Tobacco Tin, Murray Sons & Co Ltd, Erinmore Flake Pipe Tobacco, Estimated date: 1930's Rectangular metal tin with fitted lid. Yellow painted lid with red print in centre on lid. Murray's trademark pineapple at lower centre on lid. Yellow top. Red writing. Dark grey base.Relates to historic past-time and habitsRectangular metal tin with fitted lid. Yellow painted lid with red print in centre on lid. Murray's trademark pineapple at lower centre on lid. Yellow top. Red writing. Dark grey base.Murray's Erinmore Flake Made in Northern Ireland by Murray Sons & Co Ltd, Belfastsmoking, tobacco, container

Part of a collection of photographs taken by unknown photographer serving with 8th Light Horse Regiment in Middle East 1916-1918. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Black and white photograph of four officers of 8th Light Horse R.egiment" Lt Jenner, Lt Grey, A. Crawford, Capt Cowell"8th, light horse, crawford, gallipoli

See also 3089.86. Information with that photo gives an alternative provenance: 8th Light Horse Regiment watering horses at a Murray River lagoon, South Corowa NSW, September 1939; Wahgunyah Troop, C Squadron - this side of lagoon, Lieutenant J. Nott on grey horse in water. The number of horsemen would seem to exceed that of a single regiment so the Torquay description would seem more probable.Black and white photograph ( laminated ) of 8th, 13th,20th, and 4thLight Horse Regiments watering horses near Torquay Victoria , March 1940.Picture taken about March 1940 when the 13th Light Horse from Gippsland, the 8th Light Horse from Upper Murray, the 4th Light Horse from the Western Districts and the 20th Light Horse from the Goulburn Valley were in camp near Torquay. Mr Cappur Webb of Glendoxey, Seymour, a member of the 20th said the picture must have been taken during an exercise about five miles north of Torquay. “We used to water our horses in that lake”, he said." light horse, torquay, wwii, world war two, military, horses

A rare photograph of massed Light Horse in Victoria shortly before mechanisation consigned the horse to history.Black and white photograph of large group of horsemen in ranks waiting in the process of watering horses at a lagoon. One copy of the image claims it to be 8th Light Horse Regiment watering horses at a Murray River lagoon, South Corowa NSW, September 1939; Wahgunyah Troop, C Squadron - this side of lagoon, Lieutenant J. Nott on grey horse in water. A second copy (Cat No 0690) asserts it is 4 regiments of light horse being 8th, 13th, 20th and 4th watering horses near Torquay Victoria, March 1940.On a label on reverse of 0690: "Picture taken about March 1940 when the 13th Light Horse from Gippsland, the 8th Light Horse from Upper Murray, the 4th Light Horse from the Western Districts and the 20th Light Horse from the Goulburn Valley were in camp near Torquay. Mr Cappur Webb of Glendoxey, Seymour, a member of the 20th said the picture must have been taken during and exercise about five miles north of Torquay. “We used to water our horses in that lake”, he said."

Annual report of the Braille and Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: consultants used to streamline structure to reduce costs, take advantage of computer catalogue and resignation of Iris Whittaker and Seija Makinen, legacy from Valmai Jean Grey Bequest, Anne Barca, David Scott and Peter Walsh joined the Board, Braille Book of the Year panel (Joyce Nicholson, Stephen Murray-Smith, Barrett Reid) continue to short list titles for readers to vote on and Australia Council funds production of these titles, increased wait times to 18 months for new borrowers, introduction of computerised Profile matching for readers, full audio rights secured for six titles by LBP Ltd (Louis Braille Productions) and tone indexing introduced on to magazines at beginning of 1988.1 volume of text and illustrationsannual report, braille and talking book library, jan smark, derryn hinch, e.m. kelsall, book of the year, barrett reid, peter hosking, hector bathurst, ian cathie, john cockayne, alison forbes, jane lascala, john brown, peter brown, muriel muhlen, ethel allen, dorothy cleeland, constance clark, mabel bladon, margaret vrachnas, norah cockcroft, aubrey bladon, victoria williams

Copy of a map from 'A Short History of Australia' by Ernest Scott.map, explorers, exploration, stuart, gregory, melbourne, perth, sydney, darling river, murray river, adelaide, albany, fitzroy river, flinders river, brisbane, great australian bight, gulf of carpentaria, mount grey, forrest

Donors were:- Hepburn, Mrs A.E. Hepburn, Miss E Hepburn, Mr. Hepburn Mr. Zeogh Holman, Mrs. Evalie.The Illustrated Australian News published 1864-1896 was a pictorial newspaper based in Melbourne. It was published by David Syme & Co. The framed etching was copied from a supplement in the newspaper. The State Library of NSW. Search Manuscripts, Oral History, and Pictures Catalogue, has copies of the newspaper.A black and white etching titled 'A Native Funeral. A reminiscence of the Murray River' in a black frame with gold inner edge and grey mount. Picture features six canoes with lead canoe, in centre, carrying a body covered with foliage. April 2012: During restoration it was found under the original mount board the print 'Supplement to the Illustrated Australian News December 1885' First Nations.Supplement to the Illustrated Australian News December 1885illustrations, etchings

Dark green paperback Victorian Historical Magazine with the title printed in black lettering with further details including the Contents, Publisher details, price ONE SHILLING and Printer noted. Stapled on the left side. It has a few photos of Samuel Thomas Gill's pencil drawings throughout as well as an article about him. He was renowned as an artist of the goldfields. p.144non-fictionThe Victorian Historical magazine was first published in 1911 This is issue Vol III March 1914, No.3. The Contents lists: Extracts from the diary of The Rev. William Waterfield, first congregational minister at Port Phillip, 1838 - 1843, Recent publications, Index to periodical literature, Samuel Thomas Gill, the artist of the goldfields and notes and queries - Murray pioneers - Lillydale - Jacka Jacka.history magazine, victorian history, magazines, s.t. gill

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Mary Allen, Sadie Taylor, Betty Radnell (Clara), Annie Atkin, Nell Alexander, Mavis Comrie, Annie Grey, Dulcie Goltz, Kath Duggan, Hazel Davis, Alice Duggan. 3rd row: Ethel Ramm, Olive Jenkins, Mary Bool, Nell Reilly (or Rielly), Edna Jenkins, Lil Andrews, Betty Radnell, Winnie Duggan, Len Ramm, Bert Stevens, Keith Castleman. 2nd row: Ken McKenzie, Maurice Chambers, Andy Graham (Cec Williams), Fred Bool, Len Chambers, Les Caldwell, Wally Harwood, Joe Falder, Bert Caldwell, Geo Banks. Front/1st row: Phil Andrews, J. Jones, B. Stevens, Gilbert Ramm, Jim Duggan, Maurice Power, N.Carroll, Keith Chambers.tarnagulla, school, education, children, andrews, alexander, allen, atkin, banks, bool, caldwell, carroll, castleman, chambers, comrie, davis, duggan, falder, golz, goltz, graham, grey, harwood, jenkins, jones, mckenzie, power, rielly, reilly, radnell, stevens, ramm, taylor

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Alice Duggan, Eva Newton, Mary Darling (or M. Emerson), Iris Heraud, Vida Cottle, Phyllis Cottle, Sadie Taylor (or M. Radnell), May Lamprell, Mavis Comrie, Nell Alexander, Madge Whimpey, Kath Duggan. 3rd row: Headmaster/teacher A. "Boss" Alison, Dulcie Goltz, Annie Grey, Enid Stobie, Ettie Jenkins, Lil Comrie, Mary Riordan, Clara Radnell, Ena Bock, Edith Gedling, Rose Heraud. 2nd row: Olive Jenkins, Winnie Duggan, Pearl Lamprell, Betty Radnell, Edna Jenkins, Dora Goltz, Murray Comrie, Ron Heraud, Theo Riordan, Syd Goltz, Tom Comrie, B. Radnell, Stan Whimpey, Andy Heraud. Front/1st row: Bill Gedling, Jim Duggan, Frank (or Stan) McNamee, Andy Graham, Angus Comrie, Jack Grey, Bill Graham, Alan Alexander, Roy Alexander, Bill Riordan. tarnagulla, school, education, children, alexander, alison, bock, comrie, cottle, duggan, darling, emerson, gedling, goltz, grey, heraud, jenkins, lamprell, graham, mcnamee, newton, radnell, riordan, stobie, taylor, whimpey

Murray Comrie Collection. Monochrome photograph depicting a house located in Ironbark Gully, near Tarnagulla.tarnagulla, houses, w. grey

Murray Comrie Collection. Monochrome photograph depicting a house located in Ironbark Gully, near Tarnagulla.tarnagulla, houses, w. grey

Murray Comrie Collection. Monochrome photograph of a group of women in a garden or other outdoor setting. Accompanying note identifies subjects as: (left to right) Anne Grey, Kit Calder, Mary Clarke, Mary Allen, Marj Bradford, Nell Wragg, Annie Atkins, Vi Dyer, Vera Grey, This is an original photograph. tarnagulla, women, people

Murray Comrie Collection. Monochrome photograph of a group of women and girls (seated) in a garden or other outdoor setting. Accompanying note identifies subjects as: (left to right) Anne Grey, Annie Atkins, Mary Clark, Vi Dyer, Kitty Calder, Mary Allen, Vera Grey, Marj Bradford & ........... This is an original photograph. Printed on reverse: 'Bock Print'.tarnagulla, women, people

Murray Comrie Collection. A booklet with title 'Tarnagulla State School Roll of Honour'. Contains lists of Tarnagulla State School students from Tarnagulla, Waanyarra, Poseidon and Llanelly who served in the First World War, specifying the fate of each person. Also contains poems and other information relating to a Souvenir Flower Day, on 1st November 1918 in aid of soldier repatriation. Also outlines special war service honours earned by three Radnells (George Albert, George Duncan and Joseph Charles) and by Devon Grey, Harry Akers and Norman Graham. 'Murray Comrie' handwritten in pen on fronttarnagulla, waanyarra, llanelly, soldiers, ww1, service, military, school, radnell, akers, grey, graham

Book - 16 pages, including grey card covers, titled "See Australia First - Melbourne Victoria" featuring 12 pages of postcard photographs of Melbourne. Inside rear cover has a details of Melbourne's history, the city and its features. Produced by Murray Views of Gympie Qld, printed by Samuel Lee and Co. Images post second world war - late 1940's to early 1950's. Features images of: Alexandra Gardens River Yarra and Princes Bridge Flinders St Station St Kilda Road - tram track work being undertaken Flinders St and the Forum theatre The Exhibition Buildings Collins St Parliament House Bourke St - with cable tram tracks and the Metropole Hotel, Myer, Foys Aerial view of Melbourne Captains Cook's Cottage St Kilda Road with W2 287 Burns Memorial St Kilda Road St Paul's and Princes Bridge Town Hall Royal Melbourne Hospital Collins St with W2 turning Queen Victoria Gardenstrams, tramways, melbourne, flinders st station, collins st, town hall, princes bridge, st kilda rd

Four identical double-sided A4 pages, grey background with black print. MINUTES OF THE CITY OF GREATER BENDIGO HERITAGE ADVISORY COMMITTEE MEETING Held 5.30 p.m. Thursday 19 November 1998 In the Board Room, Sandhurst Club View Street, Bendigo. PRESENT: Nadia Gasparetto (Heritage Adviser), John Gullan, Murray Berrill, Therse Myee, David Krumins, Frances Gladwin, Bernard Smith. APOLOGIES: Yola Collins, Rik Dungey, Daryl McClure, Don Goldsworthy MATTERS ARISING Condition of "Lancewood" Nadia Gasparetto tabled two applications for financial assistance for properties in Don Street and Peel Street and raised issues relating to "Lancewood". city of greater bendigo heritage advisory committee, lancewood

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece pale green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, fashion - 1870s, australian fashion - 1870s

Jack Lockett was the son of Mary Elizabeth Lockett when she was still unmarried. The father of Jack was a man named Henry Bofill, and he was born at Waanyarra on 27th September 1865. It is of note that the Lockett family also lived at Waanyarra and were likely neighbours or knew the Bofill family. Henry later married a woman named Evelyn Mildred Grey and had several children. The family was living somewhere in Melbourne later on when Henry Bofill met with an accident and was killed. He was hit by a motorbike and sidecar in Lygon Street Carlton about 6pm after alighting from a tram. There were a number of witnesses to the accident, and the owner of the motorcycle was charged with manslaughter. Henry Bofill was transferred to St Vincent's Hospital but was pronounced dead on arrival. The mother of Jack Lockett, Mary Elizabeth, was born at Waanyarra on 21st January 1870, the daughter of James and Mary Ann Bryant. Mary gave birth to Jack in 1891. Later she married Robert John Burstall and gave birth to several more children. Mary died on the 19th of October 1949 in Ouyen and was buried in the Ouyen Cemetery.Three colour and one black and white photographs depicting Jack Lockett's father's grave and mother's photograph. a Jack Lockett's son Kevin at the unmarked grave of Jack Lockett's father, Henry Bofill (27/09/1865 - 14/05/1927) at Fawkner Memorial Park. b Kevin Lockett and daughters Vicki Grainger (nee Lockett) and Jennifer Lockett at the unmarked grave of Henry Bofill. c Unmarked grave of Henry Bofill at Fawkner Memorial Park in Church of England section, grave 2996. d Jack Lockett's mother, Mary Elizabeth Burstall (nee Lockett), in 1949.a 'Kevin Lockett at the grave site of No. 2996, Fawkner Memorial Park, Melbourne, believed to be his grandfather, Henry Bofill B 27-9-1865, D 15-5-1927' b 'Vicki Grainger "Lockett", her sister Jennifer Lockett with their father, Kevin Lockett. Visited the unmarked grave - site 2996 C of E, M section Fawkner Memorial Park, Melbourne of their ggrandfather, Henry Bofill. B 27-9-1865, D 14-5-1927. He married Evelyn Mildred Grey, B 1872, D 1949' c 'The unmarked grave site at Fawkner Memorial Park Cemetery, Melbourne C of E M sec C/S 2996 of Henry Bofill B 27-9-1865 D 14-5-1927. Married 1896 Evelyn Mildred Grey B 1872 D 1949. Believed to be the father of John Henry "Jack Lockett" B 22-1-1891 D 25-5-2002. Mother Mary Elizabeth Lockett Burstall. Grandfather of Jack Francis Lockett B 5-12-1925, Kevin Lloyd Lockett B 24-7-1927, Maybell Joyce Floyd (nee Lockett) B 26-7-1928, Ronald Murray B 28-4-1931 D 29-4-2017' d 'Taken Feb 1949. Mary Elizabeth, Mother of John Henry Lockett (Mrs Burstall). Born 22-1-1891 D 25-5-2002'jack lockett, henry bofill, mary elizabeth burstall, waanyarra

Hardcover book, 344 pages. Book has a grey cover.fictionRomance novel.robert william mackenna, romance, fiction, scotland - historical fiction

363 p. : green-grey cover, with sections of original dust jacket pasted to front and spine. Cover illustration shows head and shoulder image of a woman with fair hair who is wearing a string of pearls. In the background there is a cottage with a thatched roof and a chimney. Title page has been pasted to front cover, obscuring publication details.fictionRomance fictionfiction, romance, kathleen norris

Grey and white paperback book with maroon and white writing on cover and spine. Cover also has three images in square templates in a line across the top; the images depict a medal, uniform and portait of a woman in army nurses uniform. The title is printed below the images.non-fictionA tribute to the service and sacrifice of the thirty two nurses listed on the Bendigo Base Hospital Roll-of-Honour, thirty nurses listed on the Honour Roll on the Loggia of the Soldiers Memorial Institute, Pall Mall Bendigo, and twelve Bendigo related nurses not listed on either roll. (From title page)world war one, wwi, ww1, australian nurses, nursing in warfare, bendigo, victoria

Grey and white paperback book with maroon and white writing on cover and spine. Cover also has images of a medal, uniform and portait of a woman in army nurses uniform.non-fictionA tribute to the service and sacrifice of the thirty two nurses listed on the Bendigo Base Hospital Roll-of-Honour, thirty nurses listed on the Honour Roll on the Loggia of the Soldiers Memorial Institute, Pall Mall Bendigo, and twelve Bendigo related nurses not listed on either roll. (From title page)world war one, wwi, ww1, australian nurses, nursing in warfare, bendigo, victoria

Grey and white paperback book with maroon and white writing on cover and spine. Cover also has images of a medal, uniform and portait of a woman in army nurses uniform.non-fictionA tribute to the service and sacrifice of the thirty two nurses listed on the Bendigo Base Hospital Roll-of-Honour, thirty nurses listed on the Honour Roll on the Loggia of the Soldiers Memorial Institute, Pall Mall Bendigo, and twelve Bendigo related nurses not listed on either roll. (From title page)world war one, wwi, ww1, australian nurses, nursing in warfare, bendigo, victoria

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.