberts H Rolfe A Stephenson J Stevens C E H Swyer J Thomas F Vlaeminck C B Walker R Watson W Westphalen H White C E Ward ALAN SPICER Williamson Street BendigoAlan Spicerorganization, club/society, bendigo bicycle club 1898

Although the name of the Mayor and Mayoress, and the year of the invitation are not stated, the fact that music was provided by 'Miss Gertrude Emily Johnson' provides a possible clue as to the date. Gertrude Emily Johnson (1894-1973), coloratura soprano and theatre administrator, was born on 13 September 1894 at Prahran, Melbourne. She was a student of (Dame) Nellie Melba at the women's singing school that Melba founded at the Albert Street Conservatorium, East Melbourne (later the Melba Memorial Conservatorium). The date specified in the invitation, Thursday 19th December, indicates that the event was either in 1918 or 1929. As Gertrude Johnson moved to London in February 1921 and returned to Australia in 1935, when she retired from her singing career, it appears likely that the invitation to the mayoral dinner was for 19 December 1918. Elsie Fraser would have accompanied her on the piano.Cream coloured card printed in gold and with Christmas bells and holly in green and red, being an invitation for dinner with the Mayor and Mayoress of St KildaTo mark the Festive Season, and the end of the Year, the Mayor and Mayoress of St Kilda would be very pleased if ... will take Dinner with them in the Mayoress' Room, on Thursday, 19th December, at 7pm. Music by Miss Gertrude Johnson and Miss Elsie Fraser. RSVP before 12th December.gertrude johnson, elsie fraser, st kilda council, st kilda mayoral function

Large wooden rectangular honour board with gold text and protruding sections along the top, in in the top middle accommodating for the WTS symbol.FOR THE HONOUR OF THE SCHOOL YEAR HEAD PREFECT DUX OF SCHOOL CHAMPION HOUSE ATHLETICS SWIMMING HOUSE CAPTAINS (BOGONG, BUFFALO, HOTHAM, WILLS) 1966 W. WALLACE J. DASH BUFFALO HOTHAM BOGONG D. FLANIGAN, W. WALLACE, N. LAVIS K. TAYLOR 1967 J. CANNING R. GARTH BUFFALO HOTHAM BOGONG C. JOHNSON, D. PYLE, D. TURNER T. NOLAN 1968 C. JOHNSON T. GLANIGAN WILLS HOTHAM BOGONG P. PEERS, L. SANDFORD, J. FRAZER, R. GARDINER 1969 L. GRAHAM H. DINNING WILLS HOTHAM BOGONG R. HEARNES, J. PHILLIPS, P. CONSTANTINO P. HINES 1970 C. FORGE M. COOK WILLS WILLS BOGONG M. LAVESQUE A. MANZELLA C, FORGE R. CHANDLER 1971 R. CROCKET, *L. HANLON R. CROCKETT HOTHAM (NOT HELD) WILLS J. CLARKE, G. RUNNALS, J. CHAMBERLAIN, G. RAMSDALE 1972 M. BOOTH, C* STONE L. JACKEL *J. KLEIN HOTHAM WILLS HOTHAM W. DICKSON, T. YOUNGER, M. BOOTH, J. SGARIOTO 1973 T. BARRY (S.R.C.PRES.) W. GOURNEY, *J. AMERY HOTHAM BUFFALO HOTHAM G. ELLIOT, G. PORTER, T. BARRY, W. GOURLEY 1974 R. COMENSOLI (S.R.C. PRES.) M. AMERY, B. SAMMON (DISCONTINUED) BUFFALO WILLS (DISCONTINUED) 1975 *G. McGREGOR (S.R.C. PRES.) R. WATSON, *L. FLANIGAN BUFFALO WILLS 1976 A. ADAMO (S.R.C. PRES.) R. JOHNSTONE, *J. COLE BUFFALO WILLS 1977 K. SOUTHGATE, *L. AMERY BUFFALO BUFFALO 1978 S. BISINELLA (S.R.C. PRES.) G. MINNEY, * S, SHANLEY (SPORTS CANCELLED- WEATHER) BOGONG 1979 R. NEWTH (S.R.C. PRES.) R. JOHNSON, *M. KEENAN BOGONG HOTHAM ---W.T.C. & COLLEGE OF T.A.F.E. SEPERATION--- 1981 MARK BRAMBLE (S.R.C. PRES.) 1982 BELINDA MATHERSON (S.R.C. PRES.), CARMEL ANDERSON (S.R.C. PRES.) , ANGELA VERMONT (S.R.C. PRES.) 1983 ELIZABETH FREEMAN (S.R.C. PRES.) 1984 JODIE BLAIR (S.R.C. PRES.) 1985 ROSS MILLER (S.R.C. PRES.) * GIRL

Plan, hand drawn, showing Hobson and Lansell plan 'shewing ground in dispute' On plan East Johnson Lease Ground, Hobson and Lansell land in between, West of England company on bottom of plan.bendigo, mining, hobson and lansell

Bendigo Operatic Society ''Annie Get Your Gun'' At the Capital Theatre View Street Bendigo for a Six Night Season Commencing Thursday 18th November,1971. Producer: Max Collis. Assistant Producer, Bellet and Wardrobe Mistress: Madge Welch. Society Pianist: Ruth Gorman. Musical Director: Gwen Grose. Cast: Kerry Lorenz as a Small Girl - Ferd Lorenz as Charlie Davenport - Shane Brennan as Mac (Property Manager) - Douglas Sayle as Foster Wilson - Ann Ball as Dolly Tate - Annette Beckwith as Winnie Tate - Terry Carr as Tommy Keeler - Len Carr as Frank Butler - Heather Lindhe as Annie Oakley - Mark Edebone, Peter Miller as Little Jake - Debbie Moyle, Rosemarie Favaloro as Nellie - Jennifer Carr, Cathy Johnson as Jessie - Judith Hall, Suzanne Hartley as Minnie - Brian Thomas as Col.Wm F. Cody - Valerie Griffith as Mrs. Little Horse - Wilma Baldwin as Mrs. Black Tooth - Kerry Hogan as Trainman - Bridgette Agnew as Waitress - John Tonkin as Conductor - Bernard Keogh as Major Gordon Lillie (Pawnee Bill) - Fred trewarn as Chief Sitting Bull - Ann Rundall as Wild Horse Ceremonial Dancer - Jan Lovett as Sylvia Potter Porter - Jill James as Mrs. Adamsprogram, theatre, bendigo operatic society

TSDAV Magazine, No. 1, May 1981. It has a yellow cover with sketch of dancers in costume. Peter n. Ellis written at the top of the front cover. Photos and illustrations inside. Contains a copy of an interview with Alistair Anderson by Fay McAlinden, news of functions, feature on traditional social dance, feature on Steps and styles and callers' headaches by Shirley Andrews, Aims and objectives of TSDAV, Feature All about Sandhurst Dance Club, Coming Events, Q & A, Technical Notes and Discussion Point.magazine, club, traditional dance association, peter ellis collection, tsdav magazine may 1981, peter ellis, jenny milne, penny lane, shirley andrews, fay mcalinden, bruce mcclure, norm ellis, alistair anderson, johnson elwood, sam sherry, john kirkpatrick, sue harrison, hugh rippon, beat klippel, con klippel, efdss, tony sutter, rowan webb, pedr curteen, michael thatcher, victorian folk music club, margaret kiddle, steele rudd, sir roger de coverly, banjo paterson, patsy adam smith, jean lawson, larry harrigan, harry mcqueen, sandhurst dance club, ian thwaite, lynne stone, mark power, roy hay

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 24 pagese. r. peacock, eugene gorman, norman armstrong, l. a. cleveland, j. oehr, dr w. j. craig, dr. may, a. e. atherton, g. fethers, f. e. frewin, m. j. hoath, e. l. morton, e. johnson, g. newnham, edgar h. peacock,s. watkin, edgar h. peacock, s. watkin, j. mclean, j. m. johnston, m. g. b. mortimer, adam c. muir, e. noble, a. w. taylor, n. webb,a. stephens, rev j. j. booth, mrs a. piper, blackburn, cricket, lacrosse, jolimont square, john e. muir, alice graham, solomon moss, mrs moss, victorian deaf and dumb institution, ven. archdeacon hancock, rev dr. borland, rev h. crawford, w. smith, tennis, a. hull, r. h. lambert, interstate sports carnival, victorian deaf, quantock, bladier, anderson, campbell, walsh, tyzzer, marks, wilson, fairman, taylor, vicary, muir, halliday, nolan, lindsay,

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Cream/Pink Cover, Size 21.5Hx13.5W, 24 pagese. r. peacock, eugene gorman, norman armstrong, l. a. cleveland, j. oehr, dr w. j. craig, dr. a. j. fargie,w. h. crush, g. fethers, f. e. frewin, m. j. hoath, e. l. morton, g. newnham, edgar h. peacock, f. w. spry, g. w. sweetland, s. watkin,ernest j. d. abraham, j. mclean, e. empson, j. m. johnston, e johnson, m. g. b. mortimer, e. noble, n. webb o. quinton, rev j. j. booth, mrs a. piper, maurice mark, blackburn, cricket, lacrosse, jolimont square,

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 28 pagesl. a. cleveland, norman armstrong, f. w. spry, w. f. rowe, dr w. j. craig, dr. a. j. fargie,e. j. l. bremner, g. fethers, f. e. frewin, m. j. hoath,s. g. hobson, e. l. morton, j. mclean, edgar h. peacock,, g. w. sweetland, a. sutherland, s. watkin, ernest j. d. abraham, e. empson, j. m. johnston, e. johnson, m. g. b. mortimer, e. noble, t. farnam, g. martin, n. webb o. quinton, c. monahan, maurice mark, blackburn, cricket, lacrosse, jolimont square,

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Cream Cover, Size 21.5Hx13.5W, 28 pagesl. a. cleveland, norman armstrong, f. w. spry, w. f. rowe, dr w. j. craig, dr. a. j. fargie,e. j. l. bremner, g. fethers, f. e. frewin, m. j. hoath,s. g. hobson,, j. mclean, edgar h. peacock,, g. w. sweetland, a. sutherland, ernest j. d. abraham, e. empson, j. m. johnston, e. johnson, m. g. b. mortimer, e. noble, v. buttacavoli, n. webb o. quinton, c. monahan, maurice mark, blackburn, cricket, lacrosse, jolimont square, national council of the deaf

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Cream Cover, Size 21.5Hx13.5W, 12 pagesl. a. cleveland, f. w. spry, edgar h. peacock, w. f. rowe, dr w. j. craig, dr. a. j. fargie,e. norman armstrong, e. j. l. bremner, r. dow, g. fethers, f. e. frewin, m. j. hoath,s. g. hobson,, g. w. sweetland, a. sutherland, ernest j. d. abraham, e. empson, j. m. johnston, e. johnson, m. g. b. mortimer, e. noble, v. buttacavoli, n. webb o. quinton, c. monahan, maurice mark, blackburn, cricket, lacrosse, jolimont square, deaf dramatic club, alice c. graham

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Cream Cover, Size 21.5Hx13.5W, 28 pagesl. a. cleveland, f. w. spry, edgar h. peacock, w. f. rowe, dr w. j. craig, dr. a. j. fargie,e. norman armstrong, e. j. l. bremner, r. dow, g. fethers, f. e. frewin, m. j. hoath,s. g. hobson,, g. w. sweetland, a. sutherland, ernest j. d. abraham, e. empson, j. m. johnston, e. johnson, m. g. b. mortimer, e. noble, v. buttacavoli, n. webb o. quinton, c. monahan, maurice mark, blackburn, cricket, lacrosse, jolimont square, deaf dramatic club, alice c. graham

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 28 pagesl. a. cleveland, f. w. spry, edgar h. peacock, w. f. rowe, dr w. j. craig, dr. a. j. fargie,e. norman armstrong, e. j. l. bremner, r. dow, g. fethers, f. e. frewin, m. j. hoath,s. g. hobson,, g. w. sweetland, a. sutherland, ernest j. d. abraham, e. empson, j. m. johnston, e. johnson, m. g. b. mortimer, e. noble, v. buttacavoli, n. webb o. quinton, c. monahan, maurice mark, blackburn, cricket, lacrosse, jolimont square, deaf dramatic club, alice c. graham

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 4, July-August 1931; Size 21.5cmHx14cmWf. e. frewin, school for the deaf, old kent road,rev j. f. frewin, clara e briner, r. a edmanson, john adcock, h. puddy, e. j. d. abraham, e. johnson, g. mortimer, e.r. noble, g. newham, j. mclean, r. h. lambert, w. ashby, w. h. crush, james johnston, warrie ashby, willie elwin, david ashby, l. ching, richard ching, gerald turnley, charlie luke, bert tyzzer, p. sutherland, colin johnsm. gibson, j. mclaurin, mrs rivers, r. betts, l. sanders, mrs j. e. muir, ivan guthrie, joe dickenson, les owen, tom derby, gwen hawkins, jack stewart, maurice mark, byron taylor, robert ryan, mrs g. dumman, emma chambers, miss flynn, claude lyfield, clem noonan, w. shirra, e. cork, j. mcgonigal, g. akester, kit robinson, w. skewes, gracie coghlan, agnes barrie, kate lawrence, jessie love, reggie thaw, jim hartigan, peter clarke, elizabeth sutherland, springbourne, lacrosse, hockey, bagatelle, badminton, billiards,

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria. E. Johnson, Editor, H. Puddy, Manager'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 2, April 1931; Size 21.5cmHx14cmWalice graham, fred kendall, maurice marks, warrie ashby, hennessey, len ashley, rev f. w. g. gilbey, karl pearson, edgar schuster, dr. kerr love, mcaleod yearsley, dr haslam, charles heath, helen keller, ida m tarbell, anne sullivan, womens guild, mens guild, lacrosse, solomon moss, lucy moss, allsop, sutherland, james gibson, mrs lawson, mrs muir, ashby, maloney, e. rose, g. mortimer, c. hunt, j. mason, r. white, e. rainesw. h. crush, a. aird, v. wilson, h. s. nathan, halliday, nolan, j. lindsay,

Published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria'The Victorian Deaf News' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 5 (New Series) June 1937; Size 24.5cmHx19cmW; 16 pagese. r. noble, w. a. waterstrom, w.a. paterson, r. h. luff, ed johnson, h. mckenzie, reiffel, mcdonald, hunt, j. stewart, maurice mark, e. russell, r. cornell, g. b. mortimer, g. oakley, colin johns, mrs m. thompson, w. nancarrow, g. mahoney, ambrose moloney, collins, stokes, sturcke, kitty burke, johns, stewart, o. quinton, ruskin's motor body works, underwood, e. johnson, taylor's timber mills, jennings, williams, eric johnston, gibson, hately, jim walters, roy windridge, ferguson, mona stevens, gersch, doney, moore, w. durstan, northey, allen, mrs f. johnson, iris wouda, g. mortimer, willie hately, torr, robb, cecil and vernon griffiths, c. lyfield, w. utber, w. chapman, d. jones, howe, smith sandon, f. owen, hood, j. gibson, allan salmon, j. stewart, r. bogan, nancy newton, brenda jean ashby, donald johnson, burnie higgie, ruby may mcdonald, charles ernest wesley hunt, fred lynas, margaret gibson, walter bladier, winifred gladman, mary thomson