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Geoffrey Kaye Museum of Anaesthetic History
Carving, Heke Collier, Mauri Ora, May - July 2016
Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu -
Victorian Aboriginal Corporation for Languages
Book, Fiona Magowan, Telling stories : Indigenous history and memory in Australia and New Zealand, 2001
Telling Stories looks at the place of life stories and of memory in history: who tells life stories: the purpose for which they are told: the role of story and history in the politics of land claims: and the way language impacts on research and writing. Contents: Introduction /? Bain Attwood and Fiona Magowan 1. Indigenous Australian life writing: tactics and transformations /? Penny van Toorn 2. Stories for land: oral narratives in the Maori Land Court /? Ann Parsonson 3. Crying to remember: reproducing personhood and community /? Fiona Magowan 4. The saga of Captain Cook: remembrance and morality /? Deborah Bird Rose 5. Encounters across time: the makings of an unanticipated trilogy /? Judith Binney 6. In the absence of vita as genre: the making of the Roy Kelly story /? Basil Sansom 7. Autobiography and testimonial discourse in Myles Lalor's 'oral history' /? Jeremy Beckett 8. Taha Maori in the DNZB: a Pakeha view /? W. H. Oliver 9. Maori land law and the Treaty claims process /? Andrew Erueti and Alan Ward 10. 'Learning about the truth': the stolen generations narrative /? Bain Attwood.B&w photographsindigenous history, maori history, oral histories -
Ballarat Heritage Services
Image, Federation Convention, Melbourne, 1890, 1890
Black and white photographic image taken in Melbourne in 1890. During this meeting a draft constitution was becoming clearer. Back row: Andrew Inglis Clark, Captain William Russell (New Zealand), Sir Samuel Griffith, Sir Henry Parkes, Thomas Playford, Alfred Deakin, Bolton Stafford Bird, George Jenkins (Secretary to the Conference) Seated: William McMillan, Sir John Hall (New Zealand), John Macrossan, Duncan Gillies, Dr John Cockburn, Sir James Lee Steerefederation, federation convention, henry parkes, constitution, andrew inglis clark, captain william russell (new zealand), sir samuel griffith, sir henry parkes, thomas playford, alfred deakin, bolton stafford bird, george jenkins, william mcmillan, sir john hall, john macrossan, duncan gillies, dr john cockburn, sir james lee steere -
Ballarat Heritage Services
Photograph - Image, Members of the Australasian Federation Convention
This group of men are considered fathers of Australian Federation. Sixteen men of the members of the Australasian Federation Convention, 1890. The bearded man standing in the centre is Henry Parkes. Hon. Andrew Inglis Clark (Tasmania), Hon. Sir Samuel Walker Griffith KCMG (Queensland), Hon. Thomas Playford (Sth. Aust.), Hon. Alfred Deakin (Victoria), Hon. Bolton Stafford Bird (Tas.), George H. Jenkins (Secretary to the Conference), Hon. Capt. William Russell Russell (New Zealand), Hon. Sir Henry Parkes (New South Wales), Hon. William McMillan (N.S.W.), Hon. Sir John Hall KCMG (N.Z.), Hon. John Murtagh Macrossan (Qld), Hon. Duncan Gillies (Vic.), Hon. John Alexander Cockburn M.D.(Sth.Aust.), Hon. Sir James George Lee Steere (Western Australia).national conventon, henry parkes, federation, duncan gillies -
Whitehorse Historical Society Inc.
Photograph, Creek Road Mitcham 1939/40, 1939/40
George Thompson had just come home from New Zealand. In the photo is sister Mavis Thompson and possibly George's parentsBlack and white photo taken in 1939/40 of weatherboard house built about 1922 in Creek Road, Mitcham - now called Bird Street. The house is now demolished.creek road mitcham, thompson, george -
Moorabbin Air Museum
Book - RNZAF, The First Decade 1937-46, Kookaburra Technical Publications PTY LTD et al, 1978
The book is a collection of Photographs of the Royal New Zealand Air Force (RNZAF) from 1937 to 1946 with descriptions and a foreword.Orange front cover with a Colour Photograph. A white back cover with a small picture of a bird in the centre.non-fictionThe book is a collection of Photographs of the Royal New Zealand Air Force (RNZAF) from 1937 to 1946 with descriptions and a foreword.royal new zealand air force, rnzaf, second world war