Bone scoop metal instrument has Hippocratic Symbol engraved, also Jetter & Scheerer Germanyflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This is an early model of a hand-held juice extractor. It is a household item that is probably over 100 years old.This juice extractor has no known local provenance but it is an interesting item and useful for display. This juice extractor has a brass ring with a handle. Sitting in the ring is a heavy glass container with a concave base and a ridge inner base moulded in a shape to fit a whole or a half of a lemon or orange or other fruit or vegetable. The rim of the glass has two pieces broken off. Attached to the brass base is a metal scoop-shaped dish with a handle. The handle pushes up and down into the glass container to put pressure on the object in the glass container to extract the juice. The scoop section has the maker’s name on the front. ‘Williams’ history of warrnambool, social history, hand held juicer

Metal Horse drawn scoop from Hermon’s nursery at Menzies Creek. The Land on which the Menzies Creek railway station and Museum are built on was once apart of James Hermon's & his son William Hermon's property on which Horse drawn scoops of this type would have been used. Historic - industrial Farm equipment used on the farm of James Hermon & his son William Hermon on which the museum is built Horse drawn scoop from Hermon’s nursery made of Metal West Footscray Engineering Works Pty Ltdpuffing billy, menzies creek, scoop, hermon

Although these scales cannot be identified against a historical period of Australian development they are therefore placed in a time frame when commercial markings from manufacurers were not important enough to have domestic kitchen items labeled. These cast iron scales were made for domestic and possibly rural areas and not for cities where demand for known branded utensils was more an issue. These scales are very "basic" and not to the level of weighing detail that commercial scales had to be at. These scales do not show any visible markers for accurate measurement. The "near enough is good enough" principle can be related to these scales.These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff before the televising of "cooking" shows (1960s onward). The meals for which quantity measurements are required for domestic cooking is not exact however the use of cup measurements for large dishes is tedious and these scales offer the capacity for a larger mixture and an easier method for the "cook". As the need for accurate measurements of ingrediants for rural domestic meals has in the past been not been critical the requirement of accuracy that these scales do not provide is of no consequence. Domestic kitchens in the Kiewa Valley and the type of meals produced would not have required the accuracy of ingrediants that "modern " international cuisines of the later 1900's require. These kitchen scale were used whenrecipes had the terms "pinch, dollop, squidge and smidgen" were about as accurate as most recipes needed to be.Black cast iron, medium weighing scales, with a two arm cradle. On one side of the cradle is a two half circle holding frame for the retention of the metal container scoop. This light weight steel scoop/dish allows for the weighing of loose grain or similar type material to be contained and held in place for establish its saleable contents. On the other side of the weighing cradle is a flat circular platform to hold various metal disc. All the disks used on this platform have their weight stamped on them. When the produced filled in the scoop balances with the metal weight on the opposite end of the balance match (visual horizontal appraisal) the appropriate quantity required is obtained. This scale does not have any visual markings on the arms to identify a true balance. It is therefore reasonable to assume that these scales were for domestic use only and not for commercial transactions. There are two weights that are useable with these scales, one is stamped "1 lB"(pound) and one stamped "1" and both are made as a solid round piece of cast metal.The smaller disc has a "1 lb" moulded and pressed form within a marked inner circle and a mouled ridge outer circle enclosure. The other weight is slightly larger and has a moulded "1" located on the top within a raised circular edge.domestic kitchen scales, weighing scales, metal scales

By 1941, the threat of Japanese invasion caused restrictions to daily life. Blackouts became the norm. To prevent identification from enemy planes all lights had to be turned down, including car headlights that had to be covered to minimize light exposure. In Australia more relaxed regulations led to the Australian air raid precautions being dubbed the “brownout”. These shields limited the amount of light emitted by a vehicle. To drive at night without them was an offence; however, the increase in road accidents led to the removal of headlight masks everywhere in Australia south of Rockhampton from 15 February 1943. These shields, though not rare, evoke a period of restrictions, fear, rationing and confinement.A circular metal disc painted black - car light blackout shield. It has a small glass slot in front and a scooped out front to cover the light.ww11 blackout-shield

This lamp was produced in 1922 as a lighting mechanism for a motor cycle. It is a Lucas lamp, with the trade name 'Chieftain'. The firm of Joseph Lucas Industries was established in 1860 in England, initially making scoops, buckets and plant holders. In 1875 it began making lamps for ships and after 1902 lamps and other components for motorised vehicles. Today, after merging with a North American company, it is a maker of components for both the automotive and the aerospace industries. This item is retained as an example of motor cycle lighting that would have been used locally in the 1920s.This is a metal lamp with a round base, a cylindrical body and a rounded lighting mechanism enclosed in glass. There is a screw lid on top of the oil container, a mechanism for attaching the lamp to the vehicle and two small round glass buttons on either side of the lighting area. The lamp has traces of silver colouring but is very rusty. There is an old card containing some handwriting attached to the lamp.Lucas Chieftain 1922motor cycle lamps, joseph lucas ltd, vintage vehicle parts

Oil bottle for 303 Rifle. Brass cylinder with screw out top with oil scoop. .1) Brass cylinder for oil with black sealing washer. .2) Brass screw top with oil scoop attached.OA stamped on screw top Tick (symbol) on side of cylindercontainers - commercial, metal craft- brassware, military history - equipment, oil container

Hair curling tongs with long scooped tongs and metal handles which are covered with black rubber tubing.hair-curling-tongs personal-effects hairdressing

Clothing. Grey silk boned bodice, grey silk '' off the shoulder '' scooped neckline. Short cap sleeves finished with 5 tucks- middle tuck of a grey satin fabric. Sleeves set into bodice with a fine piping. Deep V shaping at front and back waist. Metal hook and hand stitched eyelets down front opening. Laced with silk ribbon at centre back. V shaped decorative yoke - 6 cms to peak, at neckline. Bodice fully lined with calico.costume, female, grey silk boned bodice

Clothing. Woman's black waist length long sleeved silk blouse. Wide scooped neckline with fold over collar (10 cm) with rounded corners. Kimono cut sleeves with geometric pattern of black beading at wrist (5 cm wide). Front of bodice has crossover section with fastening across left shoulder. Front section has 30 cm panel of black beading geometric pattern. Waist is gathered by a cotton tape casing 2.5 cm above the hem. The front opening is on the LHS from shoulder to waist with eight metal hooks and cotton loops. Opening across the left shoulder is fastened with four hooks and loops and one press-stud. Back of bodice has matching panel (30cm wide) with a black beading geometric pattern. Garment is unlined. Beading patterns use 1mm black beads.costume, female, woman's black silk blouse.

Clothing. Rounded neckline at the back, deeply scooped at front. Back fastens with 12 metal hooks and eyes. Back hemline is slightly shirred to nip in the 67 cm waistline, which is peaked at the cntre front. ''Leg-o-mutton'' type sleeves are gathered at the shoulder, and above the elbow, and finished with an 8 cm band of beading and sequin embroidery and a 4.5 cm black silk frill, and a frill of black lace, with an exquisite fruit and floral woven pattern. The neckline is trimmed with a deep lace and sequined silk overlay. Three velvet ''rosettes'' trim the centre front of the overlay. The silk bodice is shirred from just below the shoulders, to give fullness for the bustline sequins, tiny beads, velvet rosettes, silk chiffon frills.costume, female, black silk boned bodice with lace

The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, oval shaped scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics

The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, round scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics

An instrument designed to remove swallowed foreign objects. The end containing horsehair is pushed past a foreign body in the oesophagus then expanded and withdrawn, bringing the foreign body with it. This probang is constructed from metal and horsehair. The metal is coiled to enable flexibility and the proximal end has a metal finger grip for support. The distal end comprises a smooth metal tip and the strands of horsehair are designed to scoop strands of foreign material from the patient's pharynx.anaesthesia, probang, oral, horsehair, lidcome state hospital, dr sharkey, obstruction, airway

Until suction became available in the 1930s, maintenance of a clear airway during oral and nasal surgery relied on posturing of the patient, mopping with sponges or the temporary placement of swabs or throat guards. Removal of surgical debris such as polyps, blood clots or foreign bodies could only be effected by the finger or devices such as probangs. The Probang is inserted blind (perhaps guided by a finger), the main shaft can then be held in the left hand whilst the right hand withdraws the inner tube. This results in a fanning out of the linear strands which are visible proximal to the tip. Held in this position the instrument is withdrawn and is supposed to scoop out the offending mass. Long flexible metal rod covered in gum resin sheath with a ring grip at the proximal end and a smooth metal rounded edge tip for insertion into the airway for clearing of obstructive matter.Stamped onto gum resin sheath: MADE FOR / CARL ZOELLER BRISBANE / GERMANY Stamped onto gum resin sheath in gold leaf: [indecipherable - presumably manufacturer's label]probang, flexible, oral, airway, horsehair, anaesthesia, obstruction, dr sharkey, lidcombe state hospital

Assumed used at an Internment campInternment CampLarge spoon, stainless steel, with German Ensignia ( Eagle ) with Swastika underneathEngraved on underside of handle German Eagle Ensignia with Swastika in a circle underneath. T.W.S. 41. Might be a table spoon for measuring or serving spoon. Handle has bevilled edges and is scooped close to spoon bowl. Well used appearance, with scratching from cleaning, dark grey appearance.

Belonged to Dot McKean’s parentsHistorical —- used to fill coal fires. Metal structure with a wide base tapered to a scooped neck. Two handles Top and bottom for lifting coal in scuttle None visable

Straight metal handle with knob on top and scoop at end.rural industry, farm machinery

Metal figurine of man holding racquet next to a scoop-shaped holder. Materials: Metaltennis

1950 decade HAY FORK - A local invention. Bill and Arthur Gillespie and Bon Barrie In the early 1950’s Bill Gillespie of Bulmans Lane had been experimenting in developing a machine to improve the collection of hay sheaves at harvesting and stack building time. The ripened crop was cut by a reaper and binder which bundled the storks into sheaves tied with binder twine. The reaper and binder was towed by a tractor by the mid 1940s previously teams of draught horses were used to pull the reaper and binder. A photograph taken at the Barrie farm shows three binders the first being towed with a tractor and the others with horse teams. Two workmen were needed to operate the binder when cutting a crop. The sheaves collected on the binder and released onto the ground and were scattered across the paddocks. Using a conventional two pronged pitch fork the harvest hands collected the sheaves and placed each one cut edge on the ground in an upright position and layered with about 15 sheaves into an apex shape to form was is known as a stook. The shape of the stook allowed for drying and draining of water if rain had occurred. Prior to the invention of the mechanical hayfork this was a laborious task requiring each sheaf to be pitched onto a tray truck and moved to the location of the haystack. The mechanised HAYFORK was operated by one person on tractor greatly reducing the need for gangs of labourers. At harvest time farmers had relied on itinerant teams of workers descending on the district looking for work. The three Barrie brothers on their adjoining farms combined forces to cut their crop at its optimum time while the weather was in their favour. Up to many 20 workers at times formed a team in earlier times. Agricultural university students were also keen to gain practical experience in the field. Each of the brothers had a particular skill, and Tom Barrie was the expert on stack building. The district haystacks had a distinctive shape and could be recognised by their builder. Bill Gillespie’s first operational HAY FORK consisted of a large 13 pronged fork situated forward of the truck cabin. It was attached with iron girders and mounted on the rear of the cabin to the tray of his British Bedford truck. It was constructed in metal and iron and welded in the farmers work sheds. The mechanism was raised and lowered by the driver scooping along the ground to pick up a complete stook to raise high enough to deposit all the sheaves in one stook onto the stack or truck tray. The fork section was released by a rope and operated by the driver in the cabin. This model was trialled on the Barrie farm at Ferris Lane. It proved to be very successful and the Barrie/ Gillespie brothers went on to develop a HAYFORK which attached to a tractor and was operated with a series of levers and was raised and lowered hydraulically. It was detached from the tractor when stacking was completed. In its early days farmers travelling along the Western Highway called at the Barrie farm at Ferris Lane to inspect its construction and operation of the invention. It became a widely adopted by farmers throughout the State. It was being used on Wattie Palmer’s farm on Bridge Road Melton South in 1997. Farming in Melton, hay growing and stack building. agriculture, local identities

Used by Dianne McIntyre's grandmother c 1910 and possibly by an earlier generation too.Antique wooden handled metal fruit pitter with bevilled edges on both sides of the wedge shaped blade. Usually used for pitting peaches or apricots.D CARMICHAEL is stamped on the scoop.kitchen equipment, domestic equipment

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This object is a scoop for measuring tea leaves, also known as a tea caddy spoon. It was manufactured in Melbourne, Australia by Stokes & Sons. Stokes & Sons was established in 1856 by Thomas William Stokes, a die-sinker from Birmingham, England. It was likely manufactured in the early twentieth-century. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A small metal tea caddy, or tea measure, with an engraved clock face on the scoop showing the time as 4 o'clock. On the reverse of the scoop a makers mark lists place of manufacture as Australia, and lists a registration number. "MADE IN AUSTRALIA REG NO 15733"tea, teaware, tea caddy, kitchenware, social history

The whippletree consists of a loose horizontal bar between the draught animal and its load. The centre of the bar is connected to the load, and the traces, chains or straps on each side of the harness, attached to its ends. Whippletrees are used when pulling a dragged load such as a plough, harrow, or log. The whipple tree was attached to a scoop, which was used for building the 'Puffing Billy' railway and also for scooping out Emerald Lake.Wooden bar with metal hook at each end and a metal ring attached to the centre.