Captain Robert Ure Bain was Adjutant to Lt. Col. Bush, POW Group Commandant from 1942 - 1947. He was chosen to be one of the Australian Army officers who escorted the German POW's back to Germany in January 1947. A German POW and former member of the Afrika Korps made the item and donated it to Robert.Afrika Korps banners, embroidered, one piece of material. Large hemmed square of white/ cream cotton material embroidered with two unfinished Afrika Korps banners. Line drawn around both, to indicate edge/cutting point/unfinished embroidery point. The photograph show banner 1 which has a palm tree & swastika (emblem of the Afrika Korps). Swastika has been left outlined in pencil but not embroidered, probably so as not to create trouble by displaying the now banned swastika: Banner 2 has red stylised German eagle over the number 8. Also in picture is a model of an aeroplane and a framed coat of arms with Braunschweig (a place in north west Germany otherwise known as Brunswick).Banner 1: Afrika Korps (pink lettering); 1941 (light blue lettering). Banner 2: Zullighau (brown/gold lettering); 4. KOMP / M. G. BATL. (green lettering). (Number 4 company of the Machine Gun Battalion); framed coat of arms "Braunschweig"afrika korps, internment camps, camp 13, garrison, military, handcrafts, embroidery, captain robert bain, german pow's

This piece was written just after the Melbourne Film Festival, where no Australian feature film was shown. It mourns the lack of support for the Australian film industry - Canada has been able to do it, why can't we use this as a model?Typewritten (c copy), pencil edits, 2nd copy typewritten (c copy), quarto, 3 pages225c. in pencil on the side. On back of last page, blue biro sketch - a fireplace?film industry, canadian film industry, australian film industry, john grierson, robin boyd, manuscript

Set of two colour photographs of the 1998 Model Railway Exhibition, BTM stand, June 1998, sent to the Editor of Trolley Wire - used in the August 1998 issue of Trolley Wire. All photos by Darren Hutchesson. All photos on AGFA Prestige paper. 1142.1 - Photo of nine of the model trams in front of the depot - BTM Model Tramway - June 1998 Queens Birthday weekend - used on page 45 of Trolley Wire. 1142.2 - General photo of the model railway and stands. Alastair Reither at the controls! - used on 46 of Trolley Wire magazine. See August 1998 issue of Trolley Wire and July 1998 issue of Fares Please!Both have stickers on the rear with photo number "55 or 56" and "Photo same size" and pencil cropping marks for printing purposes.trolley wire, model tramways, model railways, models

Yields information about the possible source of a similar document in Ballarat, a MMTB form for enabling ticket checking on trams, very similar in style.Single sheet of paper titled "Supplementary Running Journal", form No. 134, for filling in ticket starting numbers, for various value tickets. Also allows for transfer tickets, tramcar no, trip details examiner, inspector and punch marks. Has line for filling in date and signature at base of ticket. Used in Melbourne, max fare 6d, 1950's . Used as the model in Ballarat - See Reg Item 68, very similar in design. Item from Peter Winspur.On rear in pencil is a faded address and details - event or a passenger name who did not have a ticket?trams, tramways, mmtb, by laws, tickets, fares

A Wright & Ditson 'Davis Cup' model tennis racquet. String whipping around shoulders and around base of throat. On both sides of racquet the model name and manufacturer name are printed across throat. Along the shaft on obverse are four vertical stripes and words: FOR CHAMPIONSHIP PLAY'. On shaft on reverse are four vertical stripes and manufacturers trademark. Handle spiral-wrapped with leather hand grip, across which is printed manufacturers name. Butt cloth with manufacturer's trademark printed on it, and in pencil: B 105. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Paint, Cloth, Plastictennis

This was the home of Fred Lyons and family from c1920. Previously they had lived in Lorne Parade. Fred had a hansom cab at the rank at the Surrey Hills station from c1919 and stabled his horse in a paddock to the rear of this house. His son Arthur Lyons remained living here until 1990. The fox terrier was Fred's constant companion. This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived in Lorne Parade before moving to 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived his whole life at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.Black and white photo of the home of Fred Lyons and his family. It is a simple timber cottage with a corrugated iron roof and a low brick fence with wrought iron decorative infill between the brick pillars. A fox terrier sits on the brick pillar next to the driveway. On the RHS of the house a high slatted timber fence divides the front from the rear of the property. An early model Holden is parked in the driveway, the number plate beginning with GBEOn the back in pencil "copied 1996" . In black pen "Lyons, Sunbury Cres" timber cottages, arthur lyons, arthur frederick lyons, fred lyons, frederick adolphus lyons, elizabeth ruby hall (miss), elizabeth ruby lyons (mrs)

.1 LARGE BLACK AND WHITE PHOTOGRAPH (REPRINTS) CROWD SCENE AT ASSEMBLY LINE STREET PARADE. BACK TO CLUNES 1920. DECORATED CARS AND TRUCK (MODEL T FORD?) PASSENGERS OWNERS AND ONLOOKERS. (CYCLONES KNITTING MILL ENTRY?) .2 SMALL COPY OF LARGE PHOTOGRAPH.1 ON BACK HANDWRITTEN:WILLIAM BARKELL MEMORIAL ARTS AND HISTORIC CENTRE IN PENCIL: 1930local history, photography, photographs, events and celebrations, back to clunes

Allan Llewellyn was a well known Eaglehawk identity. See Allan Llewellyn Collection Cat. No.8389. Eleven typed pages of extracts from the 'Bendigo Advertiser' and one private letter to J.H. Seymour, contained in a manilla envelope with Mr. A. Llewellyn, 102 Victoria Street, Eaglehawk, Victoria 3556' written on front in red ink. In pencil above address: 'Please return to A. Llewellyn, Eaglehawk' Stamp, 7 cent, on top right hand corner shows Queen Elizabeth. Copies of letters published in the Bendigo Advertiser contained in envelope: 1. Letter from John H. Seymour, 25yth October, 1876, discussing the prize given to an exhibitor at the National Show, rather than the Seymour model exhibited by the writer. The writer is only a 'working miner and .. could not afford to make a full size cage'. 2. Letter from 'Fair play' 1st December 1876 regarding Seymour's model and that he should be given the opportunity to have his full size cage tested by the Judges. The cage was working at the Londonderry's Tribute Co. 3. Letter from 'unknown' regarding Nancarrow's Safety Cage, discussing Seymour's claiming 'the levers as his patent'. 4. Two letters from J.H. Seymour, regarding the unfair nature of the testing of the safety cages. Letters dated 1876. 5. Three letters from James Watson, blacksmith, Sandhurst, regarding the construction of the mining cage model exhibited by James Seymour. 6. Two letters - one from H. Banfield, Mining manager, Londonderry Tribute regarding the testing of Seymour's Patent Safety Cage design, dated October 25th. 1876. Second letter on page, regarding an accident at the South Clunes Tribute shaft, where an engineman Thomas Bonda (sometime Secretary of the Miners' Association) was injured when a cage went to the bottom of the shaft. 7. Article 'Accident at the Shenandoah Claim' detailing an accident with a mining cage when the 'rope slipped off the drum'. Article 'The Perils of Miners' detailing an accident at the Preston Hill claim, Ballarat. 8. 'Miraculour Escape' article detailing a mining cage accident at the Trio Company's shaft at Snob's Hill, September 4th. 1876. 9. 'Safety Cages', letter from Elisha Tippett, Manager Londonderry Tribute company, 7th August 1877, discussing the merits of the safety cage being used at the mine, known as 'Seymour's Patent Safety Cage' 10. 'Trial of Seymour's Patent Safety Cage' where a successful trial was held, then followed by a trial where the cage didn't perform as expected and the 'cage fell heavily to the ground'. 11. Copy of letter from Thomas Dunne, Mining Manager, to Mr. Seymour, regarding the successful operation of Seymour's Patent Safety Cage at the 'Confluenca Mine', Malmsbury on 25th August 1882. Typed across bottom of last copy of letter: 'The foregoing data supplied by Mr. Frank Fitzpatrick of Eaglehawk and retyped by A. Llewellyn. Through the lapse of time some of the words are not decipherable. In copying there could be some slight errors.' safety cages, seymour's patent safety cage, j.h. seymour, nancarrow's safety cage, bendigo, mining, allan llewellyn,

BHS CollectionPhoto of Hanro Employee and Model: Black and white photo with an employee examining a two piece dark suit buttoned up the front with five buttons. Pockets either side of the blazer have a flap and button. The blazer is V necked with a collar and it has a straight skirt. The ladies are standing against a wall of wood panelling. On the back is a medium water stain. Printed in blue ink is *Copyright 'Bendigo Advertiser', Bendigo Advertiser Photographic Service. For re-order Quote CK246* Hand written in pencil is CK246. Box 116ABendigo Advertiser Photographic Servicephotograph, person, hanro, bendigo advertiser photographic service. hanro.

Black and White Photograph of a model or illustration of Z class tram No. 1, c1975.On the rear of the photograph has in pencil "Z1 model - MMTB"trams, tramways, z class, illustrations, mmtb, tram 1

Cardboard model, printed on a sheet of A4 200 gsm card of a W class tram in MMTB green and cream livery, produced for the National Australia Bank for personal loan advertising. Numbered 1123, has adverts for the bank. Has four holes and could be used as a pencil holder. Has been folded and formed into the model.trams, tramways, models, w class, mmtb, banking, marketing

Report - Foolscap 21 typed pages, 18 bound sheets of diagrams and 1 loose diagram, with card covers, with red binding strips, titled "A discussion on fundamental aspects of underground tram operations that are of importance for the preliminary design', dated July 1966. Looks at the design aspects, tunnel sections, size, passenger access (all stairs), direction of operation - allowed for reversal of running, curvature, turnouts and cross overs, gradients, storage sidings, freight, ventilation and emergency uses. A loose sheet of a doubled deck Liverpool tram. Vehicles modelled included double deck buses and suburban trains including W class trams.In top left hand corner "Lees" in penciltrams, tramways, trackwork, melbourne, underground tramways, crossover

BHS CollectionPhotograph of Five staff in the sample room at Hanno's: Four staff members looking atone modelling a Hanro cardigan. Two of the staff hold knitwear. At the back of the men is a long rack of sample clothing. On the wall above the racks are two picture frames with women modelling a cardigan. On the back, hand written in blue ink is *Hanro Mills*. Typed in black ink is: *Left to Right: J. Batten, L. Ash, E. Stewart, J. Price, N Stapleton. A cream sticker with blue strip. In the strip is *Reg. V. Brook* top, and bottom in a blue strip *Of Bendigo*. In the middle No. *H1216. Pos. B* Additional copies may be obtained at any time by quoting this number. Also hand written in pencil is *CRV. Sept. D/C Charge: John Higgins Publicity, 42 William Street. Melbourne. At the top of the photo are two holes 7.3cm apart for storing in a folder. Box 116A

Jim (James Bernard) Williams, who was the owner of this manual, was a long-time resident of Warrnambool having the opportunity to work at two notable historical businesses of the town. The first, Cramond & Dickson a drapier store established around 1852-1855 and which remained a store that traded under the same name for the longest in Victoria, before it closed its doors in 1974. The second business was Fletcher Jones a highly successful textile and clothing Australian business. Some of Jim’s spare time was devoted to the model ship making which would conjure up many fascinating stories of maritime history. In addition to Jim witnessing the tail end of ships at port in Warrnambool, his "father was as sea captain and operated his vessel in Bass Strait coastal trade between Tasmania and Victoria". The intricately detailed model made by Jim is full of precise detail. The manual and the blueprints held by Flagstaff Hill Maritime Village also reflect the intricate process and devotion to the task completed by Jim. The history of the shipwreck and maritime stories of the Victorian Southwest coast surrounding Warrnambool would have continued to inspire his passion. Three photos of the model and Jim, like the photo of Harold T. Bodkin in the manual, attest to the enthusiasm and enjoyment that was gained by him through this hobby. The manual opens to a photo of “Mr. Harold T. Bodkin adding finishing touches to model of the “Sovereign of the Seas”. The “Forward to Reader” which is on the next page is written by “E. R. HAAN, Technical Editor, Popular Mechanics Magazine. The forward explains the methodology used to achieve the fine detail that is part of the body of the model, by “applying imitation carvings”, and is cited as “a museum type of model”. The following page “Blueprints and Craftmats on the ‘Sovereign of the Seas’” discusses the availability of a set of blueprints to purchase separately. Followed by a description of the moulding process for the “miniature carvings”. “Historical Notes of Interest on the “Sovereign of the Seas (1637)” follow on the next page. The manual is divided into the following parts from pages 8 to 71: “Part I – Shaping the Hull/Part II – The Rudder, Quarter Galleries and Gunports/Part III Wales, Gunport Covers and Initial Ornamentation/Part V – Beakhead Decoration, Bulkhead and Rails, Etc./Part VI Carvings, Lanterns, Knights, Bitts and Painting/Part VII – Details of Mast Construction/Part VIII – Standing Rigging/Part IX – Running Rigging and Final Details. All of these instructions include photographs and detailed graphs. Then instructions on “How to Read and Use Ship-Model Drawings”, “The Shop-Model Maker’s Tools”, and “Simplified Ship-in-a-Bottle”. This is finished off with “Helpful Hints….” And numerous pages of advertising. Some adverts include aids for completing the “Sovereign of the Seas” model. Part I uses blue and black ink to illustrate a dramatic picture of the “Sovereign”, otherwise all print is in black ink on buff paper. This book in significant to the collection as it was donated along with other tools and blueprints which have been used by the donor of the "Sovereign of the Seas" model ship. It also connects with the wider community in that it is related to historical maritime interest and the donor, Jim Williams is also connected to other significant retail and manufacturing businesses of the past in Warrnambool. This manual has been covered with brown paper, including an extra strip for the spine. The front has a watermark at the top middle, some pencilled compass circles segmented into eight parts across the area and a small amount of script writing. The back also has the same type of compass circles and some other small shapes. There are also grease marks. The cover has a patina adding to variations of colour to the paper indicative of the book being handled often. The title page reads “Sovereign of the Seas” in an Old English font. This is followed by a lithograph print around 1 inch square of a ship at full sale. By HAROLD T. BODKIN/Charter President of the Ship Model Club of Chicago/Copyright, 1933, By Popular Mechanics Company/POPULAR MECHANICS PRESS/CHICAGO/Printed in the U.S.A. By HAROLD T. BODKIN/Charter President of the Ship Model Club of Chicago/Copyright, 1933, By Popular Mechanics Company/POPULAR MECHANICS PRESS/CHICAGO/Printed in the U.S.A.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, model ship, vessel sovereign of the seas, jim williams, james bernard williams, the forth tasmania, freda williams, heather williams, phyllis bowditch, fletcher jones staff 1936, 17th century sailing ship, cramond and dickson, sovereign of the seas, royal sovereign, sovereign, charles 1, fletcher jones, warrnambool breakwater