Black and white photograph of logs at timber mill. Gantry above. (2 copies, 1 large, 1 small)Written on back of photograph: "Ringwood Timber & Trading".

Black and white photographWritten on back of photograph: "May 1969". Image shows Mazda showrooms and Mobil Service Station.

Digitised video (3.19GB) Duration: 75 minutes. Recorded May, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Past-President of RDHS, Richard Carter, is the guru when it comes to researching properties. South Side Story examines the often forgotten - but important - part of Ringwood from Wantirna Road to Olive Grove on the southern side of Maroondah Highway, Ringwood, Victoria.

Black and white photograph (2 copies)

Pamphlet - DL two fold, full colour titled "Your new Collins Street Tram Platform Stop" at the intersection with Elizabeth St, gives details of temporary stop, timing, and program. Part of the Think Tram project with VicRoads. Work was to commence 16/9/2005.trams, tramways, tram stops, collins st, elizabeth st, construction, platform stops

Brochure of Scott's Garden Estate consisting of 21 large allotments owned by Mrs. E.E. Scott, corner Victoria Street and Scott Street, Mitcham. Also includes New Street, Mitcham. Brochure of Scott's Garden Estate scott, emma elizabeth, coghill & haughton, daly, hall & davey, scott's garden estate, scott street mitcham, victoria street mitcham, new street, mitcham

Set of three pamphlets advising of changes to tram services for the renewal of tram track works. All give the relevant service changes and maps. .1 - "Tram service changes Elizabeth St tram track renewal stage 1" - April 2012 - 2 fold DL .2 - "Tram service changes - Routes 70 and 75 - Intersection of Power St, Wallen Road and Riversdale Road Burnley" - June to July 2012 - 3 fold DL .3 - "Your new Victoria Street accessible stops" - Feb,. 2016 - 4 fold DL, including a Vietnamese translation. Details work between Hoddle and Church Streets. .4 - Route 70 - Swan St Burnley track renewal - 9 to 11 Jun 2012 - 3 fold DL 5 - Fitzroy St and The Esplanade - superstops.11/6 to 17/6/2011 - 3 fold DL Produced by Public Transport Victoria and Yarra Tramstrams, tramways, public transport, tram stops, elizabeth st, hawthorn, riversdale junction, wallen rd, route 70, route 75, route 109, victoria st, route 12, swan st, esplanade, route 70, fitzroy st

Pamphlet, DL size, green and white advising about the new Elizabeth St streets stops being opened in mid November 2013. Gives details of the stops, the benefits, a plan showing existing stops, new platform stops and temporary stops. Has the Yarra Trams and PTV logos. .1 - pamphlet or hanging notices to around tram handrails, cut out advised of the changes to services due to tramway or other works for changes to routes 19. 57. 59. 86 and 96 5/10/13 to 9/10/13. Item .1 added 8/1/2019.trams, tramways, yarra trams, elizabeth st, tram stops, platform stops, route 19, route 57, route 59, route 86, route 96

Originally built around 1869-74, the residential house Boort which was located at 266 New Street, Brighton was sold to Brighton Grammar in 1968 and was subsequently demolished in 1974.John C Paul, Boort c.1965 1975, watercolour, 27.2 x 38.3 cm. Bayside City Council Art and Heritage Collection.brighton, john c paul, historic house, boort, new street, brighton grammar

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton and was taken on 1 December 1976brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, melbourne project 1976, brighton yacht club, middle brighton baths, north road, st kilda street, new street

Digital photograph

North bound lane closure. Born Digitalbolton street, bolton street upgrade, eltham, streets, baxter street

Booklet issued for the use by drivers on the then new Bourke St tram line, which commenced on Sunday 26/6/1955. Provides a long list of Do Nots, typical of the time. Gives information to crews about the new trams, their quiet running, and their handling. Has a few "Always" at the rear of the booklet.Demonstrates an information document produced by the MMTB for drivers of the new Bourke Street routes.Booklet - 12 pages printed on light fawn paper, centre stapled.trams, tramways, bourke st, new trams, new tramways, opening, instructions

Black and white photograph of building being moved along street.Typed below photograph, "Church of England being hauled into new position, Ringwood Street, 1924" There is a duplicate copy that has the following written on backing sheet, "Shifting C of E to Ringwood St. 1924 (using winching pulleys)"

Further development of 9 shop sites took place along Whitehorse Road (later street numbers 58 to 64 Whitehorse Road) between New Street and Olive Grove around 1950 - See Victorian Collections reference 5227.Single sided page with red and blue print advertising Olive Grove Estate business and residential allotments, including subdivision plan and summary of local services.Subdivision includes Whitehorse Road, New Street, and Olive Grove. Agent - F.V. Parker, Telephone 131, Ringwood.

Photo was printed from a 620 box Brownie-size negative which was found in a box of negatives taken by the late Mrs Margaret Florence StuartPhoto of William Raeburn STUART on his two wheeler milk float with new horse, standing in Bridge Street near Ross Street, 1940s. In background is the newsagent/milk bar at Bridge and Ross Streetsbusiness and traders - dairies, transport - horse, william raeburn stuart, gladysdale dairy, business and traders - milkbars, bridge street, ross street

Print black and white in wooden frame, at bottom of print the words in large font "SAVING AMIENS" / " A brilliant Bayonet Charge by the 9th Australian Brigade" Ornately carved wooden frame with Gold inlay on the inner edge closest to the glass with off white mounting board. The print appears to sit loosely in the frame. The picture is signed by F. Mantania in the bottom left corner and on the picture mounting board "by F. Mantania, R. J." centered on the top mounting board is "Copyright published 15th May 1919 by "The Sphere and Tatler", LTD, 6, Great New Street E.C.4Copyright published 15th May 1919 by "The Sphere and Tatler", LTD, 6, Great New Street E.C.4

A dress believed to have belonged to a family member of Mrs. Jessie Somerville Singer (nee Watson), 1849-1935. As the dress dates from circa 1850, it could have belonged to someone from one generation previous, possibly her mother Elizabeth Watson. Jessie Somerville Singer was the second wife of Mr. Edward Singer (1829 – 1904) of 'Somerville', New Street, Brighton Beach. Edward's first wife, Maria, died in 1861; their son William died approximately 12 months later. In the 1861 census of North Bradley England, Edward was recorded as a carpenter journeyman. After these tragedies Edward, then aged 30, left England to start a new life in Australia. He emigrated as an unassisted passenger on the steamship 'Great Britain', departing from Liverpool and arriving in Melbourne in April 1863. Edward worked as a joiner and overseer for a timber merchant in Franklin Street, Melbourne. In December 1869 he bought a property at 1115 Hoddle Street, East Melbourne, between Hotham and George Streets. At some stage he also acquired 1117 Hoddle Street. He also owned another property in Rushall Crescent, North Fitzroy. On 10 July 1873 Edward married Jessie Somerville Watson, the daughter of William Watson and Elizabeth Martin. They lived at Hoddle Street for some years, later moving to Rushall Crescent, North Fitzroy before in the 1880s settling in what was then the semi-rural suburb of Brighton. Edward is recorded as working there as a joiner. The house 'Somerville' was built by the Singers in circa 1880 at 100 (now 78) New Street, Brighton. The family moved there upon Edward's early retirement and lived there until 1941. 'Somerville' was sold, the house demolished and the land subdivided in the 1930s. Edward and Jessie appear to have lived comfortably. Edward died on 30 July 1909. Jessie died on 11 November 1935. Many members of the Singer family have lived in and around Brighton since Edward and Jessie first made their home there. The donor, Mrs Dorothy Constance Cook, was Jessie's granddaughter.A silver and brown striped silk taffeta dress comprising separate bodice (.1) and skirt (.2). The dress features a high round neckline fastening down the centre front with concealed hook and eye closures with ten (two missing) decorative brown silk velvet buttons. The front and back feature a briown silk velvet ribbon that forms a v shape from the shoulder to the centre front just below the bust and centre back below the shoulder blades. From the ribbon falls a brown and silver silk fringe approx seven cms deep. The bodice is shaped and boned into the waist and finishes in a deep v over the stomach. At the back the bodice is shaped to the body finishing in a smaller curved v over the small of the back. The sleeve attaches to the bodice at the true shoulder and falls in a pagoda sleeve to the mid forearm. The sleeve is also trimmed with brown silk velvet ribbon near the base of the sleeve. The full skirt is pleated at the waist, falling to the floor, longer at the back to accommodate the crinoline.somerville, new street brighton, jessie somerville singer, edward singer, elizabeth martin, brighton, 1850s

UK manufacture RAA cap for 1950s. Personal purchase?? Khaki cloth peaked cap with Royal Regiment of Australian Artillery gilt cap badge (Queen's crown) with brown leather chin strap and gilt AMF 12mm diameter buttons. Brown leather sweat band and tan plastic crown liner and khaki cloth liner. Manufacturer's, size and D^D stamp under crown. "Herbert Johnson (Bond Street) Ltd., 38 New Bond Street, London" "1951" "Size 6 7/8" "Made in England" "D^D" No personal I.D.headgear, cap

Built by artist and cartoonist Percy Leason in 1927 in what was then New Street but renamed Lavender Park Road in the late 1950s/early 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p121 Said to be a genius, cartoonist Percy Leason’s career was at its peak when in 1925 to 1926 he built his home at New Street (now Lavender Park Road) Eltham. The Herald newspaper owner, Sir Keith Murdoch, had hired Leason for his newly acquired Melbourne Punch magazine at a salary of £1750, making him ‘one of the highest paid cartoonists in the world’.1 With this salary and financial help from Murdoch, Leason was able to build his lovely home in Eltham. At the crest of a sweeping drive, the home now two-storey in white brick with a gabled grey slate roof and dormer windows is flanked by an extension built by another owner in the 1980s. Leason lived in the home with his wife, Isabel and children, until 1937, when he left for the United States of America, where he lived until his death in 1959. The four-bedroom house and garden would have been well-suited to bringing up his family and to entertaining their friends in style. Large airy rooms have high ceilings with moulded plaster, timber floors and several are brightened with bay windows. Leason made friends with many of the artists and personalities who gravitated to Eltham. Around 1931 Justus Jörgensen, founder of the Montsalvat Artists’ Colony, helped Leason build his large studio at the back of the house. Another friend was journalist Mervyn Skipper, father of jeweller and sculptor Matcham, and artists Helen and Sonia. Leason’s teacher, artist Max Meldrum, also visited and rented accommodation in Eltham, opposite Wingrove Park. Punch folded in 1925, but Leason continued as cartoonist for Table Talk. In 1926 Leason began the cartoons of a mythical Australian town Wiregrass, which were inspired by Kaniva, his home town. The art gallery in Main Road Eltham was named Wiregrass in Leason’s honour. Leason completed 1000 drawings from 1919 to 1937, which author Garrie Hutchinson claimed, were technically unsurpassed and had regional and universal interest. Leason’s acute observations of country life stemmed from his childhood in Kaniva in Victoria’s western Wimmera, where he was born, the son of a selector, in 1889. Meldrum claimed that Leason could name every plant and the habits of every animal.2 Leason also painted 28 portraits of the last full-blooded aboriginals in Victoria at Lake Tyers in Gippsland, most of which are in a private collection. In Sydney Leason illustrated Henry Lawson’s Selected Poems and worked for The Bulletin. Leason had begun his career at 13 as an apprentice lithographic artist at Sands and MacDougall. He attended night classes at the National Gallery and the Victorian Artists Society. Leason first visited Eltham in 1910 to paint with fellow artist William ‘Jock’ Frater. They camped near Bible and Pitt Streets and along the Diamond Creek on the site of the present Eltham Retirement Centre. Despite his success as a cartoonist, Leason wanted to be recognised as a serious painter and for his anthropological work.3 He was also conservative and felt uncomfortable with the modern art scene in Melbourne.4 So he left for the United States of America to work as a painter. Ironically his time in New York saw the burgeoning of modern art, notably by artists such as Jackson Pollock. But Leason found his niche by running an art school, painting society portraits and illustrating books and magazines.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, landscape, lavender park road, percy leason, new street

Black leather bound book with handwritten notes inside covers.ebenezer wesleyan church new street brighton, new street methodist church

New development centred on 78 Main Street Greensborough.Digital copy of colour photographmain street greensborough

New development at 78 Main Street Greensborough. Photo centres on the Amcal Chemist at 100 Main Street.Digital copy of colour photographmain street greensborough

The Ballarat School of Mines is the first School of Mines in Australia, and was established in 1870.Black ink on paper plan: SMB New Workshops plans, smb workshops, percy everett, smb, ballarat school of mines

Two images of a group of people standing on a footpath and being interviewed. The central point are two men and a woman, with the television camera pointed towards them in both shots.2 negatives on strip under heading 'Christmas Party 1982'royal blind society of new south wales, marketing

The foundation stone of the New Classrooms was laid on 14 April 1899. In 2014 the building is part of the Federation University Australia SMB Campus and is known as the Administration Building Sepia photograph showing the laying of the Foundation Stone for the Ballarat School of Mines New Classrooms in Lydiard Street, Ballarat.ballarat school of mines, lydiard street, new classrooms, federation, masonic, freemasons, foundation stone, administration building, gas lamp, gauge tower