Open Monument is a contemporary artwork acknowledging the history of Chinese people in Ballarat. The Chinese diaspora was global and many Chinese people came to Ballarat and the Victorian Goldfields. The work details some of the personal Chinese family memories of Ballarat from the goldrush forward. The 33 marble laser-etched panels include found images and texts mounted on a modernist metal architectural feature holding back a grassed hill landscape. Within the side walkway of gravel and composite stone is an etched of local activities relating to the Chinese community achievements that can be added to by the community.Open Monument is of aesthetic and historical significance to the people of BallaratArchitectural artwork consisting of large marble panels on a corten steel frame imbedded into a grassed mount.Inscription on plaque: Open Monument 無極紀念碑 ​/ Artist: John Young ​/ Officially Launched by Mr Yumin Song / Chinese Consul-General to Victoria​ / 6th September 2015​ / Open Monument unearths stories of the Chinese diaspora in Ballarat, a name which means/ “resting place” to the traditional custodians - the Wadawurrung and Dja Dja Wurrung people.​/ The monument comprises of two artworks: Transculture, a granite-panelled work, evoking stories of alternative worldviews, / modernity, leisure and toil. Whilst Timeline traces the major contributions of the Chinese community in Ballarat, every decade / from the 1850s until the present. The timeline then folds out to 2170, anticipating imaginary future contributions.​ / The monument is open to future interpretations of this history. ​/ I thank you for visiting and acknowledging the contributions and memories that meant so much to / those who have gone before us./ - John Young Zerunge​ / Patron: Mr Henry Thai OAM JP​ / President of Ballarat Chinese ​/ Community Association Inc​ / The following generous donors to this project are acknowledged with gratitude​/ City of Ballarat​ Sovereign Hill Museum Association Inc.​ Ballarat Chinese Community Association Inc.​ Mr Henry Thai OAM JP & Mrs Sandra Thai ​ Mrs Shirley Doon & Family in memory of Harry Doon​ Chinese Masonic Association Inc.​ Mr Mean Te and Mrs Meng Khun​ Mr Jack Nguyen MA JP & Mrs My Tang​ Mr Tony and Mrs Elise Yu​ Mr Chang Zhen Zhen & Family​ Australian Lian Jiang Association​ The Federation of Chinese Associations Vic​ The Leesoon Family​ Mr Stephen K.F Ng OAM JP​ Dr Che Sam Lo MD phD JP OAM​ Elderly Chinese Home Inc.​ The Federation of Chinese Org from VN Cambodian and Lao Association of Vic. Inc.​ Bright Moon Buddhist Society​ Nam Pon Soon Club House​ See-Yup Society​ Mr Peter Chong Wai Lo​ Mr Qing Song Lin​ Mr Binh Quoc Mao & Mrs Thuy Cam Thai​ Mr Alexander Mao​ Mr Yuet Lung Kwok JP​ Mr Tai The Tran​ Mr Phillip K. L. Tran​ Mr William K. L. Tran​ Mr Quang Khon Tran JP​ Mr Kouy Taing​ Mrs Kieng Hor Lou​ Mr Bill Chang Piu Au​ Mr Maurice Kwok Leong ​ Mrs Eunice J. Leong​ Mr Vi Minh Tran JP​ Mr Frank Cheng​ Mr David Cheng​ Mr William Thai​ Mr Lizhen Lin​ Mr Phillip Richard Thai​ Mr Hoan Ping Kow​ Mrs Xao Nhu Kow​ Mr Huy Thai​ Mr Yun Kuen Lo​ Mr Chiu Yip & Mrs Yuan Han Cho​ Mrs Jacqueline Louise Thai Greenwood​ Mr Joe Hap Chi Chao & Mrs Rosana Wei Ning Chao​ Charity & Multi Art Association of Victoria Inc.​ Mr Billy Cai​ Miss Nikki Cai​ Miss Su-Ling & Miss Lily Mays-Doon​ Mr Anthony Doon​ Mr H J Moy & Family​ Chinese Australian Cultural Society Ballarat Inc​ open monument chinese, chinese history ballarat goldfields, china, ballarat, goldfields, john young, chinese, mining, multicultural, immigration, tong way, goon, joss house, embroidery, billy butterfly, chinese market gardens, red lion hotel, ah soon, mayor of main road, chinese herbalist, yee lee, james hong, cheok cheong hong, john ah loo, wathawurrung, robe, lowe kong meng, louis ah mouy, tongway, gallipoli, william lung

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

A pair of embroidery scissors in the shape of a stork; bill being the cutting blades, feet sitting on handles. Blades are metal (silver), rest in gold metaldomestic items, sewing

A pair of scissors for embroidery in silver coloured metal.Sheffield 81, Englanddomestic items, sewing

Small square gilt finished pressed metal compact. Top of lid features a plastic covered panel of Petite Point embroidery in a design of curtiares roses and blue flowers. Inside the lid is a square mirror with a spring hinged metal flap over powder compartment, fitted with pink nylon mesh panel.Inner top edge: 'Patented'|Inner lower edge below mirror: 'Made in England'|On inner metal flap initials: 'RC/I/U'personal effects-toilet requisites, cosmetics

From the Betty McPhee sewing collectionMetal stiletto or seamstress eyelet-pricker, with a wooden handle. Handle is secured to stiletto with a metal ferrule. Used to form a hole in embroidery and other dressmakers activities.handcrafts, equipment

Dress purchased by Mary Schwerkolt in 1910 on voyage to America via German and the Suez Canal in India. Mary was on the passenger ship Seydlitz. Her future husband Emil Jackschowsky was a crew member. They were married in the Orphan's Court of Allegheny County, Pennsylvania by Minister J.L. Fischer on April 15, 1912. Mary had delayed her departure to travel back on this voyage with Emil.Cream silk wedding dress. High neck with a stand up shaped collar in the Queen Mary style. Collar has cream silk embroidery of flower centre front and leaves either side and edged in crocheted silk finely. Front bodice has 2 pintuck pleats either side of embroidered central panel and pleats are edged by embroidered panels to bustline. Bodice is gathered into high waistband. Skirt is pintucked into waistband. Embroidery is a band around hemline. The embroidery design is Indian "mango" design. The back bodice has pintucks into collar and opened to below waistband with metal hooks & eyes. Box pleat at base of placket opening. 3.4 length sleeve has a panel at hem on front with embroidered 4 petal cross flower & leaves either side. Waistband lined with cotton & neckband lined with cotton. Hem is faced with satined cotton.whalen, rosalie, schwerkolt, mary, jackschowsky, emil, jarosz, bettie, seydlitz, pennsylvania, fischer, j.l., minister, wedding dress, weddings, dress, india

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Black evening bag with fabric covered metal frame. Flat black strap. Same colour cornelli embroidered exterior decoration.handbags, evening bags, fashion accessories, grace james collection

The dress was in the cupboard of Muriel Kerr, the donor's recently deceased mother. The donor remembers being shown it and trying it on in the late '70s or early '80s and being told that it belonged to her great-grandmother, Lilian Armstrong Ballantine (nee Power) [1887-1967]. Lilian Ballantine lived at 31 Harp Road (now the site of the Leo Baeck Centre) from the early 1920s to 1967. Lilian's married Archibald Dill Ballantine [1883-1947], in 1910. He was a member of the Monumental firm of A&G Ballantine, responsible for the Kew War Memorial (and possibly the Springthorpe Memorial). Lilian was highly involved with the Finlay McQueen Memorial Church [ie the East Kew Presbyterian Church]. Lilian's daughter, Mary (the donor's grandmother) married Alan McQueen, the son of Finlay McQueen, the first Minister of the East Kew Church. Mary Macqueen lived at 1 Oswin Street; she was a well-known artist. The dress is significant due to its associations with a family with strong connections, through a number of generations, to Kew East and its spiritual institutions. The garment's integrity and design also contribute to its aesthetic significance as a representative item of women's outerwear during the first decades of the twentieth century.Pale blue striped muslin single-piece dress with lace, tulle and embroidery at the neck and on the cuffs. The lace at the neck and cuffs is embroidered with coloured flowers, and edged with tulle. Bordering the v-neckline is a deeper blue guipure lace (possibly added later). There is a satin flower on the right side of the skirt which gathers the hem, exposing the deeper blue cotton underskirt. The dress has a narrow band of blue satin at the high waist. The cotton underskirt is attached by thread in places to the outer layer. Both the outer and under layers are attached with metal hooks and eyes. Edging the cuffs and hem of the dress is blue commercial fringing. The exterior of the dress has a slight brown tinge which is not apparent on the inside hem, suggesting that it has been discoloured through exposure. There are minor stains.women's clothing, edwardian dresses, lilian ballantine, australian fashion - 1910s, mary macqueen, finlay mcqueen memorial church, east kew presbyterian church, alan mcqueen, kew war memorial, archibald dill ballantine, leo baeck centre, 31 harp road -- kew (vic.), a&g ballantine, women's clothing -- 1900s, fashion - 1900s, fashion design

This dressing gown was made from a patchwork quilt begun around the 1880s or 1890s by the daughters of William and Polly Hodgens, owners of the Adelphi Hotel near Montague Station, South Melbourne. The quilt became a communal project, added to over many years by the Hodgens children, relatives, friends and guests. Together, they filled the colourful patchwork with images and figures from their everyday lives, giving us a unique glimpse into the world of early Melbourne.Crazy patchwork dressing gown made from a patchwork bedspread. Made from irregular pieces of silk, satin, velvet and brocades and embellished with embroidered and painted motifs. Fully lined with maroon silk. Neckline trimmed with thick silk cord. Right over left fastening with two large metal press studs. One of the pieces on the back has an inscription dated 11/7/94 (1894).dressing gown, patchwork, embroidery, hand painted

These shoes were worn by Emily Cock (nee Smith), the daughter of wealthy early settler John Matthew Smith. From 1856 until 1931 the Smiths lived at 'Castlefield', a mansion on a vast estate that at one time stretched along South Road from Bluff Road to Hampton Street. The land was gradually subdivided, and the house is now a part of Haileybury College. Julien Mayer was a French ladies shoemaker and prolific exporter who advertised his successes on the shoes themselves by stamping the soles with details of the prizes he had won.Pair of black kid leather shoes with low block heel, decorated with pink silk, cut-away applique and embroidery. Pink bow with metal clasp on one shoe; missing from the other. Edged with pink silk ribbon binding, largely deteriorated.Sole embossed with "MAYER / Julien / à Paris", in addition to tamped with three small medallions proclaiming the awards the shoemaker won in London in 1862, Porto in 1865 and Paris in 1867. Handwritten in interior sole of T0124.2 in pencil: "Emily Smith / Castlefield"emily smith, castlefield, shoes, 1860s, applique, embroidery, julien mayer

Ceremonial collar from Derry (Londonderry) Ireland in Northern Ireland for the Ancient Order of Hibernians and belonging to John Duddy donated in 2013 by the Macalinden family Port Fairy.A rare example of Irish Hibernian regalia in an Australian collection brought to Australia by the immigrant owner and later donated to the Diocesan Archive by his family. The object is significant in its embroidery and applique work and as an example of the importation of an Irish form contrasting to Australian variants of such collars. Significant in its representation of the contribution of migrants and the Irish to Australian culture.applique red hand of Ulster, Shamrock, Harp, Celtic cross with stars on each shoulder. Fringed in gold metal braid.port fairy, hibernian, derry, londonderry, northern ireland.

The equipment items in this photograph are loaned out to Royal District Nursing Service (RDNS) patient's to use in their homes. They are returned to RDNS and sterilized, or cleaned with disinfectant, whichever is appropriate, once they are no longer required. The material items are given to patient's as required. Many of these items are made and donated by RDNS Auxiliary members. From its inception in 1885, the two Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS) worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bags containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses and clothes as necessary. The Society was at the forefront of health care and continued to liaise with Doctors as the Society expanded. The Nurses provided high quality nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. They educated their patients, and their Carers, in the curing and prevention of disease; Over the years items were given and equipment was loaned and demonstrated to patients, and if appropriate, to their family members to enable them to care for their loved ones in their homes. The Trained nurses had the rehabilitation of their patients in the forefront of their minds to ensure they were able to live as independently as possible in their own homes. As the years passed the Trained nurses changed from being called 'Nurse' to 'Sister' and the Society changed its name. In the 1970s, now with Royal patronage, and known as Royal District Nursing Service ( RDNS), they contracted a Private and then employed, a Physiotherapist who taught RDNS Sisters the correct transferring techniques, including the use of a hoist when this became available. RDNS Sisters taught and used these techniques in patient’s homes to undertake safe transfer of the patient and to reduce physical strain on RDNS nursing staff and family members. Each RDNS Centre had a room or shed where equipment for loan was kept, and Headquarters also kept additional equipment which could be transported to Centres as required. This black and white photograph shows some of the equipment loaned, along with some to be given, to Royal District Nursing Service (RDNS) patients as required. Rear L-R - a white long nightdress with dark embroidery and buttons on the front and embroidery on the edge of the short sleeves. Next are two wooden bath seats; a square metal commode with lid and with its round legs extended to form handles on the left and right sides. A folded dark and white striped crocheted rug hangs over one of the handles. In the centre L-R, is a metal bed cradle, a metal 4 prong walking stick, bed pans, male urinal, stack of nappies with a white child's knitted jumper hanging over them, and a doona. In the front, L-R is a grey blanket, dark coloured bed socks, a sheepskin with a white smocked baby dress sitting on it, and a white babies nightgown on a clear plastic covered white bundle. A black mat sits under these items and a cream brick wall is in the background. Barry Sutton LS 47royal district nursing service, rdns, rdns equipment, rdns auxiliaries

See Cat No. 5727.2 for service details.Jacket - Khaki colour cotton twill fabric. Buttons - black bakelite with metal shank. Emblazoned with King's Crown and Wedge tailed eagle in flight. With full belt with bakelite and metal buckle. Brown and cream chevrons on sleeves - Rank. Old Drycleaning labels - four - stapled inside right side.Maker's label - black colour embroidery on white cotton "CITY COSTUME"/COE/1940/ SIZE ..." Below collar - handwritten black ink '1243/GILL".uniforms, raaf, ww2

Navy formal blazer worn by the Lady President of Heidelberg Golf Club in 1999.Navy women's blazer with navy lining, metal buttons and embroidered pocket.Pocket embroidery: 'HGC Crest and Lady President 1999", on manufacturer's label: "Neat n' trim uniforms. Made in Fiji"clothing, hgc lady presidents, jan balgowan

Northern District School of Nursing nurse's base uniform 1950s - 70sBlue cotton uniform worn beneath white apron. The uniform is open at the front with nine button holes in right placket for buttons and shanks to attach. There are corresponding buttonholes on left side for closing with white buttons and metal shanks, a small pocket at top left and a pocket at RHS of skirt. There is a small buttonhole at back of neck and two each on inside seam of sleeves to attach collar and cuffs. The front has gathering from below the shoulders and the back top has an inverted pleat at centre.Two white tags one with 'Cotton' in red is attached inside back neck. The other white tag has the name 'Lesley Moloney' in red embroidery There are other indecipherable words in black marking pen, probably laundry marks.nurses uniform, northern district school of nursing

This item was sent home to Arthur Tranters daughter Brenda. Refer to Cat No. 7944. Item in the collection of "Arthur E. Tranter". V50166 - VX52843 - 2/29th Bn P.O.W.Top or small dress for a young girl. Orange colour cotton, muslin or lawn fabric, gathered onto a yoke with hand stitched smocking. Above hemline - decorated with handstitched embroidery. Thread colours - white, cream, blue and pink. Left shoulder opening has three metal press studs to close garment. This garment was sent home to A.E. Tranter's daughter.clothing, ww2, arthur e tranter

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five buttons and button holes at front. The fabric is of stretch cotton. There is a metal press stud at the top of the jacketDress has a white label with gold embroidered 'House of King, Melbourne' stitched to left rear neck facing. Stitched to the top of this label is another small white label with the name 'Anne Fitzpatrick' in green embroidery. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

RAAF officers peaked cap with gold bullion oak leaf embroidery on the front edge of peak. The cap has a black woven band and an embroidered badge with a padded gold bullion and red velvet crown, gilded metal eagle and gold bullion laurel leaves.

Name on drycleaning ticket - "SHARPE".RAN Winter ceremonial uniform Officers. 1. Jacket, black colour wool/polyester fabric. Double breasted with six buttons, collar, two inset lower pockets with flap. Shoulder patches/flashes at top - black fabric, gold lettering "AUSTRALIA". in middle of sleeve black fabric with gold thread embroidered Queen's Crown, with real inserts and crossed anchors. Attached below are three gold stripe chevrons on black fabric. indicates Petty Officer with years of service. Buttons - gold colour metal buttons with shank with raised lettering and emblem - Queen's Crown, Anchor and "AUSTRALIA" (one missing). Lining - black colour polyester/ cotton fabric. Two concealed pockets. Sleeves - two gold buttons. Right sleeve - shoulder patch - black colour fabric with gold embroidery "S" in six pointed star surmounted by Queens crown with red inserts. Petty Officer - Steward. 2. Trousers - black colour wool/polyester fabric with fob pocket, two inset side pockets, one inset back pocket. Black and white colour buttons for waist adjustment and braces. cream colour cotton fabric lining waistband and pockets. Black colour ribbon stripe down outside seam. Metal zipper fly. Manufacturers information - gold embroidery. 1. "C.G.C.F.", on back of metal buttons "STOKES & SONS/ MELB".ran, uniform, steward

Overcoat issued to "G.F. Turner".Coat and Belt - navy blue colour cotton/polyester twill fabric. 1. Overcoat - single breasted with concealed buttons, collar, two inset side pockets. Lining - fawn colour cotton twill fabric with manufacturers information on black colour cotton label. Buttons - black colour plastic. Belt loops. Owners label - handwritten on coat lining. 2. Belt - with black colour metal slide buckle and belt tapes.1. Handwritten - black ink felt tip pen "G.F. TURNER". Manufacturers information - yellow thread embroidery "M.TX".uniforms, ran, overcoat, g.f. turner